The Surrender of Miss Fairbourne

BOOK: The Surrender of Miss Fairbourne
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The Surrender of Miss Fairbourne
Fairbourne Quartet [1]
Madeline Hunter
Jove Books (2012)
Rating:
****
Review

". . .imbued with a deliciously dry sense of humor and graced with a striking cast of characters, . . . impeccably researched . . .a masterpiece of wit and passion." 
Booklist
starred review

Product Description

A woman running a prestigious London auction house? Preposterous! But that is exactly what Emma Fairbourne intends to do when her father dies, leaving her the reins of this fabulous enterprise.  Of course, she is not addlepated enough to do this openly and scare away her wealthy collectors.  So she and her friend concoct a deception, hiring a handsome and charming front man who will do her bidding...
All would have proceeded smoothly--if it weren't for the maddening interference of Darius, the arrogant Earl of Southwaite, who has been her father's "silent partner" and now shares ownership of Fairbourne's.  An earl, of course, has no interest in running an auction house--and Darius is certainly not interested in allowing the lovely Miss Fairbourne to run it either, her ludicrous scheme notwithstanding.  Clearly the business must be sold.
But the headstrong Emma is like no other lady he has ever encountered, refusing to follow his dictates.  Holding his temper in check, Darius decides to attack on a different front.  There is another way to achieve her surrender, one far more pleasurable for both of them...

PRAISE FOR
MADELINE HUNTER’S NOVELS
Ravishing in Red

“Richly spiced with wicked wit and masterfully threaded with danger and desire, the superbly sexy first book in Hunter’s Regency historical quartet is irresistible and wonderfully entertaining.”


Booklist
(starred review)

Provocative in Pearls

“Hunter gifts readers with a fantastic story that reaches into the heart of relationships and allows her to deliver a deep-sigh read.”


Romantic Times
(Top Pick)

Sinful in Satin

“Hunter deftly sifts intrigue and exquisite sensuality into the plot of the third book in her exceptionally entertaining quartet.”


Booklist

Dangerous in Diamonds

“Hunter…masterfully weaves a sensual web…Fans will be delighted.”


Publishers Weekly

Berkley titles by Madeline Hunter

RAVISHING IN RED
PROVOCATIVE IN PEARLS
SINFUL IN SATIN
DANGEROUS IN DIAMONDS
THE SURRENDER OF MISS FAIRBOURNE

eSpecials

“AN INTERRUPTED TAPESTRY”
from TAPESTRY

The Surrender
of Miss Fairbourne

MADELINE HUNTER

JOVE BOOKS, NEW YORK

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) Inc.

375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada

(a division of Pearson Penguin Canada Inc.)

Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)

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(a division of Pearson Australia Group Pty. Ltd.)

Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India

Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand

(a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have control over and does not have any responsibility for author or third-party websites or their content.

THE SURRENDER OF MISS FAIRBOURNE

A Jove Book / published by arrangement with the author

PRINTING HISTORY
Jove mass-market edition / March 2012

Copyright © 2012 by Madeline Hunter.

Excerpt from
Ravishing in Red
copyright © 2010 by Madeline Hunter.

Excerpt from “An Interrupted Tapestry” copyright © 2002 by Madeline Archer.

Cover photography by Claudio Marinesco.

Cover design by Rita Frangie.

Text design by Laura K. Corless.

All rights reserved.

No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

For information, address: The Berkley Publishing Group,

a division of Penguin Group (USA) Inc.,

375 Hudson Street, New York, New York 10014.

ISBN: 978-1-10156-089-1

JOVE
®

Jove Books are published by The Berkley Publishing Group,

a division of Penguin Group (USA) Inc.,

375 Hudson Street, New York, New York 10014.

JOVE
®
is a registered trademark of Penguin Group (USA) Inc.

The “J” design is a trademark of Penguin Group (USA) Inc.

PRINTED IN THE UNITED STATES OF AMERICA

10   9   8   7   6   5   4   3   2   1

If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.”

This book is dedicated to the memory of my brother,
Nicholas Cirillo

Table of Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 1

MAY 1798

T
he final sale at Fairbourne’s auction house proved to be a sad affair, and not only because the proprietor had recently fallen to his death while strolling along a cliff walk in Kent. It was also, from the viewpoint of collectors, comprised of very minor works, and hardly worthy of the reputation for selectivity that Maurice Fairbourne had built for his establishment.

Society came anyway, some of them out of sympathy and respect, some to distract themselves from the relentless worry about the expected French invasion for which the whole country had braced. A few flew in like crows, attracted to the carcass of what had once been a great business, hoping to peck a few morsels from the body now that Maurice did not stand guard.

The latter could be seen peering very closely at the paintings and prints, looking for the gem that had escaped the less experienced eyes of the staff. A bargain could be had if a work of art were incorrectly described to the seller’s detriment. The victory would be all the more sweet because
such oversights normally went the other way, with amazing consistency.

Darius Alfreton, Earl of Southwaite, peered closely too. Although a collector, he was not hoping to steal a Caravaggio that had been incorrectly called a Honthorst in the catalogue. Rather, he examined the art and the descriptions to see just how badly Fairbourne’s reputation might be compromised by the staff’s ineptitude.

He scanned the crowd that had gathered too, and watched the rostrum being prepared. A small raised platform holding a tall, narrow podium, it always reminded Darius of a preacher’s pulpit. Auction houses like Fairbourne’s often held a preview night to lure the bidders with a grand party, then conducted the actual sale a day or so later. The staff of Fairbourne’s had decided to do it all at once today, and soon the auctioneer would take his place on the rostrum to call the auction of each lot, and literally knock down his hammer when the bidding stopped.

Considering the paltry offerings, and the cost of a grand preview, Darius concluded that it had been wise to skip the party. Less explicable had been the staff’s failure to tell him of their plans. He learned about this auction only through the announcement in the newspapers.

The hub of the crowd was not near the paintings hung one above another on the high, gray walls. The bodies shifted and the true center of their attention became visible. Miss Emma Fairbourne, Maurice’s daughter, stood near the left wall, greeting the patrons and accepting their condolences.

The black of her garments contrasted starkly with her very fair skin, and a black, simple hat sat cockily on her brown hair. Her most notable feature, blue eyes that could gaze with disconcerting directness, focused on each visitor so completely that one would think no other patron stood nearby.

“A bit odd that she is here,” Yates Elliston, Viscount Ambury, said. He stood at Darius’s side, impatient with the time they were spending here. They were both dressed for riding and were supposed to be on their way to the coast.

“She is the only Fairbourne left,” Darius said. “She probably hopes to reassure the patrons with her presence. No one will be fooled, however. The size and quality of this auction is symbolic of what happens when the eyes and personality that define such an establishment are lost.”

“You have met her, I expect, since you knew her father well. Not much of a future waiting for her, is there? She looks to be in her middle twenties already. Marriage is not likely to happen now if it didn’t happen when her father lived and this business flourished.”

“Yes, I have met her.” The first time had been about a year ago. Odd that he had known Maurice Fairbourne for years, and in all that time he had never been introduced to the daughter. Maurice’s son, Robert, might join them in their conversations, but never Robert’s sister.

He and Emma Fairbourne had not spoken again since that introduction, until very recently. His memory of her had been of an ordinary-looking woman, a bit timid and retiring, a small shadow within the broad illumination cast by her expansive, flamboyant father.

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