The sword in the stone (4 page)

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Authors: T. H. White

Tags: #General, #Fiction, #Fantasy, #Classics, #Juvenile Fiction, #Children's Books, #Ages 9-12 Fiction, #Legends; Myths; Fables, #Children: Grades 4-6, #Arthur;, #Legends; Myths; & Fables - General, #Adaptations, #King, #Knights and knighthood, #Arthur, #Juvenile Science Fiction, #Arthur; King, #Arthurian romances, #Kings and rulers

BOOK: The sword in the stone
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"Do you really mean it?" cried King Pellinore. "In a bed? "

"A feather bed," said the Wart firmly.

King Pellinore's eyes grew as round as saucers. "A feather bed! " he repeated slowly. "Would it have pillows?"

"Down pillows."

"Down pillows!" whispered the King, holding his breath. And then, letting it all out in one rush, "What a lovely house your guardian must have!"

"I don't think it is more than two hours away," said the Wart, following up his advantage.

"And did this gentleman really send you out to invite me in?" inquired the King wonderingly. (He had forgotten all about the Wart being lost.) "How nice of him, how very nice of him, I do think, what?"

"He will be very pleased to see us," said the Wart, quite truthfully.

"Oh, how nice of him," exclaimed the King again, beginning to bustle about with his various trappings. "And what a lovely gentleman he must be, to have a feather bed!"

"I suppose I should have to share it with somebody?" he added doubtfully.

"You could have one of your very own."

"A feather bed of one's very own," exclaimed King Pellinore, "with sheets and a pillow — perhaps even two pillows, or a pillow and a bolster

— and no need to get up in time for breakfast!"

"Does your guardian get up in time for breakfast?" inquired the King, a momentary doubt striking him.

"Never," said the Wart.

"Fleas in the bed?" asked the King suspiciously.

"Not one."

"Well!" said King Pellinore. "It does sound too nice for words, I must say. A feather bed and none of those beastly fewmets for ever so long. How long did you say it would take us to get there?"

"Two hours," said the Wart; but he had to shout the second of these words, for the sounds were drowned in his mouth by a dreadful noise which had that moment arisen close beside them.

"What was that?" exclaimed the Wart.

"Hark!" cried the King.

"Oh, mercy!" wailed the Wart.

"It's the Beast!" shouted the King.

And immediately the loving huntsman had forgotten everything else, but was busied about his task. He wiped his spectacles upon the seat of his trousers, the only accessible piece of cloth about him, while the belling and bloody cry arose all round; balanced them on the end of his long nose, just before the visor automatically clapped to; clutched his jousting lance in his right hand, and galloped off in the direction of the noise. He was brought up short by the rope which was wound round the tree — the vacuous brachet meanwhile giving a melancholy yelp — and fell off his horse with a tremendous clang. In a second he was up again — the Wart was convinced that his spectacles must be broken — and hopping round the white horse with one foot in the stirrup. The girths stood the test and he was in the saddle somehow, with his jousting lance between his legs, and then he was galloping round and round the tree, in the opposite direction to that in which the brachet had wound herself up. He went round three times too often, the brachet meanwhile running and yelping in the opposite direction, and then, after four or five back casts, they were both free of the obstruction. "Yoicks, what!" cried King Pellinore, waving his lance in the air, and swaying excitedly in the saddle. Then he disappeared completely into the gloom of the forest, with the unfortunate brachet trailing and howling behind him at the other end of the string.

CHAPTER THREE

THE WART slept well in the woodland nest where he had laid himself down, in that kind of thin but refreshing sleep which people have when they first lie out of doors. At first he only dipped below the surface of sleep, and skimmed along like a salmon in shallow water, so close to the surface that he fancied himself in air. He thought himself awake when he was already asleep. He saw the stars above his face, whirling round on their silent and sleepless axis, and the leaves of the trees rustling against them, and heard small changes in the grass. These little noises of footsteps and soft-fringed wing-beats and stealthy bellies drawn over the grass blades or rattling against the bracken at first frightened or interested him, so that he moved to see what they were (but never saw), then soothed him, so that he no longer cared to see what they were but trusted them to be themselves, and finally left him altogether as he swam down deeper and deeper, nuzzling his nose into the scented turf, into the warm ground, into the unending waters under the earth.

