The Turnaround (6 page)

“He’s hoping they play Vomit Rooster,” said Billy.

“
Atomic
Rooster,” said Alex.

“Nights in White Satin” came on the radio, but Billy switched it because they weren’t stoned. He switched off another station that was playing that Lobo song about the dog and stayed with another one only long enough to change the words of the Roberta Flack hit to “The first time ever I sat on your face.” Billy found a station that was spinning music with guitars and let it ride. They listened to singles by T-Rex, Argent, and Alice Cooper, and when “Day After Day” came on, Billy turned it all the way up. They were down near Foggy Bottom by the time the song had finished. Pete found a place to park.

They walked to a nightclub owned by Blackie Auger. They weren’t old enough to drink, but all of them had draft cards they had bought from older guys in the neighborhood. The doorman had a look at them, saw three guys in jeans from the working-class side of the suburbs, and balked at letting them in. But Alex talked them through the door by saying he knew Blackie, the legendary Greek restaurateur and bar owner. Alex did not know Auger and neither did his parents. In fact, he was in an entirely different class of Greek American and had never come in contact with him. Alex’s family attended “the immigrant church” on 16th Street, while Auger and others of his standing were members of the “uptown” cathedral at 36th and Mass.

The doorman let them pass. The chance that the kid might be telling the truth was their ticket in.

They knew they were out of place as soon as they entered the club. The men were in their twenties and wore stacks and tight double-knit trousers, with rayon big-collared shirts opened to expose chest hair, medallions, crucifixes, and gold anchors. The women wore dresses and did not look their way. Those on the dance floor seemed to know the current steps. Alex, Billy, and Pete could do stuff they’d seen on the
Soul Train
dance line, but that was all. Their stay was cut short when a guy with a dollar sign for a belt buckle said something to Billy about being “in the wrong club,” and Billy, who was smoking a Marlboro at the time, said, “Yeah, I didn’t know this was a fag bar,” and flicked his live cigarette off the dude’s chest. The same doorman who had let them in told the boys to get out and “don’t never” come back.

“Don’t never,” said Pete, out on the sidewalk. “Dumbass used a double negative.”

Billy and Alex didn’t know what Pete meant, but they figured it was something about Pete being smarter than the bouncer. Being tossed had been momentarily embarrassing, but none of them felt bad about it for long. It had been fun watching the sparks fly off that dude’s chest, hearing Billy’s cackle of a laugh as the guy balled his fists but didn’t step forward, Billy not giving a good fuck about anything, which was his way.

They drove around some more and drank beer. They thought about going to the Silver Slipper, but the club had a drink minimum and enforced it, and anyway, the Slipper featured burlesque dancers, and burlesque to them meant the ladies didn’t show snatch and took their time about showing bare tit. They ended up buying tickets to a movie called
The Teachers,
down at 9th and F, at a theater called the Art, which was the wrong name for the place because it was just a stroke house. In the auditorium, which smelled of tobacco, perspiration, and damp newspapers, they sat apart from one another so no one would think they were like that and watched the movie and the older guys in the audience who moaned while they jacked off. Alex got an erection but nothing like the strong one he got while making out with Karen, and thinking of her made him lonely and sad to be where he was. The other guys must have been feeling something like that, too, since they mutually decided to leave before the end of the film. On the way to the car they joked about the fact that all the girl characters were named Uta.

They drove over to Shaw. The beer was warm now, but they continued to drink it. At 14th and S they talked about the time they had bought a whore on that corner for Pete’s sixteenth birthday, a rite of passage for boys in the D.C. area, and joked with Pete about how he had shot off the second he got inside her. In fact, he had blown his load on the dirty sheets of the bed in a tiny third-floor row house room before he had the opportunity to insert his pecker, but he hadn’t related this to his friends. It was bad enough that he had lost his cherry to a black hooker named Shyleen. These guys were the only ones who knew that he had done this thing, and the story would die with their friendship. He would be gone in a year, off to college and a new life. It couldn’t come fast enough.

“Remember when we gave her the fifteen dollars?” said Billy. “Right out on the street? She said, ‘Put that money away; you tryin to get me ’rested?’ ”

Alex had been there. The girl had said “arrested,” not “ ’rested.”

“What do you expect from a boofer?” said Billy.

“Don’t talk about your mama like that,” said Pete.

At U Street, they started up the long hill, going north. From U up to Park Road, the commercial and residential district had been burned and virtually destroyed in the riots. What was left was boarded and charred. Many businesses that had managed to remain standing had closed and moved on.

“Man, did they fuck this up,” said Pete.

“Wonder where the people who lived here went,” said Alex.

“They all out in Nee-grow Heights,” said Billy.

“How do you know, you been out there?” said Pete.

“Your daddy has,” said Billy.

“’Cause you’re always talking about it,” said Pete. “When you gonna stop talking and do it?”

