The Signature of All Things

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Authors: Elizabeth Gilbert

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ALSO BY ELIZABETH GILBERT

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VIKING

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Copyright © 2013 by Elizabeth Gilbert

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LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Gilbert, Elizabeth, date

  The signature of all things : a novel / Elizabeth Gilbert.

    pages cm

  ISBN 978-1-101-63800-2

  1. Women botanists—Fiction. 2. Painters—Fiction. 3. Enlightenment—Fiction. 4. Industrial revolution—Fiction. I. Title.

  PS3557.I3415S54 2013

  813'.54—dc23 2013017045

Interior illustrations:

1
:
Cinchona calisaya
2
:
Dicranaceae
3
:
Aerides odoratum
4
:
Artocarpus incisa
5
:
Juglans laciniosa

The LuEsther T. Mertz Library of The New York Botanical Garden, Bronx, New York.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

 

For my grandmother

Maude Edna Morcomb Olson

in honor of her hundredth birthday

Contents

Also by Elizabeth Gilbert

Title Page

Copyright

Dedication

Epigraph

Prologue

PART ONE

The Tree of Fevers

PART TWO

The Plum of White Acre

PART THREE

The Disturbance of Messages

PART FOUR

The Consequence of Missions

PART FIVE

The Curator of Mosses

 

Acknowledgments

What life
is
, we know not. What life
does
, we know well.

—LORD PERCEVAL

Prologue

A
lma Whittaker, born with the century, slid into our world on the fifth of January, 1800.

Swiftly—nearly immediately—opinions began to form around her.

Alma’s mother, upon viewing the infant for the first time, felt quite satisfied with the outcome. Beatrix Whittaker had suffered poor luck thus far generating an heir. Her first three attempts at conception had vanished in sad rivulets before they’d ever quickened. Her most recent attempt—a perfectly formed son—had come right to the brink of life, but had then changed his mind about it on the very morning he was meant to be born, and arrived already departed. After such losses, any child who survives is a satisfactory child.

Holding her robust infant, Beatrix murmured a prayer in her native Dutch. She prayed that her daughter would grow up to be healthy and sensible and intelligent, and would never form associations with overly powdered girls, or laugh at vulgar stories, or sit at gaming tables with careless men, or read French novels, or behave in a manner suited only to a savage Indian, or in any way whatsoever become the worst sort of discredit to a good family; namely, that she not grow up to be
een onnozelaar
,
a simpleton. Thus concluded her blessing—or what constitutes a blessing, from so austere a woman as Beatrix Whittaker.

The midwife, a German-born local woman, was of the opinion that this
had been a decent birth in a decent house, and thus Alma Whittaker was a decent baby. The bedroom had been warm, soup and beer had been freely offered, and the mother had been stalwart—just as one would expect from the Dutch. Moreover, the midwife knew that she would be paid, and paid handsomely. Any baby who brings money is an acceptable baby. Therefore, the midwife offered a blessing to Alma as well, although without excessive passion.

Hanneke de Groot, the head housekeeper of the estate, was less impressed. The baby was neither a boy nor was it pretty. It had a face like a bowl of porridge, and was pale as a painted floor. Like all children, it would bring work. Like all work, it would probably fall on her shoulders. But she blessed the child anyway, because the blessing of a new baby is a responsibility, and Hanneke de Groot always met her responsibilities. Hanneke paid off the midwife and changed the bedsheets. She was helped in her efforts, although not ably, by a young maid—a talkative country girl and recent addition to the household—who was more interested in looking at the baby than in tidying up the bedroom. The maid’s name does not bear recording here, because Hanneke de Groot would dismiss the girl as useless the next day, and send her off without references. Nonetheless, for that one night, the useless and doomed maid fussed over the new baby, and longed for a baby herself, and imparted a rather sweet and sincere blessing upon young Alma.

Dick Yancey—a tall, intimidating Yorkshireman, who worked for the gentleman of the house as the iron-handed enforcer of all his international trade concerns (and who happened to be residing at the estate that January, waiting for the Philadelphia ports to thaw so he could proceed on to the Dutch East Indies)—had few words to say about the new infant. To be fair, he was not much given to excessive conversation under any circumstances. When told that Mrs. Whittaker had given birth to a healthy baby girl, Mr. Yancey merely frowned and pronounced, with characteristic economy of speech, “Hard trade, living.” Was that a blessing? Difficult to say. Let us give him the benefit of the doubt and take it as one. Surely he did not intend it as a curse.

