The Reader (6 page)

CHAPTER FIFTEEN

T
HEN I
began to betray her.

Not that I gave away any secrets or exposed Hanna. I didn’t reveal anything that I should have kept to myself. I kept something to myself that I should have revealed. I didn’t acknowledge her. I know that disavowal is an unusual form of betrayal. From the outside it is impossible to tell if you are disowning someone or simply exercising discretion, being considerate, avoiding embarrassments and sources of irritation. But you, who are doing the disowning, you know what you’re doing. And disavowal pulls the underpinnings away from a relationship just as surely as other more flamboyant types of betrayal.

I no longer remember when I first denied Hanna. Friendships coalesced out of the casual ease of those summer afternoons at the swimming pool. Aside from the boy who sat next to me in school, whom I knew from the old class, the person I liked especially in the new class was Holger Schlüter, who like me was interested in history and literature, and with whom I quickly felt at ease. He also got along with Sophie, who lived a few blocks behind our house, which meant that we went to and from the swimming pool together. At first I told myself that I wasn’t yet close enough to my friends to tell them about Hanna. Then I didn’t find the right opportunity, the right moment, the right words. And finally it was too late to tell them about Hanna, to present her along with all my other youthful secrets. I told myself that talking about her so belatedly would misrepresent things, make it seem as if I had kept silent about Hanna for so long because our relationship wasn’t right and I felt guilty about it. But no matter what I pretended to myself, I knew that I was betraying Hanna when I acted as if I was letting my friends in on everything important in my life but said nothing about Hanna.

The fact that they knew I wasn’t being completely open only made things worse. One evening Sophie and I got caught in a thunderstorm on our way home and took shelter under the overhang of a garden shed in Neuenheimer Feld, which had no university buildings on it then, just fields and gardens. It thundered, the lightning crackled, the wind came in gusts, and rain fell in big heavy drops. At the same time the temperature dropped a good ten degrees. We were freezing, and I put my arm around her.

“You know . . .” She wasn’t looking at me, but out at the rain.

“What?”

“You were sick with hepatitis for a long time. Is that what’s on your mind? Are you afraid you won’t really get well again? Did the doctors say something? And do you have to go to the clinic every day to get tests or transfusions?”

Hanna as illness. I was ashamed. But I really couldn’t start talking about Hanna at this point. “No, Sophie, I’m not sick anymore. My liver is normal, and in a year I’ll even be able to drink alcohol if I want, but I don’t. What’s . . .” Talking about Hanna, I didn’t want to say “what’s bothering me.” “There’s another reason I arrive later or leave earlier.”

“Do you not want to talk about it, or is it that you want to but you don’t know how?”

Did I not want to, or didn’t I know how? I didn’t know the answer. But as we stood there under the lightning, with the explosions of thunder rumbling almost overhead and the pounding of the rain, both freezing, warming each other a little, I had the feeling that I had to tell her, of all people, about Hanna. “Maybe I can tell you some other time.”

But there never was another time.

CHAPTER SIXTEEN

I
NEVER FOUND
out what Hanna did when she wasn’t working and we weren’t together. When I asked, she turned away my questions. We did not have a world that we shared; she gave me the space in her life that she wanted me to have. I had to be content with that. Wanting more, even wanting to know more, was presumption on my part. If we were particularly happy with each other and I asked her something because at that moment it felt as if everything was possible and allowed, then she sometimes ducked my questions, instead of refusing outright to answer them. “The things you ask, kid!” Or she would take my hand and lay it on her stomach. “Are you trying to make holes in me?” Or she would count on her fingers. “Laundry, ironing, sweeping, dusting, shopping, cooking, shake plums out of tree, pick up plums, bring plums home and cook them quick before the little one”—and here she would take hold of the fifth finger of her left hand between her right thumb and forefinger—“eats them all himself.”

