The Near Witch (21 page)

“What do you mean?”

“I had no choice. Staying in control wasn’t a high priority at that moment.” He almost laughs, but stops in pain.

“You showed yourself to them, as a witch?”

“The only thought in my head was surviving.”

“What did you do?”

Cole’s arm falls away in response, and by the time I turn to face him, all of him is fading, rippling like heat. The wind picks up and blows
through
him, and he just bleeds away before my eyes. I turn in a circle, but he’s gone. Panic flashes through me as the wind grows, tugging at Cole’s cloak, curling itself around me; and moments later it’s his arms again, holding me close, eyes looking down into mine.

“Lexi, when they led me out on the moor, for the first time in a very long while, I didn’t want to suffer. I didn’t want to lose…everything for someone else’s crimes. Would that I had realized it a little sooner,” he says, with a small pained laugh. “The only thing I could think of when he raised the gun, when he pulled the trigger, was you. Wanting to hear your voice. Wanting to feel your skin against mine. I feel connected to you, and I couldn’t bear the thought of that being severed. Lost.”

He kisses my forehead. Mouths the words
thank you
against my skin.

“Luckily for me,” he says, “the hunting party didn’t expect me to do what I did. You should have seen them. Even rabbits don’t scurry off so fast.”

I laugh with him now because we need to laugh. I laugh as his kisses find their way down my cheek, to my lips. They leave tracks across my face, cool and smooth enough to make me pause, to make me remember the Cole of sticks and stones that kissed me with moor wind. He winces as he leans in to me, and I’m still laughing as his mouth finds mine, warm and alive. There is no cyclone around us, but the world is falling away again. Everything beyond our skin is falling away. His kisses push the moor-made Cole, the Near Witch’s Cole, from my mind. They push the fear of failing, the fear of banishment, away. His kisses push everything away.

The darkest part of the night passes, and we keep walking. We are almost to my house. And then he stops. I realize that there’s probably a hunter, almost certainly Otto, waiting on the other side of the last hill. Cole brings his hand to his chest defensively, eyeing the slope. I take off his cloak and slip it back around him.

“Cole,” I say, remembering. “I found her bones. The witch’s.” I don’t know why I’m suddenly excited, but I haven’t had a chance to tell him. I try to keep the smile on my face for him. He needs it. “I went back to the forest and I found them.”

“I knew you would. What do we do now?”

“We go back first thing in the morning,” I say.

And then I remember. I’m not supposed to be out here. I’m supposed to be with Wren. Watching Wren. Guarding the window that the ghostly replica of Cole drew open.

“First thing.”

I’m already pulling away.

“Good night, Lexi.”

“I’ll see you in a few hours,” I promise. Our hands slip apart, and he’s gone.

My cottage comes into sight, and Otto is there, propped against the door in the chair my mother set out for Tyler, and fast asleep. His chin is to his chest, and he makes a sound like a rumbling stomach. The sun is just out of sight now, the haloed light at the edges of the moor announcing its approach.

Soon the morning will come
, it says as it brushes the grass.
Soon the day will dawn
, it says as it reflects on the dew.
First thing
, I add, as I creep back through the window and latch it shut. I see the familiar nest of blankets still piled on the bed, and slip in beside it with a swell of relief.
First thing, we will set things right.

I
N MY DREAMS, SOMEONE IS SCREAMING
.

The voice cries out and gets caught in the wind. It’s tangled, faltering. And then it changes, stretches long and thin, pulled taut before it breaks, and all is quiet. Silent as the sisters’ stone house, where even the wind can’t go. Stifling. I wake with a start, the blankets wrapped too tight around me, too hot. The only sound in the room is my heartbeat in my ears, but it is so loud I’m sure it will wake my sister. By some strange workings, I slept. Not only until dawn, as I had planned, but much longer. Too long. The sun is cutting through in slivers of gray light as I wrest myself free, one limb at a time, from the sheets wound up around me. I stop as my eyes take in the room, registering the subtle changes.

There are two wooden tables beside the bed, one on either side. On mine, my father’s hunting knife rests in its leather sheath, nicks and indents and all. But on Wren’s side, her charm is sitting, cast off, still smelling faintly of earth and sweetness. The window is open and the sun is bright, and the blankets are piled in the same way they were last night, like a nest. But my sister is not beneath them.

The air snags in my chest. Wren is probably tucked into my mother’s bed, but I feel sick as I spring up, tugging my clothes on and wincing as the fabric brushes the deep scratch on my leg. I fasten my father’s knife around my waist, cast a sideways glance at the mirror, blow a dark strand from my face. I stumble across the hall and into my mother’s room. It’s empty. The bed is unmade, and there’s no indent on the left, the side Wren always takes, where my father used to sleep. No mark on the pillow.