As for Alma’s father—Henry Whittaker, the gentleman of the estate—he was pleased with his child. Most pleased. He did not mind that the infant was not a boy, nor that it was not pretty. He did not bless Alma, but only
because he was not the blessing type. (“God’s business is none of my business,” he frequently said.) Without reservation, though, Henry
admired
his child. Then again, he had made his child, and Henry Whittaker’s tendency in life was to admire without reservation everything he made.

To mark the occasion, Henry harvested a pineapple from his largest greenhouse and divided it in equal shares with everyone in the household. Outside it was snowing, a perfect Pennsylvania winter, but this man possessed several coal-fired greenhouses of his own design—structures that made him not only the envy of every plantsman and botanist in the Americas, but also blisteringly rich—and if he wanted a pineapple in January, by God he could have a pineapple in January. Cherries in March, as well.

He then retired to his study and opened up his ledger, where, as he did every night, he recorded all manner of estate transactions, both official and intimate. He began: “A new nobbel and entresting pasennger has joyned us,” and continued with the details, the timing, and the expenses of Alma Whittaker’s birth. His penmanship was shamefully crabbed. Each sentence was a crowded village of capital letters and small letters, living side by side in tight misery, crawling up on one another as though trying to escape the page. His spelling was several degrees beyond arbitrary, and his punctuation brought reason to sigh with unhappiness.

But Henry wrote up his account, nonetheless. It was important for him to keep track of things. While he knew that these pages would look appalling to any educated man, he also knew that nobody would ever see his writing—except his wife. When Beatrix recovered her strength, she would transcribe his notes into her own ledgers, as she always did, and her elegantly penned translation of Henry’s scrawls would become the official household record. The partner of his days, was Beatrix—and a good value, at that. She would do this task for him, and a hundred other tasks besides.

God willing, she would be back at it shortly.

Paperwork was already piling up.

Cinchona calisaya, var. ledgeriana

PART ONE

The Tree of Fevers

Chapter One

F
or the first five years of her life, Alma Whittaker was indeed a mere passenger in the world—as we all are passengers in such early youth—and so her story was not yet noble, nor was it particularly interesting, beyond the fact that this homely toddler passed her days without illness or incident, surrounded by a degree of wealth nearly unknown in the America of that time, even within elegant Philadelphia. How her father came to be in possession of such great wealth is a story worth telling here, while we wait for the girl to grow up and catch our interest again. For it was no more common in 1800 than it has ever been for a poor-born and nearly illiterate man to become the richest inhabitant of his city, and so the means by which Henry Whittaker prospered are indeed interesting—although perhaps not noble, as he himself would have been the first to confess.

Henry Whittaker was born in 1760 in the village of Richmond, just up the Thames from London. He was the youngest son of poor parents who had a few too many children already. He was raised in two small rooms with a floor of beaten earth, with an almost adequate roof, with a meal on the hearth nearly every day, with a mother who did not drink and a father who did not beat his family—by comparison to many families of the day, in other words, a nearly genteel existence. His mother even had a private spot of dirt behind the house in which to grow larkspurs and lupines, decoratively, like a lady. But Henry was not fooled by larkspurs and lupines. He
grew up sleeping one wall away from the pigs, and there was not a moment in his life when poverty did not humiliate him.

Perhaps Henry would have taken less offense at his destiny had he never seen wealth around him against which to compare his own poor circumstances—but the boy grew up witnessing not only wealth, but royalty. There was a palace at Richmond, and there were pleasure gardens there, too, called Kew, cultivated with expertise by Princess Augusta, who had brought with her from Germany a retinue of gardeners eager to make a false and regal landscape out of real and humble English meadows. Her son, the future King George III, spent his childhood summers there. When he became king, George sought to turn Kew into a botanical garden worthy of any Continental rival. The English, on their cold, wet, isolated island, were far behind the rest of Europe on botanizing, and George III was eager to catch up.

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