I never met her unexpectedly on the street or in a store or a movie theater, although she told me she loved going to the movies, and in our first months together I always wanted to go with her, but she wouldn’t let me. Sometimes we talked about films we had both seen. She went no matter what was showing, and saw everything, from German war and folk movies to Westerns and New Wave films, and I liked what came out of Hollywood, whether it was set in ancient Rome or the Wild West. There was one Western in particular that we both loved: the one with Richard Widmark playing a sheriff who has to fight a duel next morning that he’s bound to lose, and in the evening he knocks on Dorothy Malone’s door—she’s been trying, but failing, to get him to make a break for it. She opens up. “What do you want now? Your whole life in one night?” Sometimes Hanna teased me when I came to her full of desire, with “What do you want now? Your whole life in one hour?”

Only once did I ever see Hanna by chance. It was the end of July or the beginning of August, in the last few days before summer vacation.

Hanna had been behaving oddly for days, moody and peremptory, and at the same time palpably under some kind of pressure that was absolutely tormenting her and left her acutely sensitive and vulnerable. She pulled herself together and held herself tight as if to stop herself from exploding. When I asked what was upsetting her so, she snapped at me. That was hard for me to take. I felt rejected, but I also felt her helplessness, and I tried to be there for her and at the same time to leave her in peace. One day the pressure was gone. At first I thought Hanna was her usual self again. We had not started a new book after the end of
War and Peace,
but I had promised I’d see to it, and had brought several books to choose from.

But she didn’t want that. “Let me bathe you, kid.”

It wasn’t summer’s humidity that had settled on me like a heavy net when I came into the kitchen. Hanna had turned on the boiler for the bathwater. She filled the tub, put in a few drops of lavender oil, and washed me. She wore her pale blue flowered smock with no underwear underneath; the smock stuck to her sweating body in the hot, damp air. She excited me very much. When we made love, I sensed that she wanted to push me to the point of feeling things I had never felt before, to the point where I could no longer stand it. She also gave herself in a way she had never done before. She didn’t abandon all reserve, she never did that. But it was as if she wanted us to drown together.

“Now go to your friends.” She dismissed me, and I went. The heat stood solidly between the buildings, lay over the fields and gardens, and shimmered above the asphalt. I was numb. At the swimming pool the shrieks of playing, splashing children reached me as if from far, far away. I moved through the world as if it had nothing to do with me nor I with it. I dived into the milky chlorinated water and felt no compulsion to surface again. I lay near the others, listening to them, and found what they said silly and pointless.

Eventually the feeling passed. Eventually it turned into an ordinary afternoon at the swimming pool with homework and volleyball and gossip and flirting. I can’t remember what it was I was doing when I looked up and saw her.

She was standing twenty or thirty meters away, in shorts and an open blouse knotted at the waist, looking at me. I looked back at her. She was too far away for me to read her expression. I didn’t jump to my feet and run to her. Questions raced through my head: Why was she at the pool, did she want to be seen with me, did I want to be seen with her, why had we never met each other by accident, what should I do? Then I stood up. And in that briefest of moments in which I took my eyes off her, she was gone.

Hanna in shorts, with the tails of her blouse knotted, her face turned towards me but with an expression I cannot read at all—that is another picture I have of her.

CHAPTER SEVENTEEN

N
EXT DAY
she was gone. I came at the usual time and rang the bell. I looked through the door, everything looked the way it always did, I could hear the clock ticking.

I sat down on the stairs once again. During our first few months, I had always known what line she was working on, even though I had never repeated my attempt to accompany her or even pick her up afterwards. At some point I had stopped asking, stopped even wondering. It hadn’t even occurred to me until now.

I used the telephone booth at the Wilhelmsplatz to call the streetcar company, was transferred from one person to the next, and finally was told that Hanna Schmitz had not come to work. I went back to Bahnhofstrasse, asked at the carpenter’s shop in the yard for the name of the owner of the building, and got a name and address in Kirchheim. I rode over there.

