The Renegades (7 page)

“Hector Avalos.”

“Don’t interrupt. So we both get out of the car and stand in the hot dust and wait. A few minutes later I hear a vehicle up the road. Two men materialize from the darkness. They simply
appear.
They’re in camo fatigues and they’ve got machine guns. They unlock and open the gate and signal us through. Once on the other side I see an armored Humvee like the ones in Iraq, and we follow it—five miles of washboard trying to jar our fillings out of our teeth, and ruts that must lead all the way to the gates of hell. I don’t know how the M5 handled it, but it did.

—I don’t like this, says Terry.

—Keep your cool and a hand on your gun, I tell him.

—This was all supposed to go smoothly.

—For Mexico this
is
smoothly.

“Two men on the road direct us, waving like an airport crew to get the M5 across a wooden bridge, down a steep sandy hill, then back up to a wide turnout where the road ends. Past the turnout is a ten-foot-high concrete-block wall. There’s rebar poking up through the top and a gun tower behind it.

—Amazing, says Laws, the fucking criminals have protection like this.

—I think you’ll be more impressed later, I tell him.

—If they don’t kill us.

—They won’t kill us, I say. We’re American cops. Herredia will recognize a good deal when he sees one.

“In the dash lights I see Terry’s face, still puffy and bruised from the arrest scuffle with Shay Eichrodt. He looks deeply uneasy. Then the wall itself opens. A whole section of it swings open to let us through. Laws cranes his neck around for a look at it as we drive in.

—It just opens, like a magic castle or something, Terry says. Like in a movie.

“Then four more machine-gunners appear on the road, one with his hand up, and suddenly this blinding beam of white light scorches into my car. I hear rapping on my window and get out. I tell Terry to get out. I’m half-blinded by the tower light and I feel hands on me, down and up, front and back, son of a bitch is muttering in Spanish to his friends but I can’t quite hear him. My ribs are killing me from Eichrodt but I won’t flinch, it’s a matter of honor. The guy takes the nine from my hip holster and the thirty-eight derringer from my boot. He takes the twenty-two-caliber eight-shot Smith from the pocket of my Abboud blazer, and the thumb-action folding knife from the pocket of my jeans. He takes my goddamned car keys.

“They pop the trunk and scuttle up to it with their weapons aimed into it, like they expect something to escape. Terry’s standing staunch against the pat-down while they strip his weapons away. I start whistling because it helps me think. I understand one thing at this point: we are absolutely at the mercy of Herredia now. There is no accountability here; all it will take is a mere nod and Terry and I will be tortured and executed and never found.
Ever
. But I’ve seen these kind of people and this kind of lawless power before in Jacumba, when I was a boy, and I find it comforting. I can’t say why. I understand it. It’s simple, physical, predictable. I remind myself that there’s life and there’s death and you must choose life at all cost.

“Then we’re back in the Beemer, following the Humvee down a much better dirt road; it’s graded and graveled, with the lights of what must be Herredia’s compound way back in the hills. I see an irrigated pasture with cattle, what looks like a driving range, and an airstrip. How’s your beer, son?”

“I’m ready for another.”

I get the woman’s attention and she comes over and we order two more drinks. I call an excellent sushi bar down the boulevard and order a large plate of sashimi delivered. The traffic down on Sunset is getting heavier now, more of the republic cruising for sex, drugs and rock and roll. I light my cigar again, roll it in the heavy butane flame and draw the smoke into my mouth, send some down into my lungs, then exhale a blue-gray cloud into the L.A. night.

I see the boy studying me. I pass him the lighter and he proceeds with the same ritual. When he starts to say something I cut him off.

“The wall around Herredia’s compound was eight feet high, stone and concrete. I drive through a varnished wooden gate, still following the Humvee. Two more machine guns wait inside. I see the words
El Dorado
built onto the gate in wrought iron, the letters raised and connected like the letters of a cattle brand. I remember reading the poem as a kid.

“The home is a plaster-and-beam Spanish-style hacienda, hunkered low and flat beneath a canopy of palms. I see a bunch of smaller outbuildings up on the hillside to the west. Near the east side of the house there’s a grove of thatched
palapas
that glow, lit from below. Pale blue reflections of water move on the undersides of the roofs. And I think: swimming pool and hacienda and driving range and airstrip and a hundred head of cattle and a small army—Herredia is doing all right in his rustic little office here in Baja.

