The Roman Hat Mystery (44 page)

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Authors: Ellery Queen

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Barry now consulted his watch. It was 9:40. He had been with Field only ten minutes. He had to be back on the stage at 9:50. He decided to wait three minutes more

it had taken less time than he had figured

to make sure that Field would not raise a rumpus. At 9:43 exactly, with Field terribly inanimate in his internal agonies, Barry took Field

s hat, snapped down his own and slipped it under his cloak, and rose. The way was clear. Hugging the wall, walking down the aisle as carefully and unobtrusively as possible, he gained the rear of the leftside boxes without anyone noticing him. The play was at its highest point of tension. All eyes were riveted on the stage.


In the rear of the boxes he ripped off the false hair, rapidly adjusted his make-up and passed through the stage door. The door leads into a narrow passageway which in turn leads into a corridor, branching out to various parts of the backstage area. His dressing room is a few feet from the entrance to the corridor. He slipped inside, threw his stage hat among his regular effects, dashed the remaining contents of the death flask into the wash bowl and cleaned out the flask. He emptied the contents of the hypodermic into the toilet drain and put away the needle, cleaned. If it was found

what of it? He had a perfectly sound excuse for owning it and besides the murder had not been committed by such an instrument at all . . . . He was now ready for his cue, calm, debonair, a little bored. The call came at exactly 9:50, he went on the stage and was there until the hue-and-cry was raised at 9:55 in the orchestra . . . .


Talk about your complicated plots!

ejaculated Sampson.


It is not so complicated as it seems at first hearing,

returned the Inspector.

Remember that Barry is an exceptionally clever young man and above all an excellent actor. No one
but
an accomplished actor could have carried off such a plan. The procedure was simple, after all; his hardest job was to keep to his time schedule. If he was seen by any one he was disguised. The only dangerous part of his scheme was the getaway

when he walked down the aisle and went backstage through the box stagedoor. The aisle he took care of by keeping an eye out for the usher while he sat next to Field. He had known beforehand, of course, that the ushers, due to the nature of the play, kept their stations more or less faithfully, but he counted on his disguise and hypodermic to help him through any emergency that might arise. However, Madge O

Connell was lax in her duty and so even this was in his favor. He told me last night, not without a certain pride, that he had prepared for every contingency . . . . As for the stagedoor, he knew from experience that at that period in the play

s progress practically every one was on the stage. The technical men were busy at their stations, too . . . . Remember that he planned the crime knowing in advance the exact conditions under which he would have to operate. And if there was an element of danger, of uncertainty

well, it was all a risky business, wasn

t it?

he asked me last night, smiling; and I had to admire him for his philosophy if for nothing else.

The Inspector shifted restlessly.

This makes clear, I hope, just how Barry did the job. As for our investigation . . . . With the hat deductions made and our knowledge of the murderer

s identity, we still had no inkling of the exact circumstances behind the crime. If you

ve been keeping in mind the material evidence which we had collected on Thursday night, you will see that we had nothing at all with which to work. The best thing we could hope for was that somewhere among the papers for which all of us were looking was a clue which would tie up to Barry. Even that would not be enough, but . . . . So the next step,

said the Inspector, after a sigh,

was the discovery of the papers in Field

s neat hiding place at the top of the bed canopy in his apartment. This was Ellery

s work from start to finish. We had found out that Field had no safety-deposit box, no post-office box, no outside residence, no friendly neighbor or tradesman, and that the documents were not in his office. By a process of elimination Ellery insisted that they must be somewhere in Field

s rooms. You know how this search ended

an ingenious bit of pure reasoning on Ellery

s part. We found Morgan

s papers; we found Cronin

s stuff relating to the gang activities

and by the way, Tim, I

m going to be keenly alive to what happens when we start on the big cleanup

and we found finally a wad of miscellaneous papers. Among these were Michaels

and Barry

s . . . . You

ll remember, Tim, that Ellery, from the handwriting analysis business, deducted that possibly we would find the originals of Barry

s papers

and so we did.


Michaels

case was interesting. That time he went to Elmira on the

petty larceny

charge, it was through Field

s clever manipulations with the law. But Field had the goods on Michaels and filed the documentary evidence of the man

s real guilt away in his favorite hiding place, in the event that he might wish to use it at some future date. A very saving person, this Field . . . . When Michaels was released from prison Field used him unscrupulously for his dirty work, holding the threat of those papers over the man

s head.


