The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (101 page)

"I don't know," I replied, somewhat surprised by the question and by my interrogator. "There are terrifying depths in human nature — more abhorrent than those of the jungle."

"I agree. But how could such impulses, unknown to the most brutal progenitors of man, have been implanted in his nature, unless through some ulterior agency?"

"You believe, then, in the existence of an evil force or entity — a Satan or an Ahriman?"

"I believe in evil — how can I do otherwise when I see its manifestations everywhere? I regard it as an all-controlling power; but I do not think that the power is personal in the sense of what we know as personality. A Satan? No. What I conceive is a sort of dark vibration, the radiation of a black sun, of a center of malignant eons — a radiation that can penetrate like any other ray — and perhaps more deeply. But probably I don't make my meaning clear at all."

I protested that I understood him; but, after his burst of communicativeness, he seemed oddly disinclined to pursue the conversation. Evidently he had been prompted to address me; and no less evidently, he regretted having spoken with so much freedom. He arose; but before leaving, he said:

"I am Jean Averaud — perhaps you have heard of me. You are Philip Hastane, the novelist. I have read your books and I admire them. Come and see me sometime — we may have certain tastes in common."

Averaud's personality, the conception he had avowed, and the intense interest and value which he so obviously attached to these conceptions, made a singular impression on my mind, and I could not forget him. When, a few days later, I met him on the street and he repeated his invitation with a cordialness that was unfeignedly sincere, I could do no less than accept. I was interested, though not altogether attracted, by his bizarre, well-nigh morbid individuality, and was impelled by a desire to learn more concerning him. I sensed a mystery of no common order — a mystery with elements of the abnormal and the uncanny.

The grounds of the old Larcom place were precisely as I remembered them, though I had not found occasion to pass them for some time. They were a veritable tangle of Cherokee rose-vines, arbutus, lilac, ivy and crepe-myrtle, half overshadowed by the great cypresses and somber evergreen oaks. There was a wild, half-sinister charm about them — the charm of rampancy and ruin. Nothing had been done to put the place in order, and there were no outward repairs in the house itself, where the white paint of bygone years was being slowly replaced by mosses and lichens that flourished beneath the eternal umbrage of the trees. There were signs of decay in the roof and pillars of the front porch; and I wondered why the new owner, who was reputed to be so rich, had not already made the necessary restorations.

I raised the gargoyle-shaped knocker and let it fall with a dull, lugubrious clang. The house remained silent; and I was about to knock again, when the door opened slowly and I saw for the first time the mulatress of whom so many village rumors had reached me.

The woman was more exotic than beautiful, with fine, mournful eyes and bronze-colored features of a semi-negroid irregularity. Her figure, though, was truly perfect, with the curving lines of a lyre and the supple grace of some feline animal. When I asked for Jean Averaud, she merely smiled and made signs for me to enter. I surmised at once that she was dumb.

Waiting in the gloomy library to which she conducted me, I could not refrain from glancing at the volumes with which the shelves were congested. They were an ungodly jumble of tomes that dealt with anthropology, ancient religions, demonology, modern science, history, psychoanalysis and ethics. Interspersed with these were a few romances and volumes of poetry. Beausobre's monograph on Manichaeism was flanked with Byron and Poe; and "Les Fleurs du Mal" jostled a late treatise on chemistry.

Averaud entered, after several minutes, apologizing profusely for his delay. He said that he had been in the midst of certain labors when I came; but he did not specify the nature of these labors. He looked even more hectic and fiery-eyed than when I had seen him last. He was patently glad to see me, and eager to talk.

"You have been looking at my books," he observed immediately. "Though you might not think so at first glance, on account of their seeming diversity, I have selected them all with a single object: the study of evil in all its aspects, ancient, medieval and modern. I have traced it in the religions and demonologies of all peoples; and, more than this, in human history itself. I have found it in the inspiration of poets and romancers who have dealt with the darker impulses, emotion and acts of man. Your novels have interested me for this reason: you are aware of the baneful influences which surround us, which so often sway or actuate us. I have followed the working of these agencies even in chemical reactions, in the growth and decay of trees, flowers, minerals. I feel that the processes of physical decomposition, as well as the similar mental and moral processes, are due entirely to them.

"In brief, I have postulated a monistic evil, which is the source of all death, deterioration, imperfection, pain, sorrow, madness and disease. This evil, so feebly counteracted by the powers of good, allures and fascinates me above all things. For a long time past, my life-work has been to ascertain its true nature, and trace it to its fountain-head. I am sure that somewhere in space there is the center from which all evil emanates."

He spoke with a wild air of excitement, of morbid and semi-maniacal intensity. His obsession convinced me that he was more or less unbalanced; but there was an unholy logic in the development of his ideas; and I could not but recognize a certain disordered brilliancy and range of intellect.

Scarcely waiting for me to reply, he continued his monologue:

"I have learned that certain localities and buildings, certain arrangements of natural or artificial objects, are more favorable to the reception of evil influences than others. The laws that determine the degree of receptivity are still obscure to me; but at least I have verified the fact itself. As you know, there are houses or neighborhoods notorious for a succession of crimes or misfortunes; and there are also articles, such as certain jewels, whose possession is accompanied by disaster. Such places and things are receivers of evil... I have a theory, however, that there is always more or less interference with the direct flow of the malignant force; and that pure, absolute evil has never yet been manifested.

