Read The plot against America Online
Authors: Philip Roth
Tags: #United States, #Alternative histories (Fiction), #Jews, #Jewish families, #Political fiction, #Presidents, #Jewish fiction, #Lindbergh; Charles A, #Political, #Presidents - United States, #Fiction, #Literary, #Jewish, #Election, #Presidents - Election, #Political fiction; American, #Newark (N.Y.), #Newark (N.J.), #Antisemitism, #Alternative History, #Jews - United States
Prior to that night, it would have been as impossible for me to envision him beating somebody up—let alone battering bloody his beloved older brother's fatherless son—as to imagine him atop my mother, especially as there was no taboo stronger among Jews with our impoverished European origins and our tenaciously held American ambitions than the pervasive, unwritten prohibition against settling disputes by force. In that era, the common Jewish propensity was by and large nonviolent as well as nonalcoholic, a virtue whose shortcoming was the failure to educate the bulk of the young of my generation in the combative aggression that was the first law of other ethnic educations and indisputably of great practical value when you couldn't negotiate your way out of violence or manage to run away. Among, say, the several hundred boys in my elementary school between the ages of five and fourteen who were not chromosomally preordained to be top-flight lightweights like Allie Stolz or successful racketeers like Longy Zwillman, surely far fewer fistfights broke out than in any of the other neighborhood schools in industrial Newark, where the ethical obligations of a child were differently defined and schoolmates demonstrated their belligerence by means not readily available to us.
So then, for every reason imaginable it was a devastating night. I didn't have the capacity in 1942 to begin to decipher all the awful implications, but just the sight of my father's and Alvin's blood was stunning enough. Blood spattered the length and breadth of our imitation Oriental rug, blood dripping from the splintered remains of our coffee table, blood smeared like a sign across my father's forehead, blood spurting from my cousin's nose—and the two of them not so much fistfighting, not so much wrestling as caroming, with a terrible bony thwack colliding, rearing back and charging in like men with antlers branching from their brows, fantastical, cross-species creatures sprung from mythology into our living room and pulping each other's flesh with their massive, snaggletoothed horns. Inside a house you usually scale down your movements, you scale down your speed, but here the scale of things was reversed and terrifying to behold. The South Boston riots, the Detroit riots, the Louisville assassination, the Cincinnati firebombing, the mayhem in St. Louis, Pittsburgh, Buffalo, Akron, Youngstown, Peoria, Scranton, and Syracuse. . .and now this: in an ordinary family living room—traditionally the staging area for the collective effort to hold the line
against
the intrusions of a hostile world—the anti-Semites were about to be abetted in their exhilarating solution to America's worst problem by our taking up the cudgels and hysterically destroying ourselves.
The horror ended with Mr. Cucuzza, in his nightshirt and his nightcap (attire I'd never before seen on anyone, man or boy, other than in a funny movie), crashing into our flat with his pistol drawn. A frantic wail rose from Joey's Old World grandmother, appropriately swathed like the Calabrian Queen of the Shades at the foot of our landing—and from within our own flat came a noise equally hair-raising the instant the splintered back door flew open and my mother saw that the nightshirted intruder was armed. Minna began bringing up into her hands everything she'd just swallowed at dinner, I couldn't help myself and promptly urinated, while Sandy, who alone among us was able to find the right words and the vocal strength to utter them, cried, "Don't shoot! It's Alvin!" But Mr. Cucuzza was a professional guardian of private property trained to act now and draw distinctions later and—without pausing to ask "Who's Alvin?"—immobilized my father's assailant in a strangulating half nelson with one arm while holding the pistol to his head with the hand of the other.
Alvin's prosthesis had cracked in two, his stump was torn to shreds, and one of his wrists was broken. Three of my father's front teeth were shattered, two ribs were fractured, a gash was opened along his right cheekbone that had to be sutured with almost twice as many stitches as were needed to close the wound inflicted on me by the orphanage horse, and his neck was so badly wrenched that he had to go around in a high steel collar for months afterward. The glass-topped coffee table with the dark mahogany frame that my mother had saved over the years to buy at Bam's (and where, at the conclusion of a pleasant hour of evening reading, she would set down, with its ribboned bookmark in place, the new novel by Pearl Buck or Fannie Hurst or Edna Ferber borrowed from the local pharmacy's tiny rental library) lay in fragments all across the room, and microscopic crumbs of glass were embedded in my father's hands. The rug, the walls, and the furniture were speckled with chocolate icing (from the slices of layer cake they had been eating when they sat down over dessert to talk together in the living room) as well as with their blood, and then there was the smell of it—the airless, gag-inducing slaughterhouse smell.
