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Silverman, Kenneth, ed.
New Essays on Poe’s Major Tales
. New York: Cambridge University Press, 1993.
Stovall, Floyd.
Edgar Poe the Poet: Essays Old and New on the Man and his Work
. Charlottesville: University Press of Virginia, 1969.
Thompson, G. R.
Poe’s Fiction: Romantic Irony in the Gothic Tales
. Madison: University of Wisconsin Press, 1973.
Vines, Lois Davis, ed.
Poe Abroad: Influence, Reputation, Affinities.
Iowa City: University of Iowa Press, 1999.
Walker, I. M.
Edgar Allan Poe: The Critical Heritage
. London: Rout-ledge, 1986.
Whalen, Terence.
Edgar Allan Poe and the Masses: The Political Economy of Literature in Antebellum America
. Princeton: Princeton University Press, 1999.
Wilbur, Richard.
Responses. Prose Pieces: 1953-1976
. New York: Harcourt, Brace, Jovanovich, 1976.
Williams, Michael J. S.
A World of Words: Language and Displacement in the Fiction of Edgar Allan Poe
. Durham: Duke University Press, 1988.
CRITICISM: ESSAYS
Barthes, Roland. “Textual Analysis of a Tale of Poe.” In
On Signs
, ed. Marshall Blonsky. Baltimore: Johns Hopkins University Press; 1985:84-97.
Dayan, Joan. “Amorous Bondage: Poe, Ladies, and Slaves.”
American Literature
66 (1994):239-73.
———. “From Romance to Modernity: Poe and the Work of Poetry.”
Studies in Romanticism
29 (1990):413-37.
Eakin, Paul John. “Poe’s Sense of an Ending.”
American Literature
45 (1973):1-22.
Gargano, James. “The Question of Poe’s Narrators.”
College English
25 (1963):177-81.
Hovey, Kenneth. “ ‘These Many Pieces Are Yet One Book’: The Book-Unity of Poe’s Tale Collections.”
Poe Studies
31 (1998):1-16.
Jackson, Leon. “ ‘Behold Our Literary Mohawk, Poe’: Literary Nationalism and the ‘Indianation’ of Antebellum American Culture.”
ESQ: A Journal of the American Renaissance
48 (2002):97-133.
Jay, Gregory S. “Poe: Writing and the Unconscious.”
Bucknell Review
28 (1983):144-69.
Jordan, Cynthia S. “Poe’s Re-Vision: The Recovery of the Second Story.”
American Literature
59 (1987):1-19.
Kennedy, J. Gerald. “ ‘A Mania for Composition’: Poe’s
Annus Mirabilis
and the Violence of Nation Building.”
American Literary History
17 (2005):1-35.
Moldenhauer, Joseph. “Murder as a Fine Art: Basic Connections between Poe’s Aesthetics, Psychology, and Moral Vision.”
PMLA
83 (1968):284-97.
Smith, Dave. “Edgar Allan Poe and the Nightmare Ode.”
Southern Humanities Review
29 (1995):1-10
Tate, Allen. “The Poetry of Edgar Allan Poe.”
Sewanee Review
76 (1968):214-25.
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a
See Archimedes, “
De Incidentibus in Fluido.”
—lib. 2.
b
The “
Hortulus Animœ cum Oratiunculis Aliquibus Superadditis”
of Grünninger.
4
[Poe’s note]
c
And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures.—KORAN [Poe’s note]
d
Spoudiotaton kai philosophikotaton genos. [Poe’s note]
1
e
Note—The pain of the consideration that we shall lose our individual identity, ceases at once when we reflect that the process, as above described, is, neither more nor less than that of the absorption, by each individual intelligence, of all other intelligences (that is, of the Universe) into its own. That God may be all in all,
each
must become God. [Poe’s note]
BOOK: The Portable Edgar Allan Poe
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