The Tale of Oriel (11 page)

THEY SAILED WEST ALONG THE
coastline, the wind at their shoulders, dodging islands and peninsulas and rocky outcroppings. By afternoon they had given wide berth to two coastal towns. The first was the market town the Damall used, the second lay too close to the first. Not much later Oriel pointed out to Griff the double-walled city itself, Celindon, spreading back up over steep hills. Late in the day they came to a broad inlet, where a meadow sloped down to the water and a thick line of trees enclosed it. Just in front of the trees was a little house. They tied the boat to an outcropping of rock and also around a sapling, for double safety. Griff bore the netful of fish.

The solitary house had a lean-to shed at its rear, and a small garden behind it where three fruit trees were in early blossom. A round stone well had been dug outside the doorway to the house. This wasn't a farm but Oriel judged they might as well take their chance. The bucket waiting beside the well made him certain the house was inhabited.

He knocked on the door.

It opened so quickly he thought they must have been watched as they crossed the meadow. The person in the open doorway was short, and wrapped in a brown blanket, a woman, old by her white hair. She barely looked at them. Instead, she looked all around behind them.

“Quick,” she said, in a voice as hoarse as if she had screamed her throat raw. One hand held the blanket at her throat, the other held the door.

“Quick,” she urged them.

Oriel hesitated on the stone stoop. Griff took the netted fish from his shoulder. Fear welled up and out of the open doorway, like water from a spring.

“You're just lads, just boys,” she said. “You don't know. Inside it's safe—inside it's—quick!”

They obeyed her. She shoved the wooden door closed behind them and barred it shut.

S
HE GAVE THEM NO TIME
to think. Before Oriel could begin to consider the advantages and disadvantages of doing as she urged, he and Griff were inside, and the door was barred behind them.

The old woman moved around them. She lit a candle that stood on a table and dropped the blanket onto the floor. Under it she wore what seemed to be a man's shirt, large enough to reach almost to her pale knees. She wore no skirt. Her boots flapped as she moved, for the sole was separated from the foot.

Oriel didn't wish to stare at her but he couldn't look away. Her hair hung down stringy white, and her face hung down from its bones, and she breathed heavily through an open mouth in which he could see only a few teeth, scattered over the top and bottom, all as brown as seaweed. He didn't know how to address her.

She gave him no time. “Why they send boys, and spring begun. And you
know
better than to come by day. And then to linger on my stoop.” She shook her head, and peered up into Oriel's face, and then up into Griff's. Her eyes were yellowed, watery.

Oriel was about to offer her the fish in exchange for food, when she wheeled away. “Almost men, almost full-grown, especially the brown one. Not babies. But what are they thinking of?” She wheeled towards them and jabbed with a pointing finger. “What are the men of Selby thinking of when they send you?”

“Nobody sent us,” Oriel said.

“Then how would you know where to find me?”

“We didn't.”

“Liar,” she mumbled, then answered herself, “and how could a lad not be a liar? The world the way it is.”

“Truly, Granny,” he said, having recalled the proper address for the old women in the market town. “Why should anyone send us? We came hoping to trade fish for bread, if you have it.”

“Because if I don't eat I'll die, so they send me food. Bread, fish, cheese, onions, turnips. It waits on the stoop, mornings. I'm never left to go hungry. Because if I die they don't know what worse will happen to them. They're afraid. That's why I have this cottage,” she said, nodding her head, tapping at the side of her head with a crooked forefinger. “They drove me out of Selby, the men of Selby, and they keep me here. Sit down. As long as you're here. You're safe enough with me. I've built no fire, and the shutters hide my light. Should the soldiers come, I know a safe place.” She seated herself on the solitary stool.

“We wish to trade our fish for bread,” Oriel said.

She didn't seem to be looking at them; or, if she was looking at them she didn't seem to be seeing them. “There's the bed,” she said. “There's the floor.”

A stool, a small square table, the bed—and the room was crowded. “Have you bread, Granny?” Oriel asked again.

