The Quick Red Fox (23 page)

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Authors: John D. MacDonald

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BOOK: The Quick Red Fox
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The cab deposited me in front of Lysa Dean’s iron gates on Monday afternoon. The Korean let me through the gates. The maid let me into the house and then disappeared. The house was as silent as when I had been there with Dana. The big oil portraits of Lysa Dean stared emotionally at me through the half-gloom of draperied sunlight.

I roamed and plinked two notes out of the gold and white piano. Lysa Dean came swiftly into the room, in black knit pants and a white silk overblouse, an effective combination to go with gold-red hair in a room of whites and blacks and golds. She wore woolly white slippers and carried a white envelope in her hand. She hurried to me, stretched up to kiss me with the faked sweet-shyness of a welcoming child, and took me by my good hand to a vast couch in a shadowed alcove.

“How is dear Dana?” she asked.

“Marvelously improved.”

“When can she come back to work, dear? I really need her, desperately.”

“She’ll have to take it easy for a while.”

“McGee, darling,
do
use your influence on her. Tell her Lysa needs her
sooooo
much.”

“I’ll tell her that the very first chance I get.”

“You
are
a huge old sweetie. Now what about the photos I gave you in Miami?”

“I’ve destroyed the ones I had made, with your face blanked out. When I get back, I’ll destroy the other ones … unless you want them.”

“God, I don’t ever want to see them again. Darling, they say that little Bogen is way way off. If he’d tried to fire his rusty little gun, it would have blown his hand off. They are going to put him away.”

“So now your life is all neatened up, Miss Dean. And you’ll get to marry your dear friend. Congratulations. Is that my money you keep hanging onto?”

She handed me the envelope. I fumbled it open, and saw that it was light, and found that it counted up to ten thousand. It wouldn’t count one inch past that. Before I could get the first word out, she was hanging onto me, laughing and teasing, saying, “Now darling,
do
be realistic, after all! I gave you all that nice travel money, and sent you off with quite a handsome and exciting gal, and you had some exciting and delicious adventures, all on the house. I’m really not
made
of money, darling. Taxes are fantastic. Really, when you think of it, I think you are doing terribly well out of this, and some of my advisors would think I was out of my head to give you all this.” As she was talking she got the money out of my hand and slipped it into the inside pocket of my jacket, and was going quite directly and efficiently to work on me, with the quickness of a lot of little kissings, and an arching and presentation of all the celebrity curves and fragrances, a lot of cleverness of little hands, and a convincing steaminess of breath and growing excitement, worming her way astride my lap. This was the artist at work, at the work she knew best, operating from a life-long knowledge of the male animal, and quite convinced, apparently, that a good quick solid bang would send the man away too happy to
care about being shorted, too dazed to object. Already she was beginning to work her way out of those soft knit pants and simultaneously beginning the little pressures which were supposed to topple me over onto my back on the big couch under a picture of the lady herself.

I got my good left arm in between us and my palm flat against her wishbone, then abruptly straightened my arm, sending her catapulting back, scrambling, slipping on the smooth hard terrazzo, sitting hard on a white furry rug and riding it back like a sled to end up under another picture so soulful the artist had indicated a halo effect.

She bounded up, hair masking one eye, yanking the knit pants up over the white behind. “What the hell!” she squalled. “Jesus Christ, McGee, you could have bust my tail bone!”

I was standing up, fixing my sling, starting toward the door.

“It’s okay, Lee baby,” I said. “I’ll take the short count. You don’t have to try to sweeten it. It wouldn’t mean one damn thing to you, and it would mean just a little less than that to me.”

I left amid a shrieking of ten-letter words, and I was hastened on my way by a hail of elephants. She had a collection. She threw fast, but not well.

I crunched down the finest grade of brown gravel, past sprinkler water pattering on fat green leaves. The Korean let me out. I could feel the meager money-weight in my jacket pocket. I stopped and took my arm out of the sling and stuffed the sling in a pocket. The arm did not feel good swinging, so I tucked a thumb in my belt.

I walked and thought of what a weird way to lose a good woman. I saw old men carefully driving lookalike cars with names like Fury and Tempest and Dart. Through a fence I saw
a quintet of little girls dashing in and out of the silvery spray of a sprinkler, shrilling. A dog smiled at me.