Now Michaels had been on the lookout for a long time. He wanted the papers badly, as you may imagine. At every opportunity he searched the apartment for them. And when he didn

t find them time after time, he became desperate. I don

t doubt that Field, in his devilishly sardonic way, enjoyed the knowledge that Michaels was ransacking the place day after day . . . . On Monday night Michaels did what he said he did

went home and to bed. But early Tuesday morning, when he read the papers and learned that Field had been killed, he realized that the jig was up. He had to make one last search for the papers

if he didn

t find them, the police might and he would be in hot water. So he risked running into the police net when he returned to Field

s rooms Tuesday morning. The story about the check was nonsense, of course.


But let

s get on to Barry. The original papers we found in the hat marked

Miscellaneous

told a sordid story. Stephen Barry, to make it short and ugly, has a strain of negroid blood in his veins. He was born in the South of a poor family and there was definite documentary evidence

letters, birth records and the like

to prove that his blood had the black taint. Now Field, as you know, made it his business to run things like this to earth. In some way he got hold of the papers, how long ago we can

t say, but certainly quite a while back. He looked up Barry

s status at the time and found him to be a struggling actor, on his uppers more often than he was in funds. He decided to let the fellow alone for the time. If ever Barry came into money or in the limelight, there would be time enough to blackmail him . . . . Field

s wildest dreams could not have foreseen Barry

s engagement to Frances Ives-Pope, daughter of a multi-millionaire and blue-blood society girl. I needn

t explain what it would have meant to Barry to have the story of his mixed blood become known to the Ives-Popes. Besides

and this is quite important

Barry was in a constant state of impoverishment due to his gambling. What money he earned went into the pockets of the bookmakers at the racetrack and in addition he had contracted enormous debts which he could never have wiped out unless his marriage to Frances went through. So pressing was his need, in fact, that it was he who subtly urged an early marriage. I have been wondering just how he regarded Frances sentimentally. I don

t think, in all fairness to him, that he was marrying wholly because of the money involved. He really loves her, I suppose

but then, who wouldn

t?

The old man smiled reminiscently and went on.

Field approached Barry some time ago with the papers

secretly, of course. Barry paid what he could, but it was woefully little and naturally did not satisfy the insatiable blackmailer. He kept putting Field off desperately. But Field himself was getting into hot water because of his own gambling and was

calling in

his little business deals one by one. Barry, pushed to the wall, realized that unless Field were silenced everything would be lost. He planned the murder. He saw that even if he did manage to raise the $50,000 Field demanded

a palpable impossibility

and even if he did get the original papers, yet Field might still wreck his hopes by merely circulating the story. There was only one thing to do

kill Field. He did it.


Black blood, eh?

murmured Cronin.

Poor devil.


You would scarcely guess it from his appearance,

remarked Sampson.

He looks as white as you or I.


Barry isn

t anywhere near a full-blooded Negro,

protested the Inspector.

He has just a drop in his veins

just a drop, but it would have been more than enough for the Ives-Popes . . . . To get on. When the papers had been discovered and read

we knew everything. Who

how

why the crime was committed. So we took stock of our evidence to bring about a conviction. You can

t hale a man into court on a murder charge without evidence . . . . Well, what do you think we had? Nothing!


Let me discuss the clues which might have been useful as evidence. The lady

s purse

that was out. Valueless, as you know . . . . The source of the poison

a total failure. Incidentally, Barry did procure it exactly as Dr. Jones suggested

Jones, the toxicologist. Barry bought ordinary gasoline and distilled the tetra ethyl lead from it. There was no trace left . . . . Another possible clue

Monte Field

s hat. It was gone . . . . The extra tickets for the six vacant seats

we had never seen them and there seemed little chance that we ever would . . . . The only other material evidence

the papers

indicated motive but proved nothing. By this token Morgan might have committed the crime, or any member of Field

s criminal organization.


Our only hope for bringing about a conviction depended upon our scheme to have Barry

s apartment burglarized in the hope that either the hat, or the tickets, or some other clue like the poison or the poison apparatus, would be found. Velie got me a professional housebreaker and Barry

s apartment was rifled Friday night while he was acting his role in the theatre. Not a trace of any of these clues came to light. The hat, the tickets, the poison

everything had been destroyed. Obviously, Barry would have done that; we could only make sure.


In desperation, I called a meeting of a number of the Monday night audience, hoping that I would find someone who remembered seeing Barry that night. Sometimes, you know, people recall events later which they forgot completely in the excitement of a previous quizzing. But this too, as it happened, was a failure. The only thing of value that turned up was the orangeade boy

s testimony about seeing Field pick up an evening bag in the alley. This got us nowhere as far as Barry was concerned, however. And remember that when we questioned the cast Thursday night we got no direct evidence from them.

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