“Not for days. Can you tell them? But you must not name me Granny. For I'm not. There's no one to call me Granny, there never was nor will be,” she said. “But you're safe here, I promise. Even if it is spring, now. Spring is the hardest time, when the armies have been emptied by the battles of the year before, and over the winter. Summer isn't easy, for in summer they'll take even a boy to fill up empty places, and he'll never be seen again. A girl, too, poor thing— Don't you think about it. There's no ease in thinking on it. Autumn is dangerous, too, because what's left then's the soldiers who have lived through. Good soldiers fight and fall, as all know—the Captains live, and live, and live forever, while good soldiers die in their hundreds. Those that live—or hide away, as I've heard, in hay wains, or run away, I've heard, I've seen them sometimes, like wolves at the edges of the woods, some days. Winter is best, if you have shelter, if you have food, if you have fuel. Do you want to see my babies?” she asked, hopping up from the stool. “How did you come here? I watch the woods.”

Oriel didn't know how to answer. He didn't know what she was asking, and he didn't think it mattered what he answered. But she was like a clay bowl that had been dropped on a stone floor, and shattered into pieces—and she made him uneasy. She wheeled around, standing in front of the bed. Blue veins stood out on her naked legs. Her hair straggled down over her shoulders. “You shan't have my babies. Not one, not any, not boy nor girl, lass that will be, nor lad. I am their guard.”

Oriel looked at Griff, who spoke. “We came by boat,” Griff said, his voice quiet. “We came by water.”

“Then you must go away,” she said, “and by water. Go to an island. The islands are too far, far away, for the armies to reach, they're afraid of water, they know nothing of boats. Go to an island and be safe. I've heard of one, an island all for boys, and the biggest boy cares for the others. The boys live, and farm, and fish, all together. There is no trouble among them. In storms they gather around the fire. The house is of stone, and it has many rooms, room for all the boys. In winter they stay inside, safe, warm, fed. In troubles, the biggest boy settles their troubles for them, the biggest boy decides, and when he gets too old he goes away. Because it's men who make soldiers, and battles,” she confided. “Not boys. Would you eat some bread?” she asked. “Sit, let me feed you. There's the bed, there's the floor. Are those fish? Tell the men of Selby, from me, I thank them for the fish.”

Oriel tried to tell her, again. “We didn't come from Selby.”

“Once the sun sets we can have a small fire, just a little one, just enough to cook a fish over. Meanwhile,” the old woman said, “there's bread. It makes you sick to eat fish uncooked, lads sometimes don't know that.”

She brought a round loaf down from the shelf and held it against her chest while she sawed off pieces with a long knife. Oriel sat beside Griff on the floor, their backs against the door, their legs pulled in close because there was no room to stretch them out. She gave them bread, which filled his mouth with its taste and its promise of sustenance, and he thanked her.

“Men of Selby keep me supplied with bread. For if they don't, what if I were to return to my houses? When my man left,” the old woman said, “he left me with my three houses all in a row, one to live in with my babies and the other two for my keep. He said, he couldn't stand the babies. He said he was sick of the babies. As if he had no idea how babies get into a woman's belly, for all the babies he'd gotten out of my belly? This was before. Before they said I had to leave, before they told me to go away, before they moved me into this house and brought me food. The men of Selby know the soldiers will come here first, whenever the soldiers came this is the first place, and they took my babies. The soldiers came and took them. This, I swear it to you, this the men of Selby knew. I hold them responsible. They can't deny it and they will. But they're afraid. Of me. As much as they are afraid of the soldiers. The soldiers aren't afraid. How did you get here? I watch the woods.”

“By boat,” Griff said. “We came by boat.”

She nodded silently and after a while her eyes closed and her head fell forward onto her chest. The smell of fish filled the room. Oriel looked at Griff. They rose to their feet.

But as soon as they moved she was awake, and standing. “Time for the fire, it's safe now. Come, you—” she pointed at Oriel, “there's tinder ready, you start the fire and you—” she pointed at Griff, “we'll bring the babies out.”

