The Other Gods and More Unearthly Tales (41 page)

BOOK: The Other Gods and More Unearthly Tales
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Of course it was a dream. All the specialists have told him so, and he has nothing to prove the contrary. Indeed, he would rather have it thus; for then the sight of old brick slums and dark
foreign faces would not eat so deeply into his soul. But at the time it was all horribly real, and nothing can ever efface the memory of those nighted crypts, those titan arcades, and those
half-formed shapes of hell that strode gigantically in silence holding half-eaten things whose still surviving portions screamed for mercy or laughed with madness. Odours of incense and corruption
joined in sickening concert, and the black air was alive with the cloudy, semi-visible bulk of shapeless elemental things with eyes. Somewhere dark sticky water was lapping at onyx piers, and once
the shivery tinkle of raucous little bells pealed out to greet the insane titter of a naked phosphorescent thing which swam into sight, scrambled ashore, and climbed up to squat leeringly on a
carved golden pedestal in the background.

Avenues of limitless night seemed to radiate in every direction, till one might fancy that here lay the root of a contagion destined to sicken and swallow cities, and engulf nations in the
foetor of hybrid pestilence. Here cosmic sin had entered, and festered by unhallowed rites had commenced the grinning march of death that was to rot us all to fungous abnormalities too hideous for
the grave’s holding. Satan here held his Babylonish court, and in the blood of stainless childhood the leprous limbs of phosphorescent Lilith were laved. Incubi and succubae howled praise to
Hecate, and headless moon-calves bleated to the Magna Mater. Goats leaped to the sound of thin accursed flutes, and aegipans chased endlessly after misshapen fauns over rocks twisted like swollen
toads. Moloch and Ashtaroth were not absent; for in this quintessence of all damnation the bounds of consciousness were let down, and man’s fancy lay open to vistas of every realm of horror
and every forbidden dimension that evil had power to mould. The world and Nature were helpless against such assaults from unsealed wells of night, nor could any sign or prayer check the
Walpurgis-riot of horror which had come when a sage with the hateful key had stumbled on a horde with the locked and brimming coffer of transmitted daemon-lore.

Suddenly a ray of physical light shot through these phantasms, and Malone heard the sound of oars amidst the blasphemies of things that should be dead. A boat with a lantern in its prow darted
into sight, made fast to an iron ring in the slimy stone pier, and vomited forth several dark men bearing a long burden swathed in bedding. They took it to the naked phosphorescent thing on the
carved golden pedestal, and the thing tittered and pawed at the bedding. Then they unswathed it, and propped upright before the pedestal the gangrenous corpse of a corpulent old man with stubbly
beard and unkempt white air. The phosphorescent thing tittered again, and the men produced bottles from their pockets and anointed its feet with red, whilst they afterward gave the bottles to the
thing to drink from.

All at once, from an arcaded avenue leading endlessly away, there came the daemoniac rattle and wheeze of a blasphemous organ, choking and rumbling out the mockeries of hell in a cracked,
sardonic bass. In an instant every moving entity was electrified; and forming at once into a ceremonial procession, the nightmare horde slithered away in quest of the sound—goat, satyr, and
aegipan, incubus, succuba, and lemur, twisted toad and shapeless elemental, dog-faced howler and silent strutter in darkness—all led by the abominable naked phosphorescent thing that had
squatted on the carved golden throne, and that now strode insolently bearing in its arms the glassy-eyed corpse of the corpulent old man. The strange dark men danced in the rear, and the whole
column skipped and leaped with Dionysiac fury. Malone staggered after them a few steps, delirious and hazy, and doubtful of his place in this or in any world. Then he turned, faltered, and sank
down on the cold damp stone, gasping and shivering as the daemon organ croaked on, and the howling and drumming and tinkling of the mad procession grew fainter and fainter.

Vaguely he was conscious of chanted horrors and shocking croakings afar off. Now and then a wail or whine of ceremonial devotion would float to him through the black arcade, whilst eventually
there rose the dreadful Greek incantation whose text he had read above the pulpit of that dancehall church.

