The Thousand Autumns of Jacob De Zoet: A Novel (54 page)

Some objects are potentially movable
, she thinks,
but this one, never
.

'That's it then.' Her murmured breath is white. 'There's no escape.'

Orito considers the next twenty years, the men, and the children removed.

She retreats to the second bend, turns around with difficulty and propels herself forwards, feet first, back to the outer wall and wedges herself tight: she plants her heels on the adjacent stone and pushes . . .

I may as well
, Orito gasps for breath,
try to shift Bare Peak
.

Then she imagines Abbess Izu, announcing her Engiftment.

Jack-knifing herself, she kicks at the stone with the flat of her feet.

She imagines the Sisters' congratulations: gleeful, spiteful and sincere.

Barking her shins, she kicks at the stone again, again and again . . .

She thinks of Master Genmu pawing and gnawing her.

What was that sound?
Orito stops.
Was that a grating sound?

She imagines Suzaku pulling out her first baby; her third; her ninth . . .

Her feet kick the stone until her calves hurt and her neck throbs.

Grit trickles on to her ankles - and suddenly not one but two blocks tumble away and her feet are sticking out into empty space.

She hears stones thump down a low slope, and settle with a thud.

The snow is scabby and ruckled underfoot.
Orientate yourself
, Orito is dazed to be outside the House,
and quickly
. The long gully between the ramped foundations of the House of Sisters and the Shrine's outer wall is five paces wide, but the wall is high as three men: to reach its ramparts, she must find the stairs or a ladder. Left, towards the northern corner is a Moon Gate in the Chinese style: this, Orito has learnt from Yayoi, leads into a triangular courtyard and Master Genmu's fine quarters. Orito hurries in the opposite direction towards the eastern corner. Passing the end of the House of Sisters, she enters a small enclosure accommodating the hen-coop, dovecote and stalls for the goats. The birds stir slightly as she passes, but the goats stay asleep.

The eastern corner is connected by a roofed walkway to the Masters' Hall; by a small storehouse, a bamboo ladder is propped against the outer wall. Daring to hope that escape is just a few moments away, Orito climbs up to the rampart. Level with the Shrine's eaves, she sees the ancient Column of Amanohashira, rising from the Sacred Coutyard. Its spike impales the moon.
Such arresting beauty
, Orito thinks.
Such silent violence
.

She pulls up the bamboo ladder and lowers it over the wall's outer face . . .

The dense pine forest comes to within twenty paces of the Shrine.

. . . but the ladder's feet don't reach the ground. Perhaps there is a dry moat.

The thick shadow below the wall makes it impossible to guess at the drop.

If I jump and break my leg
, she thinks,
I'll freeze to death by sunrise
.

Her numb fingers lose their grip and the ladder falls and shatters.

I need a rope
, she concludes,
or the means to fashion one . . .

Feeling as exposed as a rat on a shelf, Orito hurries along the rampart towards the Great Gate in the southern corner, hoping that freedom can be won over the body of a soundly sleeping sentry. She climbs down the next ladder to a gully between the outer wall and the barn-sized Kitchen and Dining Hall. There is the smell of latrines and soot. Amber light leaks from the Kitchen door. Knives are being sharpened by an insomniac cook. To disguise her footfalls, Orito steps in time to the metallic scrape. The next Moon Gate leads her into the Southern Courtyard, overlooked by the Meditation Hall and populated by two giant cryptomeria: Fujin, the Wind God, bent under his sack of the world's winds; and Raijin, the Thunder God, who steals navels during thunderstorms, holding up his chain of hand-drums. The Great Gate, like Dejima's Land-Gate, consists of tall double-doors for palanquins, and a smaller door through the gatehouse. This door, Orito sees, stands slightly ajar . . .

. . . so she creeps closer along the wall until she smells tobacco and hears voices. She crouches in the shadow of a large barrel. 'Any more charcoal?' a voice drawls. 'My nuts are nuggets of ice.'

A scuttle is rattled empty. 'That's the last,' says a high voice.

'We'll throw dice,' says the drawler, 'for the privilege of getting more.'

'So what are your chances,' says a third voice, 'of having those nuggets melted in the House of Sisters during Engiftment?'

'Not good,' admits the drawler. 'I had Sawarabi three months ago.'

'I had Kagero last month,' says the third voice. 'I'm at the back of the queue.'

'The Newest Sister's bound to be chosen,' says the third voice, 'chances are, so we acolytes shan't snatch a peep all week. Genmu and Suzaku are always the first to dig their hoes into virgin soil.'

'Not if the Lord Abbot visits,' says the drawler. 'Master Annei told Master Nogoro that Enomoto-
dono
befriended her father and guaranteed his loans, so that when the old man crossed the Sanzu the widow had a stark choice: hand over her stepdaughter to Mount Shiranui or lose her house and everything in it.'

Orito has never considered this: here and now, it is sickeningly plausible.

The third voice clucks admiringly. 'A master of strategy, our Lord Abbot . . .'

Orito wishes she could tear the men and their words to pieces, like squares of paper. . . .

'Why go to all the bother to get a samurai's daughter,' asks the high voice, 'when he can pick and choose from any brothel in the Empire?'

