The Music School (18 page)

Orson stood stunned above the bed, gripped by an urge to bury his face and hands in the hair. “You’ve been
seeing
her?” This effeminate stridence in his voice: he despised it and only Hub brought it out.

“A little. My schedule doesn’t allow for much social life, but my adviser has recommended that I relax now and then.”

“You take her to movies?”

“Once in a while. She pays her admission, of course.”

“Of
course
.”

Hub took him up on his tone. “Please remember I’m here on my savings alone. I have refused all financial assistance from my father.”

“Hub”—the very syllable seemed an expression of pain—“what are you going to do with her hair?”

“Spin it into a rope.”

“A
rope
?”

“Yes. It’ll be very difficult; her hair is terribly fine.”

“And what will you do with the rope?”

“Make a knot of it.”

“A
knot
?”

“I think that’s the term. I’ll coil it and secure it so it can’t come undone and give it to her. So she’ll always have her hair the way it was when she was nineteen.”

“Oh, Lord. How did you ever talk this poor girl into it?”

“I didn’t talk her into it. I merely offered, and she thought it was a lovely idea. Really, Orson, I don’t see why this should offend your bourgeois scruples. Women cut their hair all the time.”

“She must think you’re insane. She was humoring you.”

“As you like. It was a perfectly rational suggestion, and my sanity has never been raised as an issue between us.”

“Well,
I
think you’re insane. Hub, you’re a
nut
.”

Orson left the room and slammed the door, and didn’t return until eleven, when Hub was asleep in his eye mask. The heap of hair had been transferred to the floor beside the spinning wheel, and already some strands were entangled with the machine. In time a rope was produced, a braided cord as thick as a woman’s little finger, about a foot long, weightless and waxen. The earthy, horsy fire in the hair’s color had been quenched in the process. Hub carefully coiled it and with black thread and long pins secured and stiffened the spiral into a disc the size of a small saucer. This he presented to the girl one Friday night. The presentation appeared to satisfy him, for, as far as Orson knew, Hub had no further dates with her. Once in a while Orson passed her in the Yard, and without her hair she scarcely seemed female, her small pale face fringed in curt tufts, her ears looking enormous. He wanted
to speak to her; some obscure force of pity, or hope of rescue, impelled him to greet this wan androgyne, but the opening word stuck in his throat. She did not look as if she pitied herself, or knew what had been done to her.

Something magical protected Hub; things deflected from him. The doubt Orson had cast upon his sanity bounced back onto himself. As spring slowly broke, he lost the ability to sleep. Figures and facts churned sluggishly in an insomniac mire. His courses became four parallel puzzles. In mathematics, the crucial transposition upon which the solution pivoted consistently eluded him, vanishing into the chinks between the numbers. The quantities in chemistry became impishly unstable; the unbalanced scales clicked down sharply, and the system of interlocked elements that fanned from the lab to the far stars collapsed. In the history survey course, they had reached the Enlightenment, and Orson found himself disturbingly impressed by Voltaire’s indictment of God, though the lecturer handled it calmly, as one more item of intellectual history, neither true nor false. And in German, which Orson had taken to satisfy his language requirement, the words piled on remorselessly, and the existence of languages other than English, the existence of so many, each so vast, with so many arbitrary rules, seemed to prove cosmic dementia. He felt his mind, which was always more steady than quick, grow slower and slower. His chair threatened to adhere to him, and he would leap up in panic. Sleepless, stuffed with information he could neither forget nor manipulate, he became prey to obsessive delusions; he became convinced that his girl in South Dakota had taken up with another boy and was making love to him happily, Orson having shouldered the awkwardness and blame of taking her virginity. In the very loops that Emily’s ballpoint pen described in her
bland letters to him he read the pleased rotundity, the inner fatness of a satisfied woman. He even knew the man. It was Spotted Elk, the black-nailed Chippewa, whose impassive nimbleness had so often mocked Orson on the basketball court, whose terrible ease and speed of reaction had seemed so unjust, and whose defense—he recalled now—Emily had often undertaken. His wife had become a whore, a squaw; the scraggly mute reservation children his father had doctored in the charity clinic became, amid the sliding transparencies of Orson’s mind, his own children. In his dreams—or in those limp elisions of imagery which in the absence of sleep passed for dreams—he seemed to be rooming with Spotted Elk, and his roommate, who sometimes wore a mask, invariably had won, by underhanded means, the affection and admiration that were rightfully his. There was a conspiracy. Whenever Orson heard Kern and Dawson laughing on the other side of the wall, he knew it was about him, and about his most secret habits. His privacy was outrageously invaded; in bed, half relaxed, he would suddenly see himself bodily involved with Hub’s lips, Hub’s legs, with Hub’s veined, vaguely womanish hands. At first he resisted these visions, tried to erase them; it was like trying to erase ripples on water. He learned to submit to them, to let the attack—for it was an attack, with bared teeth and sharp acrobatic movements—wash over him, leaving him limp enough to sleep. These dives became the only route to sleep. In the morning he would awake and see Hub sprawled flamboyantly across his bed in prayer, or sitting hunched at his spinning wheel, or, nattily dressed in his Nehru hat, tiptoeing to the door and with ostentatious care closing it softly behind him; and he would hate him—hate his appearance, his form, his manner, his pretensions—with an avidity of detail he had never known in love. The tiny details
of his roommate’s physical existence—the wrinkles flickering beside his mouth, the slightly withered look about his hands, the complacently polished creases of his leather shoes—seemed a poisonous food Orson could not stop eating. His eczema worsened alarmingly.

