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Authors: Robert Olen Butler

BOOK: The Star of Istanbul
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I woke somewhere in the dark early hours of what would be our first full day at sea, woke to the sounding of the
Lusitania
's forward triple-chime whistle. I dozed off, but a few minutes later the whistle sounded once more, a harmonized choir of basso baritones crying out in the night. My mind began to work, and I knew I would remain sleepless for a long while. My initial thinking was pleasantly desirous: I wondered if she was awake in her bed as well, just around the corner, waiting for the whistle to blow again, quaking very faintly from the distant, vibrant working of our turbines. I found myself afraid I would never have a chance to speak to her beyond a passing hello.

I should have been thinking about Walter Brauer. What he was doing. What might have been in his mind on deck yesterday morning. And then I grew afraid that I was ill-suited for the work my country had asked me to do.

I was rushing across the North Atlantic to war, but with an intention I'd never had before. I needed to sort out what I was doing, give myself a pep talk. I was a reporter. A war correspondent. I knew how to look for news, for the truth. It had always been my job to snoop around, and because I knew how to do that well, in Mexico I'd happened upon news of deep importance to Washington. Private importance. So now the process was inverted. Now the snooping would be for Washington and I would just happen upon stories for the
Post-Express
. I wanted to do this. I had seen too much of the savage impulses of men, impulses that we ultimately could not deal with as individuals. I was lucky to be an American. We Americans were also men and could foul things up pretty badly, but our declared ideal was to find a way to make it possible to stop the savagery. To govern without savagery. To live with other governments without savagery. To live with ourselves without savagery. It is what we believe. And so I remained Christopher Cobb, reporter, even as I began to play a more important role in the world. But I was used to finding things out by following the acts of men that are clear to see, out in the open, with their immediate goals readily understandable. This work I was doing now was different.

The
Lusitania
's
whistle sounded again.

Now my mind was all shadow and fog.

For all this thinking, I didn't feel very peppy.

I rose and put on my pants and shoes and overcoat, intending to get some air on deck. I stepped out of my cabin and went to the right and then turned left into the portside corridor. Bourgani's direction, not Brauer's. There were two staterooms en suite along here, but I remembered the deck plan from when I booked my passage. Only the aft suite had its own bath. She would surely be in that one. I approached the door, treading softly. A20 and A22. I stopped. I listened. But all I heard was my heart thudding in my ear like the engine of our ship deep below. This was foolish. I moved on and through the door and out onto the A Deck promenade.

I could barely make out the lifeboat hanging a few paces before me. The ship was wrapped in a gray felt fog. But I stepped away from the door, turned aft, walked into the murk. It was as if the inside of my own head had billowed out to surround me. Inside the fog, I found James P. Trask, the President's man in charge of covert service, talking to me again.

We met a week ago in Washington, at the massive, limestone and terra cotta Raleigh Hotel on Twelfth and Pennsylvania. The after-dinner trade was waning and we began at the mahogany bar but soon carried our Gin Rickeys to a far corner table to speak in private. No one was nearby. High above us, from the center of the roof, a searchlight was lighting up the Washington Monument half a mile to our southwest.

Trask lifted his drink and I did likewise. Each glass held half of the same lime. We touched glasses and took a good swallow. Trask said, “These were invented back in '83 at Shoomaker's, around the corner from all you newspaper boys on Fourteenth. By old Colonel Joe Rickey. He owned the bar but he was also a professional glad-hander and arm-twister. Inventing this, he almost redeemed his whole tribe of lobbyists.”

“To Colonel Joe,” I said, lifting my glass again.

“Colonel Joe,” Trask said. We drank, and he said, “I'd have taken you there but it's still full of reporters.”

James Trask was hard to read in any way that he wasn't consciously intending. As befitted his job, I supposed. I was pretty good at reading a man. He delivered this last declaration by angling his square-jawed, man's-man face slightly to the right and drawing out the word “reporters” like slowly pulling a piece of chewing gum off the sole of his shoe. He was clean shaven and—perhaps influenced by my new relationship to my left cheek—I found this a little deceitful in him. Trying too hard to suggest he was transparent.