“O friend and companion of night, thou who rejoicest in the baying of dogs
(here a hideous howl burst forth)
and spilt blood
(here nameless sounds vied with morbid
shriekings)
, who wanderest in the midst of shades among the tombs
(here a whistling sigh occurred),
who longest for blood and bringest terror to mortals
(short, sharp cries from
myriad throats),
Gorgo
(repeated as response),
Mormo
(repeated with ecstasy),
thousand-faced moon
(sighs and flute notes),
look favourably on our sacrifices!”

As the chant closed, a general shout went up, and hissing sounds nearly drowned the croaking of the cracked bass organ. Then a gasp as from many throats, and a babel of barked and bleated
words—“Lilith, Great Lilith, behold the Bridegroom!” More cries, a clamour of rioting, and the sharp, clicking footfalls of a running figure. The footfalls approached, and Malone
raised himself to his elbow to look.

The luminosity of the crypt, lately diminished, had now slightly increased; and in that devil-light there appeared the fleeing form of that which should not flee or feel or breathe—the
glassy-eyed, gangrenous corpse of the corpulent old man, now needing no support, but animated by some infernal sorcery of the rite just closed. After it raced the naked, tittering, phosphorescent
thing that belonged on the carven pedestal, and still farther behind panted the dark men, and all the dread crew of sentient loathsomenesses. The corpse was gaining on its pursuers, and seemed bent
on a definite object, straining with every rotting muscle toward the carved golden pedestal, whose necromantic importance was evidently so great. Another moment and it had reached its goal, whilst
the trailing throng laboured on with more frantic speed. But they were too late, for in one final spurt of strength which ripped tendon from tendon and sent its noisome bulk floundering to the
floor in a state of jellyish dissolution, the staring corpse which had been Robert Suydam achieved its object and its triumph. The push had been tremendous, but the force had held out; and as the
pusher collapsed to a muddy blotch of corruption the pedestal he had pushed tottered, tipped, and finally careened from its onyx base into the thick waters below, sending up a parting gleam of
carven gold as it sank heavily to undreamable gulfs of lower Tartarus. In that instant, too, the whole scene of horror faded to nothingness before Malone’s eyes; and he fainted amidst a
thunderous crash which seemed to blot out all the evil universe.

VII

Malone’s dream, experienced in full before he knew of Suydam’s death and transfer at sea, was curiously supplemented by some odd realities of the case; though that
is no reason why anyone should believe it. The three old houses in Parker Place, doubtless long rotten with decay in its most insidious form, collapsed without visible cause while half the raiders
and most of the prisoners were inside; and of both the greater number were instantly killed. Only in the basements and cellars was there much saving of life, and Malone was lucky to have been deep
below the house of Robert Suydam. For he really was there, as no one is disposed to deny. They found him unconscious by the edge of a night-black pool, with a grotesquely horrible jumble of decay
and bone, identifiable through dental work as the body of Suydam, a few feet away. The case was plain, for it was hither that the smugglers’ underground canal led; and the men who took Suydam
from the ship had brought him home. They themselves were never found, or at least never identified; and the ship’s doctor is not yet satisfied with the simple certitudes of the police.

Suydam was evidently a leader in extensive man-smuggling operations, for the canal to his house was but one of several subterranean channels and tunnels in the neighbourhood. There was a tunnel
from this house to a crypt beneath the dancehall church; a crypt accessible from the church only through a narrow secret passage in the north wall, and in whose chambers some singular and terrible
things were discovered. The croaking organ was there, as well as a vast arched chapel with wooden benches and a strangely figured altar. The walls were lined with small cells, in seventeen of
which—hideous to relate—solitary prisoners in a state of complete idiocy were found chained, including four mothers with infants of disturbingly strange appearance. These infants died
soon after exposure to the light; a circumstance which the doctors thought rather merciful. Nobody but Malone, among those who inspected them, remembered the sombre question of old Delrio:
“An sint unquam daemones incubi et succubae, et an ex tali congressu proles nasci queat?”

