The Shelters of Stone (56 page)

Mejera must be a new acolyte, Ayla thought. I wonder if it is her first time for something like this. It’s my first time with the Zelandonii, although that time at the Clan Gathering with Creb was probably similar, and of course, what I
did with Mamut was. She found herself recalling her last experience with the old man of the Lion Camp who interceded with the spirit world, and it did not make her feel better. When Mamut found out she’d had some of the special Clan roots that the mog-urs used, he wanted to try them, but he was unfamiliar with their properties and they were stronger than he had thought. They were both nearly lost to the deep void, and Mamut warned her against ever using them again. Though she did have more of those roots with her, she didn’t plan to take them.

The four who had consumed the drink were now facing each other, holding hands, the First sitting on a low padded stool, the rest sitting on the leather mat on the ground. The Zelandoni of the Eleventh brought an oil lamp and placed it in the middle of them. Ayla had seen similar lamps but found herself quite intrigued by it. She was already beginning to feel some effects from the drink as she stared at the stone that held fire.

The lamp was made of limestone. The general shape, including the bowl-like section and the handle extension, had been pecked out with a much harder stone, like granite. Then it was smoothed with sandstone and decorated with symbolic markings etched in with a flint burin. Three wicks were resting against the side of the bowl opposite the handle at different angles, each with one end sticking out of the liquid fat, and the rest of the absorbent material soaking in it. One was quick-starting and hot-burning lichen that melted the fat, the second was dried moss twisted into a sort of cord that gave good light, and the third was made of a dried strip of a porous fungus that absorbed the liquefied fat so well, it kept burning even after the oil was gone. The animal fat that was used for the fuel had been rendered in boiling water so that the impurities fell to the bottom, leaving only pure white tallow floating on top after the water cooled. The flame burned clean, with no visible smoke or soot.

Ayla glanced around and noted, somewhat to her dismay, that a Zelandoni was putting out an oil lamp, and then she saw another going out. Soon all the lamps were out, except for
the one in the center. Seeming to defy its diminutive size, the light from the single lamp spread out and lit the faces of the four people holding hands with a warm golden glow. But beyond the circle deep and utter darkness filled every cranny every crack and hollow, with a black so complete, it felt thick and stifling. Ayla began to feel apprehensive, then she turned her head and caught the bare glimpse of a glow coming from the long corridor. Some of the lamps that had guided their way must still be lit, she thought, and let out a breath that she didn’t know she was holding.

She was feeling very strange. The decoction was taking effect quickly. It seemed as though things around her were slowing down or that she was going faster. She looked at Jondalar and found him staring at her, and she had the strangest sense that she almost knew what he was thinking. Then she looked at Zelandoni and Mejera, and felt something, too, but it was not as strong as her feeling with Jondalar, and she wondered if she was imagining it.

She became conscious of hearing music, flutes, drums, and people singing, but not with words. She wasn’t quite sure when or even from where it originated. Each singer maintained a single note, or series of repetitive notes, until he or she ran out of breath, and then would take a breath and start again. Most singers and the drummers repeated the same thing over and over, but a few exceptional singers varied their song, as did most of the flute players. Beginning and ending at each person’s own choosing meant that no two people started or stopped at the same time. The effect was a continuous sound of interweaving tones that changed as new voices began and others ended, with an overlay of divergent melodies. It was sometimes atonal, sometimes closely harmonic, but overall a strangely wonderful, beautiful, and powerful fugue.

The other three people in her circle were singing as well. The First, with her beautiful, rich contralto, was one who varied her tones in a melodic way. Mejera had a pure, high voice, and a simple, repetitive set of tones. Jondalar also sang a repetition of tones, a chant he had obviously perfected and was happy with. Ayla had never really heard him sing before,
but his voice was rich and true, and she liked the sound. She wondered why he didn’t sing more.