"By the use of some device which would create a proper field or form a receiving station, it should be possible to evoke this absolute evil. Under such conditions, I am sure that the dark vibration would become a visible and tangible thing, comparable to light or electricity." He eyed me with a gaze that was disconcertingly exigent. Then:

"I will confess that I have purchased this old mansion and its grounds mainly on account of their baleful history. The place is unusually liable to the influences of which I have spoken. I am now at work on an apparatus by means of which, when it is perfected, I hope to manifest in their essential purity the radiations of malign force."

At this moment, the mulatress entered and passed through the room on some household errand. I thought that she gave Averaud a look of maternal tenderness, watchfulness and anxiety. He, on his part seemed hardly to be aware of her presence, so engrossed was he in the strange ideas and the stranger project he had been expounding. However, when she had gone, he remarked:

"That is Fifine, the one human being who is really attached to me. She is mute, but highly intelligent and affectionate. All my people, an old Louisiana family, are long departed... and my wife is doubly dead to me." A spasm of obscure pain contracted his features, and vanished. He resumed his monologue; and at no future time did he again refer to the presumably tragic tale at which he had hinted: a tale in which, I sometimes suspect, were hidden the seeds of the strange moral and mental perversion which he was to manifest more and more.

I took my leave, after promising to return for another talk. Of course, I considered now that Averaud was a madman; but his madness was of a most uncommon and picturesque variety. It seemed significant that he should have chosen me for a confidant. All others who met him found him uncommunicative and taciturn to an extreme degree. I suppose he had felt the ordinary human need of unburdening himself to someone; and had selected me as the only person in the neighborhood who was potentially sympathetic.

I saw him several times during the month that followed. He was indeed a strange psychological study; and I encouraged him to talk without reserve — though such encouragement was hardly necessary. There was much that he told me — a strange medley of the scientific and the mystic. I assented tactfully to all that he said, but ventured to point out the possible dangers of his evocative experiments, if they should prove successful. To this, with the fervor of an alchemist or a religious devotee, he replied that it did not matter — that he was prepared to accept any and all consequences.

More than once he gave me to understand that his invention was progressing favorably. And one day he said, with abruptness:

"I will show you my mechanism, if you care to see it." I protested my eagerness to view the invention, and he led me forthwith into a room to which I had not been admitted before. The chamber was large, triangular in form, and tapestried with curtains of some sullen black fabric. It had no windows. Clearly, the internal structure of the house had been changed in making it; and all the queer village tales, emanating from carpenters who had been hired to do the work, were now explained. Exactly in the center of the room, there stood on a low tripod of brass the apparatus of which Averaud had so often spoken.

The contrivance was quite fantastic, and presented the appearance of some new, highly complicated musical instrument. I remember that there were many wires of varying thickness, stretched on a series of concave sounding-boards of some dark, unlustrous metal; and above these, there depended from three horizontal bars a number of square, circular and triangular gongs. Each of these appeared to be made of a different material; some were bright as gold, or translucent as jade; others were black and opaque as jet. A small hammer-like instrument hung opposite each gong, at the end of a silver wire.

Averaud proceeded to expound the scientific basis of his mechanism. The vibrational properties of the gongs, he said, were designed to neutralize with their sound-pitch all other cosmic vibrations than those of evil. He dwelt at much length on this extravagant theorem, developing it in a fashion oddly lucid. He ended his peroration:

"I need one more gong to complete the instrument; and this I hope to invent very soon. The triangular room, draped in black, and without windows, forms the ideal setting for my experiment. Apart from this room, I have not ventured to make any change in the house or its grounds, for fear of deranging some propitious element or collocation of elements."

More than ever, I thought that he was mad. And, though he had professed on many occasions to abhor the evil which he planned to evoke, I felt an inverted fanaticism in his attitude. In a less scientific age he would have been a devil-worshipper, a partaker in the abominations of the Black Mass; or would have given himself to the study and practice of sorcery. His was a religious soul that had failed to find good in the scheme of things; and lacking it, was impelled to make of evil itself an object of secret reverence.

"I fear that you think me insane," he observed in a sudden flash of clairvoyance. "Would you like to watch an experiment? Even though my invention is not completed, I may be able to convince you that my design is not altogether the fantasy of a disordered brain."

I consented. He turned on the lights in the dim room. Then he went to an angle of the wall and pressed a hidden spring or switch. The wires on which the tiny hammers were strung began to oscillate, till each of the hammers touched lightly its companion gong. The sound they made was dissonant and disquieting to the last degree — a diabolic percussion unlike anything I have ever heard, and exquisitely painful to the nerves. I felt as if a flood of finely broken glass was pouring into my ears.

The swinging of the hammers grew swifter and heavier; but, to my surprise, there was no corresponding increase of loudness in the sound. On the contrary, the clangor became slowly muted, till it was no more than an undertone which seemed to be coming from an immense depth or distance — an undertone still full of disquietude and torment, like the sobbing of far-off winds in hell, or the murmur of demonian fires on coasts of eternal ice.

Said Averaud at my elbow:

"To a certain extent, the combined notes of the gongs are beyond human hearing in their pitch. With the addition of the final gong, even less sound will be audible."

While I was trying to digest this difficult idea, I noticed a partial dimming of the light above the tripod and its weird apparatus. A vertical shaft of faint shadow, surrounded by a still fainter penumbra, was forming in the air. The tripod itself, and the wires, gongs and hammers, were now a trifle indistinct, as if seen through some obscuring veil. The central shaft and its penumbra seemed to widen; and looking down at the flood, where the outer adumbration, conforming to the room's outline, crept toward the walls, I saw that Averaud and myself were now within its ghostly triangle.