Before the canals were filled up they were thoroughly dredged, and yielded forth a sensational array of sawed and split bones of all sizes. The kidnapping epidemic, very clearly, had been traced
home; though only two of the surviving prisoners could by any legal thread be connected with it. These men are now in prison, since they failed of conviction as accessories in the actual murders.
The carved golden pedestal or throne so often mentioned by Malone as of primary occult importance was never brought to light, though at one place under the Suydam house the canal was observed to
sink into a well too deep for dredging. It was choked up at the mouth and cemented over when the cellars of the new houses were made, but Malone often speculates on what lies beneath. The police,
satisfied that they had shattered a dangerous gang of maniacs and man-smugglers, turned over to the Federal authorities the unconvicted Kurds, who before their deportation were conclusively found
to belong to the Yezidi clan of devil-worshippers. The tramp ship and its crew remain an elusive mystery, though cynical detectives are once more ready to combat its smuggling and rum-running
ventures. Malone thinks these detectives shew a sadly limited perspective in their lack of wonder at the myriad unexplainable details, and the suggestive obscurity of the whole case; though he is
just as critical of the newspapers, which saw only a morbid sensation and gloated over a minor sadist cult which they might have proclaimed a horror from the universe’s very heart. But he is
content to rest silent in Chepachet, calming his nervous system and praying that time may gradually transfer his terrible experience from the realm of present reality to that of picturesque and
semi-mythical remoteness.

Robert Suydam sleeps beside his bride in Greenwood Cemetery. No funeral was held over the strangely released bones, and relatives are grateful for the swift oblivion which overtook the case as a
whole. The scholar’s connexion with the Red Hook horrors, indeed, was never emblazoned by legal proof; since his death forestalled the inquiry he would otherwise have faced. His own end is
not much mentioned, and the Suydams hope that posterity may recall him only as a gentle recluse who dabbled in harmless magic and folklore.

As for Red Hook—it is always the same. Suydam came and went; a terror gathered and faded; but the evil spirit of darkness and squalor broods on amongst the mongrels in the old brick
houses, and prowling bands still parade on unknown errands past windows where lights and twisted faces unaccountably appear and disappear. Age-old horror is a hydra with a thousand heads, and the
cults of darkness are rooted in blasphemies deeper than the well of Democritus. The soul of the beast is omnipresent and triumphant, and Red Hook’s legions of blear-eyed, pockmarked youths
still chant and curse and howl as they file from abyss to abyss, none knows whence or whither, pushed on by blind laws of biology which they may never understand. As of old, more people enter Red
Hook than leave it on the landward side, and there are already rumours of new canals running underground to certain centres of traffic in liquor and less mentionable things.

The dancehall church is now mostly a dancehall, and queer faces have appeared at night at the windows. Lately a policeman expressed the belief that the filled-up crypt has been dug out again,
and for no simply explainable purpose. Who are we to combat poisons older than history and mankind? Apes danced in Asia to those horrors, and the cancer lurks secure and spreading where furtiveness
hides in rows of decaying brick.

Malone does not shudder without cause—for only the other day an officer overheard a swarthy squinting hag teaching a small child some whispered patois in the shadow of an areaway. He
listened, and thought it very strange when he heard her repeat over and over again,

O friend and companion of night, thou who rejoicest in the baying of dogs and spilt blood, who wanderest in the midst of shades among the tombs, who longest for blood and
bringest terror to mortals, Gorgo, Mormo, thousand-faced moon, look favourably on our sacrifices!

 
H
E

Written on August 11, 1925, after a long voyage of exploration in the New York—New Jersey area, “He” is perhaps Love craft’s most poignant
evocation of the wonders and terrors of the metropolis. Its grim remark, “My coming to New York was a mistake,” has been taken as an admission that Lovecraft’s marriage to
Sonia and his move to the big city were catastrophic errors. The tale’s cosmic visions of a future New York overrun by “strange flying things” are powerful, although its
mention of “yellow, squint-eyed people” is disturbingly racist. The story appeared in Weird Tales (September 1926).

I
SAW HIM ON A SLEEPLESS NIGHT WHEN
I
WAS WALKING DESPERATELY TO
save my soul and my vision. My coming to New York had been a
mistake; for whereas I had looked for poignant wonder and inspiration in the teeming labyrinths of ancient streets that twist endlessly from forgotten courts and squares and waterfronts to courts
and squares and waterfronts equally forgotten, and in the Cyclopean modern towers and pinnacles that rise blackly Babylonian under waning moons, I had found instead only a sense of horror and
oppression which threatened to master, paralyse, and annihilate me.

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