What a ridiculous way to lose a woman. They do not like pedestrians in that neighborhood. Polite cops stopped, asked polite questions, and politely drove me to the nearest taxi stand. I got into the cab and the only place to go was my hotel room, and I didn’t want to go there, but I couldn’t think of anything else.

When we stopped for a light I saw a magic store, and I asked the driver if he thought they might sell love potions in there. He said that if I was looking for action, just say the word. I went back to the hotel, and seventy minutes later I was on the Miami jet.

Read on for an excerpt from
A Deadly Shade of Gold
One

A smear of fresh blood has a metallic smell. It smells like freshly sheared copper. It is a clean and impersonal smell, quite astonishing the first time you smell it. It changes quickly, to a fetid, fudgier smell, as the cells die and thicken.

When it is the blood of a stranger, there is an atavistic withdrawal, a toughening of response, a wary reluctance for any involvement. When it is your own, you want to know how bad it is. You turn into a big inward ear, listening to yourself, waiting for faintness, wondering if this is going to be the time when the faintness comes and turns into a hollow roaring, and sucks you down. Please not yet. Those are the three eternal words. Please not yet.

When it is the blood of a friend.…

When maybe he said, Please not yet.… But it took him and he went on down.…

•  •  •

It was a superb season for girls on the Lauderdale beaches. There are good years and bad years. This, we all agreed, was a vintage year. They were blooming on all sides, like a garden out of control. It was a special type this year, particularly willowy ones, with sun-streaky hair, soft little sun-brown noses, lazed eyes in the cool pastel shades of green and blue, cat-yawny ones, affecting a boredom belied by glints of interest and amusement, smilers rather than gigglers, with a tendency to run in little flocks of three and four and five. They sparkled on our beaches this year like grunions, a lithe and wayward crop that in too sad and too short a time would be striving for Whiter Washes, Scuff-Pruf Floors and Throw-Away Nursing Bottles.

In a cool February wind, on a bright and cloudless afternoon, Meyer and I had something over a half dozen of them drowsing in pretty display, basted with sun oil, behind the protection of laced canvas on the sun deck atop my barge type houseboat, The
Busted Flush
, moored on a semi-permanent basis at Slip F-18, Bahia Mar, Fort Lauderdale. Meyer and I were playing acey-deucy. He was enjoying it more than I was. He kept rolling doubles. He looks like the diarama of Early Man in the Museum of Natural History. He has almost as much pelt as an Adirondack black bear. But he can stroll grinning down a beach and acquire a tagalong flock of lovelies the way an ice cream cart ropes children. He calls them all Junior. It saves confusion. He is never never seen with one at a time. He lives alone aboard a squatty little cruiser and is, by trade, an Economist. He predicts trends. He acquired a little money the hard way, and he keeps moving it around from this to that, and it keeps growing nicely, and he does learned articles for incomprehensible journals.

At reasonable intervals one of the Juniors would clamber down the ladderway, go below and return with a pair of cans of cold beer from my stainless steel galley. I always buy the brands with the pull tabs. You stare at the tab, think deep thoughts about progress, advertising, modern living, cultural advances, and then turn the can upside down and open with an opener. It is a ceremonial kind of freedom.

Just as Meyer got all the way around, blocked me out, and began taking off with exquisite care, smirking away to himself, humming, rolling good numbers, I heard my phone ring. It surprised me. I thought I had the switch at the off position, the position where you can phone out, but anybody phoning you thinks it is ringing, but it isn’t. And that is another kind of freedom. Like throwing away mail without looking to see who it’s from, which is the ultimate test, of course. I have yet to meet a woman who has arrived at that stage. They always have to look.

Perhaps if Meyer hadn’t been making everything so disagreeable, I would have let it ring itself out. But I went on down to my lounge and answered it with one very cautious depersonalized grunt.

“McGee?” the voice said. “Hey, McGee? Is this Travis McGee?”

I stuck a thumb in my cheek and said, “I’m lookin affa things while he’s away.”

The voice was vaguely familiar.

“McGee, buddy, are you stoned?”

Then I knew the voice. From way back. Sam Taggart.

“Where the hell are you,” I said, “and how soon can you get here?”

The voice faded and came back. “… too far to show up in the next nine minutes. Wait’ll I see what it says on the front of
this phone book. Waycross, Georgia. Look, I’ve been driving straight on through, and I’m dead on my feet. And I started thinking suppose he isn’t there, then what the hell do you do?”

“So I’m here. So hole up and get some sleep before you kill somebody.”

