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Authors: Alan Hollinghurst

BOOK: The Swimming-Pool Library
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Exhilarated by my control of the situation, I spread myself again; the boy duly came over the other’s face, and very pretty it looked, the blobs and strings of spunk smeared over his eyelids, nose, and thick half-opened lips. Then, abruptly, it was another film. Half a dozen boys entered a locker-room, and at just the same moment the door from the stairs opened and something came in that looked, in the deep shadow, as if it might be nice. It was a sporty-looking boy with, evidently, a bag. He was not sure what to do, so I bent my telepathic powers on him. The poor creature struggled for a moment … but it was hopeless. He stumbled up towards the back, groped past the businessman (I heard him say ‘Sorry’) and sat a seat away from me, putting his bag on the seat between us.

I let a little time elapse and distinctly heard him swallow, as if in lust and amazement, as the boys stripped off and, before we
knew where we were, one of them was jacking off in the shower. Something made me certain that it was the first time he had been to a place like this, and I remembered how enchanting it is to see one’s first porn-film. ‘Christ! They’re really doing it,’ I recalled saying to myself, quite impressed by the way the actors seemed genuinely to be having sex for the pleasure of it, and by the blatant innocence of it all.

I then proceeded by a succession of distinct and inexorable moves, shifting into the place between us and at the same time pushing his bag along the floor to where I had been sitting. I sensed some anxiety abour this, but he carried on looking at the screen. Next I slid my arm along the back of his seat, and as he remained immobile I made it as clear as I could in the dark that I had my cock out and was playing with it. Then I leant over him more, and ran my hand over his chest. His heart was racing, and I felt all the tension in his fixed posture between excitement and fear, and knew that I could take control of him. He had on a kind of bomber jacket, and under that a shirt. I let my hand linger at his waist, and admired his hard, ridged stomach, slipping my fingers between his shirt buttons, and running my hand up over his smooth skin. He had beautiful, muscular tits, with small, frosted nipples, quite hairless. My left hand gently rubbed the base of his thick neck; he seemed to have almost a crew-cut and the back of his head was softly bristly. I leant close to him and drooled my tongue up his jaw and into his ear.

At this he could no longer remain impassive. He turned towards me with a gulp, and I felt his fingertips shyly slide on to my knee and shortly after touch my cock. ‘Oh no,’ I think he said under his breath, as he tried to get his hand around it, and then jerked it tentatively a few times. I continued stroking the back of his neck, thinking it might relax him, but he kept on feeling my dick in a very polite sort of way, so I brought pressure to bear, and pushed his head firmly down into my lap. He had to struggle around to get his stocky form into the new position, encumbered by the padded arm between our seats; but once there he took the crown of my cock into his mouth and with me moving his head puppet-like up and down, sucked it after a fashion.

This was all very good and with my hangover I felt it with
electric intensity. But I was aware of his reluctance, and let him stop. He was inexpert, and though he was excited, needed help. We sat back for a while, my hand all the time on his shoulder. I loved the nerve with which I’d done all this, and like most random sex it gave me the feeling I could achieve anything I wanted if I were only determined enough. There was now a fairly complicated set-up on screen, with all six boys doing something interesting, and one of them I realised was Kip Parker, a famous tousle-headed blond teen star. I ran my hand between my new friend’s legs and felt his cock kicking against the tightish cotton of his slacks. He helped me take it out, a short, punchy little number, which I went down on and polished off almost at once. God, he must have been ready. After a shocked recuperation he felt for his bag and went out without a word.

I’d had a growing suspicion throughout this sordid but charming little episode, which rose to a near certainty as he opened the door and was caught in a slightly brighter light, that the boy was Phil from the Corry. He had smelt of sweat rather than talcum powder and there was a light stubble on his jaw, so I concluded that if it were Phil he was on his way to rather than from the Club, as I knew he was fastidiously clean, and that he always shaved in the evening before having his shower. I was tempted to follow him at once, to make sure, but I realised it would be easy enough to tell from seeing him later; and besides, a very well-hung kid, who’d already been showing an interest in our activities, moved in to occupy the boy’s former seat, and brought me off epically during the next film, an unthinkably tawdry picture which all took place in a kitchen.

