The Queen of the Damned (56 page)

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Authors: Anne Rice

Tags: #Fiction, #Fantasy, #General, #Psychological, #Sagas

BOOK: The Queen of the Damned
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I would start weeping again if I didn't stop reaching now for the solution; and these poor tender creatures around me would be even more damaged and confused than before.

 

When I lifted my hands to my face, they didn't move away from me. They were brushing my hair. Chills ran down my back. And the soft thud of the blood in their veins was deafening suddenly.

 

I told them I wanted to be alone. I couldn't endure the temptation any longer. And I could have sworn they knew what I wanted. Knew it, and were yielding to it. Dark salty flesh so close to me. Too much temptation. Whatever the case, they obeyed instantly, and a little fearfully. They left the room in silence, backing away as if it weren't proper to simply walk out.

 

I looked at the face of the watch. I thought it was pretty funny, me wearing this watch that told the time. And it made me angry suddenly. And then the watch broke! The glass shattered; everything flew out of the ruptured silver case. The strap broke and the thing fell off my wrist onto the floor. Tiny glittering wheels disappeared into the carpet.

 

"Good God!" I whispered. Yet why not?-if I could rupture an artery or a heart. But the point was to control this thing, to direct it, not let it escape like that.

 

I looked up and chose at random a small mirror, one standing on the dresser in a silver frame. 1 thought Break and it exploded into gleaming fragments. In the hollow stillness I could hear the pieces as they struck the walls and the dresser top.

 

Well, that was useful, a hell of a lot more useful than being able to kill people. I stared at the telephone on the edge of the dresser. I concentrated, let the power collect, then consciously subdued it and directed it to push the phone slowly across the glass that covered the marble. Yes. AH right. The little bottles tumbled and fell as it was pushed into them. Then I stopped them; 1 couldn't right them however. I couldn't pick them up. Oh, but wait, yes I could. I imagined a hand righting them. And certainly the power wasn't literally obeying this image; but I was using it to organize the power. I righted all the little bottles. I retrieved the one which had fallen and put it back in place.

 

I was trembling just a little. 1 sat on the bed to think this over, but I was too curious to think. The important thing to realize was this: it was physical; it was energy. And it was no more than an extension of powers I'd possessed before. For example, even in the beginning, in the first few weeks after Magnus had made me, I'd managed once to move another-my beloved Nicolas with whom I'd been arguing-across a room as if I'd struck him with an invisible fist. I'd been in a rage then; I hadn't been able to duplicate the little trick later. But it was the same power; the same verifiable and measurable trait.

 

"You are no god," I said. But this increase of power, this new dimension, as they say so aptly in this century.... Hmmmm.... Looking up at the ceiling, I decided I wanted to rise slowly and touch it, run my hands over the plaster frieze that ran around the cord of the chandelier. I felt a queasiness; and then I realized 1 was floating just beneath the ceiling. And my hand, why, it looked like my hand was going through the plaster. I lowered myself a little and looked down at the room.

 

Dear God, I'd done this without taking my body with me! I was still sitting there, on the side of the bed. I was staring at myself, at the top of my own head. I-my body at any rate-sat there motionless, dreamlike, staring. Back, And I was there again, thank God, and my body was all right, and then looking up at the ceiling, I tried to figure what this was all about. Well, I knew what it was all about, too. Akasha herself had told me how her spirit could travel out of her body. And mortals had always done such things, or so they claimed. Mortals had written of such invisible travel from the most ancient times.

 

I had almost done it when I tried to see into Azim's temple, gone there to see, and she had stopped me because when I left my body, my body had started to fall. And long before that, there had been a couple of other times.... But in general, I'd never believed all the mortal stories.

 

Now I knew I could do this as well. But I certainly didn't want to do it by accident. I made the decision to move to the ceiling again but this time with my body, and it was accomplished at once! We were there together, pushing against the plaster and this time my hand didn't go through. All right.

