Authors: Ian Mortimer
Tags: #General, #Great Britain, #History, #Europe, #Royalty, #Biography & Autobiography, #History - General History, #British & Irish history, #Europe - Great Britain - General, #Biography: Historical; Political & Military, #British & Irish history: c 1000 to c 1500, #1500, #Early history: c 500 to c 1450, #Ireland, #Europe - Ireland
SUMMARY:
King for 50 years (1327-77), Edward III - like Elizabeth and Victoria after him - embodied the values of his age. He re-made England and forged a nation out of war.
THE PERFECT KING
Ian Mortimer has BA and PhD degrees in history from Exeter University and an MA in archive studies from University Colle
ge London. From 1991 to 2003 he
worked in turn for Devon Record Office, Reading University, the Royal Commission on Historical Manuscripts, and Exeter University. He was elected a Fellow of the Royal Historical Society in 1998. In 2003 the first of his medieval biographies,
The Greatest Traitor
was published by Jonathan Cape. He was awarded the Alexander Prize (2004) by the Royal Historical Society for his work on the social history of medicine. He lives with his wife and three children on the edge of Dartmoor.
'His book favourably reassesses Edward's career and his impact on English history, and refutes the calumnies of Victorian historians, who were apt to decry him as a tax-hungry warmonger and focus on the humiliations of his last years'
Alison Weir,
Daily Mail
'This is a story which - for its boldness of interpretation, success of evoking the vanished medieval world, and sheer narrative elan - deserves to be widely read' John Adamson,
Sunday Times
'The pace, commitment, and gusto of his writing . . . give his narrative real momentum. He has a talent for summoning up the scenes of Edward's military triumphs with immediacy and verve, and he relishes the king's role not only as a diplomat and strategist, but also as an intelligent patron of the arts, architecture and technological innovation' Helen Castor,
Sunday Telegraph
'Mortimer argues that [Edward III] was a great man and a great king. It is hard to disagree' Jane Stevenson,
Scotland on Sunday
'Mortimer . . . writes with enthusiasm and real knowledge
...
He can write an excellent narrative account of a battle' Richard Barber,
Literary Review
IAN MORTIMER
The Perfect King
The Life of Edward III, Father of the English Nation
VINTAGE
BOOKS
London
Published by Vintage 2008
46
8 10 9
75
Copyright © Ian Mortimer 2006
Ian Mortimer has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser
This is a work of non-fiction. The author has stated to the publishers that the contents of this book are true.
First published in Great Britain in 2006 by Jonathan Cape
Vintage
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Printed and bound in Great Britain by CPI Cox & Wyman, Reading RG1 8EX
This book is dedicated to my wife, Sophie, who has been so supportive during the months of frustration, stress, worry and euphoria which inevitably occur when trying to encapsulate a life as rich and complicated as Edward Ill's. She has sat outside the walls of Calais, as it were, and watched Sir Walter Manny take on whole armies armed only with a toothpick. The completion of this book is something in which she too can take pride.
CONTENTS
Author's Note
xvii
Acknowledgements
xix
Introduction
i
9
The Advent of the Golden Age
202 10
Edward the Conqueror
223
11
An Unassailable Enemy
256
Index
519
AUTHOR'S NOTE
This book deliberately employs the ambiguous use of the term Gascony to describe the English-ruled territory in the south-west of France, in keeping with most books on the fourteenth century. The duchy of Aquitaine — as inherited from Eleanor of Aquitaine - was far more extensive than Gascony but there were times when English authority was squeezed and the two were practically synonymous. It would be convenient to use just the one word to describe the duchy and its extensions, and there is one -
Guienne - but it is very rarely used, even by scholars, and would look very odd in a biography. So, in order to avoid the awkward adjective Aquitainian' and the even more awkward 'Guiennese', two terms have been used: Aquitaine for the tide of the duchy and (later) principality, and 'Gascony' and 'Gascon' when referring to the region generally.
Most English surnames which include 'de' in the original source have been simplified, with the silent loss of the 'de'. Where it remained traditionally incorporated in the surname (e.g. de la Pole, de la Beche, de la Ware) these have been retained. 'De' has generally been retained in French names (e.g. de Harcourt, de Montfort, de Blois). With Italian names, 'de' has normally been retained (e.g. del Caretto, de Controne, de Sarzana) but where it is customary not to keep it (e.g. Fieschi, Forzetti) it has been dropped.
With regard to international currency,
the gold florin fluctuated greatl
y over the period covered by this book. According to the
Handbook
of
Medieval
Exchange,
it was worth as little as
2s 8d
in
1346
and as much as
4s
in
1332
and
1338.
It was also worth different amounts in different places at the same time, and could even be worth different amounts in the same place at the same time. Very roughly speaking, one
florin was usually worth slightl
y more than
3s
prior to
1340
and slig
htl
y less than
3s
thereafter. Many other writers use the rate of
1
florin =
3s 4d,
as this allows the easy conversion of
6
florins =
£1.
In this book this rate is used up to
1340
and the slightly more accurate rate of
1
florin =
3s
is used after that year, which implies a conversion of
6.67
florins =
£1.
The other unit of international accounting used in this book, the mark, was a constant
13s 4d.
