The Street (19 page)

She had to bite her lips to keep from saying that that wasn't half the story. She knew she was doing a fine job. She was feeding eight people on the money for five and squeezing out what amounted to rent money in the bargain. It got so at night she couldn't go to sleep without seeing figures dancing before her eyes, and mornings when she got up, she was so tired she would have given anything just to lie still in bed instead of getting up to cook quantities of oatmeal because it was cheap and filling, to walk twelve blocks to get co-operative milk because it cost less.

She could hear the word ‘cheap,' ‘cheap,' ‘cheap,' whether she was asleep or awake. It dominated all her thinking. Cheap cuts of meat, cheap yellow laundry soap, yeast in bulk because it was cheap, white potatoes because they were cheap and filling, tomato juice instead of orange juice because it was cheaper; even unironed sheets because they saved electricity. They went to bed early because it kept the light bill down. Jim smoked a pipe because cigarettes were a luxury they couldn't afford. It seemed to her their whole lives revolved around the price of things and as each week crawled by she grew a little
more nervous, a little more impatient and irritable.

Jim finally stopped looking for work entirely. Though to be fair about it he did help around the house—washing clothes, going to the market, cleaning. But when there wasn't anything for him to do, he would read day-old newspapers and play the radio or sit by the kitchen stove smoking his pipe until she felt, if she had to walk around his long legs just one more time, get just one more whiff of the rank, strong smell of his pipe, she would go mad.

Then Pop almost got caught selling the liquor he concocted in his apartment. So he stopped making it. He couldn't get a job either, so he couldn't pay the rent on his apartment and he came home one night to find one of those long white eviction notices under his door.

He came all the way to Jamaica to tell her about it.

‘You can come stay with us till things look up if you don't mind sleeping in the living room,' she offered.

‘You'll never regret it, Lutie darlin',' he said fondly. ‘I'll make it up to you.' His lips brushed against her cheek and she caught the strong smell of the raw whiskey he had been drinking.

She stood on the little glass-enclosed front porch and watched him walk down the path. He didn't seem to grow any older, no stoop in his shoulders; his step was firm. As a matter of fact he held himself more stiffly erect with each passing year. She sighed as she watched him cross the street heading toward the bus stop. He might hold himself up straighter and straighter as the years slipped by, but he drank more and more as he grew older.

That night after dinner she told Jim. ‘Pop's been put out of his apartment. He's coming here to stay with us.'

‘He can't stay here,' Jim protested. ‘He drinks and carries on. He can't stay here with these kids.'

She remembered that she had been washing dishes at the kitchen sink and the dishwater slopped over on her legs from the sudden abrupt movement she made. She never wore stockings in the house because it was cheaper not to and the dishwater was lukewarm and slimy on her bare legs, so that she made a face and thought again of the word ‘cheap.' She was tired and irritable and the least little thing upset her.

She couldn't stop herself from answering him and she was too exhausted to be persuasive about it, too incensed by the criticism of Pop to let the whole thing drop and bring it up again later, leading around to it, not arguing but gently showing how she really couldn't do anything else.

‘He's my father and he hasn't any other place to go. He's going to stay here with us.' Her voice was insistent and she threw the words at him bluntly, using no tact.

Jim got up from the chair where he'd been sitting and stood over her, newspaper in hand. ‘You're crazy!' he shouted.

Then they were both shouting. The small room vibrated with the sound of their anger. They had lived on the edge of nothing for so long that they had finally reached the point where neither of them could brook opposition in the other, could not or
would not tolerate even the suggestion of being in the wrong.

It ended almost as swiftly as it began. Because she said, ‘All right, I'm crazy.' Her voice was tight with rage. ‘But either he comes or I go.'

So Pop came. At first he was apologetic about being there and so self-effacing that she was only aware of him as a quiet, gray-haired figure doing the marketing, wiping the dishes, playing gently with the children. And she thought it was working out beautifully. Jim was wrong as usual.