Billy, Pete, and Alex lived a few miles from Heathrow Heights, but they knew of it only by reputation and had not come into contact with its residents. The black kids who lived there were bused to a high school in the wealthier section of Montgomery County whose white students were bound for college, while the boys who went to the high school in down-county Silver Spring were known to be an unpolished mixture of stoners, greasers, and jocks, with a few closet academics in the mix.

“What, you think I’m afraid to go there?” said Billy. “
I’m
not afraid.”

Billy
was
afraid. Of this Alex was certain. Like Billy’s old man, who told nigger jokes on the steps of their church, where everyone gathered after the liturgy. Mr. Cachoris was afraid of black people, too. That’s all it was: fear turned into hate. Billy wasn’t a bad guy, not really. His father had taught him to be ignorant. With Pete it was something different. He always had to look down on someone. Alex wasn’t very book smart, but these were things he knew.

“I just wanna go home.”

“Alex got himself a nig girlfriend down at his father’s coffee shop,” said Billy. “He doesn’t like it when I talk bad about his peoples.”

Billy and Pete gave each other skin and laughed. Alex got small in his seat. Wondering, as he often did when he was coming down at the end of the night, why he hung with these guys.

“I’m tired,” said Alex.

“Pappas wanna go night-night,” said Pete.

Pete Whitten tipped his head back to kill his beer, his long blond hair catching the wind.

The boys grew quiet on the ride home.

RAYMOND WAS in his bed, listening to the crickets making their sounds out in the yard. He and James kept the windows open in their room three seasons of the year. Their father had made wood-frame screens that slid apart like wings to fit the space and hold up the sash windows, which no longer stayed up on their own, as their tracked ropes had long since torn. Ernest Monroe could fix most anything with his hands.

Raymond, wearing only briefs, lay atop the sheets, wide awake. He was excited by what he’d found and also feeling a bit guilty for going through his brother’s dresser drawers. James had come in a while ago, said he was tired, and flopped down on his bed. That would have been the time to talk about the gun, but Raymond had been hesitant. He had been wrong to do what he’d done. He’d have to admit that his interest had been stirred by Charles and Larry, and Raymond knew that James didn’t think much of them. It was complicated, trying to find the best way to start the conversation. By the time he’d gotten up the courage to do it, a stillness had fallen in the room that told Raymond he had waited too long.

“Hey, James,” said Raymond.

The crickets rubbed their legs together. A little dog barked from the backyard of the tiny house down the street where Miss Anna lived.

Softly, Raymond said, “James.”

Four

T
HREE TEENAGE boys cruised the streets in a Gran Torino, drinking beer, smoking weed, and listening to the radio. Three Dog Night’s “Black and White” came from the dash speaker. The vocalist sang, “The world is black, the world is white / Together we learn to read and write.” Billy sang along but changed the words to “Your daddy’s black, your mama’s white / Your daddy likes his poontang tight.” They had heard Billy sing this one many times, but they were laughing as if it were new to them. The three of them had just blown a fat bone. Though the temperature was in the upper eighties, they had rolled up the windows to keep the high in the car.

Billy sat under the wheel of the Torino, a green-over-green two-door with a 351 Cleveland under the hood, his dad’s latest loaner. He wore a red bandanna over his thick black hair. He looked like a heavy pirate.

“Pin this piece,” said Alex from the backseat.

Billy gave the Ford gas. Beneath them, dual pipes rumbled pleasantly as they headed up a long rise on an east–west residential thruway. They were nearing the small commercial district not far from their neighborhood.

“Mach One,” said Billy, reverently. “Hear it roar.”

“It’s a Torino,” said Pete, riding shotgun.

“Same engine as the Mach,” said Billy. “That’s all I’m sayin.”

“To
ree
no,” said Pete.

“Least I’m drivin a car,” said Billy.

“It’s off your dad’s lot,” said Pete. “It’s like a rental.”

“Still, I’m
drivin
it. Wasn’t for me, you’d be walkin.”

“To your mother’s house,” said Pete.

Billy’s wide shoulders shook. He laughed easily, the way big guys did, even when a friend was cracking on his mother.

“Your baby sister, too,” said Pete, holding his hand palm up so that Alex could slap him five. Alex did it sharply, and the action made Pete’s straight shoulder-length hair move about his face.

Pete killed his Schlitz and tossed the can over the seat. It hit the other ones they had drained that day, now in a heap on the floorboard, and made a dull sound.

“I need cigarettes,” said Billy.

“Pull into the Seven-Ereven,” said Pete, like he was a Chinese trying to talk American.

They parked and got out of the car. They wore 501 straight-leg Levi’s, rolled up at the cuffs, and pocket T-shirts. Pete wore Adidas Superstars, and Billy sported a pair of denim Hanover wedges. Alex wore his Chucks. The boys weren’t stylish, but they had down-county style.

The store was not a 7-Eleven, but it had been one for a time, and the three boys still identified it as such. Now run by a family of Asians, its primary offerings were beer and wine. As the boys entered, Climax’s “Precious and Few” played through a cheap sound system from behind the counter. One of the Asians was singing along softly, and when he came to “precious,” he sang “pwecious.” When Alex heard this he chuckled. He found these things funny when he was high. Alex went to the candy aisle and stared at its display.