By April, Orson was on the verge of going to the student clinic, which had a department called Mental Health. But at this point Fitch relieved him by having, it seemed, his nervous breakdown for him. For weeks, Fitch had been taking several showers a day. Toward the end he stopped going to classes and was almost constantly naked, except for a towel tucked around his waist. He was trying to complete a humanities paper that was already a month overdue and twenty pages too long. He left the dormitory only to eat and to take more books from the library. One night, around nine, Petersen was called to the phone on the second-floor landing. The Watertown police had picked Fitch up as he was struggling through the underbrush on the banks of the Charles four miles away. He claimed he was walking to the West, where he had been told there was enough space to contain God, and proceeded to talk with wild animation to the police chief about the differences and affinities between Kierkegaard and Nietzsche. Hub, ever alert for an opportunity to intrude in the guise of doing good, went to the hall proctor—a spindly and murmurous graduate student of astronomy engaged, under Harlow Shapley, in an endless galaxy count—and volunteered himself as an expert on the case, and even conferred with the infirmary psychologist. Hub’s interpretation was that Fitch had been punished for
hubris
. The psychologist felt the problem was fundamentally Oedipal. Fitch was sent back to Maine. Hub suggested to Orson that now Petersen would need a roommate next year.
“I think you and he would hit it off splendidly. You’re both materialists.”

“I’m
not
a materialist.”

Hub lifted his dreadful hands in half-blessing. “Have it your way. I’m determined to minimize friction.”

“Damnit, Hub, all the friction between us comes from you.”

“How? What do I do? Tell me, and I’ll change. I’ll give you the shirt off my back.” He began to unbutton, and stopped, seeing that the laugh wasn’t going to come.

Orson felt weak and empty, and in spite of himself he cringed inwardly, with a helpless affection for his unreal, unreachable friend. “I don’t know, Hub,” he admitted. “I don’t know what it is you’re doing to me.”

A paste of silence dried in the air between them.

Orson with an effort unstuck himself. “I think you’re right, we shouldn’t room together next year.”

Hub seemed a bit bewildered, but nodded, saying, “I told them in the beginning that I ought to live alone.” And his hurt eyes, bulging behind their lenses, settled into an invulnerable Byzantine stare.

One afternoon in mid-May, Orson was sitting stumped at his desk, trying to study. He had taken two exams and had two to go. They stood between him and release like two towering walls of muddy paper. His position seemed extremely precarious: he was unable to retreat and able to advance only along a very thin thread, a high wire of sanity on which he balanced above an abyss of statistics and formulae, his brain a firmament of winking cells. A push would kill him. There was then a hurried pounding up the stairs, and Hub pushed into the room carrying cradled in his arm a metal object the color
of a gun and the size of a cat. It had a red tongue. Hub slammed the door behind him, snapped the lock, and dumped the object on Orson’s bed. It was the head of a parking meter, sheared from its post. A keen quick ache cut through Orson’s lower abdomen. “For God’s sake,” he cried in his contemptible squeaky voice, “what’s
that
?”

