The Richard Burton Diaries (238 page)

Redgrave, Vanessa.
An Autobiography
(London: Hutchinson, 1991)

Richardson, Tony.
Long Distance Runner: A Memoir
(London: Faber and Faber, 1993)

Roberts, Peter (ed.).
The Best of Plays and Players, 1953–1968
(London: Methuen, 1988)

Roberts, Rachel.
No Bells on Sunday: The Journals of Rachel Roberts
, ed. Alexander Walker (London: Michael Joseph, 1984)

Rubython, Tom.
And God Created Burton
(London: Myrtle Press, 2011)

Seldes, Marian.
The Bright Lights: A Theatre Life
(Boston: Houghton Mifflin, 1978)

Sellers, Robert.
Hellraisers: The Life and Inebriated Times of Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed
(London: Preface, 2009)

Shaffer, Anthony.
So What Did You Expect? A Memoir
(London: Picador, 2001)

Shail, Robert.
Stanley Baker: A Life in Film
(Cardiff: University of Wales Press, 2008)

Sheed, Wilfrid. ‘Burton and Taylor Must Go’,
Esquire
, October 1968

Sheppard, Dick.
Elizabeth: The Life and Career of Elizabeth Taylor
(London: W. H. Allen, 1975)

Spinetti, Victor.
Up Front
(London: Portico, 2008)

Spoto, Donald.
The Kindness of Strangers: The Life of Tennessee Williams
(London: Methuen, 1990)

——.
Elizabeth Taylor
(London: Little, Brown, 1995)

Stanley, Louis.
Sixty Years of Luxury: The Dorchester
(London: Pearl and Dean, 1981)

Stead, Peter.
Richard Burton: So Much, So Little
(Bridgend: Seren, 1991)

——.
Acting Wales
(Cardiff: University of Wales Press, 2002)

Sterne, Richard L.
John Gielgud directs Richard Burton in
Hamlet
: A Journal of Rehearsals
(London: Heinemann, 1968)

Steverson, Tyrone.
Richard Burton: A Bio-Bibliography
(Westport, CT: Greenwood, 1992)

Storey, Anthony.
Stanley Baker: Portrait of an Actor
(London: W. H. Allen, 1977)

Strasberg, Susan.
Bittersweet
(New York: Putnam, 1980)

Taibach and Port Talbot Co-operative Society Ltd.
Co-operative Jubilee, 1902–1952

Taraborrelli, J. Randy.
Sinatra: The Man Behind the Myth
(Edinburgh: Mainstream, 1998)

——.
Elizabeth
(London: Pan, 2007)

Taylor, Elizabeth.
Elizabeth Taylor: An Informal Memoir by Elizabeth Taylor
(New York: Harper and Row, 1965)

——.
Elizabeth Takes Off
(London: Macmillan, 1988)

——.
My Love Affair with Jewelry
(London: Thames and Hudson, 2002)

Tynan, Kenneth.
The Diaries of Kenneth Tynan
, ed. John Lahr (London: Bloomsbury, 2001)

Ustinov, Peter.
Dear Me
(Harmondsworth: Penguin, 1978)

Vermilye, Jerry, and Ricci, Mark.
The Films of Elizabeth Taylor
(Secaucus, NJ: Citadel, 1976)

Wain, John.
Dear Shadows: Portraits from Memory
(London: John Murray, 1986)

Walker, Alexander.
Hollywood, England: The British Film Industry in the Sixties
(London: Harrap, 1986)

——.
Elizabeth
(London: Weidenfeld and Nicolson, 1990)

——.
Fatal Charm: The Life of Rex Harrison
(London: Weidenfeld and Nicolson, 1992)

Wanger, Walter.
My Life with Cleopatra
(London: Transworld, 1963)

Warner, Sylvia Townsend.
T. H. White
(London: Jonathan Cape, 1967)

Waterbury, Ruth.
Richard Burton: His Intimate Story
(London: Mayflower-Dell, 1965)

Waterbury, Ruth, with Arceri, Gene.
Elizabeth Taylor: Her Life, Her Loves, Her Future
(New York: Bantam, 1982)

Wilding, Michael.
Apple Sauce: The Story of My Life
(London: George Allen and Unwin, 1982)

Williams, Bleddyn.
Rugger, My Life
(London: Stanley Paul, 1956)

Willoughby, Bob.
Liz: An Intimate Collection. Photographs of Elizabeth Taylor
(London: Merrell, 2004)

Wintour, Charles, et al.,
Celebration: Twenty-Five Years of British Theatre
(London: W. H. Allen, 1980)

