The Sixteenth of June (9 page)

BOOK: The Sixteenth of June
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Nora doesn't like the idea of help, and Leo suspects Helen is the same way. Modern women. No one talks about it, but they leave no room for men in their lives, so intent on being strong.

He feels the sign's eyes on his back as he descends the rickety stairs, as though Helen herself were watching him. He imagines her in art school cutting out what she did not want, proud of what she had excised. Was she content at the end of the day, happy with the life she had chosen? She'd given no indication of wrapping up, and he imagines her working late into the night, ignoring invitations to bars and parties. Being a one-woman show must get lonely.

Soon he will be back at Delancey, where some other errand awaits. But for now, there is just enough time. Primo's, he thinks hungrily, and his stomach rumbles its approval. There is one on this side of town, on East Susquehanna if he's remembering right. Hopefully they haven't yet sold out of bread. A Suprimo, the prosciutto salty, the mozzarella wet, the bread soft with its nutty seeds.

Being a good son has its perks. He can taste the first bite of his hoagie already, wrapped in its wax paper, some of those pepper shooters on the side. He can picture the moment, parked on the side of the road. His reward for doing the right thing.

Nine

H
ot water cascades down Stephen's head, running in rivulets down the sides of his face. His scalp tingles, not unpleasantly, from some strange shampoo of June's. Organic argan oil, he read on the bottle. Tea tree oil. Eucalyptus extract. He can feel the layer of tissue just beneath his hair awakening, his cranial membrane aflame. Hello there, it pulses, singing, a thousand little birds chirping. He wonders if June uses the shampoo instead of coffee, her scalp jolting her awake for a different kind of cerebral buzz.

“Ooh, you
have
to use the new shower,” she had enthused in the kitchen when he strolled in, covering the mouthpiece of the phone.

“Isn't Dad napping up there?”

“He's in his office.” She rolled her eyes. “Go on, you'll love it.”

Stephen perceived the strange demand in her enthusiasm, that abyss of need. He could tell that she wanted him to admire the new fixtures and delight in the showerhead, a bright round disk with a thousand holes like a decapitated sunflower.

He needed a shower after the train anyway. “Okay,” he said, shrugging, and his mother emitted a thrilled little bleat.

The same dynamic followed whenever she gave him one of her gifts: the shaving set in December; the cashmere scarf at the start of the term. “Go on,” she always urged. Her hands pushed forward boxes from Barneys, Bergdorf, Bloomingdale's. Then she sat back in anticipation, watching his face.

Truthfully, he didn't mind the gifts themselves. The scarf had come in handy all winter, impossibly soft and light and warm. June had exquisite taste. He never groaned, “
Mom
,” while holding a tacky reindeer sweater. He was always quite sure, accepting her beribboned parcels, that he would like whatever was inside.

But there was an undercurrent, too, some dynamic he could not name—as though by accepting these gifts, he was agreeing to a contract he didn't understand. Something passed between them, a moment so subtle he would later think he had imagined it. A court stenographer would be unable to capture it, the transaction occurring outside of words:

JUNE PORTMAN
: Darling, I saw these Brunello Cucinelli's at Nordstrom and thought of you.

STEPHEN PORTMAN
: Oh. Thanks.

JUNE PORTMAN
: They match your briefcase so well, don't you think? Cordovan, but not too much red in the undertone. More of a warm butterscotch.

COURT REPORTER
: Could you spell
cordovan
?

JUNE PORTMAN
: Are they supposed to interrupt?

STEPHEN PORTMAN
: C-O-R-D-O-V-A-N.

COURT REPORTER
: Thank you.

JUNE PORTMAN
:
Anyway
, I find that particular shade incredibly difficult. But this will match exactly, and what could be more professorial than wing tips? You will be a vision!

Here, June would wrap one of her hands around his and give it a squeeze. Sometimes she clapped her hands together as though the two of them were in on a delicious secret. “I knew you'd love them, I just knew!” she would trill, and Stephen would look away, embarrassed, stuffing the box out of sight.

Maybe it's loneliness, Stephen reflects, soaping his arms. June has acquaintances. She has people to air-kiss at parties, elbows to hold floating up and down stairs. People speak of her, speak to her, but no one is a trusted confidant. There was no one to listen sympathetically as she went on about the renovation. “I went with the Carrara,” she told him the day the demo started. It took him a minute to remember that this was a kind of marble, veined like cheese. “Your father has his Porsche. Now I have my bath.”