They could have left the house, and easily. Oriel knew that, but he chose not to. There would have been no difficulty in pushing her aside, lifting the bar on the door, and returning to the boat. Once they were out of the house she couldn't have caught them. But there was something fearsome to her, and he feared it. What he knew of fear was that you had to know its face, or it would drive you the way it wanted you to go.

Also, he thought, blowing on the sparks in straw to bring the fire to life, there was something in her madness—because he had no doubt that she was mad—that was so weak he didn't want to hurt it. She was like the fish he'd pulled out of the water, gasping for air before he took pity on it and smashed its head with a stone.

An old woman was different from a fish. You couldn't just smash in an old woman's head, no matter how much that seemed the only kindness you might do her. Not as if she were a fish. Not when she was too mad to know what she was.

“It's too soon! Too early for the babies!” she shrieked now. “You can't go near them, I'll stop you!” She beat at Griff with her hands, without even making them into fists.

Griff backed away, his back to the door, and slid down to where he had sat before. The old woman stood panting over him, then turned around to look at the bed, then turned back to the fire.

“Good lads, good lads,” she said. “How did you get here?”

Oriel answered her again, his voice calm, as the fire flamed among pieces of wood as thick as his wrist, growing steadily warmer and brighter, “We came by boat.”

“Lads are good. I believe. It's soldiers are bad, and men, because you can't make soldiers out of lads. I believe. I wish I were sure.” She had hunkered down by the fire beside Oriel and her hair shielded her face like a greasy white curtain. Then she seemed to see the fire, as if she hadn't known it was there. She pushed herself up, her hand like a claw on his shoulder, picked up the netful of fish and dumped it all onto the flames.

The fire hissed. Smoke rose. Fish lay like seaweed over the fire. There were no coals yet, to burn on beneath the layer of fish. The fish hadn't been gutted. There wouldn't be much eating here, unless you had a taste for undercooked ungutted fish.

“Let me show you my babies,” the old woman said. “Both of you, good lads both, come—little birds in the nest, my little birds in the nest where they are safe—” As she spoke, she got down onto her hands and knees and pulled out from under the bed a long flat wooden box, covered with a blanket.

“Hush now. You must be quiet for now they sleep. All the pretty little birdies, asleep.”

Oriel bent down, looking over one of her shoulders. Griff stood at the other. Kneeling beside the box, she folded back the blanket.

A row of sixteen bundles lay in it, each one wrapped tightly around with cloth, each about the size of a six-month shoat. The old woman reached in and picked one up, cradling it in her arms.

The doll-baby she cradled crackled in her embrace, like a straw mattress. Some of the doll-babies were formed from branches, he saw, and some from field grass, and some—he averted his eyes—looked like human babies, only old and dried up like salted fish. Over the old woman's bent head, his eyes met Griff's.

“Forty-one winters hang off my shoulders now,” the old woman said, her face turning from one of them to the other. “Oh but there was a time . . . I birthed my first babe when I was fourteen summers. He was to have my man's basket shop, this son of mine, and the tools, and the withy brakes down by the river, all was to be his when he grew. But he got the summer fever, but there were other sons by then, to have the shop and tools and learn the weaving ways, but one went to be a soldier for Matteus and one to Karle and then, you see, the soldiers would come and bring their armies behind them, and they took the girls. So I hid my babies, and my man built this hiding place for them, this nest. You see them? They never give a peep. They know, my babies, they know this world. Or course, after my man left— He grew tired of the babies, the way men do. And I couldn't stay in the town, with my babies. And they carried me out here in a cart, and gave me this house so that when the armies come south from Celindon there will be warning to Selby. They bring me my food, too. I'm old now. But I used to be—thirteen summers, and I was as young as you, a lass to your lads, and my breasts were round and white and sweet as moonflowers.” She pulled the doll-baby in close to her chest. “She's safe now, from all of you,” the old woman said, hunched there.

Oriel told Griff, “Something must be done. Something, about this.” He didn't know what he meant, but he felt it strongly. There was a fire in his heart. He didn't know what he might do, but he felt—like wings spreading out underneath him, for flight—that he was the man who might do it. “Something.”