Woolf, Virginia.
The Death of the Moth, and Other Essays
(New York: Harcourt, Brace, 1942)

York, Michael.
Travelling Player
(London: Headline, 1992)

Zec, Donald.
Sophia: An Intimate Biography
(London: W. H. Allen, 1975)

——.
Liz: the Men, the Myths and the Miracle: An Intimate Portrait of Elizabeth Taylor
(London: Mirror, 1982)

Zeffirelli, Franco.
Zeffirelli: The Autobiography of Franco Zeffirelli
(London: Weidenfeld and Nicolson, 1986)

Internet Sources

Much of the research into the diaries would have been more difficult without the wealth of resources now available online. Particularly valuable were the following:

ESPN Scrum:
www.espnscrum.com

Google Books:
books.google.com

Google Maps:
maps.google.com

Internet movie database:
www.imdb.com

Introduction

1
William Redfield,
Letters from an Actor
(New York: Viking, 1967), p. 20.

2
Data collected by the 1911 population census revealed that women aged between 20 and 24 averaged 7.36 children if they married coal miners, but only 3.48 children if they married doctors. Coal miners also enjoyed one of the earliest average ages of marriage of any occupational group, a function of the relatively high wages that could be earned by young men underground.

3
Port Talbot Guardian
, 5 February 1943. Wales had no officially recognized capital until 1955, when the city of Cardiff was accorded that honour.

4
George Orwell,
Nineteen Eighty-Four
(1949; Guild Publishing, 1989), p. 434.

5
Thomas Mallon,
A Book of One's Own: People and their Diaries
(St Paul, Minnesota: Hungry Mind Press, 1995 edn), xvii.

6
Burton uses the terms ‘diary’, ‘journal’ and ‘notebook’ at various times to describe what he is doing. Here the term ‘diary’ has been chosen as more accurately reflective of the entire sequence and the fact that Burton did keep dated entries confined to single days.

7
There are scattered references, in the diaries and elsewhere, which suggest the existence of other diaries or other forms of writing. Hollis Alpert,
Burton
(New York: G. P. Putnam's Sons, 1986), p. 90, refers to Burton keeping a diary, written ‘in his own invented hieroglyphics’ in about 1960. Perhaps Burton meant his schoolboy French. Alpert also suggests that Burton was writing a novel and had written 20,000 words which he lost when in Hollywood in 1970 (p. 197).

8
There does not appear to be any supporting evidence for the suggestion made by Penny Junor, in
Burton: The Man Behind the Myth
(London: Sphere, 1986), p. 143, that Burton read his diary ‘out loud to friends’.

9
In fact most, perhaps all, of the diaries covering this period have survived.

10
Lantz to Burton, 11 August 1976, Richard Burton Archives, RWB 1/2/1175.

11
Sunday Express
, 4 December 1988;
Sunday Times
, 18 December 1988.

12
RWB 1/2/1/3 – Weissburger and Frosch [Box 19/3]. Although undated, this evidently dates from the period 1964–75.

13
Melvyn Bragg,
Rich: The Life of Richard Burton
(London: Hodder & Stoughton, 1988), p. 211.

14
Robert A. Fothergill,
Private Chronicles: A Study of English Diaries
(London: Oxford University Press, 1974), p. 10.

15
There is very limited evidence of wilful destruction of the diaries. On 24 June 1965 Burton records that ‘in fury’ he had torn out the preceding page of the diary, covering 17–23 June. The page has not survived. There is no other comment of this kind, but this does not rule out the possibility that he destroyed other pages and did not leave evidence of such destruction.

16
Bragg,
Rich
, p. 369. See further assessments on pp. 108, 165, 210–11, 216–17, 290.

17
A similar case is that of Burton and Raquel Welch. Taylor was suspicious of Welch's interest in her husband, and there is speculation to this day (not quashed by Welch herself) that Burton and Welch may have been lovers during the making of
Bluebeard
. Yet the diaries (which admittedly end in March 1972, before the cessation of filming) offer no evidence for this.

18
Cited in Hermione Lee,
Biography
(Oxford: Oxford University Press, 2009), p. 7. This is not the place to list the failings of specific Burton biographies and biographers (or, indeed, those of Elizabeth Taylor). For readers seeking further enlightenment and relatively sure-footed narrative, my advice would be to consult the works by Bragg, Ferris and Stead on Richard Burton, and by Alexander Walker on Elizabeth Taylor.

19
John Cottrell and Fergus Cashin,
Richard Burton: A Biography
(London: Arthur Barker, 1971), pp. 345–6.

20
The most recent example being Michael Munn, in his
Richard Burton: Prince of Players
(London: JR Books, 2008). Munn is not named in any of the diaries.