 

I went back down and decided to try the other again. Now only in spirit. The queasy feeling came, I took a glance down at my body, and then I was rising right through the roof of the palazzo. I was traveling out over the sea- Yet things looked unaccountably different; I wasn't sure this was the literal sky or the literal sea. It was more like a hazy conception of both, and I didn't like this, not one bit. No, thank you. Going home now! Or should I bring my body to me? I tried, but absolutely nothing happened, and that didn't surprise me actually. This was some kind of hallucination. I hadn't reaily left my body, and ought to just accept that fact.

 

And Baby Jenks, what about the beautiful things Baby Jenks had seen when she went up? Had they been hallucinations? I would never know, would I?

 

Back!

 

Sitting. Side of the bed. Comfortable. The room. I got up and walked around for a few minutes, merely looking at the flowers, and the odd way the white petals caught the lamplight and how dark the reds looked; and how the golden light was caught on the surfaces of the mirrors, all the other lovely things.

 

It was overwhelming suddenly, the pure detail surrounding me; the extraordinary complexity of a single room.

 

Then I practically fell into the chair by the bed. I lay back against the velvet, and listened to my heart pounding. Being invisible, leaving my body, I hated it! I wasn't going to do it again!

 

Then I heard laughter, faint, gentle laughter. I realized Akasha was there, somewhere behind me, near the dresser perhaps.

 

There was a sudden surge in me of gladness to hear her voice, to feel her presence. In fact I was surprised at how strong these sensations were. I wanted to see her but I didn't move just yet.

 

"This traveling without your body-it's a power you share with mortals," she said. "They do this little trick of traveling out of their bodies all the time."

 

"I know," I said dismally. "They can have it. If I can fly with my body, that's what 1 intend to do."

 

She laughed again; soft, caressing laughter that I'd heard in my dreams.

 

"In olden times," she said, "men went to the temple to do this; they drank the potions given them by the priests; it was in traveling the heavens that men faced the great mysteries of life and death."

 

"I know," I said again. "I always thought they were drunk or stoned out of their minds as one says today."

 

"You're a lesson in brutality," she whispered. "Your responses to things are so swift."

 

"That's brutal?" I asked. I caught a whiff again of the fires burning on the island. Sickening. Dear God. And we talk here as if this isn't happening, as if we hadn't penetrated their world with these horrors. . . .

 

"And flying with your body does not frighten you?" she asked.

 

"It all frightens me, you know that," I said. "When do I discover the limits? Can I sit here and bring death to mortals who are miles away?"

 

"No," she said. "You'll discover the limits rather sooner than you think. It's like every other mystery. There really is no mystery."

 

I laughed. For a split second I heard the voices again, the tide rising, and then it faded into a truly audible sound-cries on the wind, cries coming from villages on the island. They had burned the little museum with the ancient Greek statues in it; and with the icons and the Byzantine paintings.

 

All that art going up in smoke. Life going up in smoke.

 

I had to see her suddenly. I couldn't find her in the mirrors, the way they were. I got up.

 

She was standing at the dresser; and she too had changed her garments, and the style of her hair. Even more purely lovely, yet timeless as before. She held a small hand mirror, and she was looking at herself in it; but it seemed she was not really looking at anything; she was listening to the voices; and I could hear them again too. A shiver went through me; she resembled her old self, the frozen self sitting in the shrine.

 

Then she appeared to wake; to look into the mirror again, and then at me as she put the mirror aside.

 

Her hair had been loosened; all those plaits gone. And now the rippling black waves came down free over her shoulders, heavy, glossy, and inviting to kiss. The dress was similar to the old one, as if the women had made it for her out of dark magenta silk that she had found here. It gave a faint rosy blush to her cheeks, and to her breasts which were only half covered by the loose folds that went up over her shoulders, gathered there by tiny gold clasps.