He was tweaking my nose. I said, “I don't hang around with reporters anymore.” Not true, but he knew I was lying and he knew I knew he knew I was lying, and that was the best return-tweak I could manage at the moment.

He smiled. “Don't change your public ways for me,” he said. “To the world, you have to be Christopher Cobb.”

I did a slow, seemingly thoughtful stroke of my beard, my thumb pressing my right cheek and my fingers descending my left.

Trask knew what I was most conscious of, even before I realized it myself. It was under my hand.

“That was a fortunate little accident down in Mexico,” he said, referring to my scar.

I didn't like him reading me. I turned the gesture into an extending of my forefinger, which I lifted and ran from my lower lip to the bottom of my chin, and which I then did once again, as if my intention all along had been simply to smooth my whiskers down. I didn't really expect him to believe it.

“How's your German coming along?” he asked.

“Pretty good.”

“You've got an ear for it, I understand.”

“I do.”

“Are you ready to work?”

“I am.”

“I've already informed your paper.”

My publisher—that great American mogul, Paul Maccabee
Griswold—was an old-style Democrat, the sort who worshipped Grover Cleveland, and he had big political ambitions; he was only too happy to have me play this grand game for his own private political credit.

Trask took an envelope from the inside pocket of his impeccable black suit with the thin, gray stripe, the suit as snuggly, perfectly fit to his boxer's body as the Woolworth Building's glazed terra-cotta. Inside were the photos of Brauer. His jowly face in a formal head and shoulders pose, likely taken for a passport. A snapshot of him standing dressed in academic robes in a grassy courtyard with the arches of a Gothic colonnade behind him.

“Walter Brauer,” Trask said. “German. Technically an American citizen. Travels on our passport. But he's been a lecturer at King's College in London for more than a decade. One of the side benefits of our president's pacifism is our present occupation of the German embassy in London. We're looking after their affairs. Playing go-between. Not that my office takes our role as the Swiss too seriously. We've been carefully examining whatever the Huns left behind. I'm happy to say that Prince Lichnowsky and his boys made a rather hasty departure. Though I should point out we're being careful to leave even the prince's cigarettes in their silver case on his desk, exactly as they were last August, in the event the Germans return someday.”

“Think they'll fall for that?” I said.

Trask winked at me.

The
Lusitania
's whistle bellowed me back to the deck. I pulled up my coat collar. I'd not put on a hat and I ran my hand through my hair, which had gone damp from the fog. But the chill was okay with me. I'd spent plenty of time in hot countries these past few years. The whistle faded and then instantly sounded again, as if this were in response to something looming in our path. But what could they possibly see from the helm until it was too late? I could barely see beyond the stretch of my arm. It was all a yellow blur along an invisible deck wall. On the railing side, in a vague, somewhat more coalesced wedge of the universal gray, were an electric light and a lifeboat only a few paces away, but in this fog their identity was nothing more than informed guesswork. I swelled with that kinesthetic burn I'd always felt before the clash of men on a battlefield. The
Titanic
was too much with me.

I needed to focus on my assignment, which was how I managed my war nerves in Nicaragua and Macedonia and Mexico. I stood in the fog and continued drinking with Trask in the bar at the Raleigh.

“He's an agent of the German secret service,” he said. But he didn't go on. Instead, he drained the last of his Gin Rickey and then lifted his empty glass to me. “We should have another round of these, don't you think?”

Trask had done this before. Even in our first meeting, he would suddenly decide, in the midst of our conversation, to throw me off balance by making me ask for what I clearly needed to know next. I should have waited him out at the Raleigh, but I wasn't in a mood to play. At least I put it to him in a way he didn't expect.

I said, “What does he lecture about?”

Trask let me see the fleeting dilation of surprise in his eyes. He smiled. “Oriental studies,” he said.

