The Queen of the Damned (22 page)

For years after, she'd tried to remember other documents she'd seen. Surely she had come into the library one morning and discovered a back room with an open door.

Into a long corridor, she'd gone past other unlighted rooms. She'd found a light switch finally, and seen a great storage place full of clay tablets-clay tablets covered with tiny pictures! Without doubt, she'd held these things in her hands.

Something else had happened; something she had never really wanted to recall. Was there another hallway? She knew for certain that there had been a curving iron stairway which took her down into lower rooms with plain earthen walls. Tiny bulbs were fixed in old porcelain light sockets, She had pulled chains to turn them on.

Surely she had done that. Surely she had opened a heavy redwood door . . .

For years after, it had come back to her in little flashes-a vast, low-ceilinged room with oak chairs, a table and benches that looked as if they were made from stone. And what else? Something that at first seemed utterly familiar. And then-

Later that night, she'd remembered nothing but the stairway. Suddenly it was ten o'clock, and she'd just awakened and Maharet was standing at the foot of her bed. Maharet had come to her and kissed her. Such a lovely warm kiss; it had sent a low throbbing sensation through her. Maharet said they'd found her down by the creek, asleep in the clearing, and at sunset, they'd brought her in.

Down by the creek? For months after, she'd actually "remembered" falling asleep there. In fact, it was a rather rich "recollection" of the peace and stillness of the forest, of the water singing over the rocks. But it had never happened, of that she was now sure.

But on this day, some fifteen years later, she had found no evidence one way or the other of these half-remembered things. Rooms were bolted against her. Even the neat volumes of the family history were in locked glass cases which she dared not disturb.

Yet never had she believed so firmly in what she could recall. Yes, clay tablets covered with nothing but tiny stick figures for persons, trees, animals. She'd seen them, taken them off the shelves and held them under the feeble overhead light. And the stairway, and the room that frightened her, no, terrified her, yes ... all there.

Nevertheless, it had been paradise here, in those warm summer days and nights, when she had sat by the hour talking to Maharet, when she had danced with Mael and Maharet by the light of the moon. Forget for now the pain afterwards, trying to understand why Maharet had sent her back home to New York never to come here again.

My darling,

The fact is I love you too much. My life will engulf yours if we are not separated. You must have freedom, Jesse, to devise your own plans, ambitions, dreams . . .

It was not to relive the old pain that she had returned, it was to know again, for a little while, the joy that had gone before.

Fighting weariness this afternoon, she'd wandered out of the house finally, and down the long lane through the oaks. So easy to find the old paths through the dense redwoods. And the clearing, ringed in fern and clover on the steep rocky banks of the shallow rushing creek.

Here Maharet had once guided her through total darkness, down into the water and along a path of stones. Mael had joined them. Maharet had poured the wine for Jesse, and they had sung together a song Jesse could never recall afterwards, though now and then she would find herself humming this eerie melody with inexplicable accuracy, then stop, aware of it, unable to find the proper note again.

She might have fallen asleep near the creek in the deep mingled sounds of the forest, so like the false "recollection" of years ago.

So dazzling the bright green of the maples, catching the rare shafts of light. And the redwoods, how monstrous they seemed in the unbroken quiet. Mammoth, indifferent, soaring hundreds of feet before their somber lacy foliage closed on the frayed margin of sky.

And she'd known what the concert tonight, with Lestat's screaming fans, would demand of her. But she'd been afraid that the dream of the twins would start again.

Finally, she'd gone back to the house, and taken the roses and the letter with her. Her old room. Three o'clock. Who wound the clocks of this place that they knew the hour? The dream of the twins was stalking her. And she was simply too tired to fight anymore. The place felt so good to her. No ghosts here of the kind she'd encountered so many times in her work. Only the peace. She'd lain down on the old hanging bed, on the quilt that she herself had made so carefully with Maharet that summer. And sleep-and the twins-had come together.

Now she had two hours to get to San Francisco, and she must leave this house, maybe in tears, again. She checked her pockets. Passport, papers, money, keys.

She picked up her leather bag, slung it over her shoulder, and hurried through the long passage to the stairs. Dusk was coming fast, and when darkness did cover the forest, nothing would be visible at all.

There was still a bit of sunlight in the main hall when she reached it. Through the western windows, a few long dusty rays illuminated the giant tapestry quilt on the wall.

Jesse caught her breath as she looked at it. Always her favorite, for its intricacy, its size. At first it seemed a great mass of random tiny prints and patches-then gradually the wooded landscape emerged from the myriad pieces of cloth. One minute you saw it; the next it was gone. That's how it had happened over and over again that summer when, drunk with wine, she had walked back and forth before it, losing the picture, then recovering it: the mountain, the forest, a tiny village nestled in the green valley below.

"I'm sorry, Maharet-," she whispered again softly. She had to go. Her journey was nearly ended.

But as she looked away, something in the quitted picture caught her eye. She turned back, studied it again. Were there figures there, which she had never seen? Once more it was a swarm of stitched-together fragments. Then slowly the flank of the mountain emerged, then the olive trees, and finally the rooftops of the village, no more than yellow huts scattered on the smooth valley floor. The figures? She could not find them. That is, until she again turned her head away. In the corner of her eye, they were visible for a split second. Two tiny figures holding each other, women with red hair!

Slowly, almost cautiously she turned back to the picture. Her heart was skipping. Yes, there. But was it an illusion?

She crossed the room until she stood directly before the quilt. She reached up and touched it. Yes! Each little rag-doll being had a tiny pair of green buttons for its eyes, a carefully sewn nose and red mouth! And the hair, the hair was red yarn, crimped into jagged waves and delicately sewn over the white shoulders.

