The Song of the Gladiator (20 page)

Claudia watched the Empress. Helena hadn’t eaten or drunk anything. Claudia suddenly realised someone was missing: Helena’s shadow, the man who had first recruited Claudia for the imperial service, the Christian priest and scribe Anastasius. Why had the Empress left him in Rome? What else was happening? Were there other dangers like those beacon lights? Claudia wondered why the Empress had quarrelled with her son. Moreover, since the poet had left, messengers had been coming in and out of the chamber as if informing Helena about something important happening elsewhere in the villa. Claudia stared round and suppressed a shiver. Helena had taken over the supper party. Before it had even begun she had insisted that everyone had to stay and be entertained. Was there a sinister reason behind that?

‘Licinius is going to die soon.’ Chrysis was now in full flow. ‘It’s been predicted by a Syrian priest that he will die violently. So he has prepared twisted ropes of purple silk so he can hang himself if necessary, and a golden sword on which he can fall when the day of judgement arrives.’ Chrysis was now staring hard-eyed at his imperial master. ‘Licinius expects death. They say he has poisons hidden away in amethysts and emeralds. He has built a very high tower with gold and jewelled slabs beneath on to which he can throw himself. Perhaps it is time, your Excellency,’ he finished with a flourish, ‘that Licinius was encouraged to play more meaningfully with these toys.’

His words were greeted by a thunderous roar of approval. Goblets were raised in toast. Constantine stared round, his heavy-jowled face flushed, nodding in agreement. The musicians struck up a tune, but they were so drunk Chrysis told them to shut up. Rufinus the banker used the occasion to turn back to Claudia.

‘Are you still worried about Murranus?’

‘I am,’ she smiled, ‘and intrigued by what Chrysis said. Did you really think Murranus would kill a man clearly incapacitated?’

Rufinus shrugged. ‘That’s the law of the amphitheatre, Claudia. I’ve seen gladiators trip or fall ill; it’s not saved them from death. But I’ll tell you something,’ he gave a lopsided grin, ‘or I’ll repeat myself. There’s big money being moved around, a great deal going on Murranus to win.’

‘But that’s not the end of it,’ Claudia interrupted. ‘He will have to face Meleager the Magnificent, the Marvel of a Million Cities.’

‘Would you like to meet him?’ Rufinus asked. ‘Meleager? He’s been in the villa since you arrived. Meleager,’ Rufinus called across to the dark-haired stranger Claudia had noticed earlier. ‘You best come over here, I want to introduce someone to you.’

Meleager slid from the couch and came across. He was tall, and just the way he walked reminded Claudia of a panther in a cage. He was thick-set and heavily built but moved as gracefully as any dancer. He crouched down before Rufinus and stared at Claudia. He had deep, close-set eyes, high cheek bones, a slightly twisted nose, and thin lips above a firm chin. His black hair had been cut and dressed to cover a hideous scar close to his left ear. Claudia looked at his wrist; there was no purple tattoo.

‘Meleager, can I introduce young Claudia, messenger and maid of the Augusta, dear friend of Murranus, whom you shall meet in the arena?’

‘My lady.’ Meleager took Claudia’s hand and raised it to his lips. ‘Your friend has won a great reputation. I hope to meet him at the games held in honour of the Emperor’s birthday. My lady, are you well?’

Claudia’s mouth had gone dry. She wanted Meleager to let go of her hand. She didn’t want him to know how cold she had gone. He might not have had any tattoo on his wrist, but up close she recognised that voice, she recalled the smell, a mixture of perfume and sweat; even his touch was familiar. This was the man who had raped her, the killer of poor Felix.

‘I . . .’ Claudia’s eyelids fluttered. She prayed she wouldn’t faint. The room was moving. ‘Do you know something,’ she laughed, withdrawing her hand quickly, ‘I’ve drunk far too much wine, I need to be sick.’ And, scrambling off the couch, she fled the chamber.

She didn’t know where she was going. She raced past guards and sentries, ignoring the challenge of an officer. She ran down a colonnaded walk, climbed a wall and fled into the darkness. She reached a tree and felt she could go no further. Her legs were growing heavy and a terrible pain pounded in the back of her head. She felt as if her breath had stopped and, falling to her knees, she was violently sick. As she retched she wiped the hand that Meleager had held, to brush away not just his touch but the very skin. She continued to be sick until her belly was empty; the acid bubbled at the back of her throat but she felt better. She moved away and lay face-down on the grass. It was wet and cool, just like that sand where she and Felix had been playing. He had been hunting for shells when the shadow had appeared. She began to cry, just letting the tears come.

