The Poetry of Sex (8 page)

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Authors: Sophie Hannah

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BOOK: The Poetry of Sex
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Ménage à Trois
Neil Rollinson

Insatiable these mornings, full

of a drunk excitement, your eyes

have the glazed look of a woman

who hasn’t slept all night; you wake me

with mouth open kisses, the smell

of a different room in your clothes.

You take off your dress and show me

the stains on your skin

like the trails of exotic gastropods;

a body paint of semen

which I rehydrate with my tongue.

I trace the splash across your stomach

and over your breast, a thick dried

river of it, flooding again; your nipple

rough with a smear of salt.

That was one hell of a shot.

I suck on you greedily and slide

my tongue where his own tongue

must have slid long into the night,

and when all trace of him is gone,

except the smell in your hair

we make our own maps on each other’s skins

and we fuck like we never do

without this heat inside you, without

this ghost of a man drifting between us

like a lover sharing our bed.

Intimacy
Elizabeth Barrett

Nineteen days without you when I woke,

one morning, full with what I lacked;

laid in the bath finding evidence

of your absence and my neglect.

I shaved my underarms and legs,

plucked my eyebrows, shaped my pubes

and used my tiny scissors to snip

an errant hair. I paid attention again

to detail; tried to look at my body

the way you would − knowing

that I would drive out, that day,

to find you − that after our frantic urgency,

or that slowed motion when (somehow)

you trip it and we keep going on

and on − knowing that, after this,

you would examine every inch of me,

your blue-gray eyes drunk with it,

you rolling that one word around

your mouth like a jelly bean:
gorgeous,

gorgeous. You’re so gorgeous …

Later, you take my right breast

between your teeth, skim your tongue

across my nipple, ask:
Where’s it gone?

I miss it. There was just a single one.

Embrace
Rhian Gallagher

Unshowered, wrestling with the sea still on our skin

when she catches me, mid-room, with a kiss.

Not a passing glance of lips, but her intended

till I press back against the wall

laughing, in a body-search pose

as ready as her to forget about dinner.

Once, in our first months, we headed down Christopher Street

starch wafting from an open laundry, the sound of a press

squeezing a line along a sleeve. We slipped

across the West Side Highway, out on the pier

pressing our faces to the fence to catch an air of sea,

distant Liberty. Winter sun pouring its heart out

over the Hudson, she stepped into me –

the cold became a memory

smudged under our winter coats.

Two guys stood on the far side of the pier

looking baffled, how long they’d been there

god knows. Gulping, knees undone, we surfaced like swimmers

and almost ran back up Christopher Street

laughing. We’d been gone an hour, the night had come

there were shelves of lights up and down the tall streets,

she was all over me. Everything had turned on.

Topography
Sharon Olds

After we flew across the country we

got in bed, laid our bodies

delicately together, like maps laid

face to face, East to West, my

San Francisco against your New York, your

Fire Island against my Sonoma, my

New Orleans deep in your Texas, your Idaho

bright on my Great Lakes, my Kansas

burning against your Kansas your Kansas

burning against my Kansas, your Eastern

Standard Time pressing into my

Pacific Time, my Mountain Time

beating against your Central Time, your

sun rising swiftly from the right my

sun rising swiftly from the left your

moon rising slowly from the left my

moon rising slowly from the right until

all four bodies of the sky

burn above us, sealing us together,

all our cities twin cities,

all our states united, one

nation, indivisible, with liberty and justice for all.

Like the Blowing of Birds’ Eggs
Neil Rollinson

I crack the shell

on the bedstead and open it

over your stomach. It runs

to your navel and settles there

like the stone of a sharon fruit.

You ask me to gather it up

and pour it over your breast

without breaking the membrane.

It swims in my palm, drools

from the gaps in my fingers, fragrant,

spotted with blood.

It slips down your chest,

moves on your skin like a woman

hurrying in her yellow dress, the long

transparent train dragging behind.

It slides down your belly and into your

pubic hair where you burst

the yolk with a tap of your finger.

It covers your cunt in a shock

of gold. You tell me to eat,

to feel the sticky glair on my tongue.

I lick the folds of your sex, the coarse

damp hairs, the slopes of your arse

until you’re clean, and tense as a clock spring.

I touch your spot and something inside you

explodes like the blowing of birds’ eggs.

5
 
‘BUT YOUR WIFE SAID SHE’
The Faithful
Dan Burt

Will you reconnoitre after lunch,

Alone, mobile in hand for an urban

Nook from which to call where you

Will not be seen or heard, masking

Your aim like a jihadi, pleading

Exercise rather than Asr prayers?

If so, when you find a spot and press

The green key will blue paper catch

Sparking a blast across the sea?

Muslim martyrs are no different,

Dear, from you and me; sweet success

Will shatter both our worlds,

Though we may be more certain

Than they what our desserts will be.

The Sting
Patience Agbabi

At twelve I learnt about The Fall,

had rough-cut daydreams based on original sin,

nightmares about the swarm of thin-

lipped, foul-mouthed, crab apple-

masticating girls who’d chase me full

throttle: me, slipping on wet leaves, a heroine

in a black-and-white cliché; them, buzzing on nicotine

and the sap of French kisses. I hated big school

but even more, I hated the lurid shame

of surrender, the yellow miniskirt

my mother wore the day that that man

drove my dad’s car to collect me. She called my name

softly, more seductive than an advert.