It had been difficult to go to sleep in the bright summer moonlight, but once he was there it was not difficult to stay. The sun came early, causing him to turn over in protest, but in going to sleep he had learned to vanquish light, and now the light could not rewake him. It was nine o'clock, five hours after daylight, before he rolled over, opened his eyes, and was awake at once. He was hungry.

The Wart had heard about people who lived on berries, but this did not seem practical at the moment because it was July, and there were none. He found two wild strawberries and ate them greedily. They tasted nicer than anything, so he wished there were more. Then he wished it was April, so that he could find some birds' eggs and eat those, or that he had not lost his goshawk Cully, so that the bird could catch him a rabbit which he would cook by rubbing two sticks together like the base Indian. But he had lost Cully, or he would not have lost himself, and probably the sticks would not have lighted in any case. He decided that he could not have gone more than three or four miles from home, so that the best thing he could do would be to sit still and listen. Then he might hear the noise of the haymakers, if he was lucky with the wind, and could hearken his way home by that.

What he did hear was a faint clanking noise, which made him think that King Pellinore must be after the Questing Beast again, close by. Only the noise was so regular and single in intention that it made him think of King Pellinore doing some special action with great patience and concentration, trying to scratch his back without taking off his armor, for instance. He went towards the noise.

There was a clearing in the forest, and in this clearing there was a snug little cottage built of stone. It was a cottage, although the Wart could not notice this at the time, which was divided into two bits. The main bit was the hall or every-purpose room, which was high because it extended from floor to roof, and this room had a fire on the floor whose smoke issued eventually out of a hole in the thatch of the roof. The other half of the cottage was divided into two rooms by a horizontal floor which made the top half into a bedroom and study, while the bottom half served for a larder, store-room, stable and barn. A white donkey lived in this downstairs room, and a ladder led to the one upstairs.

There was a well in front of the cottage, and the metallic noise which the Wart had heard was caused by a very old gentleman who was drawing water out of it by means of handle and chain.

Clank, clank, clank, said the chain, until the bucket hit the lip of the well, and "Oh, drat the whole thing," said the old gentleman. "You would think that after all these years of study one could do better for oneself than a by-our-lady well with a by-our-lady bucket, whatever the by-our-lady cost."

"I wish to goodness," added the old gentleman, heaving his bucket out of the well with a malevolent glance, "that I was only on the electric light and company's water drat it."

The old gentleman that the Wart saw was a singular spectacle. He was dressed in a flowing gown with fur tippets which had the signs of the zodiac embroidered all over it, together with various cabalistic signs, as of triangles with eyes in them, queer crosses, leaves of trees, bones of bird and animals and a planetarium whose stars shone like bits of looking-glass with the sun on them. He had a pointed hat like a dunce's cap, or like the headgear worn by ladies of that time, except that the ladies were accustomed to have bit of veil floating from the top of it. He also had a wand of lignum vitae, which he had laid down in the grass beside him, and a pair of horn-rimmed spectacles like those of King Pellinore. They were extraordinary spectacles, being without ear pieces, but shaped rather like scissors or the antennae of the tarantula wasp.

"Excuse me, sir," said the Wart, "but can you tell me the way to Sir Ector's castle, if you don't mind?"

The aged gentleman put down his bucket and looked at the Wart.

"Your name would be Wart," he said.

"Yes, sir, please, sir," said the Wart.

"My name," said the aged gentleman, "is Merlyn."

"How do you do?" said the Wart.

"How do you do?" said Merlyn. "It is clement weather, is it not?"