Ayla felt that she should join in, but she had attempted to sing when she lived with the Mamutoi and knew she simply didn’t know how to carry a tune. She never learned as a child, and it was a little late to learn now. Then she heard one of the men nearby who just crooned in a monotone. It reminded her of when she was living alone in her valley and used to hum a similar monotone at night while she rocked herself to sleep, the leather cloak that she had used to hold her son to her hip crumpled up into a ball and held close to her stomach.

Very softly, she began to hum her low-pitched monotone and found herself rocking very slightly. There was something soothing about the music. Her own humming relaxed her, and the sounds of the others gave her a comforting, protected feeling, as though they were supporting her and would be there for her if she needed them. It made it easier for her to give in to the effects of the drink, which was having a strong influence on her.

She became acutely aware of the hands she was holding. On her left, the hand of the young woman was cool, moist, and so softly compliant, the grip was slack. Ayla clasped Mejera’s hand but felt almost no return hold; even her grasp was young and shy. In contrast, the hand on her right was warm, dry, and slightly callused from use. Jondalar held her hand with a firm grip, as she held his, and she was extremely conscious of the hard stone held between them, which was slightly disconcerting, but his hand made her feel secure.

Though she couldn’t see it, she was sure the flat opal side was against her palm, which meant that the triangular ridge on the side opposite was in his. As she concentrated on it, the stone seemed to be warming, matching their body heat, adding to it, feeling as though it were becoming a part of them or they a part of it. She remembered the chill she’d felt when she first entered the cave, and that the cold intensified as they got farther into its depths, but at the moment, sitting on the padded leather and dressed in her warm clothes, she did not feel cold at all.

Her attention was caught by the fire in the lamp; it made her think of the pleasant heat of fire in a hearth. She stared at the small flickering flame, became fixated on the bit of incandescence to the exclusion of everything else. She watched the small yellow light as it fluttered and trembled. With every breath she took, she seemed to control the flame.

As she watched closely, she saw that the light wasn’t entirely yellow. To keep it still while she studied it, she held her breath. The small fire was rounded in the middle, with the brightest yellow part starting near the end of the wick and tapering up to a point. Inside the yellow was a darker area that began below the end of the wick and narrowed into a cone as it rose up within the bit of fire. Below the yellow, at the bottom where the flame began, the fire had a hint of blue.

She had never looked at the fire of an oil lamp with such intensity before. When she started breathing again, the lambent fire seemed to be playing with the lamp, moving to the meter of the music. As it danced over the glossy surface of the melted tallow, its light reflecting from the fuel, the flame grew more radiant. It filled her eyes with its softly glowing luminescence until she could see nothing else.

It made her feel airy, weighdess, carefree, as though she could have floated up into the warmth of the light. Everything was easy, effortless. She smiled, laughed softly, then found herself looking at Jondalar. She thought about the life that he had started growing inside her, and a sudden flood of intense love for him welled up and overflowed. He could not help but respond to her glowing smile; as she watched him begin to smile back, she felt happy, loved. Life was full of joy, and she wanted to share it.

She beamed at Mejera and was rewarded with a tentative smile in return, then turned to Zelandoni and included her in the beneficence of her happiness. In a dispassionate corner of her mind that seemed to have distanced itself from her, she seemed to be watching everything with a strange clarity.

“I am getting ready to call Shevonar’s elan and direct him to the spirit world,” the One Who Was First interrupted her singing to say. Her voice sounded far away, even to her
own ears. “After we help him, I will try to find the elan of Thonolan. Jondalar and Ayla will have to help me. Think about how he died, and where his bones are resting.”

To Ayla, the sound of her words was full of music that grew louder and more complex. She heard tones resonating from the walls all around her, and watched as the huge donier seemed to become a part of the reverberating chant she sang again, a part of the cave itself. She saw the woman’s eyes close. When she opened them, she seemed to be seeing something that was far away. Then her eyes rolled back, snowing only whites, and closed again as she slumped forward in her seat.