It's so heartbreaking, violence, when it's in a house—like seeing the clothes in a tree after an explosion. You may be prepared to see death but not the clothes in the tree.
And all of it the result of my father's failing to understand that Alvin's nature was never really reformable, despite the lecturing and the hectoring love—all of it the result of having taken him in to save him from what it was simply in his nature to become. All of it the result of my father's looking Alvin over and remembering the tragically evanescent life of Alvin's late father, and, in his despair, sadly shaking his head and saying, "A Buick automobile, a sharpie's suits, the scum of the earth for your friends—but do you know, do you care, does it bother you at all, Alvin, what's happening in this country tonight? It did years ago, damn it. I can remember clear as day when it did. But now no. Now it's big cigars and motor cars. But do you have any idea at all what is happening to the Jews even while we sit here?"
And Alvin, whose lot had finally come to something, whose prospects never before had been so hopeful, could not bear and would not endure being informed by the custodian whose tutelage had once meant everything—by the relative who, when no one else would have him, had twice taken him to live in a homey little Weequahic flat amid a kindly family and their benign concerns—that he had come to nothing. His voice husky with the grievance of the injured party, his delivery staccato and without a single caesura to let anything in that wasn't retaliatory, all calumny, all castigation, all coercion and fatuous bluff, Alvin shouted at my father, "The
Jews?
I wrecked my
life
for the Jews! I lost my fuckin'
leg
for the Jews! I lost my fuckin' leg for
you!
What did I give a shit either way about Lindbergh? But you send me to go fuckin' fight him, and the stupid fuckin' kid I am, I
go.
And look,
look,
Uncle Fucking Disaster—
I have no fucking leg!
"
Here he hiked up a handful of the pearl-gray fabric in which he was so lustrously clad to reveal where there was indeed no longer a lower limb of flesh and blood and muscle and bone. And then, insulted, negated, inwardly once again the unmanned man (and the bum kid), he added his final heroic touch by spitting into my father's face. A family, my father liked to say, is both peace and war, but this was family war as I could never have imagined it. Spitting into my father's face the way he'd spit into the face of that dead German soldier!
If only he had been allowed to go along unrehabilitated, on his own stinking trajectory, but that hadn't happened, and so this was how the great menace undid us and the abomination of violence entered our house, and I saw how bitterness blinds a man and the defilement it spawns.
And why, why did he go to fight in the first place? Why did he fight and why did he fall? Because there is a war going on, he chooses that way—the raging, rebellious instinct historically trapped! If only the times were different, if only he had been smarter. . .But he wants to fight. He's like the very fathers he wants to be rid of. That's the tyranny of the problem. Trying to be faithful to what he's trying to be rid of. Trying to be faithful and to get rid of what he's faithful to at the same time. And that's why he went to fight in the first place, as best I can figure it out.
Later that night, after a pair of Alvin's buddies had pulled up in a Caddy with Pennsylvania plates (one of them to get Alvin and Minna over to Allie Stolz's doctor's office on Elizabeth Avenue, the other to drive their Buick back to Philly); after my father was home from the Beth Israel emergency room (where they'd plucked the glass out of his hands and stitched up his face and x-rayed his neck and taped his ribcage and, on his way out, handed him codeine tablets to take for the pain); after Mr. Cucuzza, who'd rushed my father to the hospital in his pickup, had returned him safely to the befouled and littered battlefield that was now our flat, the gunshots erupted on Chancellor Avenue. Shots, screaming, shouting, sirens—the pogrom had begun, and it was only seconds before Mr. Cucuzza charged back up the stairs he'd only just descended and banged once on our broken back door before rushing in.
Desperate for sleep, I was dragged from bed by my brother, but when my legs wouldn't work and kept collapsing from uncontrollable fear, I had to be carried off in his arms by my father. My mother—who instead of going to bed and trying to sleep had donned her apron and a pair of rubber gloves and set about to purge the house of its filth with a bucket and a broom and a mop—my meticulous mother, weeping amid the wreckage of her living room, was guided to the door by Mr. Cucuzza, and the four of us were herded down the stairs and into the Wishnows' old flat to take cover there.
