The Sekhmet Bed

The

Sekhmet

Bed

Lavender Ironside

Copyright © 2011 Lavender Ironside

All rights reserved.

ISBN:
1463762070

ISBN-13:
978-1463762070

For my mother, for everything.

And for my sister, my best friend.

HISTORICAL NOTE

I did my best in writing The Sekhmet Bed to balance clarity and the comfort of the reader against accuracy of historical setting. As a result, many of the names used in this book may be unfamiliar to both the casual student of Egyptian history and to the hardcore Egyptophile.

It was extremely important to me to use the correct names for cities and gods – correct for my Ahmose, Tut, Nofret, and Hati, who lived a good thousand years before Alexander the Great conquered Egypt, and Greek names and styles began to eclipse old Egyptian culture. Thus we have names which may give a modern reader pause, such as Waset rather than Thebes, Ipet-Isut instead of Karnak, and Annu rather than Heliopolis. Similarly, the goddess you know as Isis is called Iset, Anubis reverts to his old name of Anupu, etc.

Speaking of Tut, this novel deals with the beginning of the Thutmoside dynasty, one of the most powerful, influential, and unusual families in ancient Egyptian history. This is also a family that is not well-known to most history buffs. Thutmose I was the founder of the line, and he was indeed non-royal by birth and a soldier of some renown. His marriage to Queen Ahmose, daughter or possibly sister of the previous Pharaoh, legitimized his right to the throne. I call him Tut in this book because I liked the way a secret nickname built an age-appropriate closeness between young Ahmose and her new husband; but in The Sekhmet Bed, this king Tut should not be confused with
the
King Tut, whose full name was Thutankhamun, and who ruled Egypt very briefly about 115 years after Thutmose I.

Real fans of Egyptian history will be muddled by the names of our Ahmose’s mother and grandmother. Historically, the women in Queen Ahmose’s family all had the prefix “Ahmose” attached to their names, so her mother was truly called Ahmose-Meritamun and her grandmother Ahmose-Nefertari; and there were more Ahmoses in her family as well, including a king named Ahmose who was a revolutionary and a very important fellow in Egyptian history. For the sake of avoiding headaches, I thought it best to drop as many Ahmoses from the scene as possible, and shortened the old queens’ names to just Meritamun and Nefertari. I hope the reader appreciates this choice.

As for Mutnofret, she was a real woman, was indeed a lesser queen and legitimate wife of Thutmose I (rather than simply a concubine), and was probably related in some way to Queen Ahmose – perhaps a cousin. She was probably not Ahmose’s sister, and almost definitely not an elder sister, but I liked the tension such a twist brought to my fictional portrayal of the Thutmosides.

There is considerable debate among Egyptologists as to where Thutmose’s sons Wadjmose, Amunmose, and Ramose came from. Some believe they were sons existing from a possible previous marriage to a non-royal wife, in the days before Thutmose was the Pharaoh. They may have been the sons of Mutnofret, and based on how the Thutmosides are depicted on tomb and temple walls, I found this the likeliest scenario.

What is clear is that Thutmose I loved his sons deeply, and that all three of them preceded him in death. He had a mortuary chapel built to Wadjmose’s memory, and depicted his son’s name in the ring of a cartouche – an extremely rare honor that was typically only granted to kings and queens, not to princes. The care Thutmose I took to memorialize his lost child speaks great volumes to what kind of a man he was, and what kind of a family he must have led – sensitive, complicated, and tragic.

So said Amun-Ra, Lord of Waset, presider over the Holy House:

He made his form like the majesty of her husband, the King Thutmose. He found her as she slept in the beauty of her palace. She awakened at the fragrance of the god, which she smelled in the presence of his majesty. He went to her immediately. He imposed his desire upon her; he caused that she should see him in the form of a god.

When he came before her, she rejoiced at the sight of his beauty. His love passed into her limbs, which the fragrance of the god flooded; his fragrance was of the land of Punt.

-Inscription from Djeser-Djeseru, mortuary temple of Hatshepsut, Fifth King of the Eighteenth Dynasty.

Part 1: God-Chosen

1506 B.C.E.

one

Ahmose woke to a terrible, high-pitched wailing. She fought against sleep, kicked and scratched at it until it released her. She lay in her bed for a long time, eyes staring wide but seeing nothing in the dark, transfixed by the distant rise and fall of the cries. In the moments just after waking she could not place the sound. A cat? Some strange bird? Her mind cleared, and with a chill she recognized the sound of weeping women.

She found her way through the chamber in the dark, still naked, her feet cold against the mosaic floor. Before she reached the door, she
knew
. The presence of the gods was heavy about her, thick as honey in the air, pressing, warning. For Ahmose, the gods were always explicit.