I heard the drone of the engine, turned and ran.

In the Victoria Hotel
John Saunders

I undress your innocence,

watched by the apostle of temperance

you kiss my lips, whisper –
this is us.

We make love in the company of guilt,

shelter weakness in our hearts,

give safety to dangerous thoughts

and throw them to the pool of fate.

I believe every story it suggests,

dine on fine wines and purple dust.

This is the memory of our fading space,

a threadbare blanket of feeling –

every choice we make, a loss of freedom.

We dance in time to waltzes and tangos,

capture our history in mirrors of gold.

‘For each ecstatic instant’
Emily Dickinson

For each ecstatic instant

We must an anguish pay

In keen and quivering ratio

To the ecstasy.

For each beloved hour

Sharp pittances of years,

Bitter contested farthings

And coffers heaped with tears.

‘Doing, a filthy pleasure is, and short’
Gaius Petronius

Doing, a filthy pleasure is, and short;

And done, we straight repent us of the sport:

Let us not then rush blindly on unto it,

Like lustful beasts, that only know to do it:

For lust will languish, and that heat decay.

But thus, thus, keeping endless holiday,

Let us together closely lie and kiss,

There is no labour, nor no shame in this;

This hath pleased, doth please, and long will please; never

Can this decay, but is beginning ever.

Trans. Ben Jonson

The Marriage of Consonant and Vowel
Adam Horovitz
i

After the Wedding

Dreamt of you again last night,

your smiling face pushed close to mine;

caught between mirrors, a squeezebox

of repeats cluttering the line.

I thought as we were twitter-pressed

like sausage meat inside new skins

how little’s known of what we love

hate and how compression bins

our excess dreams and sears off

the vowels of love; the consonants

of hurt are all that’s left intact.

How does a lover thrive? Expanse!

No questing after jagged and reductive fact

but after puffball spores and seedlings of romance.

ii

The Bride Has Taken the Vwls & Lft th Bldng

Drmt f y gn lst nt

yr :) pshd cls 2 mn;

cght btwn mrrrs, sqzbx

f rpts clttrng th ln.

Thght s w wr twttr-prssd

lke ssg mt nsd nw skns

hw lttl’s knwn f wht w ♥

ht & hw cmprssn bns

r xs drms & srs ff

th vwls f ♥; th cnsnnts

f hrt r ll tht’s lft ntct.

Hw ds lvr thrv? Xpns!

Nt qstng ftr jggd & rdctv fct

bt ftr pffbll sprs & sdlngs f rmnc.

iii

The Bride in Her Lover’s Bed

ea o ou aai a i,

ou ii ae ue oe o ie;

au eee io a ueeeo

o eea uei e ie.

i ou a e ee ie-ee

ie auae ea iie e i

o ie o o a e oe

ae a o oeio i

ou ee ea a ea o

e oe o oe e ooa

o u ae a a e ia.

o oe a oe ie? Eae!

o uei ae ae a euie a

u ae ua oe a eei o oae.

In Defence of Adultery
Julia Copus

We don’t fall in love: it rises through us

the way that certain music does –

whether a symphony or ballad –

and it is sepia-coloured,

like spilt tea that inches up

the tiny tube-like gaps inside

a cube of sugar lying by a cup.

Yes, love’s like that: just when we least

needed or expected it

a part of us dips into it

by chance or mishap and it seeps

through our capillaries, it clings

inside the chambers of the heart.

We’re victims, we say: mere vessels,

drinking the vanilla scent

of this one’s skin, the lustre

of another’s eyes so skilfully

darkened with bistre. And whatever

damage might result we’re not

to blame for it: love is an autocrat

and won’t be disobeyed.

Sometimes we manage

to convince ourselves of that.

Office Friendships
Gavin Ewart

Eve is madly in love with Hugh

And Hugh is keen on Jim.

Charles is in love with very few

And few are in love with him.

Myra sits typing notes of love

With romantic pianist’s fingers.

Dick turns his eyes to the heavens above

Where Fran’s divine perfume lingers.

Nicky is rolling eyes and tits

And flaunting her wiggly walk.

Everybody is thrilled to bits

By Clive’s suggestive talk.

Sex suppressed will go berserk,

But it keeps us all alive.

It’s a wonderful change from wives and work

And it ends at half past five.

Her News
Hugo Williams

You paused for a moment and I heard you smoking

on the other end of the line.

I pictured your expression,

one eye screwed shut against the smoke

as you waited for my reaction.

I was waiting for it myself, a list of my own news

gone suddenly cold in my hand.

Supposing my wife found out, what would happen then?

Would I have to leave her and marry you now?

Perhaps it wouldn’t be so bad,

starting again with someone new, finding a new place,

pretending the best was yet to come.

It might even be fun,

playing the family man, walking around in the park

full of righteous indignation.

But no, I couldn’t go through all that again,

not without my own wife being there,

not without her getting cross about everything.

Perhaps she wouldn’t mind about the baby,

then we could buy a house in the country

and all move in together.

That sounded like a better idea.

Now that I’d been caught at last, a wave of relief

swept over me. I was just considering

a shed in the garden with a radio and a day bed,

when I remembered I hadn’t seen you for over a year.

‘Congratulations,’ I said. ‘When’s it due?’

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