Read The Roominghouse Madrigals Online
Authors: Charles Bukowski
practically speaking
the great words of great men
are not so great.
nor do great nations nor great beauties
leave anything but the residue
of reputation to be slowly
gnawed away.
nor do great wars seem so great,
nor great poems
nor first-hand legends.
even the sad deaths
are not now so sad,
and failure was nothing but a
trick
to keep us going,
and fame and love
a trick to dull our bleeding.
and as fire becomes ash and steel
becomes rust, we become
wise
and then
not so wise.
and we sit in chairs
reading old maps,
wars done, loves done, lives done,
and a child plays before us like a monkey
and we tap our pipe and yawn,
close our eyes and sleep.
pretty words
like pretty ladies,
wrinkle up and die.
rose, rose
bark for me
all these centuries in the sun
you have heard men sing
to break like the stems that held you
you have sat in the hair of young girls
like roses themselves, feeling like roses,
and you know, you know what happened
I gave roses to a lady once and she put them
on her dresser and hugged them and smelled them
and now the lady is gone and the roses are gone
but the dresser is there, I see the dresser
and on the boulevards I see you again
alive again! yes!
and, I am still
alive.
rose, rose
bark for me
walking last night
feeling my flesh fat about my girth
old dreams faint as fireflies
I came upon a flower
and like a giant god gone mad
yanked off its head
and then put the petals in my pocket
feeling and tearing
soft insides, ha so!—
like defiling a virgin.
she hugged you, she loved you
and she died, and
in my room, hand out of pocket,
the first night’s drink, and
along the edge of the glass,
the same same scarlet
virgin and thorn, my hand
my hand my hand; bark, rose
teeth of centuries blooming
in the sun, vast god damned
god pulling these poems out
of my head.
it is like tanks come through Hungary and
I am looking for matchsticks to
build a soul
it is the hunger of the intestine
and feeling sorry for a
radio dropped and broken last Tuesday night
Gertrude knows what is left of me
but she can hardly boil an egg and
she can’t boil me
or put me together like
matchsticks
but some day I must send you
some of her poems or
her old shoe once worn by a
duchess
there isn’t anybody on the street now
the street is empty and
Spain sits like a hidden flower
in my coffeepot as
the audience applauds the bones of
Vivaldi
and I could go on
tossing phrases like
burning candles
but I leave that to the
acrobats
a loaf of bread
dog bark
babycry
the matchless failure of
bright things
her leaning forward
over a cup of tea
telling me—
you are a kind man
you are a very kind
man
the eyes believing dynasties of softness
the hands touching my neck
the cars going by
the snails sleeping with pictures of Christ
I phrase the ending like hatchets
or a bush burned down
and kiss a staring
greenblue
eye
greenblue eye
like faded drapes the light burned through
and my god
another woman another night
going on
the rats are thimbles in cats’ paws when it
rains in Miami
and the fence falls down
the world is on its back
legs lifted
and I enter again
into the
sweat and stink and torture—
a very kind man
gentle as a knife
the brilliant hush of parrots
Gertrude lives in a place by the freeway
and I live here—
the mice the garbage the lack of air
the gallantry
and
outside of here:
young girls skipping rope
strong enough to hang the men
now nowhere
about
me?:
I dreamed I drank an Arrow shirt
and stole a broken
pail.
As my skin wrinkles in warning like
paint on a burning wall
fruitflies with sterile
orange-grey
eyes
stare at me
while I dream of lavender ladies as impossible
and beautiful as
immortality
as my skin wrinkles in warning
I read
The New York Timeswhile spiders wrestle with ants in shaded roots
of grass
and whores lift their hands to heaven for
love
while the white mice
huddle in controversy over a
piece of cheese
as my skin wrinkles in warning
I think of Carthage and Rome and
Berlin
I think of young girls crossing their
nylon legs at bus stops
as my skin wrinkles in warning like
paint on a burning wall
I get up from my chair to drink water
on a pleasant afternoon
and I wonder about water
I wonder about me,
a warm thermometer kind of wonderment
that rises like a butterfly
in a distilled pale yellow afternoon
and then I walk back out
and sit on my chair
and don’t think anymore—
as to the strain of broken ladders and old war
movies—
I let everything
burn.
maybe I’ll win the Irish Sweepstakes
maybe I’ll go nuts
maybe
maybe unemployment insurance or
a rich lesbian at the top of a hill
maybe re-incarnation as a frog…
or $70,000 found floating in a plastic sack
in the bathtub
I need help
I am a fat man being eaten by
green trees
butterflies and
you
turn turn
light the lamp
my teeth ache the teeth of my soul ache
I can’t sleep I
pray for the dead streetcars
the white mice
engines on fire
blood on a green gown in an operating room in
San Francisco
and I am caught
ow ow
wild: my body being there filled with nothing but
me
me caught halfway between suicide and
old age
hustling in factories next to the
young boys
keeping pace
burning my blood like gasoline and
making the foreman
grin
my poems are only scratchings
on the floor of a
cage.
a rose
red sunlight;
I take it apart
in the garage
like a puzzle:
the petals are as greasy
as old bacon
and fall
like the maidens of the world
backs to floor
and I look up
at the old calendar
hung from a nail
and touch
my wrinkled face
and smile
because
the secret
is beyond me.
CHARLES BUKOWSKI is one of America’s best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, to an American soldier father and a German mother in 1920, and brought to the United States at the age of three. He was raised in Los Angeles and lived there for fifty years. He published his first story in 1944 when he was twenty-four and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel,
Pulp
(1994).
During his lifetime he published more than forty-five books of poetry and prose, including the novels
Post Office
(1971),
Factotum
(1975),
Women
(1978),
Ham on Rye
(1982), and
Hollywood
(1989). Among his most recent books are the posthumous editions of
What Matters Most Is How Well You Walk Through the Fire
(1999),
Open All Night: New Poems
(2000),
Beerspit Night and Cursing: The Correspondence of Charles Bukowski and Sheri Martinelli 1960-1967
(2001), and
The Night Torn Mad with Footsteps: New Poems
(2001).