The Portable Henry James (48 page)

BOOK: The Portable Henry James
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It is accordingly not false to say that he reached his goal with a certain elation and stood there again with a certain assurance. The creature beneath the sod
knew
of his rare experience, so that, strangely now, the place had lost for him its mere blankness of expression. It met him in mildness—not, as before, in mockery; it wore for him the air of conscious greeting that we find, after absence, in things that have closely belonged to us and which seem to confess of themselves to the connection. The plot of ground, the graven tablet, the tended flowers affected him so as belonging to him that he quite felt for the hour like a contented landlord reviewing a piece of property. Whatever had happened—well, had happened. He had not come back this time with the vanity of that question, his former worrying, “What,
what?
” now practically so spent. Yet he would, none the less, never again so cut himself off from the spot; he would come back to it every month, for if he did nothing else by its aid he at least held up his head. It thus grew for him, in the oddest way, a positive resource; he carried out his idea of periodical returns, which took their place at last among the most inveterate of his habits. What it all amounted to, oddly enough, was that, in his now so simplified world, this garden of death gave him the few square feet of earth on which he could still most live. It was as if, being nothing anywhere else for anyone, nothing even for himself, he were just everything here, and if not for a crowd of witnesses, or indeed for any witness but John Marcher, then by clear right of the register that he could scan like an open page. The open page was the tomb of his friend, and
there
were the facts of the past, there the truth of his life, there the backward reaches in which he could lose himself. He did this, from time to time, with such effect that he seemed to wander through the old years with his hand in the arm of a companion who was, in the most extraordinary manner, his other, his younger self; and to wander, which was more extraordinary yet, round and round a third presence—not wandering she, but stationary, still, whose eyes, turning with his revolution, never ceased to follow him, and whose seat was his point, so to speak, of orientation. Thus in short he settled to live—feeding only on the sense that he once
had
lived, and dependent on it not only for a support but for an identity.
It sufficed him, in its way, for months, and the year elapsed; it would doubtless even have carried him further but for an accident, superficially slight, which moved him, in a quite other direction, with a force beyond any of his impressions of Egypt or of India. It was a thing of the merest chance—the turn, as he afterwards felt, of a hair, though he was indeed to live to believe that if light hadn’t come to him in this particular fashion it would still have come in another. He was to live to believe this, I say, though he was not to live, I may not less definitely mention, to do much else. We allow him at any rate the benefit of the conviction, struggling up for him at the end, that, whatever might have happened or not happened, he would have come round of himself to the light. The incident of an autumn day had put the match to the train laid from of old by his misery. With the light before him he knew that even of late his ache had only been smothered. It was strangely drugged, but it throbbed; at the touch it began to bleed. And the touch, in the event, was the face of a fellow-mortal. This face, one grey afternoon when the leaves were thick in the alleys, looked into Marcher’s own, at the cemetery, with an expression like the cut of a blade. He felt it, that is, so deep down that he winced at the steady thrust. The person who so mutely assaulted him was a figure he had noticed, on reaching his own goal, absorbed by a grave a short distance away, a grave apparently fresh, so that the emotion of the visitor would probably match it for frankness. This fact alone forbade further attention, though during the time he stayed he remained vaguely conscious of his neighbour, a middle-aged man apparently, in mourning, whose bowed back, among the clustered monuments and mortuary yews, was constantly presented. Marcher’s theory that these were elements in contact with which he himself revived, had suffered, on this occasion, it may be granted, a sensible though inscrutable check. The autumn day was dire for him as none had recently been, and he rested with a heaviness he had not yet known on the low stone table that bore May Bartram’s name. He rested without power to move, as if some spring in him, some spell vouchsafed, had suddenly been broken forever. If he could have done that moment as he wanted he would simply have stretched himself on the slab that was ready to take him, treating it as a place prepared to receive his last sleep. What in all the wide world had he now to keep awake for? He stared before him with the question, and it was then that, as one of the cemetery walks passed near him, he caught the shock of the face.