'Because this one's a midwife,' answers the drawler, 'who'll stop so many of our Sisters and their Gifts dying during labour. Rumour has it she brought the Nagasaki Magistrate's newborn son back from the dead. Cold and blue, he was, until Sister Orito breathed life back into him . . .'

That single act
, Orito wonders,
is why Enomoto brought me here?

'. . . I'd not be surprised,' continues the drawler, 'if she's a special case.'

'Meaning,' asks the third voice, 'that not even the Lord Abbot honours her?'

'Not even she could stop herself dying in childbirth, right?'

Ignore this speculation
, Orito orders herself.
What if he's wrong
?

'Pity,' says the drawler. 'If you don't look at her face, she's a pretty thing.'

'Mind you,' adds the high voice, 'until Jiritsu is replaced, there's one less--'

'Master Genmu forbade us,' exclaims the drawler, 'ever to mention that treacherous bastard's name.'

'He did,' agrees the third voice. 'He did. Fill the charcoal bucket as penance.'

'But we were going to throw dice for it!'

'Ah. That was prior to your disgraceful lapse. Charcoal!'

The door is flung open: bad-tempered footsteps crunch towards Orito who crouches into a terrified ball. The young monk stops by the barrel and removes its lid, just inches away. Orito hears his teeth chatter. She breathes into her shoulder to hide her breath. He scoops up charcoal, filling the scuttle lump by lump . . .

Any moment now
, she shakes,
any moment now . . .

. . . but he turns away, and walks back to the guardhouse.

Like paper prayers, a year's good luck was burnt away in seconds.

Orito gives up trying to leave through the gates: she thinks,
A rope . . .

Her pulse still fast and frightened, she slips from the purple shadows through the next Moon Gate into a courtyard formed by the Meditation Hall, the Western Wing and the outer wall. The Guest Quarters are a mirror reflection of the House of Sisters: here the laymen of Enomoto's retinue are housed when the Lord Abbot is in residence. Like the nuns, they cannot leave their confinement. General supplies, Orito gathers from the Sisters, are kept in the Western Wing, but it is also the living and sleeping quarters of the Order's thirty or forty acolytes. Some will be sound asleep, but some will not. In the north-western quarter is the Lord Abbot's Residence. This building has been vacant all winter, but Orito has heard the housekeeper talk about airing the sheets in its linen cupboards.
And sheets
, it occurs to her,
can be knotted into ropes
.

She creeps down the gully between the outer wall and the Guest Quarters . . .

A young man's soft laughter escapes the doors, and falls silent.

The fine materials and crest identify the house as the Lord Abbot's.

Exposed from three angles, she climbs up to the gabled doors.

Let them open
, she prays to her ancestors,
let them open . . .

The doors are shuttered fast against the mountain winter.

I'd need a hammer and chisel to get inside
, Orito thinks. She has nearly walked around the perimeter, but is no nearer escaping.
The lack of twenty feet of rope means twenty years of concubinage
.

Across the stone garden of Enomoto's Residence is the Northern Wing.

Suzaku, Orito has learnt, has his quarters here, next to the Infirmary . . .

. . . and an infirmary means patients, beds, sheets and mosquito nets.

Entering one of the wings is a reckless risk, but what choice is left?

The door slides six inches before emitting a high, singing groan. Orito holds her breath to hear the noise of running footsteps . . .

. . . but nothing happens, and the fathomless night smooths itself.

She squeezes through the gap: a door-curtain strokes her face.

Reflected moonlight delineates, dimly, a small entrance hall.

An odour of camphor locates the Infirmary through a right-hand door.

There is a sunken doorway to her left, but the fugitive's instinct says,
No . . .

She slides open the right-hand door.

The darkness resolves itself into planes, lines and surfaces . . .

She hears the rustling of a straw-filled futon and a sleeper's breathing.

She hears voices and footsteps: two men, or three.

The patient yawns and asks, ' 'S anyone there?'

Orito withdraws to the entrance hall, slides the Infirmary door shut and peers around the shrieking door. A lantern-bearer is less than ten paces away.

He is looking this way, but the glow of his light impairs his vision.

Now Master Suzaku's voice can be heard in the Infirmary.

The fugitive has nowhere to run but the sunken doorway.

This may be the end
, Orito shivers,
this may be the end . . .

The Scriptorium is walled from floor to ceiling with shelves of scrolls and manuscripts. On the other side of the sunken door, someone trips and mutters a curse. Fear of capture pushes Orito into the large chamber before she can be certain that it is unoccupied. A pair of writing-tables is illuminated by a double-headed lantern, and a small fire licks a kettle hanging over the brazier. The side-aisles provide hiding-places,
but hiding-places
, she thinks,
are also traps
. Orito walks along the aisle towards the other door, which, she guesses, leads into Master Genmu's Quarters, and enters the globe of lamplight. She is afraid to leave the empty room but afraid to stay and afraid to go back. In her indecision, she glances down at a half-finished manuscript on one of the tables: with the exceptions of the wall-hangings in the House of Sisters, these are the first written characters the scholar's daughter has seen since her abduction, and despite the danger, her hungry eye is drawn. Instead of a sutra or sermon, she finds a half-composed letter, written not in the ornate calligraphy of an educated monk but a more feminine hand. The first column she reads obliges her to read the second, and the third . . .