“It’s a parking meter.”

“I
know
, I can
see
that. Where the hell did you
get
it?”

“I won’t talk to you until you stop being hysterical,” Hub said, and crossed to his desk, where Orson had put his mail. He took the top letter, a special delivery from the Portland draft board, and tore it in half. This time, the pain went through Orson’s chest. He put his head in his arms on the desk and whirled and groped in the black-red darkness there. His body was frightening him; his nerves listened for a third psychosomatic slash.

A rap sounded on the door; from the force of the knock, it could only be the police. Hub nimbly dashed to the bed and hid the meter under Orson’s pillow. Then he pranced to the door and opened it.

It was Dawson and Kern. “What’s up?” Dawson asked, frowning as if the disturbance had been created to annoy him.

“It sounded like Ziegler was being tortured,” Kern said.

Orson pointed at Hub and explained, “He’s castrated a parking meter!”

“I did not,” Hub said. “A car went out of control on Mass. Avenue and hit a parked car, which knocked a meter down. A crowd gathered. The head of the meter was lying in the gutter, so I picked it up and carried it away. I was afraid someone might be tempted to steal it.”

“Namely, you,” Orson said.

“Nobody tried to stop you?” Kern asked.

“Of course not. They were all gathered around the driver of the car.”

“Was he hurt?”

“I doubt it. I didn’t look.”

“You didn’t
look
!” Orson cried. “You’re a great Samaritan.”

“I am not prey,” Hub said, “to morbid curiosity.”

“Where were the police?” Kern asked.

“They hadn’t arrived yet.”

Dawson asked, “Well, why didn’t you wait till a cop arrived and give the meter to him?”

“Why should I give it to an agent of the state? It’s no more his than mine.”

“But it
is
,” Orson said.

“It was a plain act of Providence that placed it in my hands,” Hub said, the corners of his lips dented securely. “I haven’t decided yet which charity should receive the money it contains.”

Dawson asked, “But isn’t that stealing?”

“No more stealing than the state is stealing in making people pay money for space in which to park their own, heavily taxed cars.”

“Hub,” Orson said, getting to his feet, “you give it back or we’ll both go to jail.” He saw himself ruined, the scarcely commenced career of his life destroyed, his father the doctor disgraced.

Hub turned serenely. “I’m not afraid. Going to jail under a totalitarian regime is a mark of honor. If you had a conscience, you’d understand.”

Petersen and Carter and Silverstein came into the room. Some boys from the lower floors followed them. The story was hilariously retold. The meter was produced from under the pillow and passed around and shaken to demonstrate the
weight of pennies it contained. Hub always carried, as a vestige of the lumberjack country he came from, an intricate allpurpose pocket knife. He began to pry open the little money door. Orson came up behind him and got him around the neck with one arm. Hub’s body stiffened. He passed the head of the meter and the open knife to Carter, and then Orson experienced sensations of being lifted, of flying, and of lying on the floor, looking up at Hub’s face, which was upside down in his vision. He scrambled to his feet and went for Hub again, rigid with anger and yet, in his heart, happily relaxed. Hub’s body was tough and quick and satisfying to grip, though, being a wrestler, he somehow deflected Orson’s hands and again lifted and dropped him to the black floor. This time, Orson felt a blow as his coccyx hit the wood; yet even through the pain he perceived, gazing into the heart of this forced marriage, that Hub was being as gentle with him as he could be. He saw that he could try in earnest to kill Hub and be in no danger of succeeding. He renewed the attack and again enjoyed the tense defensive skill that made Hub’s body a kind of warp in space through which his own body, after a blissful instant of contention, was converted to the supine position. He got to his feet and would have gone for Hub the fourth time, but his fellow-freshmen grabbed his arms and held him. He shook them off and without a word returned to his desk and concentrated down into his book, turning the page. The type looked extremely distinct, though it was trembling too hard to be deciphered.