His neighbour at the other grave had withdrawn, as he himself, with force in him to move, would have done by now, and was advancing along the path on his way to one of the gates. This brought him near, and his pace was slow, so that—and all the more as there was a kind of hunger in his look—the two men were for a minute directly confronted. Marcher felt him on the spot as one of the deeply stricken—a perception so sharp that nothing else in the picture lived for it, neither his dress, his age, nor his presumable character and class; nothing lived but the deep ravage of the features that he showed. He
showed
them—that was the point; he was moved, as he passed, by some impulse that was either a signal for sympathy or, more possibly, a challenge to another sorrow. He might already have been aware of our friend, might, at some previous hour, have noticed in him the smooth habit of the scene, with which the state of his own senses so scantly consorted, and might thereby have been stirred as by a kind of overt discord. What Marcher was at all events conscious of was, in the first place, that the image of scarred passion presented to him was conscious too—of something that profaned the air; and, in the second, that, roused, startled, shocked, he was yet the next moment looking after it, as it went, with envy. The most extraordinary thing that had happened to him—though he had given that name to other matters as well—took place, after his immediate vague stare, as a consequence of this impression. The stranger passed, but the raw glare of his grief remained, making our friend wonder in pity what wrong, what wound it expressed, what injury not to be healed. What had the man
had
to make him, by the loss of it, so bleed and yet live?
Something—and this reached him with a pang—that
he,
John Marcher, hadn’t; the proof of which was precisely John Marcher’s arid end. No passion had ever touched him, for this was what passion meant; he had survived and maundered and pined, but where had been
his
deep ravage? The extraordinary thing we speak of was the sudden rush of the result of this question. The sight that had just met his eyes named to him, as in letters of quick flame, something he had utterly, insanely missed, and what he had missed made these things a train of fire, made them mark themselves in an anguish of inward throbs. He had seen
outside
of his life, not learned it within, the way a woman was mourned when she had been loved for herself; such was the force of his conviction of the meaning of the stranger’s face, which still flared for him like a smoky torch. It had not come to him, the knowledge, on the wings of experience; it had brushed him, jostled him, upset him, with the disrespect of chance, the insolence of an accident. Now that the illumination had begun, however, it blazed to the zenith, and what he presently stood there gazing at was the sounded void of his life. He gazed, he drew breath, in pain; he turned in his dismay, and, turning, he had before him in sharper incision than ever the open page of his story. The name on the table smote him as the passage of his neighbour had done, and what it said to him, full in the face, was that
she
was what he had missed. This was the awful thought, the answer to all the past, the vision at the dread clearness of which he turned as cold as the stone beneath him. Everything fell together, confessed, explained, overwhelmed; leaving him most of all stupefied at the blindness he had cherished. The fate he had been marked for he had met with a vengeance—he had emptied the cup to the lees; he had been the man of his time,
the
man, to whom nothing on earth was to have happened. That was the rare stroke—that was his visitation. So he saw it, as we say, in pale horror, while the pieces fitted and fitted. So
she
had seen it, while he didn’t, and so she served at this hour to drive the truth home. It was the truth, vivid and monstrous, that all the while he had waited the wait was itself his portion. This the companion of his vigil had at a given moment perceived, and she had then offered him the chance to baffle his doom. One’s doom, however, was never baffled, and on the day she had told him that his own had come down she had seen him but stupidly stare at the escape she offered him.
The escape would have been to love her; then,
then
he would have lived.
She
had lived—who could say now with what passion? —since she had loved him for himself; whereas he had never thought of her (ah, how it hugely glared at him!) but in the chill of his egotism and the light of her use. Her spoken words came back to him, and the chain stretched and stretched. The beast had lurked indeed, and the beast, at its hour, had sprung; it had sprung in that twilight of the cold April when, pale, ill, wasted, but all beautiful, and perhaps even then recoverable, she had risen from her chair to stand before him and let him imaginably guess. It had sprung as he didn’t guess; it had sprung as she hopelessly turned from him, and the mark, by the time he left her, had fallen where it
was
to fall. He had justified his fear and achieved his fate; he had failed, with the last exactitude, of all he was to fail of; and a moan now rose to his lips as he remembered she had prayed he mightn’t know. This horror of waking—
this
was knowledge, knowledge under the breath of which the very tears in his eyes seemed to freeze. Through them, none the less, he tried to fix it and hold it; he kept it there before him so that he might feel the pain. That at least, belated and bitter, had something of the taste of life. But the bitterness suddenly sickened him, and it was as if, horribly, he saw, in the truth, in the cruelty of his image, what had been appointed and done. He saw the Jungle of his life and saw the lurking Beast; then, while he looked, perceived it, as by a stir of the air, rise, huge and hideous, for the leap that was to settle him. His eyes darkened—it was close; and, instinctively turning, in his hallucination, to avoid it, he flung himself, on his face, on the tomb.
