The Murder Room (14 page)

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Authors: Michael Capuzzo

BOOK: The Murder Room
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Leschorn emphasized the need for secrecy and speed. Even among the marshals, Persico had attained the status of He Who Must Not Be Named. Deputies could refer to him only by a code name.
“This is a top priority for the service,” he said. “We’re putting a lot of resources into this.”
Bender smiled to himself. He knew the marshals liked to show up the FBI on big cases to affirm their reputation as the world’s best bounty hunters. They saw themselves as the true hard-nosed federal lawmen, little known compared to their more glamorous, pretentious federal brethren.
Leschorn pushed two small prison photographs of Persico across the table to Bender. The three-by-five head shots showed the mobster in profile and also looking straight out of the photograph. They were nearly twelve years old. Like for Vorhauer and Nauss, current photographic evidence was nonexistent.
“What happened to his face?” Bender asked. The whole left side of his face below the eye looked like he’d slept on a pillow of pebbles and nails, leaving permanent scars. Trailing the swath of scars, part of his lower lip was dark blue.
“He got in a fight in Sing Sing and someone threw acid in his face,” Leschorn said.
Whether he’d had plastic surgery since then nobody knew.
“This isn’t much,” Bender said.
“Are you willing to do it?” Leschorn wanted a finished bust in ten days.
Bender would need the same unlikely combination of art, science, and divination known as “age progression” that had nabbed Vorhauer and was stymieing him with Nauss.
“Absolutely.” He grinned, with the shiny, drunken look he had when reality exceeded his need for stimulation. He wasn’t happy unless the impossible odds against him held a tiny chance he could be a hero. “I need to find out everything I can about him.”
The feds knew little. In the twelve-year-old photos, Persico was a lean, forty-five-year-old man who fancied himself a playboy, dark-haired and olive-complected with a dark mustache. He was a heavy smoker and drinker, and preferred Scotch. He was married, but had many other women.
His longtime girlfriend was Mary Bari, a stunning five-foot-two brunette he met when she was fifteen and he was pushing forty. In the glamorous heyday of the New York mob, he showered her with diamonds, furs, trips to Vegas, nights on the town in the white Rolls-Royce with pistol-packing bodyguard. In 1984, while away from her in hiding, he arranged for her to work as a cocktail waitress at the wiseguys’ Wimpy Boys Social Club in Brooklyn so she could make a little money and hang out with the family.
She arrived at the club for the interview dressed like a gang-land knockout in pearls, tank top, high heels, and a snakeskin belt, and was warmly embraced by longtime pal Greg Scarpa Jr., son of the capo. Scarpa held her tight as his father, Greg “The Grim Reaper” Scarpa Sr., came up for a kiss. Instead he pulled a gun and put three bullets in her head. They dumped Mary on the street two blocks away. She had been rumored to be talking to the FBI about Persico’s hideout.
“Jesus,” Bender said later when he heard the story. “This guy makes Vorhauer look like a gentleman.”
The marshals believed Persico was alive and living in Florida or Connecticut, popular mob hideouts.
As Bender worked on the bust, the marshals shuttled him between Philadelphia and New York, the base of the Persico operation, on a plane with the tightest security. Deputies prevented security or even the pilot from inspecting the fiberglass box seat-belted next to Bender. Bender finished in ten days, depicting the aging mafioso with a shrunken face beneath dyed dark hair and mustache. An ex-mobster in the witness protection program who’d seen Persico in recent years previewed the bust for the marshals. The head looked good.
Four months later, around five o’clock on the afternoon of Monday, November 9, 1987, a marshal spoke to the landlady at a garden apartment building in West Hartford, Connecticut. It was one of 150 addresses they had to run down—150 Connecticut men, culled from a database of thousands, whose driver’s license listed a similar height, weight, and birth date to Persico’s, and whose surname ended in a vowel. A caravan of seven more marshals parked on the street, loaded with firepower.
The marshal showed the landlady the twelve-year-old photographs of Persico. She shook her head. “I don’t know who that is.” He showed her the recent photograph of Bender’s bust. “Oh, that guy lives right upstairs. John Longo. He just called me to come up and look at his stove. He’s making sauce and the stove went out. He’s not too happy about it.”
The marshal smiled. “Don’t worry, we’ll fix his stove.” The phalanx of federal agents approached the door. Persico was known to be armed and extremely dangerous, and traveled with armed bodyguards. But now he answered the door himself. The underboss was alone, fretting over his spaghetti sauce.