On the train home I carried on reading
Valmouth.
It was an old grey and white Penguin Classic that James had lent me, the pages stiff and foxed, with a faint smell of lost time. Wet-bottomed wine glasses had left mauve rings over the sketch of the author by Augustus John and the price, 3/6, which appeared in a red square on the cover. Nonetheless, I was enjoined to take especial care of the book, which also contained
Prancing Nigger
and
Concerning the Eccentricities of Cardinal Pirelli.
James had a mania for Firbank, and it was only out of his love for me that he had let
me take away this apparently undistinguished old paperback, which bore on its flyleaf the absurd signature ‘O. de V. Green’. James held the average Firbank-lover in contempt, and professed a very serious attitude towards his favourite writer. I had long deferred reading him in the childishly stubborn way that one resists all keen and repeated recommendations, and had imagined him until now to be a supremely frivolous and silly author. I was surprised to find how difficult, witty and relentless he was. The characters were flighty and extravagant in the extreme, but the novel itself was evidently as tough as nails.

I knew I would not begin to grasp it fully until a second or third reading, but what was clear so far was that the inhabitants of the balmy resort of Valmouth found the climate so kind that they lived to an immense age. Lady Parvula de Panzoust (a name I knew already from James’s reapplication of it to a member of the Corry) was hoping to establish some rapport with the virile young David Tooke, a farm boy, and was seeking the help of Mrs Yajñavalkya, a black masseuse, to set up a meeting. ‘He’s
awfully
choice,’ Mrs Yaj assured the centenarian
grande dame.
Much of the talk was a kind of highly inflected nonsense, but it gave the unnerving impression that on deeper acquaintance it would all turn out to be packed with fleeting and covert meaning. Mrs Yaj herself spoke in a wonderful black pidgin, prinked out with more exotic turns of phrase. ‘O Allah la Ilaha!’ she reassured the anxious Lady Parvula. ‘Shall I tell you vot de Yajñavalkya device is? Vot it has been dis thousand and thousand ob year? It is
bjopti. Bjopti!
And vot does
bjopti
mean? It means
discretion. S-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-s-sh!’
It was such a long ‘Sh!’ that I found myself quietly vocalising it to see what its effect would be.

‘Quiet, Damian,’ the woman opposite me said to her little boy. ‘Gentleman’s trying to read.’

It was about nine when I reached home. The tall uncurtained window at the turn of the stairs still let in just enough of the phosphorescent late dusk to make it unnecessary to turn on a light. I enjoyed a proprietorial secrecy as I walked slowly and silently up, as well as the frisson of bleakness that comes from being in a deserted place as darkness gathers. There was something nostalgic in such spring nights, recalling the dreamy abstraction
of punting in the dark, and the sweet tiredness afterwards, returning to rooms with all their windows open, still warm under the eaves.

The door of the flat was slightly ajar, which was unusual. I was inclined to keep it shut as I was (or had been) often the only inhabitant of the house, the businessman in the main floors below being frequently abroad. And I had occasionally witnessed Arthur pushing it to, or checking as he passed through the hall that it was closed. My heart sank as I nudged it open and heard Arthur’s voice, not addressing me—he could not possibly have known I was there—but talking quietly to somebody else. The door of the sitting-room, which was open, hid whatever was going on; the light from that room fell across the further side of the hall.

My first assumption was that he was on the telephone, which would have been reasonable enough except that he had said he hated the phone. For a sickening moment I felt that I was being somehow betrayed, and that when I went out he rang people up and carried on some other existence. A plan was afoot of which I was the dupe; he had not killed anybody at all … Then I heard another voice, just odd syllables, high—it sounded like a young girl. I heard Arthur say ‘Yeah, well I expect he’ll be back here soon.’ I made a noise and went into the room.

‘Will, thank God,’ Arthur said, half rising from the sofa, but encumbered by the heavy breadth of my photograph album, which lay open across his lap and across that of a small boy sitting beside him and leaning over it as if it were a table. It was my nephew Rupert.

Rupert had had longer than me to work out what to say. Even so, he was clearly unsure of the effect he would have. First of all he wanted it to be a lovely surprise: he stared up at me, mouth slightly open, in a spell of silence, while Arthur, too, looked very uncertain. Again I found myself suddenly responsible for people.

