The Queen of the Damned (30 page)

In the fall of her fifth year, she finally yielded to Matthew and Maria. She would come home to the States for a four-week visit. They were overjoyed.

The reunion meant more to Jesse than she had ever thought it would. She loved being back in the old New York apartment. She loved the late night dinners with her adopted parents. They didn't question her about her work. Left alone during the day, she called old college friends for lunch or took long solitary walks through the bustling urban landscape of all her childhood hopes and dreams and griefs.

Two weeks after her return, Jesse saw The Vampire Lestat in the window of a bookstore. For a moment, she thought she'd made a mistake. Not possible. But there it was. The bookstore clerk told her of the record album by the same name, and the upcoming San Francisco concert. Jesse bought a ticket on the way home at the record store where she purchased the album.

All day Jesse lay alone in her room reading the book. It was as if the nightmare of Interview with [he Vampire had returned and, once again, she could not get out of it. Yet she was strangely compelled by every word. Yes, real, all of you. And how the tale twisted and turned as it moved back in time to the Roman coven of Santino, to the island refuge of Marius, and to the Druid grove of Mael. And finally to Those Who Must Be Kept, alive yet hard and white as marble.

Ah, yes, she had touched that stone! She had looked into Mael's eyes; she had felt the clasp of Santino's hand. She had seen the painting done by Marius in the vault of the Talamasca!

When she closed her eyes to sleep, she saw Maharet on the balcony of the Sonoma compound. The moon was high above the tips of the redwoods. And the warm night seemed unaccountably full of promise and danger. Eric and Mael were there. So were others whom she'd never seen except in Lestat's pages. All of the same tribe; eyes incandescent, shimmering hair, skin a poreless shining substance. On her silver bracelet she had traced a thousand times the old Celtic symbols of gods and goddesses to whom the Druids spoke in woodland groves like that to which Marius had once been taken prisoner. How many links did she require between these esoteric fictions and the unforgettable summer?

One more, without question. The Vampire Lestat himself-in San Francisco, where she would see him and touch him-that would be the final link. She would know then, in that physical moment, the answer to everything.

The clock ticked. Her loyalty to the Talamasca was dying in the warm quiet. She could tell them not a word of it. And such a tragedy it was, when they would have cared so much and so selflessly; they would have doubted none of it.

The lost afternoon. She was there again. Going down into Maharet's cellar by the spiral stairway. Could she not push back the door? Look. See what you saw then. Something not so horrible at first glance-merely those she knew and loved, asleep in the dark, asleep. But Mael lies on the cold floor as if dead and Maharet sits against the wall, upright like a statue. Her eyes are open!

She awoke with a start, her face flushed, the room cold and dim around her. "Miriam," she said aloud. Gradually the panic subsided. She had drawn closer, so afraid. She had touched Maharet. Cold, petrified. And Mael dead! The rest was darkness.

New York. She lay on the bed with the book in her hand. And Miriam didn't come to her. Slowly, she climbed to her feet and walked across the bedroom to the window.

There, opposite in the dirty afternoon gloom, stood the high narrow phantom town house of Stanford White. She stared until the bulky image gradually faded.

From the album cover propped on the dresser the Vampire Lestat smiled at her.

She closed her eyes. She envisioned the tragic pair of Those Who Must Be Kept. Indestructible King and Queen on their Egyptian throne, to whom the Vampire Lestat sang his hymns out of the radios and the jukeboxes and From the little tapes people carried with them. She saw Maharet's white face glowing in the shadows. Alabaster. The stone that is always full of light.

Dusk falling, suddenly as it does in the late fall, the dull afternoon fading into the sharp brightness of evening. Traffic roared through the crowded street, echoing up the sides of the buildings. Did ever traffic sound so loud as in the streets of New York? She leaned her forehead against the glass. Stanford White's house was visible in the corner of her eye. There were figures moving inside it.

Jesse left New York the next afternoon, in Matt's old roadster. She paid him for the car in spite of his arguments. She knew she'd never bring it back. Then she embraced her parents and, as casually as she could, she told them all the simple heartfelt things she'd always wanted them to know.

That morning, she had sent an express letter to Maharet, along with the two "vampire" novels. She explained that she had left the Talamasca, she was going to the Vampire Lestat's concert out west, and she wanted to stop at the Sonoma compound. She had to see Lestat, it was of crucial importance. Would her old key fit the lock of the Sonoma house? Would Maharet allow her to stop there?

It was the first night in Pittsburgh that she dreamed of the twins. She saw the two women kneeling before the altar. She saw the cooked body ready to be devoured. She saw one twin lift the plate with the heart; the other the plate with the brain. Then the soldiers, the sacrilege.