 

The necklaces she wore were all modern jewelry, but the profusion made them look archaic, pearls and gold chains and opals and even rubies.

 

Against the luster of her skin, all this ornament appeared somehow unreal! It was caught up in the overall gloss of her person; it was like the light in her eyes, or the luster of her lips.

 

She was something fit for the most lavish palace of the imagination; something both sensuous and divine. I wanted her blood again, the blood without fragrance and without killing. I wanted to go to her and lift my hand and touch the skin which seemed absolutely impenetrable but which would break suddenly like the most fragile crust.

 

"All the men on the island are dead, aren't they?" I asked. I shocked myself.

 

"All but ten. There were seven hundred people on this island. Seven have been chosen to live."

 

"And the other three?"

 

"They are for you."

 

I stared at her. For me? The desire for blood shifted a little, revised itself, included her and human blood-the hot, bubbling, fragrant kind, the kind that- But there was no physical need. I could still call it thirst, technically, but it was actually worse.

 

"You don't want them?" she said, mockingly, smiling at me. "My reluctant god, who shrinks from his duty? You know all those years, when I listened to you, long before you made songs to me, I loved it that you took only the hard ones, the young men. I loved it that you hunted thieves and killers; that you liked to swallow their evil whole. Where's your courage now? Your impulsiveness? Your willingness to plunge, as it were?"

 

"Are they evil?" I said. "These victims who are waiting for me?"

 

She narrowed her eyes for a momennt. "Is it cowardice finally?" she asked. "Does the grandeur of the plan frighten? For surely the killing means little."

 

"Oh, but you're wrong," I said. "The killing always means something. But yes, the grandeur of the plan terrifies me. The chaos, the total loss of all moral equilibrium, it means everything. But that's not cowardice, is it?" How calm I sounded. How sure of myself. It wasn't the truth, but she knew it,

 

"Let me release you from all obligation to resist," she said. "You cannot stop me. I love you, as I told you. I love to look at you. It fills me with happiness. But you can't influence me. Such an idea is absurd."

 

We stared at each other in silence. I was trying to find words to tell myself how lovely she was, how like the old Egyptian paintings of princesses with shining tresses whose names are now forever lost. I was trying to understand why my heart hurt even looking at her; and yet I didn't care that she was beautiful; I cared about what we said to each other.

 

"Why have you chosen this way?" I asked. "You know why," she said with a patient smile. "It is the best way. It is the only way; it is the clear vision after centuries of searching for a solution."

 

"But that can't be the truth, I can't believe it." "Of course it can. Do you think this is impulse with me? I don't make my decisions as you do, my prince. Your youthful exuberance is something I treasure, but such small possibilities are long gone for me, You think in terms of lifetimes; in terms of small accomplishments and human pleasures. I have thought out for thousands of years my designs for the world that is now mine. And the evidence is overwhelming that I must proceed as I have done. I cannot turn this earth into a garden, I cannot create the Eden of human imagination-unless I eliminate the males almost completely."

 

"And by this you mean kill forty percent of the population of the earth? Ninety percent of all males?"

 

"Do you deny that this will put an end to war, to rape, to violence?"

 

"But the point . . ."

 

"No, answer my question. Do you deny that it will put an end to war, to rape, and to violence?" "Killing everyone would put an end to those things!" "Don't play games with me. Answer my question."

 

"Isn't that a game? The price is unacceptable. It's madness; it's mass murder; it's against nature."

 

"Quiet yourself- None of what you say is true. What is natural is simply what has been done. And don't you think the peoples of this earth have limited in the past their female children? Don't you think they have killed them by the millions, because they wanted only male children so that those children could go to war? Oh, you cannot imagine the extent to which such things have been done.

 

"And so now they will choose female over male and there will be no war. And what of the other crimes committed by men against women? If there were any nation on earth which had committed such crimes against another nation, would it not be marked for extermination? And yet nightly, daily, throughout this earth these crimes are perpetrated without end."

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