Read The sword in the stone Online

Authors: T. H. White

Tags: #General, #Fiction, #Fantasy, #Classics, #Juvenile Fiction, #Children's Books, #Ages 9-12 Fiction, #Legends; Myths; Fables, #Children: Grades 4-6, #Arthur;, #Legends; Myths; & Fables - General, #Adaptations, #King, #Knights and knighthood, #Arthur, #Juvenile Science Fiction, #Arthur; King, #Arthurian romances, #Kings and rulers

The sword in the stone (31 page)

BOOK: The sword in the stone
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A green scum formed over the sinking mountain, a haze of color which was still sometimes dipped under the water or lifted high above it, as the earth undulated. The trees came, but their voices were quite drowned by the slower howling of the mineral world, which twitched through the millennia like a dog's skin in sleep.

"Hold fast," was what the rocks thundered. "Hold, cohere." But all the time they were broken apart, thrown down, and their hold broken. There was nothing to be seen of the mountain except a flat green plain which had some pebbles on it. They were bits of the cliff which he had first watched.

The dream, like the one before it, lasted about half an hour. In the last three minutes of the dream some fishes, dragons and such-like ran hurriedly about. A dragon swallowed one of the pebbles, but spat it out. In the ultimate twinkling of an eye, far tinier in time than the last millimeter on a six-foot rule, there came a man. He split up the one pebble which remained of all that mountain with blows; then made an arrowhead of it, and slew his brother.

"Well, Wart," said Kay in an exasperated voice. "Do you want all the rug? And why do you heave and mutter so? You were snoring too."

"I don't snore," replied the Wart indignantly.

"You do."

"I don't."

"You do. You snore like a volcano."

"I don't."

"You do."

"I don't. And you snore worse."

"No, I don't."

"Yes, you do."

"How can I snore worse if you don't snore at all?"

By the time they had thrashed this out, they were nearly late for breakfast. They dressed hurriedly and ran out into the spring.

CHAPTER NINETEEN

IN THE evenings, except in the very height of summer, they used to meet in the solar after the last meal of the day. There the parson, Reverend Sidebottom, or if he were busy over his sermon then Merlyn himself, would read to them out of some learned book of tales, to calm their spirits. It was glorious in the winter, while the big logs roared in the fire — the beech blue-flamy and relentless, the elm showy and soon gone, the holly bright, or the pine with his smoking scents — while the dogs dreamed of conquest, or the boys imagined those sweet maidens letting down their golden hair so that their rescuers might save them out of towers. But almost at any time of the year it was as good.

The book they usually used was Gesta Romanorum, whose fascinating tales began with such provoking sentences as "There was a certain King who had a singular partiality for little dogs that barked loudly," or "A certain nobleman had a white cow, to which he was extremely partial: he assigned two reasons for this, first because she was spotlessly white, and next, because . . ."

The boys, and for that matter the men, would sit as quiet as church mice while the marvels of the story were unfolded, and, when the unpredictable narrative had come to an end, they would look towards Reverend Sidebottom (or Merlyn — who was not so good at it) to have the story explained. Reverend Sidebottom would draw a deep breath and plunge into his task, explaining how the certain King was really Christ, and the barking dogs zealous preachers, or how the white cow was the soul and her milk represented prayer and supplication. Sometimes, indeed generally, the unfortunate vicar was hard put to it to find a moral, but nobody ever doubted that his explanations were the right ones; and anyway most of his listeners were soon asleep.

It was a fine summer night, the last night which would give any excuse for fires, and Reverend Sidebottom was reading out his tale. Wart lay snoozing among the lean ribs of the gaze-hounds: Sir Ector sipped his wine with his eyes brooding on the logs which lit the evening: Kay played chess with himself rather badly: and Merlyn, with his long beard saffron in the firelight, sat cross-legged knitting, beside the Wart.

"There was once discovered at Rome," read Reverend Sidebottom through his nose, "an uncorrupted body, taller than the wall of the city, on which the following words were inscribed — 'Pallas, the son of Evander, whom the lance of a crooked soldier slew, is interred here.' A candle burned at his head which neither water nor wind could extinguish, until air was admitted through a hole made with the point of a needle beneath the flame. The wound of which this giant had died was four feet and a half long. Having been killed after the overthrow of Troy, he remained in his tomb two thousand two hundred and forty years."