The deputy flashed his badge. The aging mafioso’s withered, scarred face darkened. But he gave up without a struggle. Deputies found $7,300 in cash in the apartment, which was rented by a woman not his wife. The underboss was receiving money from the mob in New York and preparing to help lead the Colombo family out of a dark hour.
Allie Boy had eluded marshals for seven years by living a drab existence. After being nearly caught at a California track, he sentenced himself to padding around his Connecticut apartment in slippers, cooking, watching TV soaps, and reading newspapers. The flashy underboss would have been “taken down a lot earlier” if he’d continued to indulge his weaknesses for the horses, straight whiskey, and “lots of broads,” a New York marshal said. Instead, said the marshal, “From what we’ve pieced together, he lived moderately and read a lot of newspapers. It does sound like jail.”
The year before, his brother had been sentenced to a hundred years in prison on racketeering charges in a massive federal case that put away eight men who ruled the American Mafia through “The Commission.” Thanks to Bender, Allie Boy would soon join them behind bars.
The sculptor was feted with international publicity. The deputies marveled that Persico’s thin face, dyed dark hair, and mustache were the living image of the bust. “This case drove us crazy,” the top Brooklyn marshal, Michael Pizzi, told United Press International. “But the bust turned out to be accurate.” Said another marshal spokesman, “We hit pay dirt.”
PERSICO RAN OUT OF THYME, quipped the New York
Daily News
.
 
Bill Fleisher’s beard expanded around the oval of his mouth.
“Allie Boy Persico? I can tell you all about Allie Boy Persico!” Bender had been prohibited from discussing the case with his friend until it was wrapped up, but now, three weeks later, he was celebrating at his regular luncheon with Fleisher. Bender was in a jovial mood. Once again he’d predicted the unpredictable path of time across a killer’s face. The head he dubbed “Scarface” had been one of his most satisfying cases.
Fleisher wagged his big head. He felt that he and Bender were connected by whatever invisible strings the universe was pulling. “When I was with the FBI, I was assigned to the Colombo family squad in New York, and we were always chasing Allie Boy. We went to his farm in upstate New York and arrested him on an Alcohol, Tobacco, Firearms, and Explosives charge—he had an illegal rifle. It was early morning, and he smelled terrible. I don’t think he brushed his teeth. And he looked like he hadn’t slept. I interviewed him in the New York State Police barracks near his farm. He was a typical wiseguy of that era from Brooklyn, kind of gruff but charming. I can’t say he wasn’t a gentleman, except he’d kill you if you looked at him the wrong way.”
Bender laughed. The luncheon marked a major triumph of his new life in forensic art.
Fleisher raised an iced-tea toast. “I don’t know how you do it, Frank. You’re a major asset to law enforcement in this country. Allie Boy was a big fish. I remember he had a bad stomach. Lots of ulcers.”
“Allie Boy?” Bender leaned forward abruptly.
“Yeah.”
Bender’s mouth unhinged. His light hazel eyes got a shade lighter. He recalled one of the few things the marshals told him about Persico—the underboss had stomach problems. Allie Boy could eat only certain foods.
“My God, Penny Wright was on the money.”
Bender told Fleisher about the psychic whom Paul Schneider took him to and her prediction that the next fugitive the marshals caught after Vorhauer would have stomach troubles. Schneider had prayed it would be Nauss, whom he believed had stomach troubles from an old .22 wound in the gut.
“It’s Allie Boy,” Bender said with a far-off look, turning the words over like golden coins of prophecy. “Allie Boy Persico is the man with the bad stomach.”
Now they’d have to catch Nauss without unseen help.
• CHAPTER 14 •
ON THE TRAIL OF THE WARLOCK
B
efore he escaped from prison in a pine armoire like Odysseus breaching the walls of Troy in a wooden horse, Robert Thomas Nauss had more in common with the monsters of antiquity than its heroes. He was a lean young man with a bearded face like a portrait of Jesus and soft brown eyes that blazed like a biker from hell. Men in Delaware County, Pennsylvania, quaked when Bobby Nauss strode into a bar with his Warlock gang members, bristling with black leather, chains, and threat. His soulless eyes were the last mortal sight of several pretty young women who vanished into the Tinicum marshes, police believed. Nauss was convicted of one murder and suspected of two others, in addition to his convictions for rape, robbery, and drug trafficking.