‘This is an unexpected pleasure, Roops,’ I said. ‘Have you been showing Arthur the pictures?’ I thought something might be seriously wrong.

‘Yes,’ he said, a little shamefaced. ‘I’ve decided to run away.’

‘That’s jolly exciting,’ I said, going over to the sofa, and lifting
up the photograph album. ‘Have you told Mummy where you’ve gone?’ I held the heavy, embossed leather book in my arms, and looked down at him. Arthur caught my eye, frowned and expelled a little puff of air. ‘Blimy, Will,’ he said confidentially.

Rupert was then six years old. From his father he had inherited an intense, practical intelligence, and from his mother, my sister, vanity, self-possession, and the pink and gold Beckwith colouring that Ronald Staines had so admired in me. I had always liked Gavin, a busy, abstracted man, whose mind, even at a dinner party, was still absorbed in the details of Romano-British archaeology, which was his passion and career, and who would have had nothing to do with the way his son now appeared, in knickerbockers and an embroidered jerkin, with a Millais-esque lather of curls, as if about to go bowling a hoop in Kensington Gardens. Philippa had a picturesque and romantic attitude to her children (there was also a little girl, Polly, aged three), and Gavin allowed her a free hand, concentrating his affection for them in sudden bursts of generosity, unannounced treats and impulsive outings which disrupted the life of the picture-book nursery at Ladbroke Grove, and were rightly popular.

‘I left a note,’ Rupert explained, standing up and beginning to walk around the room. ‘I told Mummy not to worry. I’m sure she’ll see that it’s all for the best.’

‘I don’t know, old chap,’ I demurred. ‘I mean, Mummy’s jolly sensible, but it
is
quite late, and I wouldn’t be surprised if she were getting a
bit
worried about you. Did you tell her where you were going?’

‘No, of course not. It was a secret. I didn’t even tell Polly. It had to be very very carefully planned.’ He picked up a Harrods carrier-bag. ‘I’ve brought some food,’ he said, tipping out on to the sofa a couple of apples, a pack of six Penguin biscuits and a roughly sawn-off chuck of cold, cooked pork. ‘And I’ve got a map.’ From inside his jerkin he tugged out an
A-Z
, on the shiny cover of which he had written ‘Rupert Croft-Parker’ with a blue biro in heavy round writing.

I went into the bedroom and rang Philippa. A maid, Spanish by the sound of her, answered the phone; they had a fast turnover of staff, and if I had been Philippa I would have been led by now to ponder why. Almost immediately she came through from another extension.

‘Hello, who is this?’

‘Philippa, it’s me, I’ve got Roops here.’

‘Will, what the hell do you think you’re playing at? Can’t you imagine how worried I’ve been?’

‘I thought you would be—that’s really why I’m phoning …’

‘Is he all right? What’s been going on?’

‘I gather he ran away. Didn’t you see his message?’

‘Of course not, Will, don’t be so bloody silly. He doesn’t leave messages. He’s six years old.’

‘I’m sure I left messages when I was six and I wasn’t nearly so clever as Rupert.’

‘Will, we are talking about my baby.’ (I suppressed recall of the song of that name by the Four Tops.) ‘Look, I’m coming round straight away.’

‘OK. Or give it a minute or two. We haven’t really had a chance for a little chat yet.’ I was aware that Rupert had entered the room.

‘Are you talking to Mummy?’ he said, with a solemn look on his face. I nodded as I carried on listening to Philippa, and winked at him. I sat on the edge of the bed and he came and leant beside me and slipped his arm around my back.

‘You can have a little chat with him any time you like,’ his mother asserted. ‘It’s gone nine o’clock—it’s way past his bedtime. We were supposed to be going to the Salmons for supper—I had to ring and say there was this crisis, we couldn’t come. It’s just ruined everything.’

‘I’ll bring him over if you like,’ I offered, the problem of Arthur and visitors suddenly surfacing in my mind.

‘No, that would take far too long. I’ll come in the car.’ She put down the receiver as I was about to make another suggestion.

‘Is Mummy coming round here?’ asked Rupert, his expression an intriguing transition between petulance and relief.

‘She’ll be round in a minute,’ I confirmed. And it would not be very much more than that. I walked abstractedly towards the door. He trotted round, looking up at me.

‘Was she frightfully cross?’ he asked.

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