21
Bragg, perhaps subconsciously, appears to accept this when he writes (
Rich
, p. 375) ‘As in many autobiographies there is self-justification as well as self-revelation.’

22
Arthur Ponsonby,
English Diaries
(London: Methuen, 1923), p. 5.

23
The exceptions are the diaries of 1940 (Bragg had some kind of indirect knowledge of this) and 1975.

24
The Diary of Virginia Woolf
, volume II:
1920–1924
, ed. Anne Olivier Bell (Luda: Hogarth, 1978), Editor's preface, p.ix.

25
Virginia Woolf, ‘The Art of Biography’ (1939), in
The Death of the Moth and other essays
(New York: Harcourt, Brace, 1942), p. 195.

26
See Lee,
Biography
, p. 16: ‘The idea that there is such a thing as an innate, essential nature, often vies in biographical narrative with the idea that the self is formed by accidents, contingencies, education and environment. The belief in a definable, consistent self, an identity that develops through the course of a life and that can be conclusively described, breaks down, to a great extent, in the late 19th and early 20th centuries.’ Elizabeth Podnieks develops this further: ‘The self is always to some degree invented, so the diary that contains this self is at least partially fictive’ (
Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart and Anaïs Nin
(Montreal and Kingston: McGill-Queen's University Press, 2000), p. 5.

1939

1
Richard's brother, Thomas Henry Jenkins (1901–80), a coal miner by occupation, was widowed when his wife Cassie (born 1905) died, leaving him with a daughter (Mair (1938–2008). Tom and Cassie lived at Cwmafan, an industrial settlement located in the Afan valley two miles north (as the crow flies) of Richard's home in Taibach. They had taken in the youngest of the Jenkins children, Graham, following his mother's death shortly after giving birth to him in 1927.

2
William Shakespeare's
Richard II, King
(
c.
1595).

3
Mrs Pike, the mother of Raymond Pike, one of Richard's friends, who later emigrated to Australia.

4
Colin Wherle, a fellow pupil, lived in Heol-yr-Orsedd, Port Talbot.

5
The ‘Cach’ was the local name given to the Picturedrome, the cinema in Taibach, located between Gallipoli Row and Alma Terrace. It mainly showed films well after their first release (i.e. not film premieres), the programme starting at 6 p.m. Before it became a cinema it had been the local drill hall for the Territorial Force (after 1920 Territorial Army).
Cach
is Welsh for ‘shit’.
Stranded in Paris
was the UK title of
Artists and Models Abroad
(1938), directed by Mitchell Leisen (1898–1972), starring Jack Benny (1894–1974).
Bulldog Drummond's Secret Police
(1939), directed by James P. Hogan (1890–1943), starring John Howard (1913–95) and H. B. Warner (1876–1958) was the latest in a long series of films featuring the eponymous hero.

6
The Regent was a cinema in Taibach located on Commercial Road.
I Met A Murderer
(1939), directed by Roy Kellino (1912–56), starred James Mason (1908–94) and Pamela Kellino (1916–96).
Exile Express
(1939), directed by Otis Garrett (1905–41), starred the Russian-born actor Anna Sten (1908–93).

7
Although Richard writes ‘football’ he means rugby football rather than association football. Mr Nicky was Mr Jack N. Nicholas, the maths teacher, who also coached the school rugby team.

8
Aunt Edith Evans, the sister of Richard's brother-in-law Elfed James. Edith, usually ‘Ede’ but sometimes ‘Edie’, who lived at 9, Geifr Road, Taibach, ran (together with her brother, Ivor James) a fish and chip shop, located in the front room of her house. Richard would collect newspapers (used for wrapping purposes) for her for money.

9
Dillwyn is Dillwyn Dummer, one of Richard's childhood friends, a second cousin once removed, and just a few months younger than Richard. Dillwyn's mother Margaret Ann was Elfed James's sister.

1940

1
The Talbot Memorial Park, located between Taibach and Port Talbot.

2
The Oklahoma Kid
(1939), directed by Lloyd Bacon (1889–1955), starred James Cagney (1899–1986) and Humphrey Bogart (1899–1957). Richard was to become friendly with Bogart in the 1950s.

3
Arthur ‘Boyo’ Jenkins, a fellow pupil, who lived in Varna Terrace, Taibach, and who later played first-class rugby for Aberavon RFC. Lloyd's bicycle and sports shop, Station Road, Port Talbot.

4
The Carnegie Free Public Library, Taibach, situated on Commercial Road, opposite the Co-operative store.