"Have you ever seen a giant?" asked Merlyn softly, so as not to interrupt the reading. "No, I remember you haven't. Just catch hold of my hand a moment, and shut your eyes."

The vicar was droning on about the gigantic son of Evander, Sir Ector was staring into the fire, and Kay was making a slight click as he moved one of the chessmen, but the Wart and Merlyn were immediately standing hand in hand in an unknown forest.

"This is the Forest of the Burbly Water," said Merlyn, "and we are going to visit the giant Galapas. Now listen. You are invisible at the moment, because you are holding my hand. I am able to keep myself invisible by an exercise of will-power — an exceedingly exhausting job it is

— and I can keep you invisible so long as you hold on to me. It takes twice as much will-power, but there. If, however, you let go of me even for a moment, during that moment you will become visible, and, if you do it in the presence of Galapas, he will munch you up in two bites. So hold on."

"Very well," said the Wart.

"Don't say 'Very well.' It isn't very well at all. On the contrary, it is very ill indeed. And another thing. The whole of this beastly wood is dotted with pitfalls and I shall be grateful if you will look where you are going."

"What sort of pitfalls?"

"He digs a lot of pits about ten feet deep, with smooth clay walls, and covers them over with dead branches, pine needles and such-like. Then, if people walk about, they tumble into them, and he goes round with his bow every morning to finish them off. When he has shot them dead, he climbs in and collects them for dinner. He can hoist himself out of a ten-foot pit quite easily."

"Very well," said the Wart again, and corrected himself to, "I will be careful."

Being invisible is not so pleasant as it sounds. After a few minutes of it you forget where you last left your hands and legs — or at least you can only guess to within three or four inches — and the result is that it is by no means easy to make your way through a brambly wood. You can see the brambles all right, but where exactly you are in relation to them becomes more confusing. The only guide to your legs, for the feeling in them soon becomes complicated, is by looking for your footprints — these you can see in the neatly flattened grass below you — and, as for your arms and hands, it becomes hopeless unless you concentrate your mind to remember where you put them last. You can generally tell where your body is, either by the unnatural bend of a thorn branch, or by the pain of one of its thorns, or by the strange feeling of centralness which all human beings have, because we keep our souls in the region of our liver.

"Hold on," said Merlyn, "and for glory's sake don't trip up. They proceeded to tread their tipsy way through the forest, staring carefully at the earth in front of them in case it should give way, and stopping very often when an extra large bramble fastened itself in their flesh. When Merlyn was stuck with a bramble, he swore, and when he swore he lost some of his concentration and they both became dimly visible, like autumn mist. The rabbits upwind of them stood on their hind legs at this, and exclaimed, "Good gracious!"

"What are we going to do?" asked the Wart.

"Well," said Merlyn, "here we are at the Burbly Water. You can see the giant's castle on the opposite bank, and we shall have to swim across. It may be difficult to walk when you are invisible, but to swim is perfectly impossible, even with years of practice. You are always getting your nose under water. So I shall have to let go of you until we have swum across in our own time. Don't forget to meet me quickly on the other bank." The Wart went down into the warm starlit water, which ran musically like a real salmon stream, and struck out for the other side. He swam fast, across and down river, with a kind of natural dog-stroke, and he had to go about a quarter of a mile below his landing-place along the bank before Merlyn also came out to meet him, dripping. Merlyn swam the breast-stroke, very slowly and with great precision, watching ahead of him over the bow wave of his beard, with that faintly anxious expression of a faithful retriever.

"Now," said Merlyn, "catch hold again, and we will see what Galapas is about."

They

walked

invisible

across

the

sward,

where

many

unhappy-looking gardeners with iron collars round their necks were mowing, weeding and sweeping by torchlight, although it was so late, in what had begun to be a garden. They were slaves.

"Talk in whispers," said Merlyn, "if you have to talk." There was a brick wall in front of them, with fruit trees nailed along it, and this they were forced to climb. They did so by the usual methods of bending over, climbing on each other's backs, giving a hand up from on top, and so forth, but every time that the Wart was compelled to let go of his magician for a moment he became visible. It was like an early cinematograph flickering very badly, or one of those magic lanterns where you put in slide after slide. A slave gardener, looking at that part of the wall, sadly tapped himself on the head and went away into a shrubbery to be sick.