“Meaning?”

“He spent his childhood in Jerusalem. His father was in the export business there before he brought the family to Providence.”

“So he picked up some languages.”

“Arabic. Persian. Turkish.”

“He lectures on this.”

“And on Islam. He's an expert.”

This was the telling thing. The Kaiser had been wooing the Islamic nations since the end of the last century. And in November, three months into the war, in Constantinople, the Turkish Sultan Mehmed V, as Caliph, declared a worldwide
jihad
,
a Holy War, on the British Empire and all its allies. The Ottoman Empire embraced Willie, who had been claiming a spiritual affinity with Mohammed for fifteen years.

Trask said, “He's used his expertise to make some friends at their Foreign Office. The Brits have one hundred million Muslims in their empire.”

“What's he doing over here?”

“That's the question.”

“His family?”

Trask shrugged. “The ones who stayed are dead. He arrived in Washington a week ago. We always watch the Huns on Thomas Circle pretty closely, and Brauer went straight to the embassy. But somehow he slipped out again without us seeing him. We don't know what he did here. But we do know he's booked passage back to Britain. That gives you a week to get ready to sail. You've got a first-class cabin right near his. First of May. The
Lusitania
.”

A form loomed suddenly out of the murk, almost upon me, a man, a big man, and I jumped back and to the side, throwing myself against the deck wall, but the man did not lunge for me, he kept striding on past, too fast, given the fog, just a fool with a British accent, throwing a “Sorry, old man” over his shoulder, taking his after-midnight constitutional. Why didn't Trask just expose Brauer to the Brits and let them handle him? Because they were like this guy, rushing in the dark. They had their own agenda. If the world is going to blow up on us, we need to know for ourselves what we're dealing with. And Wilson still wanted to keep us out of the fighting. The way they were all digging in over there, maybe he was right. And maybe I was trained now for this work. I knew how we were supposed to think: figure it out for ourselves, keep to it to ourselves, do what we need to protect ourselves.

My beard was wet. My left cheek beneath was cold except for the curve of the impervious scar tissue. The fog had etched my
Schmiss
into my mind.

And now my eyesight was clearing, as if I were waking from a heavy sleep. The teak deck was rapidly appearing beneath me, before me, stretching forward into the clarifying dark; the lifeboats shaped sharply into themselves all along the way; the electric light glowed nakedly on the deck wall. We were moving faster. I could feel the subtle new vibration beneath my feet. Full ahead.

I was beginning to shiver.

I moved down the promenade to the forward door and I went in. I turned at once into the portside corridor and ran both hands over my beard and through my hair and wiped away the condensing mist on my coat and I moved forward. As I passed Selene Bourgani's door I spoke aloud—louder perhaps than I would have if there actually were someone else in the corridor with me, which there wasn't, but I spoke as if there were—I said, “We're out of the fog now. Any danger is passed.”

I felt instantly stupid. I pressed on down the corridor. I thought she might be awake and worried inside. We all remembered the
Titanic
. And we all knew there was a war. For our ship to be bellowing through the night, blindly rushing, this could be a worrisome thing even for a woman who says she is afraid of nothing.

I passed on and I neared the turn of the corridor—I would soon be safely out of sight—but behind me I heard the opening of a cabin door, and I had no choice but to stop, which I did. I would turn. After all, this possibility was also why I'd spoken.

I turned.

She was standing just outside her door, in a beam of electric light from the wall, her hair twisted up high on her head. I took a step toward her, and another. I stopped. She hadn't invited me, but I took this much of a liberty by reflex from the hammer thump of her beauty. Her eyes were as dark as the North Atlantic. She was wearing a crimson kimono with twin golden dragons plunging from her breasts to her knees.

“I'm sorry,” I said. “I hope I didn't disturb you.”

She looked over her shoulder, as if preparing to sneer:
So where is the person you spoke to?

But she quickly turned back to me.

How the hell do I know what a woman is about to say? Perhaps she'd looked to make sure we were alone together.

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