The Shadowhunter's Codex (44 page)

Read The Shadowhunter's Codex Online

Authors: Cassandra Clare,Joshua Lewis

Tags: #Juvenile Fiction, #Horror & Ghost Stories, #Lifestyles, #City & Town Life, #Fantasy & Magic, #Social Issues, #New Experience, #Paranormal

BOOK: The Shadowhunter's Codex
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ARTIST ACKNOWLEDGMENTS

Rebecca Guay
provided us with the frontispiece, a study of the primary players from the Mortal Instruments books.

Charles Vess
supplied the endpiece, a similar study of the characters of the Infernal Devices. (That’s the London Institute they’re frolicking upon.)

Michael Wm. Kaluta
produced the chapter headings, and understood what we meant when we said, “Do it like an old-school gaming manual.”

John Dollar
illustrated the history of the Nephilim, choosing what to illustrate from the text himself, rather than being given a specific list of requested subjects.

Theo Black
was commissioned to do two pieces of faerie-themed art and then sent us five. We used all five.

Elisabeth Alba
’s quickly dashed-off practice sketches were good enough to print, but we were glad we waited for the actual finished pieces. She contributed beautiful, mostly pencil-based work across the whole Codex.

Jim Nelson
also contributed beautiful work across the whole Codex, but most important, he added three new demons to the Shadowhunter universe. They are wonderfully disgusting and we are proud to have them.

Cassandra Jean
as Clary Fray. Cassandra Jean drew all over this thing, and filled the back of it with portraits.

Michael McCartney
at Simon & Schuster designed the book, placed the art, and was very, very patient with our many detail-oriented requests.

And of course, thanks to
Valerie Freire
for her rune designs and her inspiration.

CASSANDRA CLARE
is the author of the
New York Times
,
USA Today
,
Wall Street Journal
, and
Publishers Weekly
bestselling Mortal Instruments series and Infernal Devices trilogy. There are more than twenty million copies of her books in print worldwide, and they have been translated into more than thirty-five languages. Cassandra lives in western Massachusetts. Visit her online at
CassandraClare.com
. Learn more about the world of the Shadowhunters at
Shadowhunters.com
.
JOSHUA LEWIS
lives in western Massachusetts with his wife, Cassandra Clare; three cats; and several thousand books. When not exhaustively researching arcane bits of the Shadowhunter universe, he can be found playing music, writing his own fiction, and keeping the weight of several thousand books from collapsing the house.
Margaret K. McElderry Books
SIMON & SCHUSTER * NEW YORK
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ALSO BY

CASSANDRA CLARE

THE MORTAL INSTRUMENTS

City of Bones   City of Ashes   City of Glass

City of Fallen Angels   City of Lost Souls

THE INFERNAL DEVICES

Clockwork Angel   Clockwork Prince

Clockwork Princess

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MARGARET K. McELDERRY BOOKS

An imprint of Simon & Schuster Children’s Publishing Division

1230 Avenue of the Americas, New York, New York 10020

www.SimonandSchuster.com

This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

Text copyright © 2013 by Cassandra Claire, LLC.

Jacket illustration copyright © 2013 by Cliff Nielsen

Illustrations copyright © 2013 by Rebecca Guay (    
front endpapers
 ), Charles Vess ( 
back endpapers
), Elisabeth Alba ( 
pp.
vii–viii
,
49
,
51
,
84
,
88
–89,
91
,
101
,
124
,
129
,
196
,
200
,
211
), Theo Black ( 
pp.
80
,
106
,
108
,
136
,
141
), Michael Wm. Kaluta (
pp.
13
,
41
,
55
,
79
,
115
,
135
,
173
,
199
,
223
), James Nelson ( 
pp.
16
,
36
,
67
–69,
73
–74,
129
,
143
,
149
,
169
,
193
,
255
,
260
), John Dollar ( 
pp.
224
–225,
227
–232,
235
–237,
239
,
242
,
244
,
246

), Cassandra Jean ( 
pp. ii
,
6
b,
12
,
14
,
16
,
38
,
40
,
54
,
56
,
77
,
112
–114,
116
,
133
–134,
172
,
174
,
180
,
186
,
191
,
214
,
221
,
253
,
256
,
264
–273
), and Cassandra Claire, LLC ( 
pp.
153
–161
).

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