No Wren.

Voices spill out of the kitchen, my mother’s and Otto’s, low and strained and lined with something worse, the kind of thing that catches in your throat and bends your words out of key. I hurry in.

“Where is she?” I nearly choke on the question. “Where’s Wren?”

And the answer is in Otto’s eyes as he casts a troubled glance my way, a look that has little sympathy, and more than a touch of blame. He’s leaning on the table, a mug of something hot and strong in one hand. His other hand rests on the rifle spread in front of him, where the morning loaves of bread should be. My mother is not baking. She is standing at the window, staring out and clutching a mug of tea tight enough to turn her fingers as white as flour. The image sways, and I realize my head is shaking back and forth.

And the silence in that kitchen, the absence of an answer to my question, that silence is choking me.

I run to my mother and wrap my arms around her waist, tight enough for her to know I’m here. Flesh and blood and bone, and here. She squeezes back, and we stand there for a suspended minute, clinging in silence. I try to breathe deeply, try to focus. I will find my sister, I remind myself. I will find my sister, I tell my mother silently. Cole and I will find the children today, and we’ll fix this. I repeat this over and over again. Wren’s not gone. It’s just for a little while, just until we reach the forest.

My mother peels herself away from me and turns back to her work. She measures the flour in slow, steady motions, her eyes unfocused, the way she did in the days after my father’s death.
Bring her back
, her knuckles press into the dough.
Bring my baby back
, she folds the words in.

“It was that witch,” says Otto. And for a moment, only a moment, I think he knows the truth. Until he adds, “We should have held him down.”

Otto sets the drained mug on the table, not with the usual thud, but a tense and quiet drop. He pulls his gun from the table.

“You still think it was Cole?” I ask, turning on him. “The one you tried to
kill
?”

“He attacked us,” Otto says hollowly. “We had no choice but to defend ourselves.”

“Did he attack you before or after you shot him?”

My mother’s eyes flick up.

There’s a dead pause before Otto says, “How do you know we shot him?”

“I heard Bo bragging about it.” The words just bubble up. “Bragging about how you couldn’t do it.”

His fingers tighten around the gun and I turn away.

I have to get out of here.

“Where are you going?” asks Otto. I don’t answer.

“Lexi,” he warns. “I told you—”

“Then I’ll face banishment.” I cut him off. “When this is over.”

When Wren is safely home. I’ll face anything when she is safe.

“Lexi, don’t do this,” he pleads. He lowers the gun and it hits the table, metal scraping wood. The sound sets my feet in motion. I turn and hurry down the hall.

The front door is open, and the wooden crow that was once nailed to our door is lying, warped and broken, on the front steps. The moor-made Cole urged the nails from my window. It must have urged the crow from the door. The Near Witch knew I was trying to find the children. She knew I was in her way.

I cross the threshold, trying to remember the moment I came back through the window and into my room. I remember the pile of blankets. Wren must have been gone already.

I feel ill.

I’m halfway across the yard when fingers close heavily around my wrist.

“Where do you think you’re off to?”

“Let go, Bo.”

He gives me a slow curious frown, and his hand tightens.

An arm, Tyler’s arm, closes around my shoulders from the other side. “I can handle this, Bo.”

But Bo doesn’t let go. Tyler pulls me closer, fitting me against his side. “I said I can handle this. Go tell Otto we’re ready.” Bo lets go, one finger at a time, that same amused expression on his face.

“Ready for what?” I ask, trying to pry myself free. I can’t.

“How did things go so wrong?” asks Tyler softly, but his arm is still firmly around me. “You’ve made a mess of things now, Lex. The Council knows what you’ve been doing. They’re furious. They’re going to put you on trial. But we’ll plead with them.” His hand trails down my arm to my fingers, intertwining his with mine.

“This isn’t about us, Tyler. Not at all.”

“I’m so sorry about Wren,” he says.

“I’m going to find her. I know where she—”

“In the forest, right?”

“Yes! Yes, that’s exactly where.” I disentangle my fingers and bring my hands to his chest. “I just have to go—”

“Lexi, we know about the forest, and there’s no children there. We looked.” His face darkens. “Lies won’t help your
friend
now.”

“Tyler, it’s not—”

“The only thing hiding in that place is a witch. And we plan on fixing that.”

“What do you—”

“We’re ready,” calls Bo as he comes back into the yard, Otto and my mother behind him. “Let’s go.”

“Where?” I ask, exasperated.

This is all wrong.

“We have to go to town,” says Otto, slinging the rifle over his shoulder. “
All
of us.”

Bo, Otto, and my mother walk ahead, but Tyler lingers a moment.