“Then the Hummer driver points to a parking place outlined by jagged desert boulders. I park and we get out and face another goddamned gunman, this one an old man dressed in peasant clothes, with a head of wild white hair and a black eye patch. He’s got a combat-shortened automatic shotgun on a strap over one shoulder and it’s pointed at me. I lean into my car and pull out the plastic tub of new saltwater fishing reels. I tell him that we have brought gifts for Mister Herredia. He looks across at Laws, standing on the other side of the car, and tells him to get the luggage from the trunk. Terry does what he’s told. Then the old man jabs the gun toward the outbuildings and I lead the way up a gravel path. At each of the first two buildings the old man barks
Ándale
and I don’t break stride. I note the moon in the northwest now and I can smell the pasture and the cattle. The third building we come to is squat and square, with faint light coming through bright blankets hung over the windows. The door is cracked open. I look back at the old man and he motions me forward. I crunch up the path, nudge the door open with my foot and step inside. Pavers on the floor. Bare white walls. A black chandelier. The smell of cigars. A big iron desk, looks like something salvaged from a shipyard or railroad scrap, set on caissons made of tree trunks. I hear Terry and the old man come in behind me.”

“Is it really Herr—”

“Herredia sits behind the desk with a fifty-caliber Desert Eagle in his hands and his eyes locked on my face. I bow and set the plastic tub down on the floor beside me. Then I take each of Terry’s suitcases by their handles and roll them over next to the box. I’m winging this by now, son. Believe me. But I’ve got a beginning.

—I have journeyed long, I say to Herredia, whistling a song, in search of El Dorado.

—In the poem he sings the song.

—I forget words but I never forget a tune.

—I forget nothing. Explain this spectacle.

—My name is Coleman Draper. This man is Terry Laws. We came to offer our respect and ask your favor. We brought gifts.

“Herredia’s gaze goes to the plastic box. He’s a big man, thick and wide, with curly black hair and a round, clean-shaven face. His eyebrows are bushy and slant upward toward each other, which gives him a soulful, suffering look. His nickname is
“El Tigre,”
and there’s some truth in it—he looks like a big lazy cat but you know he can turn it on when he wants to. He’s wearing a white guayabera and a gold watch. Forty-six years old, I know. What else do I know? That he runs the North Baja Cartel to the tune of an estimated half million dollars a week profit. And murders his enemies often and theatrically. And donates millions of dollars to Mexican politicians, law enforcement and military personnel, at all levels. That he’s influenced state elections in Nayarit and Sinaloa and Baja California for more than a decade. And lost two brothers, a wife and two children to the drug wars. That he loves deep-sea fishing and American fast food. The fishing and fast food I learned from Avalos in L.A. Herredia stares at me and then, in a soft voice, asks me to show him the gifts. So I kneel and pry the plastic lid from the tub and set it aside. I pull out a box and open it.

—I say: This is the new Accurate Platinum Twin-Drag. The ball bearings are impregnated with Teflon, it’s got anti-reverse dogs and a removable spool stud. You can’t overheat these things, no matter how fast they’re screaming out line. And they’re beautiful. This one is the ATD-130, rigged with a thousand yards of one-hundred-thirty-pound monofilament. For large tuna and marlin.

“I look into Herredia’s deep-set black eyes. I hold the open reel box in both hands, place it on the iron desk near the
patrón
, then step back to the plastic tub and lift out another box.

—We also brought you Daiwa’s new Tanacom Bull TB100 power-assist reel, I say. It’s sleek and powerful, nothing like commercial winches or those add-on contraptions. It’s powerful. It comes with a power cord and a battery clip. It will save your strength, believe me. I thought at first that these power-assist reels were for fags but I’m telling you, if you’re looking to drop a thousand feet of line and get it back up again, you might like the electric help. Let me know what you think.

“Herredia’s eyebrows lower into a glower. His face goes from pensive to implosive. I step forward and set the Daiwa next to the Accurate, then return to my box of goodies.

—You’ll recognize this, I tell him—the Penn International V 80VSW, rigged with fifteen hundred yards of two-hundred-pound test. It’s considered a classic because it really is a classic. I’m partial to these reels, I say.