On the evening of December 11, 1971, the Warlock leader went on a date with his petite blond girlfriend, Elizabeth Landy, a twenty-one-year-old Philadelphia beauty queen. At the home of a fellow biker, they got into an argument and he tried to choke her, but Elizabeth hid in a locked bathroom. Later they made up and went to bed—where he bludgeoned her to death with a baseball bat. He strung her corpse up in a garage to show off to his biker buddies, and boasted, “She won’t bother me anymore.” Nauss cut off her hands and feet and covered her with lime to hasten decomposition and buried her in a shallow grave near the New Jersey Pine Barrens. Nauss was the first man in Pennsylvania history convicted of first-degree murder without a body. Landy has never been found. Nauss, too, had disappeared since his escape from Graterford with Vorhauer three years before.
Bender stood back and looked at his bust of Nauss, or what he thought time and trouble had done to Nauss’s boyish face. It was less than a month after Vorhauer’s arrest, and the U.S. Marshals were waiting for Bender’s age-progression bust to jump-start another investigation, to reveal their quarry. Equally important, his wife, Jan, was expecting him to perform a second miracle to keep alive his string of big federal cases and its promise of bigger money. He had almost nothing to go on, less even than he had known about Vorhauer. At least there had been recent sightings of Vorhauer in the Philadelphia area, raw material for his sketches. There had been no sightings or leads in the Nauss case. The last photographs of Nauss were nearly a decade old, his 1977 intake pictures from the prison. In those photos Nauss was five foot nine, a lean, muscular, 190 pounds, bearded. His powerful arms were tattooed with a blue parrot, a skull and dagger, a swastika, and the legend “Born to Lose.”
Bender studied the prison photograph of the menacing biker, then looked back at the bust. The bust depicted a conservative, thirty-five-year-old man in a button-down shirt collar. The new Nauss was clean-shaven, with short, neat, dark hair trimmed over the ears. The killer resembled a young Clark Kent. No matter how hard he tried to depict the biker as a burly thug in middle age, his fingers sculpted an all-American suburban family man.
Bender nervously ran his teeth over his lower lip. His muse was directing him; the harmony in nature and proportion that just felt right when he achieved it. But he could hear the marshals guffawing once more.
The mob hit man was a blond, and now the killer biker was Mr. Main Street, clean-cut Rotarian, straight as a banker’s son-in-law?
He saw their faces twisted with skepticism.
Where we gonna arrest him, at the chamber of commerce breakfast? The country club?
Bender’s gut told him he was right once again. As a rule, he didn’t doubt himself any more than the moon questioned its pale light or the river its banks. He was the natural. He was the artist who saw dead people. Still, he possessed the humility of a perfectionist, the pride of a craftsman. He liked to check and recheck his assumptions. He was always eager to learn more.
After ten in the morning, he left the clean-cut killer’s head and walked back to his living area to clean up and put on a fresh shirt. He’d been up half the night, stripped to the waist like a rough tattooed John the Baptist with his hands on the head of a sadistic killer, mixing water and clay in a purification rite for a murdered girl. He needed some air. The city was filled with beautiful women and opportunity, he thought.
He combed his thinning blond hair in the mirror by the Fertility Godhead he had sculpted. Before noon, he threw on his coat and walked out into a bright fall morning, trailing his compact shadow along the broken sidewalk.
Eighteen blocks later, he went through a wide door into a great Egyptian-style lobby with sand-colored columns on all four sides supporting a balcony, and a chandelier that had dazzled presidents since Calvin Coolidge. The old Benjamin Franklin Hotel, affectionately dubbed “The Ben,” as it stooped over the years like a favorite tattered old uncle, had been the scene of a few crimes since 1925. But it had never seen anything like the hundreds of private eyes, blood-spatter experts, medical examiners, and even a few hypnotists who crowded the hotel that morning. The prestigious American Academy of Forensic Sciences convention was in town.
As Bender crossed the lobby, he hardly had time to recall his simmering resentment of the AAFS—he could speak before them but not join without a college degree—when a sturdy woman with strong hands flashed a friendly smile and a broad Oklahoma hello. Big, round horn-rimmed glasses magnified soft eyes that Hollywood would have picked to serve homemade pie. The look was deceiving. Betty Pat Gatliff was the grande dame of forensic artists. She’d helped pioneer the profession worldwide. She’d done a facial reconstruction of King Tut published in
Life
magazine. Working with her forensic teammate, legendary anthropologist Clyde Snow, she’d rebuilt the skulls of seven of the unidentified victims of serial killer John Wayne Gacy.

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