The Shadow Killer (7 page)

Tonight when I walk into the studio, she narrows her eyes at me and taps her watch. It's a humid night and her blond hair is frizzy. She has a zit on the tip of her nose. She's wearing a black maternity T-shirt that says
Believe It or Not, I Used to Be Hot.

“Don't sell yourself short, Mama Nova,” I say. “You're still hot. Those hormones that have been sluicing through your body for nine months give you a very sexy glow.”

“That's not a sexy glow,” she says. “That's my blood pressure spiking. We're on the air in six minutes. I've been calling and texting you for two hours. Where were you?”

I open my knapsack and hand her a paper bag that glistens with grease from the onion rings inside. “There was a lineup at Fat Boy's,” I say.

Nova shakes her head. “You always know what I want.” She slips her hand into the bag, extracts an onion ring and takes a bite. Usually this first taste gives her a kid's pleasure, but tonight she chews on it dutifully. It might as well be broccoli. “Charlie, we need to talk,” she says. “About Ian Blaise.”

“He calls in all the time,” I say. “He's doing fine. Seeing a shrink. Back to work part-time. Considering that it's only been six months since his wife and daughters were killed in that car accident, his recovery is a miracle.”

Nova has lovely eyes. They're as blue as a northern sky. When she laughs, the skin around them crinkles. It isn't crinkling now. “Ian jumped from the roof of his apartment building Saturday,” she says. “He's dead.”

I feel as if I've been kicked in the stomach. “He called me at home last week. We talked for over an hour.”

Nova frowns. “We've been over this a hundred times. You shouldn't give out your home number. It's dangerous.”

“Not as dangerous as being without a person you can call in the small hours,” I say tightly. “That's when the ghoulies and ghosties and long-leggedy beasties can drive you over the edge. I remember the feeling well.”

“The situation may be more sinister than that, Charlie,” Nova says. “This morning someone sent us Ian's obituary. This index card was clipped to it.”

Nova hands me the card. It's the kind school kids use when they have to make a speech in class. The message is neatly printed, and I read it aloud. “‘Ian Blaise wasn't worth your time, Charlie. None of them are. They're cutting off your oxygen. I'm going to save you.'” I turn to Nova. “What the hell is this?”

“Well, for starters, it's the third in a series. Last week someone sent us Marcie Zhang's obituary.”

“The girl in grade nine who was being bullied,” I say. “You didn't tell me she was dead.”

“There's a lot I don't tell you,” Nova says. She sounds tired. “Anyway, there was a file card attached to the obituary. The message was the same as this one—minus the part about saving you. That's new.”

“I don't get it,” I say. “Marcie Zhang called in a couple of weeks ago. Remember? She was in great shape. She'd aced her exams. And she had an interview for a job as a junior counselor at a summer camp.”

“I remember. I also remember that the last time James Washington called in, he said that he was getting a lot of support from other gay athletes who'd been outed, and he wished he'd gone public sooner.”

“James is dead too?”

Nova raises an eyebrow. “Lucky you never read the papers, huh? James died as a result of a hit-and-run a couple of weeks ago. We got the newspaper clipping with the index card attached. Same message— word for word—as the one with Marcie's obituary.”

“And you never told me?”

“I didn't connect the dots, Charlie. A fourteen-year-old girl who, until very recently has been deeply disturbed, commits suicide. A professional athlete is killed in a tragic accident. Do you have any idea how much mail we get? How many calls I handle a week? Maybe I wasn't as sharp as I should have been, because I'm preoccupied with this baby. But this morning after I got Ian's obituary—with the extended-play version of the note—I called the police.”

I snap. “You called the cops? Nova, you and I have always been on the same side of that particular issue. The police operate in a black-and-white world. Right/ wrong. Guilty/innocent. Sane/Not so much. We've always agreed that life is more complex for our listeners. They tell us things they can't tell anybody else. They have to trust us.”

Nova moves so close that her belly is touching mine. Her voice is low and grave. “Charlie, this isn't about a lonely guy who wants you to tell him it's okay to have a cyberskin love doll as his fantasy date. There's a murderer out there. A real murderer—not one of your Goth death groupies. We can't handle this on our own.”

I reach over and rub her neck. “Okay, Mama Nova, you win. But over a hundred thousand people listen to our show every night. Where do we start?”

Nova gives my hand a pat and removes it from her neck. “With you, Charlie,” she says. “The police want to use our show to flush out the killer.”