By the time she reached Salt Lake City she had dreamed of the twins three times. She had seen them raped in a hazy and terrifying scene. She had seen a baby born to one of the sisters. She had seen the baby hidden when the twins were again hunted down and taken prisoner. Had they been killed? She could not tell. The red hair. If only she could see their faces, their eyes! The red hair tormented her.

Only when she called David from a roadside pay phone did she learn that others had had these dreams-psychics and mediums the world over. Again and again the connection had been made to the Vampire Lestat. David told Jesse to come home immediately.

Jesse tried to explain gently. She was going to the concert to see Lestat for herself. She had to. There was more to tell, but it was too late now. David must try to forgive her.

"You will not do this, Jessica," David said. "What is happening is no simple matter for records and archives. You must come back, Jessica. The truth is, you are needed here. You are needed desperately. It's unthinkable that you should attempt this 'sighting' on your own. Jesse, listen to what I'm telling you."

"I can't come back, David. I've always loved you. Loved you all. But tell me. It's the last question I'll ever ask you. How can you not come yourself?"

"Jesse, you're not listening to me."

"David, the truth. Tell me the truth. Have you ever really believed in them? Or has it always been a question of artifacts and files and paintings in vaults, things you can see and touch! You know what I'm saying, David. Think of the Catholic priest, when he speaks the words of consecration at Mass. Does he really believe Christ is on the altar? Or is it just a matter of chalices and sacramental wine and the choir singing?"

Oh, what a liar she had been to keep so much from him yet press him so hard. But his answer had not disappointed her.

"Jesse, you've got it wrong. I know what these creatures are. I've always known. There's never been the slightest doubt with me. And on account of that, no power on earth could induce me to attend this concert. It is you who can't accept the truth. You'll have to see it to believe it! Jesse, the danger's real. Lestat is exactly what he professes to be, and there will be others there, even more dangerous, others who may spot you for what you are and try to hurt you. Realize this and do as I tell you. Come home now."

What a raw and painful moment. He was striving to reach her, and she was only telling him farewell. He had said other things, that he would tell her "the whole story," that he would open the files to her, that she was needed on this very matter by them all.

But her mind had been drifting. She couldn't tell him her "whole story," that was the sorrow. She'd been drowsy again, the dream threatening as she hung up the phone. She'd seen the plates, the body on the altar. Their mother. Yes, their mother. Time to sleep. The dream wants in. And then go on.

Highway 101. Seven thirty-five p.m. Twenty-five minutes until the concert.

She had just come through the mountain pass on the Waldo Grade and there was the old miracle-the great crowded skyline of San Francisco tumbling over the hills, far beyond the black glaze of the water. The towers of the Golden Gate loomed ahead of her, the ice cold wind off the Bay freezing her naked hands as she gripped the steering wheel.

Would the Vampire Lestat be on time? It made her laugh to think of an immortal creature having to be on time. Well, she would be on time; the journey was almost ended.

All grief was gone now, for David and Aaron and those she'd loved. There was no grief either for the Great Family. Only the gratitude for all of it. Yet maybe David was right. Perhaps she had not accepted the cold frightening truth of the matter, but had merely slipped into the realm of memories and ghosts, of pale creatures who were the proper stuff of dreams and madness.

She was walking towards the phantom town house of Stanford White, and it didn't matter now who lived there. She would be welcome. They had been trying to tell her that ever since she could remember.

PART

ALL HALLOW'S EVE

Very little is more worth our time than understanding the talent of Substance, A bee, a living bee, at the windowglass, trying to get out, doomed, it can'{ understand.

STAN RICE

Untitled Poem from Pig's Progress (1976)

Daniel

LONG CURVING LOBBY; THE CROWD WAS LIKE liquid sloshing against the colorless walls. Teenagers in Halloween costume poured through the front doors; lines were forming to purchase yellow wigs, black satin capes- "Fang teeth, fifty cents!"-glossy programs. Whiteface everywhere he looked. Painted eyes and mouths. And here and there bands of men and women carefully done up in authentic nineteenth-century clothes, their makeup and coiffed hair exquisite.

A velvet-clad woman tossed a great shower of dead rosebuds into the air above her head. Painted blood flowed down her ashen cheeks. Laughter.

He could smell the greasepaint, and the beer, so alien now to his senses: rotten. The hearts beating all around him made a low, delicious thunder against the tender tympana of his ears.

He must have laughed out loud, because he felt the sharp pinch of Armand's fingers on his arm. "Daniel!"

"Sorry, boss," he whispered. Nobody was paying a damn bit of attention anyway; every mortal within sight was disguised; and who were Armand and Daniel but two pale nondescript young men in the press, black sweaters, jeans, hair partially hidden under sailor's caps of blue wool, eyes behind dark glasses. "So what's the big deal? I can't laugh out loud, especially now that everything is so funny?"