This time when Mr. Cucuzza offered a pistol, my father accepted it. His poor human body was black-and-blue and bandaged just about everywhere, his mouth was full of broken teeth, and still he sat with us on the floor in the Cucuzzas' windowless back foyer, regarding the weapon in his hands with all his concentration, as though it were no longer just a weapon but the most serious thing entrusted to him since he'd first been given his infant babies to hold. My mother sat straight up between Sandy's self-conscious stoicism and my stupefied inertness, gripping us each by the arm closest to her and doing all she could to keep a thin layer of courage from revealing her terror to the children. Meanwhile the biggest man I'd ever seen moved with a pistol through the darkened flat, stealthily advancing from window to window to ascertain with the eagle-eyed thoroughness of the veteran night watchman whether anyone lurked anywhere nearby with an ax, a gun, a rope, or a can of kerosene.
Joey, his mother, and his grandmother had been directed by Mr. Cucuzza to remain in their beds, though the old lady could not resist the magnetism of all that turbulence and the picture we four presented of sheer plight. Snarling in tiny bursts of raw Italian that could not have been complimentary to her guests, she peered out from the doorway of the dark kitchen—where she customarily slept in her clothes on a cot next to the stove—fixing us in the crosshairs of her madness (because mad she was) as if she were the patron saint of anti-Semitism whose silver crucifix had engendered it all.
The firing went on for less than an hour but we didn't head back upstairs until dawn, and didn't learn, until after Mr. Cucuzza bravely ventured forth as a scout to where Chancellor Avenue was cordoned off, that the gun battle had been not between the city police and the anti-Semites but between the city police and the Jewish police. There'd been no pogrom in Newark that night, just a shootout, extraordinary for having occurred within earshot of our house but otherwise not much different from the disorder that could erupt in any large city after dark. And though three Jews had been killed—Duke Glick, Big Gerry, and Bullet himself—it wasn't necessarily because they were Jews ("though it didn't hurt," my Uncle Monty said) but because they were exactly the sort of thugs that the new mayor wanted off the streets, primarily to signal to Longy that he was no longer an honorary member of the city's Board of Commissioners (a position he was rumored—by Meyer Ellenstein's enemies—to have held under Murphy's Jewish predecessor). Nobody bothered taking the police commissioner too seriously when he explained to the
Newark News
that it was the "trigger-happy vigilantes" who, without provocation, had opened fire a little before midnight on two foot patrolmen walking their beat, nor, among our neighbors, was there any noticeable expression of grief because of how the three—dangerous people in their own right whose protection nobody decent would have dreamed of requesting—had been unceremoniously mowed down. Of course, it was awful that the blood of violent men should stain the pavement where the neighborhood children wended their way to school every day, but at least it wasn't blood shed in a clash with the Klan or the Silver Shirts or the Bund.
No pogrom, and yet at seven that morning my father was on the phone long-distance to Winnipeg to admit to Shepsie Tirschwell that the Jews were so frightened and the anti-Semites so emboldened that it was no longer possible in Newark—where fortunately the prestige of Rabbi Prinz had continued to exert an influence over the powers that be and nothing worse than relocation had as yet been forced on a single Jewish family—to live as normal people. Whether outright government-sanctioned persecution was inevitable, nobody could say for sure, but the fear of persecution was such that not even a practical man grounded in his everyday tasks, a person who tried his best to contain the uncertainty and the anxiety and the anger and operate according to the dictates of reason, could hope to preserve his equilibrium any longer.
Yes, my father admitted, he had been wrong all along and Bess and the Tirschwells had been right—and then, as best he could, he shook off his abashment over everything he'd mismanaged and badly misjudged, including the improbable violence that had smashed to bits, along with our coffee table, that lifelong barrier of rigid rectitude that had stood between his harsh upbringing and his mature ideals. "That's it," he told Shepsie Tirschwell, "I can't live any longer not knowing what will happen tomorrow," and their phone conversation moved on to emigration and the steps to be taken and the arrangements to be made, so that by the time Sandy and I left the house, there was no misunderstanding that, quite incredibly, we'd been overpowered by the forces arrayed against us and were about to flee and become foreigners. I wept all the way to school. Our incomparable American childhood was ended. Soon my homeland would be nothing more than my birthplace. Even Seldon in Kentucky was better off now.