‘Claudia! Claudia!’ She felt her hair being stroked, and tensed. A hand grasped her shoulder and pulled her gently over; she didn’t resist but let herself flop, and stared up at an anxious-faced Sylvester. He took off his cloak, put it over her and sat beside her, plucking at the grass.

‘I saw you leave. The others thought you were going to be sick. Claudia, you are never sick, you are never drunk! What happened there? Meleager thinks he frightened you.’

‘He did,’ Claudia replied, and struggled to sit up. She took Sylvester’s cloak and wrapped it round her shoulders. ‘He terrified me, Magister. He’s the one!’

‘The one?’

‘The man who raped me and killed my brother.’

‘Impossible! You saw the tattoo?’

‘It’s been washed off.’ Claudia felt her strength returning. ‘I know it’s him, I’ll never forget his smell, that voice . . .’

‘Hush now.’ Sylvester took her face in his hands. ‘I’m a priest of Christ, Claudia, so what I’m going to say is hard. You must pretend, as you have done since that terrifying night. If justice is to be done, then let God take care of it. I swear by His Holy name that He will. Meleager is a gladiator. If he suspects, even for a few seconds, that you know who he truly is, then you are in very grave danger. No, no.’ He pressed his fingers against Claudia’s lips. ‘Claudia, I beg you by all that is holy, hide your face and curb your heart! I swear that if God does not act, I will. I owe you that.’ He took his fingers away. ‘Think, Claudia,’ he added, his words hissing through the darkness, ‘think of yourself, and of Felix!’

Claudia stared into the night. The pain was going, her stomach was empty and she felt hungry. So many thoughts milled about. Sylvester was stroking her hair just like her father used to. She leaned against his hand.

‘Help me up,’ she whispered, ‘then I’ll help myself.’

Claudia, unsteady on her feet, walked into the darkness and paused. She turned, cocking her head slightly.

‘What was that?’ she asked. ‘Did you hear it, Magister?’ She tried to sift the noises of the night. ‘The clash of weapons, cries and yells?’

Sylvester listened intently. Claudia heard the sounds again. They were coming from somewhere to the south, beyond the villa walls.

‘What is happening?’ She was glad of the distraction. She listened again but the sounds had faded. She recalled those beacon fires, Helena poring over the maps. ‘What is going on, Sylvester?’

‘I don’t know.’ Sylvester shrugged. ‘In the early evening Augusta was very busy. Have you noticed Anastasius is missing? She has left him to watch things in Rome. She has also sent an urgent message to the main German camp not far away. Did you observe her at the supper party? She was very distracted. She didn’t want anyone to leave the triclinium. In fact,’ Sylvester smiled through the darkness, ‘it was she who told me to follow you.’

‘Well, I’m safe and I will go and change.’ Claudia lifted her hand. ‘Sylvester, I thank you. I will act on your advice and,’ she added, ‘keep a still tongue in my head.’

Claudia reached the palace and went straight to her old chamber. Its door hung loose, and one side was badly scorched. She took a lamp and went inside. The floor was covered by a carpet of sand and ash and she had to probe with the half-burnt leg of a stool to ensure nothing was left. She was busy prodding when she recalled the sand in the cellar.

‘Of course,’ she whispered, ‘it must be that!’ She stood staring at the ash, then collected a few items still useable and went along to her new chamber.

Helena had been most generous – this room was more spacious. Scenes from a vineyard decorated the walls: dark green bushes with ochre-red trellises covered with snaking gold branches from which full purple grapes hung. Children collected them in heaped baskets. The painting on the next wall showed the workers in the wine press. Claudia again recalled wading through the sand in that cellar as she tried to flee from her attacker. The stuccoed ceiling was emblazoned with a brilliant picture of Phoebus in his chariot, whilst the mosaic on the floor depicted a young boy playing a flute. The bed was one of the couches taken from the triclinium. The rest of the furniture, stools and small tables, were gifts from the Empress’s stores. New clothes and robes had also been provided. Claudia washed her face in a gleaming bowl, stripped and dressed again. She glanced in the copper-edged mirror, plucked at her cheeks, tidied her hair and sprinkled some of the perfume Murranus had brought her after he had won his last fight.