“Trav, I got to have some help.”

“Doesn’t everybody?”

“Listen. Seriously. You still … operating like you used to?”

“Only when I need the money. Right now I’m taking a nice long piece of my retirement, Sam. Hurry on down. The little broads are beautiful this year.”

“There’s a lot of money in this.”

“It will be a lot more pleasant to say no to you in person. And by the way, Sam?”

“Yes?”

“Is there anybody in particular you would like me to get in touch with? Just to say you’re on your way?”

It was a loaded question, about as subtle as being cracked across the mouth with a dead mackerel. I expected a long pause and got one.

“Don’t make those real funny jokes,” he said in a huskier voice.

“What if maybe it isn’t a joke, Sam?”

“It has to be. If she had a gun, she should kill me. You know that. She knows that. I know that. For God’s sake, you know no woman, especially a woman like Nora, can take that from anybody. I dealt myself out, forever. Look, I know what I lost there, Trav. Besides, a gal like that wouldn’t still be around. Not after three years. Don’t make jokes, boy.”

“She’s still around. Sam, did you ever give her a chance to forgive you?”

“She never would. Believe me, she never would.”

“Are you sewed up with somebody else?”

“Don’t be a damn fool.”

“Why not, Sam?”

“That’s another funny joke too.”

“She’s not sewed up. At least she wasn’t two weeks ago. Why shouldn’t her reasons be the same as yours?”

“Cut it out. I can’t think. I’m dead on my feet.”

“You don’t have to think. All you have to do is feel, Sam. She’ll want to see you.”

“How do you know?”

“Because I was the shoulder she cried on, you silly bastard!”

“God, how I want to see her!”

“Sam, it will tear her up too much if you walk in cold. Let me get her set for it. Okay?”

“Do you really know what the hell you’re doing, McGee?”

“Sam, sweetie, I’ve been trying to locate you for three years.”

He was silent again, and then I heard him sigh. “I got to sack out. Listen. I’ll be there tomorrow late. What’s tomorrow? Friday. What I’ll do, I’ll find a room someplace …”

“Come right to the boat.”

“No. That won’t be so smart, for reasons I’ll tell you when I see you. And I’ve got to talk to you before I do anything about seeing Nora. What you better do, Trav, tell her I’m coming in Saturday. Don’t ask questions now. Just set it up that way. I … I’ve got to have some help. Do it my way, Trav. I’ll phone you after I locate a place.”

BY JOHN D. MACDONALD

The Brass Cupcake

Murder for the Bride

Judge Me Not

Wine for the Dreamers

Ballroom of the Skies

The Damned

Dead Low Tide

The Neon Jungle

Cancel All Our Vows

All These Condemned

Area of Suspicion

Contrary Pleasure

A Bullet for Cinderella

Cry Hard, Cry Fast

You Live Once

April Evil

Border Town Girl

Murder in the Wind

Death Trap

The Price of Murder

The Empty Trap

A Man of Affairs

The Deceivers

Clemmie

Cape Fear (The Executioners)

Soft Touch

Deadly Welcome

Please Write for Details

The Crossroads

The Beach Girls

Slam the Big Door

The End of the Night

The Only Girl in the Game

Where Is Janice Gantry?

One Monday We Killed Them All

A Key to the Suite

A Flash of Green

The Girl, the Gold Watch & Everything

On the Run

The Drowner

The House Guest

End of the Tiger and Other Stories

The Last One Left

S*E*V*E*N

Condominium

Other Times, Other Worlds

Nothing Can Go Wrong

The Good Old Stuff

One More Sunday

More Good Old Stuff

Barrier Island

A Friendship: The Letters of Dan Rowan and John D. MacDonald, 1967–1974

THE TRAVIS MCGEE SERIES

The Deep Blue Good-By

Nightmare in Pink

A Purple Place for Dying

The Quick Red Fox

A Deadly Shade of Gold

Bright Orange for the Shroud

Darker than Amber

One Fearful Yellow Eye

Pale Gray for Guilt

The Girl in the Plain
Brown Wrapper

Dress Her in Indigo

The Long Lavender Look

A Tan and Sandy Silence

The Scarlet Ruse

The Turquoise Lament

The Dreadful Lemon Sky

The Empty Copper Sea

The Green Ripper

Free Fall in Crimson

Cinnamon Skin

The Lonely Silver Rain

The Official Travis McGee Quizbook

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