Armand was distracted; listening again. Daniel couldn't get it through his head to be afraid. He had what he wanted now. None of you my brothers and sisters!

Armand had said to him earlier, "You take a lot of teaching." That was during the hunt, the seduction, the kill, the flood of blood through his greedy heart. But he had become a natural at being unnatural, hadn't he, after the clumsy anguish of the first murder, the one that had taken him from shuddering guilt to ecstasy within seconds. Life by the mouthful. He'd woken up thirsting.

And thirty minutes ago, they'd taken two exquisite little vagabonds in the ruins of a derelict school by the park where the kids lived in boarded-up rooms with sleeping bags and rags and little cans of Sterno to cook the food they stole from the Haight-Ashbury dumpsters. No protests this time around. No, just the thirsting and the ever increasing sense of the perfection and the inevitability of it, the preternatural memory of the taste faultless. Hurry. Yet there had been such an art to it with Armand, none of the rush of the night before when time had been the crucial element.

Armand had stood quietly outside the building, scanning it, waiting for "those who wanted to die"; that was the way he liked to do it; you called to them silently and they came out. And the death had a serenity to it. He'd tried to show that trick to Louis long ago, he'd said, but Louis had found it distasteful.

And sure enough the denim-clad cherubs had come wandering through the side door, as if hypnotized by the music of the Pied Piper. "Yes, you came, we knew you'd come...." Dull flat voices welcoming them as they were led up the stairs and into a parlor made out of army blankets on ropes. To die in this garbage in the sweep of the passing headlights through the cracks in the plywood.

Hot dirty little arms around Daniel's neck; reek of hashish in her hair; he could scarcely stand it, the dance, her hips against him, then driving his fangs into the flesh. "You love me, you know you do," she'd said. And he'd answered yes with a clear conscience. Was it going to be this good forever? He'd clasped her chin with his hand, underneath, pushing her head back, and then, the death like a doubled fist going down his throat, to his gut, the heat spreading, flooding his loins and his brain.

He'd let her drop. Too much and not enough. He'd clawed at the wall for a moment thinking it must be flesh and blood, too, and were it flesh and blood it could be his. Then such a shock to know he wasn't hungry anymore. He was filled and complete and the night waited, like something made out of pure light, and the other one was dead, folded up like a baby in sleep on the grimy floor, and Armand, glowing in the dark, just watching.

It was getting rid of the bodies after that had been hard. Last night that had been done out of his sight, as he wept. Beginner's luck. This time Armand said "no trace means no trace." So they'd gone down together to bury them deep beneath the basement floor in the old furnace room, carefully putting the paving stones back in place. Lots of work even with such strength. So loathsome to touch the corpse like that. Only for a second did it flicker in his mind: who were they? Two fallen beings in a pit. No more now, no destiny. And the waif last night? Was somebody looking for her somewhere? He'd been crying suddenly. He'd heard it, then reached up and touched the tears coming out of his eyes.

"What do you think this is?" Armand had demanded, making him help with the paving stones. "A penny dreadful novel? You don't feed if you can't cover it up."

The building had been crawling with gentle humans who noticed not a thing as they'd stolen the clothes they now wore, uniforms of the young, and left by a broken door into an alley. Not my brothers and sisters anymore. The woods have always been filled with these soft doe-eyed things, with hearts beating for the arrow, the bullet, the lance. And now at last I reveal my secret identity: I have always been the huntsman.

"Is it all right, the way I am now?" he'd asked Armand. "Are you happy?" Haight Street, seven thirty-five. Bumper-to-bumper traffic, junkies screaming on the corner. Why didn't they just go on to the concert? Doors open already. He couldn't bear the anticipation.

But the coven house was near, Armand had explained, big tumbledown mansion one block from the park, and some of them were still hanging back in there plotting Lestat's ruin. Armand wanted to pass close, just for a moment, know what was going on.

"Looking for someone?" Daniel had asked. "Answer me, are you pleased with me or not?"

What had he seen in Armand's face? A sudden flare of humor, lust? Armand had hurried him along the dirty stained pavements, past the bars, the cafes, the stores crowded with stinking old clothes, the fancy clubs with their gilded letters on the greasy plate glass and overhead fans stirring the fumes with gilded wooden blades, while the potted ferns died a slow death in the heat and the semidarkness. Past the first little children-"Trick or treat!"-in their taffeta and glitter costumes.

Armand had stopped, at once surrounded by tiny upturned faces covered in store-bought masks, plastic spooks, ghouls, witches; a lovely warm light had filled his brown eyes; with both hands he'd dropped shiny silver dollars in their little candy sacks, then taken Daniel by the arm and led him on.