Pete and Billy had a brief conversation that ended with a bit of laughter. Then Pete went to a spinning rack and tried on a hat with a hooked-bass patch stitched on its front while Billy bought cigarettes, Hostess cherry pies, and beer. They never carded Billy here or anywhere else. He looked like a man.

Outside, Billy broke the cellophane on a hardpack of Marlboro Reds, tore out the foil, and extracted a cigarette. He fired it up with a Zippo lighter that had an eight ball inlaid on it. He had lifted it at the Cue Club after some greaser had left it lying on a rail.

“What do you girls wanna do now?” said Pete.

They were standing by the car in the direct sun. The heat was coming up in waves off the sidewalk. Billy held the bag of beer and cherry pies under his arm.

“Drink this brew before it gets too hot to drink it,” said Billy.

“Who don’t know that?” said Alex.

Pete watched Billy smoke. Pete didn’t use cigarettes himself. His father said his friends came from uneducated people and that was why they had stupid habits. Pete took mild offense at this and expressed it vocally, but he felt in his heart that his father was right.

“Y’all ready to get torched?” said Billy.

Alex shrugged a Why not? There was nothing to do on this Saturday afternoon but get higher than they were now.

Billy finished smoking. He flicked his cigarette out into the parking lot with practiced nonchalance.

“Let’s roll, Clitoris,” said Pete to Billy Cachoris.

They got back into the Ford.

THEY DRANK six more beers and smoked another joint of Colombian, scored that morning, and got stoned and reckless behind the alcohol they had been pouring on empty stomachs. “Tumbling Dice” was finishing up on the radio, and Pete had cranked it up. In front, Billy and Pete were heatedly discussing the Fourth of July Stones concert, which had included good bud, a party ball of sour mash whiskey, and a girl in a halter top.

“God made halters,” said Billy, “so blind guys can grab tit.”

“Jenny Maloney,” said Pete, naming the pom-pom girl at their high school whom the boys called the Hole. “She’s got this one halter top, boy . . .”

Alex remembered the girl in the halter top and Peanut jeans who had danced in front of him during the concert. He could recall the details of the entire day. He, Billy, and Pete had gone down to RFK Stadium on the morning of the Fourth in the Whitten family Oldsmobile and parked in the main lot, where the Dead and the Who were blasting from the open windows of cars and vans. They had brought sandwiches, packed by Alex’s mom, and a dude in a wheelchair traded them a small piece of hash for a ham-and-Swiss. They smoked it, got up immediately, and went to join the crowds moving toward the venue. When the gates opened, the expected chaotic surge ensued, caused by the festival seating policy, which had thousands trying to enter the stadium at once. Coolers holding bottles of beer and liquor were being smashed by security guards, and at one point Alex was pinned against a chain-link fence, only to be rescued by Billy, who yelled, “Jerry Kramer!” with joy as he body-blocked a big man to the ground and set Alex free. Alex, Billy, and Pete found seats behind the dugout, where Alex had sat with his father at baseball games before the Nats left town, and commenced smoking one of the many joints they had rolled that morning with Top papers. Martha Reeves and the Vandellas came on first, played “Dancing in the Street,” and when they sang the phrase “Baltimore and D.C.,” the audience lit up. The girl in the halter top danced before them, her hips alive, and the boys imagined her in the act, all of them transfixed. Stevie Wonder appeared next, oddly opening with “Rockin’ Robin,” a hit for Michael Jackson earlier that year, and then got the throngs going when he moved into his own material. During “Signed, Sealed, Delivered (I’m Yours),” a handler came out and turned Stevie around, as he was inadvertently singing to the empty, obstructed-view portion of the stands. After a dead period during which people got more inebriated, more unruly, and more high, the Stones walked onto the stage, and Mick Jagger, cocaine skinny in a white jumpsuit and red silk scarf, shouted, “Hello, campers!” launching the band into “Brown Sugar.” Forty thousand were up on their feet, fueled by alcohol, speed, acid, pot, and youth. A police officer twirled his nightstick in unison with the rhythm section. The band played cuts from
Exile on Main Street,
which had recently been released. Mick Taylor’s guitar solo on “You Can’t Always Get What You Want” was epic. Jagger pranced, pirouetted, and whipped the stage with a leather belt during “Midnight Rambler.” Jagger toasted the crowd with a bottle of Jack, saying, “I drink to your independence.” Tear gas drifted in from police action outside the stadium. The boys’ eyes burned, but they didn’t care. Girls who tried to climb onstage were thrown off or hauled away by security and had their hands cut by nails driven up through the stage’s edge. Near the end of the concert, during a violent “Jumpin’ Jack Flash,” the houselights were turned on, and the smoke in the air was industrial as it moved up into the night sky. Alex could not remember being happier. He had never experienced anything like this and doubted that anything in his life would ever top it.