"It is," said the Wart, "for the time of the year." When these formalities had been concluded, the Wart had leisure to examine his new acquaintance more closely. The aged gentleman was staring at him with a kind of unwinking and benevolent curiosity which made him feel that it would not be at all rude to stare back, no ruder than it would be to stare at one of his guardian's cows who happened to be ruminating his personality as she leaned her head over a gate. Merlyn had a long white beard and long white mustaches which hung down on either side of it, and close inspection showed that he was far from clean. It was not that he had dirty finger-nails or anything like that, but some large bird seemed to have been nesting in his hair. The Wart was familiar with the nests of spar-hawk and Gos, those crazy conglomerations of sticks and oddments which had been taken over from squirrels or crows, and he knew how the twigs and the tree foot were splashed with white mutes, old bones, muddy feathers and castings. This was the impression which he gathered from Merlyn. The old gentleman was streaked with droppings over his shoulders, among the stars and triangles of his gown, and a large spider was slowly lowering itself from the tip of his hat, as he gazed and slowly blinked at the little boy in front of him. He had a faintly worried expression, as though he were trying to remember some name which began with Chol but which was pronounced in quite a different way, possibly Menzies or was it Dalziel? His mild blue eyes, very big and round under the tarantula spectacles, gradually filmed and clouded over as he gazed at the boy, and then he turned his head away with a resigned expression, as though it was all too much for him after all.

"Do you like peaches?" asked the old gentleman.

"Very much indeed," answered the Wart, and his mouth began to water so that it was full of sweet, soft liquid.

"It is only July, you know," said the old man reprovingly, and walked off in the direction of the cottage without looking round.

The Wart followed after him, since this was the simplest thing to do, and offered to carry the bucket (which seemed to please the old gentleman, who gave it to him) and waited while he counted his keys, and muttered and mislaid them and dropped them in the grass. Finally, when they had got their way into the black and white cottage with as much trouble as if they were burglaring it, he climbed up the ladder after his host and found himself in the upstairs room.

It was the most marvelous room that the Wart had ever been in. There was a real corkindrill hanging from the rafters, very lifelike and horrible with glass eyes and scaly tail stretched out behind it. When its master came into the room it winked one eye in salutation, although it was stuffed. There were hundreds of thousands of brown books in leather bindings, some chained to the book-shelves and others propped up against each other as if they had had too much spirits to drink and did not really trust themselves. These gave out a smell of must and solid brownness which was most secure. Then there were stuffed birds, popinjays, and maggot-pies and kingfishers, and peacocks with all their feathers but two, and tiny birds like beetles, and a reputed phoenix which smelt of incense and cinnamon. It could not have been a real phoenix, because there is only one of these at a time. Over by the mantelpiece there was a fox's mask, with GRAFTON, BUCKINGHAM TO DAVENTRY, 2

HRS 20 MINS written under it, and also a forty-pound salmon with AWE, 43 MIN., BULLDOG written under it, and a very life-like basilik with CROWHURST OTTER HOUNDS in Roman print. There were several boar's tusks and the claws of tigers and libbards mounted in symmetrical patterns, and a big head of Ovis Poli, six live grass snakes in a kind of aquarium, some nests of the solitary wasp nicely set up in a glass cylinder, an ordinary beehive whose inhabitants went in and out of the window unmolested, two young hedgehogs in cotton wool, a pair of badgers which immediately began to cry Yik-Yik-Yik-Yik in loud voices as soon as the magician appeared, twenty boxes which contained stick caterpillars and sixths of the puss-moth, and even an oleander that was worth two and six, all feeding on the appropriate leaves, a guncase with all sorts of weapons which would not be invented for half a thousand years, a rodbox ditto, a lovely chest of drawers full of salmon flies which had been tied by Merlyn himself, another chest whose drawers were labeled Mandragora, Mandrake, Old Man's Beard, etc., a bunch of turkey feathers and goose-quills for making pens, an astrolabe, twelve pairs of boots, a dozen purse-nets, three dozen rabbit wires, twelve corkscrews, an ant's nest between two glass plates, ink-bottles of every possible color from red to violet, darning needles, a gold medal for being the best scholar at Eton, four or five recorders, a nest of field mice all alive-o, two skulls, plenty of cut glass, Venetian glass, Bristol glass and a bottle of Mastic varnish, some satsuma china and some cloisonné, the fourteenth edition of the Encyclopedia Britannica (marred as it was by the sensationalism of the popular plates), two paint-boxes (one oil, one water-color), three globes of the known geographical world, a few fossils, the stuffed head of a camelopard, six pismires, some glass retorts with cauldrons, bunsen burners, etc., and a complete set of cigarette cards depicting wild fowl by Peter Scott.

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