ACKNOWLEDGEMENTS
It is impossible to write a book like this without incurring a number of debts of gratitude. I hope that readers will not begrudge me here mentioning the names of my agent, James Gill, and my editors, Will Sulkin and Jorg Hensgen. I am also very grateful to two scholars for their assistance: Dr Paul Dryburgh, who surveyed many of the wardrobe accounts for me in the research stages, and Professor Mark Ormrod of the University of York, who provided me with many valuable hints, photocopies, offprints and references when the book was in a draft form. I would also like to thank staff at the National Archives, the British Library, Exeter University Library, Gloucestershire Record Office, the National Portrait Gallery Archive, Warwickshire County Record Office and Westminster Abbey Library. I am grateful to all those who provided me with accommodation when undertaking research, namely: Zak Reddan and Mary Fawcett, Jay Hammond, Robert and Julie Mortimer, Susannah Davis and Anya Francis. I acknowledge the support of the K Blundell Trust, administered by the Society of Authors, who gave me a grant in the course of writing this book. Finally, I want to say a huge thank you to my family - Sophie, especially, but also Alexander, Elizabeth, and Oliver - for keeping me going.
Ian Mortimer
Moretonhampstead
May
2005
He who loves peace, let him prepare for war.
Fla
vius Vegetius Renatus,
writer on warfare
(c.
375)
According to the Theory of War, which teaches that the best way to avoid the inconvenience of war is to pursue it away from your own country, it is more sensible for us to fight our notorious enemy in his own realm, with the joint power of our allies, than it is to wait for him at our own doors.
King Edward III
(1339)
When you don't fight, you lose.
Lesze
k Miller, Prime Minister of Poland
(2003)
INTRODUCTION
On
19
October
1330,
at dusk, two dozen men gathered in the centre of Nottingham. They were mostly in their twenties, and all on horseback, ready to ride out of the town. But unlike merchants or pilgrims assembling to set out together, these men were silent and unsmiling. Beneath their riding cloaks they were all heavily armed.
The reason for their gathering lay within the fortress which overlooked the town. Somewhere within those walls, high on the massive outcrop, was Roger Mortimer, the earl of March, who kept the young king, Edward III, within his power and ruled in his place. Several of the riders had already been summoned that day to see the brooding dictator. He had questioned each of them in turn; all but one had refused to speak. The only man who had dared to answer back was their leader, Sir William Montagu. He had replied evasively that he would give a short answer to anyone who accused him of being part of a plot inconsistent with his duty. Mortimer had let him go, but not with good humour.
Now Montagu was waiting. He knew it would only be a short time before Mortimer would arrest him and his friends. Mortimer had already given the order that the guards were to ignore the king's commands, and only to obey his own. How suddenly political fortunes changed! It was just four years since Edward II had been swept from power by Mortimer and Queen Isabella, his mistress. It was only seven months since the earl of Kent, the king's uncle, had been beheaded on Mortimer's orders. Shortly after that, the young heir to the earldom of Arundel, Richard Fitzalan, had been arrested before he could carry out his plan to seize Mortimer. Montagu had no wish to suffer the same fate. Nor did he wish to see the young king set aside. He had spent most of the last twelve years at court, and had seen Edward
III
grow up. But that was how serious matters had become. The future of the English monarchy was at stake. Somewhere in that castle above, young Edward was in fear of his life. Montagu believed Mortimer was plotting his murder and the seizure of the throne.
'It is better to eat the dog than be eaten by the dog', Montagu had remarked quietly to the king, after being dismissed from Mortimer's presence.
But as Montagu knew, it was one thing to suggest 'eating the dog' and quite another to do it. Mortimer had spi
es everywhere. Although John
Wyard had been the king's trusted friend for several years, it emerged that he was an informer. It had been Wyard who had told Mortimer of Montagu's plot. Mortimer had been thrown into a fury, like 'a devil for wrath'. And now he was on the defensive, perhaps about to order all their deaths. Already he had mustered troops throughout the kingdom, ready to defend his position. He was, after all, a soldier, one of the very few successful war commanders of the last twenty years. He was a clever manipulator and an arch-propagandist. Men like him, when they know their lives are stake, cannot be trusted.
Montagu and his men rode through the town and then south, as if they were in flight. But they were not running away. They were about to embark on a dangerous and adventurous mission. Their courage was swelled through their companionship; they were friends as well as fellow plotters. With them rode William Eland, the castellan or overseer of the castle. It was his idea that had prompted them to ride out into the gloom.
Some way out of the town Montagu gave the signal for them to stop. By now Mortimer would have heard that they had fled, but he would not pursue them until the morning, for there would be no moonlight tonight. They waited until the darkness was nearly complete, and then they turned back and led their horses slowly across to the hunting park by the river. At a thicket which Montagu had chosen as their mustering point, they stopped and waited for those conspirators who had not been interrogated earlier, who had remained in the town, waiting for night to fall.
It grew cold. No one came. Before long they realised that they were on their own. Maybe their companions had been arrested. Or maybe their courage had failed them.
It was Montagu's decision to go on. There were only about twenty men with him, and Mortimer had more than two hundred in the
castle
. Their plan was a desperate one, to attack through a secret passage which William Eland knew. It led, he said,
directly
into the building in which the queen was lodged. The king or someone acting on his behalf would unlock the door at the top. Then Montagu and his men had to overpower the guards, arrest Mortimer, and silence those present before anyone could raise the alarm. Most of all they had to stop Mortimer getting a message out of the
castle
. If he did that, they were all done for.
But the men gathered with Montagu were neither cowards nor weak. They were the very pick of the young English nobility, prepared to die rather than be shamed in honour or arms. Robert Ufford was there, William Clinton, the brothers Humphrey and William Bohun, Ralph Stafford, and John Neville of Hornby. There too were Thomas West, John Molyns, William Latimer, Robert Walkefa
re, Maurice Berkeley and Thomas
Bradeston. If they succeeded, all their names would be celebrated for centuries. If they failed, they would probably be hanged as traitors the next day, their lands confiscated, their wives and children locked up.