When she returned to the triclinium, she was relieved to discover her presence had hardly been missed. Athanasius was loudly demanding the whereabouts of Septimus. Chrysis the chamberlain was drunk; he had already been sick and listened bleary-eyed as he shared the couch of the strident orator. Constantine was talking to Rufinus, heads close together like fellow conspirators. Helena was missing. Claudia retook her own seat. She glanced quickly at Meleager, but he hardly spared her a glance; too busy playing the love dove with Rufinus’s wife. Claudia controlled her anger. She felt like crossing the floor and confronting him. Her eye caught a sharp meat knife on the table, and she brushed it with her fingers. It would be so easy to grasp it, run across and plunge it into that bull-like neck! She was about to pick it up when a cherry hit her on the side of her face. She glanced up. Sylvester was staring across, shaking his head.

Claudia withdrew her hand. What could she do? She thought of Murranus moving like a dancer across the sand in the school of gladiators. She felt her empty stomach lurch and a slight flutter of her heart. She pulled across a platter of food, then started at the braying sound of a war horn. The noise and clatter in the triclinium died away. Gaius Tullius sprang to his feet. Constantine lurched from his couch, sitting on its edge, eyes popping, mouth open. The doors were flung open and Helena entered. She whispered to her son, who would have sprung to his feet, but the Empress, standing behind him, pressed firmly on his shoulder.

‘My lords, ladies, fellow guests.’ She smiled sweetly around. ‘The alarm has been raised. This villa is under attack, but,’ her voice rose to a shout, ‘everything is under control. I ask you to return to your own chambers and stay there. My son and I, with others,’ she glared at Claudia, ‘will remain behind.’

She raised a hand, snapping her fingers. Burrus and a contingent of Germans entered the chamber. From the blood on Burrus’s arms, the mud splattered on his face, the dirt and gorse which clung to his clothes, it was obvious that he had just returned from a savage affray. More of his guard entered. Gaius Tullius made to protest, but Helena barked at him to go about his duties, then clapped her hands. ‘Come now,’ she shouted. ‘You all have your orders!’

The triclinium soon emptied, except for Constantine, Helena, Chrysis, who looked fit for nothing, the priest Sylvester, Rufinus and Claudia. More mercenaries entered, some of them newcomers from the camp which lay halfway between Rome and the Villa Pulchra. Constantine raised a hand, now intent on listening to the trumpets and horns, the sounds of running feet in the corridor outside.

‘It is useless,’ Helena snapped. ‘Such preparations are now useless. I have everything under control.’ She picked up her cloak, which was lying over the edge of her couch. ‘I’ve given strict instructions, the gates are not to be opened.’

‘Why not!’ Constantine yelled like a little boy. ‘My soldiers . . .’

‘Son,’ Helena lowered her voice, but the others in the room could still hear, ‘the gates will remain closed until I say. At this moment in time, this hour of treachery, we do not know who we will be letting out, and if the gates remain closed, we will at least have some control over those who are let in. Now come, none of your bawling or shouting, it will do no good.’

Helena swept from the chamber, the rest following. Constantine kept pace with his mother, muttering obscenities under his breath. They were ringed by Burrus’s men, who carried shields and drawn swords. The imperial staff officers standing in the corridors could only gaze helplessly on. They looked to the Emperor for a sign, but Constantine was no fool; drunk or not, he knew his mother was speaking sense. This was the hour of treachery and he trusted her implicitly.

They crossed the peristyle garden, through the atrium, where the oil lamps still glowed before the household gods, and started down the main path, past gardens and groves, to the gate. The area before this was now aglow with lighted braziers and small bonfires, and more of Burrus’s men clustered around, guarding the gate with a ring of steel. Pitch torches spluttered on their stands along the parapet of the curtain wall. The steps to this were also guarded, the Germans swiftly standing aside as Helena swept up, her son stumbling behind her. At the top, the strong night breeze whipped their hair and fluttered their cloaks; Claudia had to protect her face against the sparks from the crackling torches. She glanced up. Storm clouds were gathering, moving fast together, blotting out the stars. Beneath her, guarding the external approaches to the gate, a contingent of Germans formed a horseshoe pattern, shields up, ready for any enemy. They looked ominous and sinister, their shadows long and shifting in the light from the roaring bonfire.