She pulled the door open with numb hands. The hall of the House of Women was alive with moving shadows. In the darkness, the painted forms on the muraled walls stretched and distorted, reaching arms toward Ahmose where she stood, shivering. The close air was dense with the odors of perfume and flowers, too sweet to be appealing. From far up the corridor, the wailing drew closer. Women’s shapes formed out of the darkness, leaning on each other, hands clawing at faces, gowns ripped in mourning where any were dressed at all. Ahmose watched them come. Then she watched them pass her door, heedless of her presence. Renenet, Hentaneb, Khamaat, Baketamun; all the faces of the harem she knew and loved, reddened with sorrow, mouths distorted with crying. They moved past her as a single body with many weeping eyes, many clawing hands – one being with many grief-stricken kas.

Behind them, Mutnofret walked.

The First Princess was dressed and wigged, though evidently she had had no time to paint her face. Her gown was not torn. Her body was straight, shoulders square, face a controlled mask that nevertheless could not hide her eagerness. Not from Ahmose. She looked half a queen already, there in the darkness of the House of Women.

Mutnofret stopped at Ahmose’s door. “Our father is dead.”

Ahmose nodded, mute. She knew.

Mutnofret’s eyes were like fires in the night. “Get dressed. We must go to our mother.”

“
No.” Ahmose didn’t know why she said it, only that she must. As she stood staring at her elder sister’s calm, expectant face, a tight, cold snake coiled up in her belly. It wasn’t fear. Not exactly.

“
What do you mean,
no
?”

“
I must…I should go to the Holy House. And pray.” A good excuse for her refusal. And once she’d said it, it became true.

Mutnforet grunted, impatient. “Always praying. Go, then. But don’t go naked as you are. Be back by dawn. It’s only a few hours away. Our mother will be expecting us.”
Will be expecting me
, Mutnofret’s eyes said.

Ahmose shrugged into her red tunic-dress, a thin, faded old thing from her childhood. Hardly appropriate for the Pharaoh’s daughter, but she wanted comfort now, not beauty. She would walk to the great temple complex at Ipet-Isut. No time to arrange for a chariot and escort. An hour there, an hour back – she would have just enough time to offer at the shrine of Osiris. And the walk would help her sort through the clutter in her head. She pulled a wig on – not her best, but who would see her in the hours before dawn? – and slipped through her door as silent as river mist.

The Pharaoh’s harem was a lush and sweet place, sprawling gardens thick with herbs and flowers and shade trees, row on row of pillared porches, cool rooms full of music and laughter. Ahmose loved to while away her days there, talking with her friends, trying on their prettiest gowns, playing senet beneath the olive trees. But tonight the House of Women crouched, mourning, beneath a weighty canopy of stars. All its beauties were dimmed and dulled by night and sorrow.

Eager to leave the weeping behind, Ahmose tied her long shawl tightly about her shoulders and all but ran through the courtyard and out onto the road. “I am only going to take the air,” she said to the guards at the gate, and when they saw the the worry on her young face they let her pass without complaint.

Though the hot season of Shemu had long since set in, the night was unusually cold. Once well away from the harem, the night’s peace comforted her a little, and the chill piqued her senses. It was not the Pharaoh’s death that worried at her heart. It was the sharp, desperate certainty that this night, this moment, this scroll in the gods’ hands was about
her
, tipped on her. She was the fulcrum of the coming day’s balance. This moment was crafted just for Ahmose, and she wanted nothing of it. Outside the tall sandstone walls of the harem, with no sounds but the singing of night insects and the deep, dark, distant voice of the Nile, she could order at least that much of her thoughts.

Tell me
, she begged the gods as she walked,
what is to come. As I am your true servant, show me mercy, and tell me
. But the gods remained silent.

Behind her on the road, she heard the hoofbeats and breath of trotting horses.
What a stupid idea
,
walking
to the Holy House! Alone, in the night!
Ahmose looked around wildly for a place to hide. The hard-packed dirt road stretched north to the temples and south to Waset, a long, wide, uncaring line. The shoulders of the road were bare, save for the season’s usual tangle of dry, knee-high weeds. She didn’t even have a dagger in her belt. Nothing. She glanced back the way she’d come. The House of Women was there, lamps lit and glowing golden in the chill night, bright as a scarab. But it was too far to run; and anyway, the chariot was between Ahmose and the safety of the House. She might cross the road, dash out into the stubble of the harvested wheat field, and make it to the river – but no. It was many spans from road to river bank, and once she reached it, there would be nothing but mud, reeds, and a few skinny palms holding to the bank. Nowhere to hide. The guards on the gate would never hear her shout from this distance.