"Hush," whispered Merlyn from the top of the wall, and they looked down upon the giant in person, as he took his evening ease by candlelight upon the bowling green.

"But he's not big at all," whispered the Wart disappointedly.

"He is ten feet high," hissed Merlyn, "and that is extremely big for a giant. I chose the best one I knew. Even Goliath was only six cubits and a span — or nine feet four inches. If you don't like him you can go home."

"I'm sorry. I didn't mean to be ungrateful, Merlyn, only I thought they were sixty feet long and that sort of thing."

"Sixty feet," sniffed the necromancer.

The giant had heard something at the top of the wall, and looked up towards them, remarking in a rumbling tone, "How the bats squeak at night!" Then he poured himself out another hornful of madeira and tossed it off in one draught.

Merlyn lowered his voice and explained. "People find the teeth and bones of creatures like your friend Atlantosaurus, and then they tell stories about human giants. One of them found a tooth weighing two hundred ounces. It's dragons, not giants, that grow really big."

"But can't humans grow big too?"

"I don't understand it myself, but it is something about the composition of their bones. If a human was to grow sixty feet high, he would simply snap his bones with the weight of their own gravity. The biggest real giant was Eleazer, and he was only ten feet and a half."

"Well," said the Wart, "I must say it is rather a disappointment."

"I don't mean being brought to see him," he added hastily, "but that they don't grow like I thought. Still, I suppose ten feet is quite big when you come to think of it."

"It is twice as high as you are," said Merlyn. "You would just come up to his navel, and he could pitch you up to a corn rick about as high as you can throw a sheaf."

They had become interested in this discussion, so that they got less and less careful of their voices, and now the giant rose up out of his easy-chair. He came towards them with a three-gallon bottle of wine in his hand, and stared earnestly at the wall on which they were sitting. Then he threw the bottle at the wall rather to their left, said in an angry voice,

"Beastly screech owls!" and proceeded to stump off into the castle.

"Follow him," cried Merlyn quickly.

They scrambled down off the wall, joined hands, and hurried after the giant by the garden door.

In the beginning the downstair parts were reasonably civilized, with green baize doors behind which butlers and footmen — though with iron collars round their necks — were polishing silver and finishing off the decanters. Later on there were strong-rooms with ancient safes in them, that contained the various gold cups, épergnes and other trophies won at jousts and horse-races by the giant. Next there were dismal cellars with cobwebs over the wine bins, and dreary-looking rats peeping thoughtfully at the bodiless footprints in the dust, and several corpses of human beings hanging up in the game cupboards until they should be ready to eat. It was like the place for adults only in the Chamber of Horrors at Madame Tussaud's.

At the very bottom of the castle they came upon the dungeons. Here the chalky walls dripped with greasy moisture, and there were pathetic messages and graffiti scratched upon the stone. "Pray for poor Priscilla," said one, and another said, "Oh, if I had only paid for my dog license honestly, I should never have come to this pass." There was a picture of a man hanging from a gallows, with arms and legs sticking out like those of a Guy Fawkes in all directions, and another of a demon with horns. A fifth carving said, "Midnight Sun for the two-thirty," while a Sixth said, "Oh, yeah?" and a seventh exclaimed, "Alas, that I should have forgotten to feed my poor canary: now I am in the same dread doom." A message which had been scratched out said, "Beastly old Galapas loves Madame Mim, the dirty hound," and somebody else had written, "Repent and be saved for the Kingdom of Hell is at hand." There were kisses, dates, pious ejaculations, mottoes such as "Waste not, want not," and "Good night, ladies," also hearts with arrows in them, skulls and crossbones, pictures of pigs drawn with the eyes shut, and pathetic messages such as, "Don't forget to take the potatoes off at half-past twelve," "The key is under the geranium," "Revenge me on stinking Galapas, by whom I am foully slain," or merely "Mazawatee Mead for Night Starvation." It was a grimly place.

BOOK: The sword in the stone
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