After the first couple of weeks, Pop started drinking openly. She would meet him at the door with a brown-paper package in his hand. He would come downstairs from the bathroom holding himself very straight and eat supper in a genial expansive mood smelling to high heaven of raw whiskey.

He urged her and Jim to go out at night. ‘You're nothin' but kids,' he said, loftily waving his hands to give his words emphasis and managing to get into the gesture a sense of the freedom and joyousness that belonged to the young. ‘Shouldn't be shut up in the house all day. Go out and have yourselves a time. I'll look after the kids.'

Somehow he always managed to have a little money and he would take two or three limp dollar bills from his pocket and shove them into her reluctant hands. When she protested, his invariable answer was, ‘Oh, call it room rent if you gotta be formal about it.'

They would head straight for Harlem. The trip rarely included anything more than an evening spent drinking beer in someone's living room and dancing
to a radio. But it was like being let out of jail to be able to forget about the houseful of kids, forget about not having any money. Sometimes they would stop at Junto's Bar and Grill, not so much to drink the beer as to listen to the juke-box and the warm, rich flow of talk and laughter that rippled through the place. The gay, swirling sounds inside the Junto made both of them believe that one of these days they would be inside a world like that to stay for keeps.

Going home on the subway, Jim would put his arm around her and say, ‘I'll make it all up to you some day, Lutie. You just wait and see. I'm going to give you everything you ever wanted.'

Just being close to him like that, knowing that they were both thinking much the same thing, shut out the roar and rush of the train, blotted out the other passengers. She would ride home dreaming of the time when she and Jim and Bub would be together—safe and secure and alone.

They were always very late coming home. And walking through the quiet little street they lived on, past the small houses that seemed to nudge against each other in the darkness, she used to imagine that the world at that hour belonged to her and Jim. Just the two of them alone traveling through a world that slept. It was easy to believe it, for there was no sound except that of their own footsteps on the sidewalk.

They would tiptoe into the house so as not to wake Pop and the kids. The living room always smelt strongly of whiskey.

‘The place smells like a gin mill,' she would say, and giggle as they went up the stairs toward their
bedroom. Because somehow the fact of having been away for a while, the lateness of the hour, the stealth with which they had come into the house, made her feel young and carefree.

As they went up the stairs, Jim would put his arm around her waist. His silence, the bulky feel of his shoulders in the darkness, turned their relationship into something mysterious and exciting, and she wanted to put off the moment when she would undress and get in bed beside him, wanted to defer it at the same time that she wanted to hurry it.

It got so they went to Harlem two or three times a week. They wanted to go, anyway, and Pop made it very easy, for he insisted that they go and he invariably proffered a crumpled bill or two with which to finance the trip.

And then all the fun went out of it. Mrs. Griffin, who lived next door, banged on the kitchen door early one morning. She was filled with an indignation that thrust her mouth forward in such an angry pout that Lutie was prepared for something unpleasant.

‘There's so much noise over here nights 'at my husband and me can't sleep,' she said bluntly.

‘Noise?' Lutie stared at her, not certain that she had heard correctly. ‘What kind of noise?'

‘I dunno,' she said. ‘But it's got to stop. Sounds like wild parties to me. Las' night it kept up till all hours. An' my husband say if somep'n ain't done about it he's going to complain.'

‘I'm sorry. I'll see that it doesn't happen any more.” She said it quickly because she knew what it was. Pop had been having parties on the nights they went to Harlem.

As soon as Mrs. Griffin left the kitchen, slamming the door behind her, Lutie asked Pop about it.

‘Parties?' he said innocently. His forehead wrinkled as though he were trying to figure out what she was talking about. ‘I ain't had no parties. Some of my friends come out a coupla times. But I ain't had no parties.' His voice sounded hurt.

‘You must have made a lot of noise,' she said, ignoring his denial of having had any parties. ‘We gotta be careful, Pop. The neighbors might complain to the State people.'