“Frau Schmitz? She moved out this morning.”

“And her furniture?”

“It’s not her furniture.”

“How long did she live in the apartment?”

“What’s it to you?” The woman who had been talking to me through a window in the door slammed it shut.

In the administration building of the streetcar company, I talked my way through to the personnel department. The man in charge was friendly and concerned.

“She called this morning early enough for us to arrange for a substitute, and said that she wouldn’t be coming back, period.” He shook his head. “Two weeks ago she was sitting there in your chair and I offered to have her trained as a driver, and she throws it all away.”

It took me some days to think of going to the citizens’ registration office. She had informed them she was moving to Hamburg, but without giving an address.

The days went by and I felt sick. I took pains to make sure my parents and my brothers and sisters noticed nothing. I joined in the conversation at table a little, ate a little, and when I had to throw up, I managed to make it to the toilet. I went to school and to the swimming pool. I spent my afternoons there in an out-of-the-way place where no one would look for me. My body yearned for Hanna. But even worse than my physical desire was my sense of guilt. Why hadn’t I jumped up immediately when she stood there and run to her! This one moment summed up all my halfheartedness of the past months, which had produced my denial of her, and my betrayal. Leaving was her punishment.

Sometimes I tried to tell myself that it wasn’t her I had seen. How could I be sure it was her when I hadn’t been able to make out the face? If it had been her, wouldn’t I have had to recognize her face? So couldn’t I be sure it wasn’t her at all?

But I knew it was her. She stood and looked—and it was too late.

PART TWO

CHAPTER ONE

A
FTER HANNA
left the city, it took a while before I stopped watching for her everywhere, before I got used to the fact that afternoons had lost their shape, and before I could look at books and open them without asking myself whether they were suitable for reading aloud. It took a while before my body stopped yearning for hers; sometimes I myself was aware of my arms and legs groping for her in my sleep, and my brother reported more than once at table that I had called out “Hanna” in the night. I can also remember classes at school when I did nothing but dream of her, think of her. The feeling of guilt that had tortured me in the first weeks gradually faded. I avoided her building, took other routes, and six months later my family moved to another part of town. It wasn’t that I for got Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It’s there, somewhere behind you, and you could go back and make sure of it. But why should you?

I remember my last years of school and my first years at university as happy. Yet I can’t say very much about them. They were effortless; I had no difficulty with my final exams at school or with the legal studies that I chose because I couldn’t think of anything else I really wanted to do; I had no difficulty with friendships, with relationships or the end of relationships—I had no difficulty with anything. Everything was easy; nothing weighed heavily. Perhaps that is why my bundle of memories is so small. Or do I keep it small? I also wonder if my memory of happiness is even true. If I think about it more, plenty of embarrassing and painful situations come to mind, and I know that even if I had said goodbye to my memory of Hanna, I had not overcome it. Never to let myself be humiliated or humiliate myself after Hanna, never to take guilt upon myself or feel guilty, never again to love anyone whom it would hurt to lose—I didn’t formulate any of this as I thought back then, but I know that’s how I felt.

I adopted a posture of arrogant superiority. I behaved as if nothing could touch or shake or confuse me. I got involved in nothing, and I remember a teacher who saw through this and spoke to me about it; I was arrogantly dismissive. I also remember Sophie. Not long after Hanna left the city, Sophie was diagnosed with tuberculosis. She spent three years in a sanitorium, returning just as I went to university. She felt lonely, and sought out contact with her old friends. It wasn’t hard for me to find a way into her heart. After we slept together, she realized I wasn’t interested in her; in tears, she asked, “What’s happened to you, what’s happened to you?” I remember my grandfather during one of my last visits before his death; he wanted to bless me, and I told him I didn’t believe in any of that and didn’t want it. It is hard for me to imagine that I felt good about behaving like that. I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Sometimes all it took was a scene in a movie. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.