He could tell she had rehearsed the line. She will try it out later on Sissy or Catherine. “You chose tile?” Sissy will say lazily, glancing around the gleaming bath. “I prefer slab.” Sissy and Catherine aren't friends, after all, but more like competitors in an ongoing game of one-upmanship. June will smile thinly and prepare a zinger to deal Sissy later.

Stephen isn't sure he likes the renovation. The result feels more like a showroom than a bathroom. It isn't entirely comfortable under the shower's assault, the water falling straight from the ceiling. He can find no angle, no jet stream for his back. No pulse of water to lean into, turn, lean into again. His usual movements have been rendered useless, his shower waltz impossible with such a static and upright partner. A “rain head,” his mother had called it, but who wants rain inside? There is no place to look but down.

The bathroom before had been perfectly fine. “Serviceable,” June had conceded, “but not ideal.” The renovation was supposed to be cosmetic. “Nothing major,” she breezed. “Just a little accessorizing. What's the word they're using these days?
Zhuzhing?
I am zhuzhing!”

But the promised afternoon of construction had turned into ten days, sending Michael off to mope—and, it seemed, nap—in the far recesses of the house. “None of it could be anticipated,” June said. The plastic sheeting came down the day Hannah Portman's sheet was pulled up.

Now that her jewel box of a bath is complete, she wanted her son to witness it. Like the proverbial tree falling in a forest, June requires a listening ear—someone to admire her taste and accept her offerings, as though without him, none of it would exist.

June's life is a revolving door of renovations and shopping sprees. Before the bathroom, her big project had been the formal living room. “What do you think, darling?” she had said, cornering him after dinner one night. She held the paint swatches out in a fan. Farrow & Ball, the logo read, which Stephen knew was the good stuff. (“Ninety dollars a gallon!” Michael exclaimed. “It's paint!”)

Stephen considered her outstretched hand. She was asking for so little, yet it sometimes felt like so much. “Gray is gray, Mother.”

God forbid she just come out and ask. Stephen holds out a leg to be rinsed, the hair matted down by the water. He sympathizes with his mother for wanting a friend. But at times her inquiries feel invasive. Tell me what you are, that outstretched hand seems to say.

June has surely noticed his lack of interest in dating. He imagines the puzzle of his situation troubles her. The last thing she wants, after all that renovating, is one last closet.

The gifts and paint swatches became litmus tests. He felt her scrutiny, as though his response to a scarf might tell her everything.

Then there are her comments, scattered here and there. “Of course, we'd love our sons no matter what,” she might say offhandedly at a dinner party, her eyes lingering on him. Which, strictly speaking, is untrue. Leo risked losing their love whenever he cracked open a beer or tried discussing the war. Leo, in their house, is the equivalent of a gay son in a right-wing family. He is the black sheep, wanting nothing of their artsy show.

What bothers June isn't the prospect of Stephen's being gay; it's that she doesn't know whether he is or isn't. She would never ask. That would be far too vulgar. June lives in a perfumed cloud of associations and hints. She deals in allusions, pleasantries, subtly exchanged looks.

June's parents never talk openly either, shaking ice-cold martinis in the evening, chatting around each other from their club chairs, gazing out at the Rhode Island bay. Happiness for them entails a serene pleasantness, which in turn necessitates gin. Nothing in excess, just a chilled measure to lubricate them through, a piece of thread getting licked so that it might pass through the eye of the needle.

And so it goes with all the Whittakers. Stephen's uncle, Thaddeus William Whittaker, wears madras plaid and Lilly Pulitzer ties, shorts with embroidered lobsters and crabs scuttling across khaki seas. He stands tall, with his Ken-doll hair and too-white teeth, when June throws her arms around him for their annual embrace. “Thad!” she shrieks, kissing his cheek, and from the way they laugh with manufactured warmth, no one would know they only speak once a year.

So June never comes out and asks. She doesn't realize that her unasked questions accumulate in their own closet. And rather than do the mature thing and point this out to her, Stephen toys with her. Because on the days it isn't irritating, it can be amusing.

“It looks pewter,” he might say, contemplating the paint swatch while touching his earring. June would nod encouragingly, hopeful for more.

Stephen's romantic life, or lack of it, has become one of those Great Unnamed Things in the Portman household, there but never to be examined. And how they accumulate! The GUTS, Stephen reflects, pleased by the acronym. Those distressing innards, pulsing with life.

The Portmans never allude to June's lack of purpose, what she does with all that free time. They pretend Stephen doesn't attend Saturday service. They leave Aunt Sharon's side of the family unacknowledged, too deep a source of embarrassment. And then there was Grandma Portman.