"I love it well enough the way you turned out," he had whispered with a sudden irrepressible smile, the warmth still there. "You're my firstborn," he'd said. Was there a catch in his throat, a sudden glancing from right to left as if he'd found himself cornered? Back to the business at hand. "Be patient. I am being afraid for us both, remember?"

Oh, we shall go to the stars together! Nothing can stop us. All the ghosts running through these streets are mortal!

Then the coven house had blown up.

He'd heard the blast before he saw it-and a sudden rolling plume of flame and smoke, accompanied by a shrill sound he would never before have detected: preternatural screams like silver paper curling in the heat. Sudden scatter of shaggy-haired humans running to see the blaze.

Armand had shoved Daniel off the street, into the stagnant air of a narrow liquor store. Bilious glare; sweat and reek of tobacco; mortals, oblivious to the nearby conflagration, reading the big glossy girlie magazines. Armand had pushed him to the very rear of the tiny corridor. Old lady buying tiny carton of milk and two cans of cat food out of the icebox. No way out of here.

But how could one hide from the thing that was passing over, from the deafening sound that mortals could not even hear? He'd lifted his hands to his ears, but that was foolish, useless. Death out there in alleyways. Things like him running through the debris of backyards, caught, burnt in their tracks. He saw it in sputtering flashes. Then nothing. Ringing silence. The clanging bells and squealing tires of the mortal world.

Yet he'd been too enthralled still to be afraid. Every second was eternal, the frost on the icebox door beautiful. The old lady with the milk in her hand, eyes like two small cobalt stones.

Armand's face had gone blank beneath the mask of his dark glasses, hands slipped into his tight pants pockets. The tiny bell on the door jangled as a young man entered, bought a single bottle of German beer, and went out.

"It's over, isn't it?"

"For now," Armand had answered.

Not until they'd gotten in the cab did he say more.

"It knew we were there; it heard us."

"Then why didn't it-?"

"I don't know. I only know it knew we were there. It knew before we found shelter."

And now, push and shove inside the hall, and he loved it, the crowd carrying them closer and closer to the inner doors. He could not even raise his arms, so tight was the press; yet young men and women elbowed past him, buffeted him with delicious shocks; he laughed again as he saw the life-sized posters of Lestat plastered to the walls.

He felt Armand's fingers against his back; he felt a subtle change in Armand's whole body. A red-haired woman up ahead had turned around and was facing them as she was moved along towards the open door.

A soft warm shock passed through Daniel. "Armand, the red hair." So like the twins in the dream! It seemed her green eyes locked on him as he said, "Armand, the twins!"

Then her face vanished as she turned away again and disappeared inside the hall.

"No," Armand whispered. Small shake of his head. He was in a silent fury, Daniel could feel it. He had the rigid glassy look he always got when profoundly offended. "Talamasca," he whispered, with a faint uncharacteristic sneer.

"Talamasca." The word struck Daniel suddenly as beautiful. Talamasca. He broke it down from the Latin, understood its parts. Somewhere out of his memory bank it came: animal mask. Old word for witch or shaman.

"But what does it really mean?" he asked.

"It means Lestat is a fool," Armand said. Flicker of deep pain in his eyes. "But it makes no difference now."

Khayman

Khayman watched from the archway as the Vampire Lestat's car entered the gates of the parking lot. Almost invisible Khayman was, even in the stylish denim coat and pants he'd stolen earlier from a shop manikin. He didn't need the silver glasses that covered his eyes. His glowing skin didn't matter. Not when everywhere he looked he saw masks and paint, glitter and gauze and sequined costumes.

He moved closer to Lestat, as if swimming through the wriggling bodies of the youngsters who mobbed the car. At last he glimpsed the creature's blond hair, and then his violet blue eyes as he smiled and blew kisses to his adorers. Such charm the devil had. He drove the car himself, gunning the motor and forcing the bumper against these tender little humans even as he flirted, winked, seduced, as if he and his foot on the gas pedal weren't connected to each other.

Exhilaration. Triumph. That's what Lestat felt and knew at this moment. And even his reticent companion, Louis, the dark-haired one in the car beside him, staring timidly at the screaming children as if they were birds of paradise, didn't understand what was truly happening.

Neither knew that the Queen had waked. Neither knew the dreams of the twins. Their ignorance was astonishing. And their young minds were so easy to scan. Apparently the Vampire Lestat, who had hidden himself quite well until this night, was now prepared to do battle with everyone. He wore his thoughts and intentions like a badge of honor.

"Hunt us down!" That's what he said aloud to his fans, though they didn't hear. "Kill us. We're evil. We're bad. It's perfectly fine to cheer and sing with us now. But when you catch on, well, then the serious business will begin. And you'll remember that I never lied to you."

For one instant his eyes and Khayman's eyes met. I want to be good! I would die for that! But there was no recognition of who or what received this message.