The Jolly Corner
The English Review,
December 1908. Returning to England after his 1904-1905 American tour—his first time back in the United States in over twenty years—James was soon engaged in several projects. Among them were the travel essays he would publish in
The American Scene;
but in the summer of 1906 he took time apart to begin work on an “American” tale that would become “The Jolly Corner.” In it, a fifty-six-year-old expatriate (James was sixty-one when he made his American tour) returns to his old home, or, more precisely, to his old house in New York, for the first time in thirty years; there he wonders—obsessively—what might have become of him had he never left. Although this late tale’s architectural framing is by no means unique—for even in his criticism James had developed metaphors of the “chamber of consciousness” and “the house of fiction”—the architectural complexity of “The Jolly Corner” is prodigious. As Leon Edel observed, it is “as if the house on ‘the jolly corner’ were a mind, a brain, and Spencer Brydon were walking through its passages finding certain doors of resistance closed to truths hidden from himself.”
I .
“Every one asks me what I ‘think’ of everything,” said Spencer Brydon; “and I make answer as I can—begging or dodging the question, putting them off with any nonsense. It wouldn’t matter to any of them really,” he went on, “for, even were it possible to meet in that stand-and-deliver way so silly a demand on so big a subject, my ‘thoughts’ would still be almost altogether about something that concerns only myself.” He was talking to Miss Staverton, with whom for a couple of months now he had availed himself of every possible occasion to talk; this disposition and this resource, this comfort and support, as the situation in fact presented itself, having promptly enough taken the first place in the considerable array of rather unattenuated surprises attending his so strangely belated return to America. Everything was somehow a surprise; and that might be natural when one had so long and so consistently neglected everything, taken pains to give surprises so much margin for play. He had given them more than thirty years—thirty-three, to be exact; and they now seemed to him to have organised their performance quite on the scale of that licence. He had been twenty-three on leaving New York—he was fifty-six to-day: unless indeed he were to reckon as he had sometimes, since his repatriation, found himself feeling; in which case he would have lived longer than is often allotted to man. It would have taken a century, he repeatedly said to himself, and said also to Alice Staverton, it would have taken a longer absence and a more averted mind than those even of which he had been guilty, to pile up the differences, the newnesses, the queernesses, above all the bignesses, for the better or the worse, that at present assaulted his vision wherever he looked.
The great fact all the while however had been the incalculability; since he
had
supposed himself, from decade to decade, to be allowing, and in the most liberal and intelligent manner, for brilliancy of change. He actually saw that he had allowed for nothing; he missed what he would have been sure of finding, he found what he would never have imagined. Proportions and values were upside-down; the ugly things he had expected, the ugly things of his far-away youth, when he had too promptly waked up to a sense of the ugly—these uncanny phenomena placed him rather, as it happened, under the charm; whereas the “swagger” things, the modern, the monstrous, the famous things, those he had more particularly, like thousands of ingenuous enquirers every year, come over to see, were exactly his sources of dismay. They were as so many set traps for displeasure, above all for reaction, of which his restless tread was constantly pressing the spring. It was interesting, doubtless, the whole show, but it would have been too disconcerting hadn’t a certain finer truth saved the situation. He had distinctly not, in this steadier light, come over
all
for the monstrosities; he had come, not only in the last analysis but quite on the face of the act, under an impulse with which they had nothing to do. He had come—putting the thing pompously—to look at his “property,” which he had thus for a third of a century not been within four thousand miles of; or, expressing it less sordidly, he had yielded to the humour of seeing again his house on the jolly corner, as he usually, and quite fondly, described it—the one in which he had first seen the light, in which various members of his family had lived and had died, in which the holidays of his overschooled boyhood had been passed and the few social flowers of his chilled adolescence gathered, and which, alienated then for so long a period, had, through the successive deaths of his two brothers and the termination of old arrangements, come wholly into his hands. He was the owner of another, not quite so “good”—the jolly corner having been, from far back, superlatively extended and consecrated; and the value of the pair represented his main capital, with an income consisting, in these later years, of their respective rents which (thanks precisely to their original excellent type) had never been depressingly low. He could live in “Europe,” as he had been in the habit of living, on the product of these flourishing New York leases, and all the better since, that of the second structure, the mere number in its long row, having within a twelvemonth fallen in, renovation at a high advance had proved beautifully possible.
BOOK: The Portable Henry James
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