“I know you want to believe that witch, Lexi, but he tricked you. He cast some spell on you.”

“It doesn’t work like that, Tyler, and you know it.” I try to push away, but he pulls me in closer, our noses almost touching.

“Doesn’t it?” he whispers. “Didn’t he cast a spell on those children, on your sister too, luring them from their beds? He must have done the same to you.”

“He’s not the one doing—”

“It would have been better if he had just died,” he says softly. “I never really knew it was him, you know. Until he attacked us. The look in his eyes, Lexi.”

This is nonsense. Wren’s absence and this sick procession to town and Tyler’s arms, too warm around me, are all the stuff of bad dreams. I feel stifled again, twisted in too many blankets. I close my eyes, hoping to wake up.

“Don’t lie, Tyler. Not to me—”

“How long did you know he was a witch?” Tyler breaks through.

“Does it matter?”

After a long pause, he says, “No, I don’t suppose it does.” He pulls me in the wake of the others, toward the center of Near.

“We’d better catch up.”

All the villagers have gathered, and the three old Masters of the Council step up onto the low stone wall in the village square. I catch sight of Helena across the square and strain to get her attention, but she doesn’t see me. Mrs. Thatcher is standing by my mother. She meets my eyes for a moment, but then Tyler pulls me against him, forcing us forward into the throng of tense, angry, tired bodies. But he stops in the middle of the crowd.

“They’re going to arrest you,” he whispers. “At the end of the meeting.”

My heart lurches. The three Council bells sound, each a different pitch, and the square goes quiet. This can’t be happening.

There’s no echo when the Masters speak. Their withered voices grate against each other.

“Six days ago a stranger came to Near,” announces Master Eli to the villagers, his dark eyes deep and narrowed in his face.

“That stranger is a witch,” chimes in Master Tomas, towering over the others.

A murmur passes through the square.

“He has the ability to control the wind,” adds Matthew, the sun glinting on his glasses.

“This witch proceeded to use this power to lure the children of the village from their beds.”

“And he used the wind to cover his trail. This is why we have not been able to find them.”

I try to pull back, away, but Tyler’s arms are still around mine.

“And yesterday, when we finally confronted this witch, he used the wind to attack our men and escape.”

The murmur grows louder, higher pitched.

Several people ahead, and just shy of the wall, Bo, Otto, Mr. Ward, and Mr. Drake are huddled, muttering to each other, but I can’t hear them over the crowd.

“What about the children?” calls out Mrs. Thatcher. A dozen voices shout in agreement, and the mass of people seems to surge forward slightly.

Matthew’s withered blue eyes travel over the crowd and land on mine. “We have found no trace,” he says, looking even older than he did when I saw him last. “We are still searching.”

The crowd gives another surge forward, bringing me closer to the group of men by the wall, and I can just make out Mr. Drake’s words. He’s leaning in toward Otto, and he looks shaken, the way Helena did by the river. The way Edgar did when he fell in the square that day.

“You really think he’s in the forest?” he whispers.

“Something is,” grumbles Otto.

“What are we going to do?”

“Get rid of him,” suggests Mr. Ward.

“That went so smoothly last time,” interjects Bo, dryly.

“At least we know he can bleed.”

“Won’t miss again.”

“Got to find him first.”

Master Tomas’s voice travels over the crowd. “This witch is loose. No one is safe until he is caught.…”

The whole crowd clatters. Voices mix with the sound of feet shifting and grips tightening on guns.

They’re hunting the wrong witch.

I press my elbows into Tyler and arch my back away from him, creating a small gap.

“…telling you, Bo,” Mr. Drake says, “it’s her. Me and Alan went back to that forest like you said, and we could hear her crows.…” The men’s voices begin to bleed together in the growing noise of the square.

“Matthew says it’s her, the Near Witch.”

Bo and Mr. Ward both let out bitter laughs.

“You can’t actually be serious.”

“The Near Witch is dead.”

“One witch or another, it doesn’t matter.”

“But when Magda brought that charm, she said—”

“I say we take care of the sisters, too,” says Bo. “Burn out all the bad at once.”

“This isn’t about them,” cuts in Otto, glancing back.

“Isn’t it? Didn’t they harbor the stranger?” Bo says, his smile twisting. “Didn’t they know all along what he was? They’re just as responsible.”

Tyler’s grip has loosened a fraction. I manage to slide one hand between his body and mine.

“But what if the children are there somewhere, in the forest?”

They are
, I think,
they have to be.

My fingers close on the handle of my father’s knife.

Master Eli’s voice reaches me. “The witch was not acting alone.”
No.
The crowd begins to whisper.

“We would have found the children,” mutters Bo.