“Then I set it on his desk and go back to the tub.”

“What’s he thinking?” asks the boy. He blows a plume of smoke into the air.

“How can I know? Where to shoot me with the Eagle? Where to fish the Penn? Reading Herredia is like trying to read an Olmec head. So I continue.

—Mr. Herredia, I say, we also brought this Shimano Stella FA rigged up with one hundred and seventy yards of fourteen-pound test. Just a little goof-off reel, but the slow oscillation lays down line straight and fast, and the magnesium frame weighs hardly anything. Waterproof gasket, natural wool washers for low start-up inertia. Plus, I like the name,
Stella.
I knew a Stella once and she was tons of fun.

“I smile and set the box on the desk beside the others. Herredia trades hands with the Desert Eagle and picks up the Accurate, and starts turning its platinum-hued solid-block aluminum frame in the light of the chandelier. There’s seven thousand dollars’ worth of stuff on the desk in front of him. Then Herredia sets down the Accurate and picks up the Daiwa. He has sportsman’s hands, dark and weathered on the tops and pale on the bottoms. I wait.

—I own all of these things, he says. All of them, except this electric reel.

—Then give them to your friends, I say. Or to your church. They’re tokens of respect.

—But what else do you have for me?

“I reach into my shirt pocket. The Desert Eagle finds my center. So I show both my hands, then very slowly deploy two fingers into my shirt pocket. I bring out the small envelope. Inside is a card. The envelope has a cartoon hamburger with a smiling face on it.

—I know you like these restaurants, Mr. Herredia. There are plenty of them here in Mexico. You can load these cards in different currencies now—it’s a new thing. So this one is loaded with fifty thousand pesos. The new third-pound Angus Thunder is good, if you haven’t tried it yet.

“I step forward and waggle the gift card and set it on top of one of the reel boxes.

—Don’t tell me you have one of these, too, I joke.

“So Herredia holds the huge pistol on my chest, and pulls the trigger. The action of the Desert Eagle is tremendously loud, and I hear every machined part click and clunk into place until the hammer drives the firing pin into the empty cylinder. Terry hits the deck and the old man points the shotgun at him, cackling. Herredia is smiling, so I smile back.

—No, I don’t own one of those, he says.

—And that’s not all, I say.

“I help Terry up and feel the trembling in his hand. I ask him to wheel the suitcases over and put them on the big desk. He rolls them over and has trouble getting the retractable handles back down. He’s beyond nervous now; he’s just plain scared. When he gets them on the desk in front of Herredia he unzips them and folds open the tops. Herredia looks into them, then back up at Terry, then at me.

—We recovered this two days ago at a crime scene near Lancaster, I tell him. We arrested the man who killed your friends. He was armed. There was a struggle, which came out in our favor. But it didn’t seem right that your hard-earned money should sit in a property room in Los Angeles, so we brought it back to you. It’s all there, except for seventy-two hundred dollars. Two pounds of
your
five-dollar bills were found in the killer’s vehicle and therefore booked as evidence. Another pound was left behind in the luggage to form an evidentiary link from the suspect to the couriers. Not one dollar more has been lost. We weighed it. Twice. There are three hundred and forty-seven thousand, eight hundred dollars.

“So, Herredia sits back and watches me from behind that heavy brow. I turn to see the old man puffing on a cigar, the shotgun across his lap.

—What do you want? asks Herredia.

—We want to be your couriers, sir, I tell him. We want to make this drive every Friday night, and deliver your money to you. We’ve got our own vehicles and guns, uniforms and badges, and our contacts, as necessary. We are American law enforcement officers in good standing. All we ask is to be treated with respect and to be paid four and a half points. I suspect that’s a point and a half higher than your former employees made, but they were obviously not competent. Look how well they protected what belongs to you. We, as you see, are extremely competent. We’re worth the extra pay, for punctuality, dependability and the security of having your assets handled by sworn law enforcement professionals.

—You murdered them and took my money.

—We arrested the murderer and he’ll be convicted in a court of law.

“Herredia nods. I note a thin shaving of white around El Tigre’s big black irises. I wonder what it means. He raises his right hand and points at us, then circles the finger in the air.