The young woman whose hand she was holding was shaking. Ayla wondered if it was from fear or if Mejera was simply overwhelmed. She turned to look at Jondalar again. He seemed to be looking at her and she started to smile, but then she realized that he, too, was staring into space, not seeing her at all but something far away inside his mind. Suddenly, she found herself back in the vicinity of her valley again.

Ayla heard something that chilled her blood and set her heart racing: the thundering roar of a cave lion—and a human scream.
Jondalar was there with her, inside her, it seemed; she felt the pain of a leg being mauled by the lion, then he lost consciousness.
Ayla stopped, her blood pounding in her ears. It had been so long since she had heard a human sound, yet she knew it was human, and something else. She knew it was her kind of human. She was so stunned that she couldn’t think. The scream pulled at her—it was a cry for help.

With Jondalar’s presence unconscious, no longer dominant, she could feel the others there. Zelandoni, distant but powerful; Mejera, closer but vague. Underlying everything was the music, voices and flutes, faint but supporting, comforting, and the drums, deep and resounding.

She heard the growling of the cave lion and saw its reddish mane. Then she realized Whinney had not been nervous, and she knew why … “That’s Baby! Whinney, that’s Baby!”

There were two men. She pushed aside the lion she had raised and
knelt to examine them. Her main concern was as a medicine woman, but she was astonished and curious as well. She knew they were men, though they were the first men of the Others she could remember seeing.

She knew immediately that the man with the darker hair was beyond hope. He lay in an unnatural position, his neck broken. The toothmarks on his throat proclaimed the cause. Though she had never seen him before, his death upset her. Tears of grief filled her eyes. It wasn’t that she loved him, but that she felt she had lost something beyond value before she ever had a chance to appreciate it. She was devastated that the first time she saw people of her own kind, one was dead.

She wanted to acknowledge his humanity to honor him with a burial, but a close look at the other man made her realize that it would be impossible. The man with the yellow hair still breathed, but his life was pumping out of him through a gash in his leg. His only hope was to get him back to the cave as quickly as possible so she could treat him. There was no time for a burial.

She didn’t know what to do. She didn’t want to leave the man there for the lions.… She noticed that the loose rock at the back of the blind canyon looked very unstable—much of it had piled up behind a larger boulder that was none too stable itself. She dragged the dead man to the back of the blind canyon near the slide of loose rock.…

When she finally got the other man wrapped into the travois, she returned to the stone ledge with a long sturdy Clan spear. She looked down at the dead man and felt sorrow for the fact of his death. With the formal silent motions of the Clan, she addressed the World of the Spirits.

She had watched Creb, the old Mog-ur, consign the spirit of Iza to the next world with his eloquent flowing movements. She had repeated the same gestures when she found Creb’s body in the cave after the earthquake, though she had never known the full meaning of the holy gestures. That wasn’t important—she knew the intent.…

Using the sturdy spear as a lever, in much the same way as she would have used a digging stick to turn over a log or extract a root, she prised free the large stone and jumped back out of the way asacascade of loose rock covered the dead man…
.

*   *   *

When they neared an opening between jagged rock walk, Ayla dismounted and examined the ground. It held no fresh spoor.
There was no pain, now. It was a different time, much later. The leg was healed, a large scar was all that remained of the wound. They had been riding double on Whinney. Jondalar got down and followed her, but she knew he didn’t really want to be there.

She led the way into a blind canyon, then climbed up on a rock that had split from the wall. She walked to a rockslide at the back.

“This is the place, Jondalar,” she said, and, withdrawing a pouch from her tunic, gave it to him. He knew this place.

“What is this?” he asked, holding up the small leather bag.

“Red earth, Jondalar. For his grave.”

He nodded, unable to speak. He felt the pressure of tears and made no effort to check them. He poured the red ochre into his hand and broadcast it on the rocks and gravel, then spread a second handful. She waited while he stared at the rocky slope with wet eyes, and when he turned to go, she made a gesture over Thonolan’s grave.