She was the bridge between the old and new. She came from cabbage and Yiddish, dressed like a peasant. June had tried buying her new cardigans, but Grandma Portman politely declined them.

She reminded them of Michael's true roots, how easily he might have turned out like his unremarkable sister in Delaware. Grandma Portman was troublesome, not in her behavior or because of anything she did, but because her presence served as a reminder of the past, one that Michael had worked so hard to escape. So they stuffed her away at Pine Grove.

His parents preached a life of liberal acceptance. They sought the life they read about in the
New Yorker
and the
Times
, where tolerance and higher education and art are virtues. But they wanted it on their terms. They never anticipated Leo, who had no interest in books or travel, who—unspeakably—had voted for Bush. They never envisioned a son like Stephen, who embraced the religion Michael wanted to forget. So they smiled and pretended such wrinkles didn't exist. Because if they attended enough galas and wrote enough checks and spoke with their elitist friends about their charmed life, they could believe they had achieved it. Michael could convince himself he'd engineered the life he always wanted—that those years spent working and not seeing his family hadn't come at a cost.

Michael and June didn't want to see the emptiness around them. They didn't want to hear the rumblings of those GUTS. They wanted—needed—to think that theirs was the great success story, the modern American family, gorgeously rendered: one son who had attended Yale, the other now engaged. Theirs was a lovely life, artfully lived.

June, meanwhile, lets out her fishing line into the bubbling pools, paint swatches and scarves bobbing like bait. She strings along her gifts, hoping Stephen will bite. Not only because she wishes to know—without wanting to ask—whether he is gay, but because some part of her probably hopes he is. Sitting there on her rock, watching the dark waters rush past, June hopes her fish will come in, wriggling and pink.

A gay son would be the perfect development for her. He could be the longed-for companion she secretly sought. In truth, he goes along with her act not merely because he wishes to toy with her but because it is a relief to be what she wants.

Also she has been on the hunt for a social cause. “The way Sissy goes on about autism!” she fumed. Sissy's nephew had been diagnosed with it, and Sissy overflowed with statistics on mercury and vaccines. “We're fortunate that he's high functioning,” she remarked. “He's exceptionally gifted, actually.”

Catherine was always walking for pink, donning T-shirts and hats. “Just a lumpectomy!” June complained. “She never even had cancer.”

His mother wants her own cause. “We could have a coming-out party,” she will say. “We'll trim the cocktail napkins in pink!”

“I am interested in neither cock nor tail, Mother,” he should tell her. But where would that leave her?

His parents don't want the truth of who he is. A gay son would be more convenient. June could begin planning fund-raisers and benefits. “Well, you know, my son Stephen,” she would say into the phone, eyeing her manicure, her hand held out at an angle. She would be so pleased to be dealt that card, a jack of spades. It would give her a full house, a royal flush. A way to trump her friends.

It isn't right of him. He lets the water from the shower berate him. Not only because it is disingenuous to encourage her, but also because he plays the fool. The mocker is never taken seriously when he is most serious.

People look where you tell them not to; they don't focus on what you think they should. He stays mute on the subject of romance, and that is where June circles back in her fluttering way, revisiting the subject with only the most delicate inquiries.

In the parking lot they hadn't bothered replying to his remarks. But he meant them, could only voice his thoughts through sarcasm, because how else was he supposed to say it? It's not like his parents have ever modeled healthy forms of communication.

It's the same with Nora, he realizes as he reaches to turn the water off. The lever is sleek, German—a work of art in his hand.

He hadn't known how to talk with her about Leo. He didn't understand what the two of them shared and was foolish enough to tell her so. That talk had gone disastrously.

It was winter break, soon after she and Leo had started dating. Snow was on the ground, slushy and gray, accumulating at intersections. Nora and Stephen had a few days together at Delancey before Leo came home from Boston and Nora headed to New Jersey for the holidays.

“So how far are you taking this Fred Flintstone fling?” he asked as they walked, arms linked.

“What makes you think it's a fling?” she returned, frowning.

They walked a few paces more, the broad sidewalk empty. They'd had a glorious day together: brunch, followed by a long walk through the city, followed by a bottle of red wine at a bar on Pine that didn't card. Stephen tried to keep his voice light, bringing the buzz back between them from the bar, but he recognized the change in his tone when he said, “Because it should be. He's beneath you, Nora.”

BOOK: The Sixteenth of June
8.48Mb size Format: txt, pdf, ePub
ads

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