She tried to eliminate the trips to Harlem after that. But Jim was unaccountably and violently suspicious of the headaches that came on suddenly just before they were to leave, of the other thin excuses that she found for not going with him. She couldn't bring herself to tell him that she was scared to go off and leave Pop in the house alone.

‘You think I'm too shabby to go out with,' Jim had said. And then later, ‘Or have you got yourself another boy friend?'

She wouldn't swallow her pride and tell him about Pop, so they continued going to Harlem two or three times a week. Besides, every time Jim said something about her having a boy friend his face turned resentful, sullen, and she couldn't bear to see him like that, so she stopped making excuses and pretended an anticipation and an enthusiasm for the trips that she didn't feel.

Now when she came home she was filled with a fear that made her walk faster and faster, hastening toward their street in her eagerness to ascertain that the house was dark and quiet. Once in bed, she
twisted and turned the rest of the night, impatiently waiting for morning to come when the neighbors would soon inform her if anything had happened while they were gone.

She could remember so vividly the night they returned to find the house blazing with light. She got a sick feeling deep in her stomach, for there was an uproar coming from it that could be heard way up the street. As she got closer, she saw there were two police cars pulled up in front of the door.

They walked into the living room and a cop sneered, ‘Little late, ain't you? The party's over.'

‘We live here,' Jim explained.

‘Christ!' The cop spat in the direction of the floor. ‘No wonder they won't let you all live near decent people.'

Pop was very drunk. He got up from the sofa where he had been sitting and he was rocking back and forth, though he stood very tall and straight once he finally got his balance. The dignity of his reproachful remarks to the cop was ruined by the fact that the fat woman who had been lolling against him kept reaching both hands out toward him. She was so drunk that she was half-laughing and half-crying at the same time. Her words came out in a blur, ‘Um's my daddy. Um's my daddy. Um's my daddy.'

‘Ain't got no right to talk like that to a American citizen,' Pop said, swaying out of the reach of the woman's clutching hands.

Lutie looked away from Pop. The living room was filled with strange people, with noise and confusion and empty whiskey bottles. The kids were crying upstairs.

It took Jim nearly a half-hour to persuade the cops not to lock everybody up, a half-hour in which she could see his pride and self-respect ooze slowly away while he pleaded, pretending not to hear the gruff asides about ‘drunken niggers.'

Before the cops left, one of them turned to Jim. ‘Okay,' he said. ‘But let me tell you this, boy. It all goes on the report.'

All Jim said to her that night was, ‘You wanted that whiskey-soaked old bum here. Now you've got him, I hope you're satisfied.'

The next afternoon a disapproving white woman arrived and took the children away with her. ‘They can't stay in a place where there's any such goings-on as there is here,' she said.

Lutie pleaded with her, promised her that everything would be different; it couldn't possibly happen again if she would just let the children stay.

The woman was unmoved. ‘These children belong to your own race, and if you had any feelings at all you wouldn't want them to stay here,' she said, going out the door. In less than half an hour she had the youngsters packed and was putting them into a station wagon. She moved competently with no waste motion.

Lutie watched her from the front porch. Damn white people, she thought. Damn them. And then—but it isn't that woman's fault. It's your fault. That's right, but the reason Pop came here to live was because he couldn't get a job and we had to have the State children because Jim couldn't get a job. Damn white people, she repeated.

The house was very quiet and empty with the
children gone. Pop fidgeted around for a while, then put his hat and coat on. ‘Got some business in Harlem,' he explained, not looking at her.

As the day dragged along, she kept thinking with dread of what Jim would say when he came home. He had left the house early to hunt for a job. She hoped that this time he would return swaggering with triumph because he had been successful. She kept remembering how he had pleaded with the cops the night before. Getting a job would make him forget about it. He might not notice the absence of the children.

She fed Bub and bathed him and put him to bed a little earlier than usual. It was something tangible to do. She kept listening for Jim's key in the lock. When she heard a slight sound at the front door, it was after nine and she hurried into the small hall. But it was Pop looking shamefaced and apologetic at the sight of her.