RAPID READS

The following is an excerpt from
One Fine Day You're Gonna Die,
another exciting Rapid Reads novel by Gail Bowen.

978-1-55469-337-5 $9.95 pb

It will take all of Charlie D's skills to keep this Halloween from being another “Day of the Dead.”

Charlie D is back doing his late-night radio call-in show. It's Halloween—The Day of the Dead. His studio guest this evening is Dr. Robin Harris, an arrogant and ambitious “expert in the arts of dying and grieving.” Charlie and Dr. Harris do not hit it off. Things go from bad to worse when the doctor's ex-lover goes on air to announce that he's about to end his life.

CHAPTER ONE

T
onight as I was riding my bike to the radio station where I do the late-night call-in show, a hearse ran a light and plowed into me. I swerved. The vehicle clipped my back wheel, and I flew through the air to safety. My Schwinn was not so lucky. The hearse skidded to a stop. The driver jumped out, sprinted over and knelt beside me on the wet pavement. “Are you all right?” he asked.

I checked my essentials.

“As all right as I'll ever be,” I said.

The man bent closer. The streetlight illuminated both our faces. He looked like the actor who played Hawkeye on the old tv show
M
*
A
*
S
*
H
. His brow furrowed with concern when he saw my cheek.

“You're bleeding,” he said.

“It's a birthmark,” I said.

As birthmarks go, mine is a standout. It covers half my face, like a blood mask. Nine out of ten strangers turn away when they see it. This man moved in closer.

“The doctors weren't able to do anything?” he asked.

“Nope.”

“But you've learned to live with it.”

“Most of the time,” I said.

“That's all any of us can do,” the man said, and he grinned. His smile was like Hawkeye's—open and reassuring. He offered his hand and pulled me to my feet. “I'll take you wherever you want to go,” he said.

He picked up my twisted Schwinn and stowed it in the back of the hearse. I slid into the passenger seat. The air inside was cool, flower-scented and oddly soothing. After we'd buckled our seat belts, the man turned the keys in the ignition.

“Where to?” he asked.

“CVOX Radio,” I said. “728 Shuter.”

“It's in a strip mall,” he said. “Between a store that sells discount wedding dresses and a place that rents x-rated movies.”

“I'm impressed,” I said. “This is a big city.”

“It is,” he agreed. “But my business involves pick up and delivery. I need to know where people are.”

Perhaps because the night was foggy and he'd already had one accident, the driver didn't talk as he threaded his way through the busy downtown streets. When we turned on to Shuter, I saw the neon call letters on the roof of our building. The
O
in CVOX (“ALL TALK/ALL THE TIME”) is an open mouth with red lips and a tongue that looks like Mick Jagger's. Fog had fuzzed the brilliant scarlet neon of Mick's tongue to a soft pink. It looked like the kiss a woman leaves on a tissue when she blots her lipstick.

“I'll pick you up when your show's over,” the man said.

“I'll take a cab,” I said. “But thanks for the offer.”

He shrugged and handed me a business card. “Call me if you change your mind. Otherwise, I'll courier a cheque to you tomorrow to pay for your bike.”

“You don't know my name.”

The man flashed me his Hawkeye smile. “Sure I do. Your name is Charlie Dowhanuik and you're the host of ‘The World According to Charlie D.' I'm a fan. I even phoned in once. It was the night you walked off the show and disappeared for a year. You were in rough shape.”

“That's why I left.”

“I was relieved that you did,” he said. “I sensed that if you didn't turn things around, you and I were destined to meet professionally. My profession, not yours. You were too young to need my services, so I called in to remind you of what Woody Allen said.”

“I remember. ‘Life is full of misery, loneliness and suffering and it's over much too soon.'” I met the man's eyes. “Wise words,” I said. “I still ponder them.”

“So you haven't stopped grieving for the woman you lost?”

“Nope.”

“But you decided to keep on living,” he said.

“For the time being,” I said. We shook hands, and I opened the car door and climbed out. As I watched the hearse disappear into the fog, the opening lines of an old schoolyard rhyme floated to the top of my consciousness.

Do you ever think when a hearse goes by

That one fine day you're gonna die?

They'll wrap you up in a cotton sheet

And throw you down about forty feet.

The worms crawl in,

The worms crawl out…

There was more, but I had to cut short my reverie. It was October 31. Halloween. The Day of the Dead. And I had a show to do.