She stared at it, half disbelieving. Yet there they were-the twins! And as she stood there, petrified, the room began to darken. The last light had slipped below the horizon. The quilt was fading before her eyes into an unreadable pattern.

In a daze, she heard the clock strike the quarter hour. Call the Talamasca. Call David in London. Tell him part of it, anything- But that was out of the question and she knew it. And it broke her heart to realize that no matter what did happen to her tonight, the Talamasca would never know the whole story.

She forced herself to leave, to lock the door behind her and walk across the deep porch and down the long path.

She didn't fully understand her feelings, why she was so shaken and on the verge of tears. It confirmed her suspicions, all she thought she knew. And yet she was frightened. She was actually crying.

Wail for Maharet.

But that she could not do. Maharet would charm her, confuse her, drive her away from the mystery in the name of love. That's what had happened in that long ago summer. The Vampire Lestat withheld nothing. The Vampire Lestat was the crucial piece in the puzzle. To see him and touch him was to validate everything.

The red Mercedes roadster started instantly. And with a spray of gravel she backed up, turned, and made for the narrow un-paved road. The convertible top was down; she'd be frozen by the time she reached San Francisco, but it didn't matter. She loved the cold air on her face, she loved to drive fast.

The road plunged at once into the darkness of the woods. Not even the rising moon could penetrate here. She pushed to forty, swinging easily into the sudden turns. Her sadness grew heavier suddenly, but there were no more tears. The Vampire Lestat . . . almost there.

When at last she hit the county road, she was speeding, singing to herself in syllables she could hardly hear above the wind. Full darkness came just as she roared through the pretty little city of Santa Rosa and connected with the broad swift current of Highway 101 south.

The coastal fog was drifting in. It made ghosts of the dark hills to the east and west. Yet the bright flow of tail lamps illuminated the road ahead of her. Her excitement was mounting. One hour to the Golden Gate. The sadness was leaving her. All her life she'd been confident, lucky; and sometimes impatient with the more cautious people she'd known. And despite her sense of fatality on this night, her keen awareness of the dangers she was approaching, she felt her usual luck might be with her. She wasn't really afraid.

She'd been born lucky, as she saw it, found by the side of the road minutes after the car crash that had killed her seven-months-pregnant teenaged mother-a baby spontaneously aborted from the dying womb, and screaming loudly to clear her own tiny lungs when the ambulance arrived.

She had no name for two weeks as she languished in the county hospital, condemned for hours to the sterility and coldness of machines; but the nurses had adored her, nicknaming her "the sparrow," and cuddling her and singing to her whenever allowed.

Years later they were to write to her, sending along the snapshots they'd taken, telling her little stories, which had greatly amplified her early sense of having been loved.

It was Maharet who at last came for her, identifying her as the sole survivor of the Reeves family of South Carolina and taking her to New York to live with cousins of a different name and background. There she was to grow up in a lavish old two-story apartment on Lexington Avenue with Maria and Matthew Godwin, who gave her not only love but everything she could want. An English nanny had slept in her room till Jesse was twelve years old.

She could not remember when she'd learned that her aunt Maharet had provided for her, that she could go on to any college and any career she might choose. Matthew Godwin was a doctor, Maria was a sometime dancer and teacher; they were frank about their attachment to Jesse, their dependence upon her. She was the daughter they had always wanted, and these had been rich and happy years.

The letters from Maharet started before she was old enough to read. They were wonderful, often full of colorful postcards and odd pieces of currency from the countries where Maharet lived. Jesse had a drawer full of rupees and lire by the time she was seventeen. But more important, she had a friend in Maharet, who answered every line she ever wrote with feeling and care.

It was Maharet who inspired her in her reading, encouraged her music lessons and painting classes, arranged her summer tours of Europe and finally her admission to Columbia, where Jesse studied ancient languages and art.

It was Maharet who arranged her Christmas visits with European cousins-the Scartinos of Italy, a powerful banking family who lived in a villa outside Siena, and the humbler Borchardts of Paris, who welcomed her to their overcrowded but cheerful home.

The summer that Jesse turned seventeen she went to Vienna to meet the Russian emigre branch of the family, young fervent intellectuals and musicians whom she greatly loved. Then it was off to England to meet the Reeves family, directly connected to the Reeveses of South Carolina, who had left England centuries ago.

When she was eighteen, she'd gone to visit the Petralona cousins in their villa on Santorini, rich and exotic-looking Greeks. They had lived in near feudal splendor, surrounded by peasant servants, and had taken Jesse with them on a spur-of-the-moment voyage aboard their yacht to Istanbul, Alexandria, and Crete.

Jesse had almost fallen in love with young Constantin Petralona. Maharet had let her know the marriage would have everyone's blessing, but she must make her own decision. Jesse had kissed her lover good-bye and flown back to America, the university, and preparation for her first archaeological dig in Iraq.

But even through the college years, she remained as close to the family as ever. Everyone was so good to her. But then everyone was good to everyone else. Everyone believed in the family. Visits among the various branches were common; frequent intermarriage had made endless entanglements; every family house contained rooms in constant readiness for relatives who might drop in. Family trees seemed to go back forever; people passed on funny stories about famous relatives who had been dead for three or four hundred years. Jesse had felt a great communion with these people, no matter how different they seemed.

In Rome she was charmed by the cousins who drove their sleek Ferraris at breakneck speed, stereos blaring, and went home at night to a charming old palazzo where the plumbing didn't work and the roof leaked. The Jewish cousins in southern California were a dazzling bunch of musicians, designers, and producers who had one way or the other been connected with the motion pictures and the big studios for fifty years. Their old house off Hollywood Boulevard was home to a score of unemployed actors. Jesse could live in the attic if she wanted to; dinner was served at six to anybody and everybody who walked in.