The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (180 page)

BOOK: The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics)
4.68Mb size Format: txt, pdf, ePub
 

'Faugh! ' the Master exclaimed. 'He left his devils behind when he came here; but he found others... It is time that we went out for a walk in the sun. Manthar, my good lubberly apprentice, I would have you build a fire of driftwood on the beach. Pile on the fuel without sparing, to make a bed of coals deep and hot and red as the hearth of hell, in which to roast us a dozen crabs. But be careful to choose the ones that have come freshly from the sea.'

 

THE MAZE OF MAÂL DWEB

 

By the light of the four small waning moons of Xiccarph, Tiglari had crossed that bottomless swamp wherein no reptile dwelt and no dragon descended; but where the pitch-black ooze was alive with incessant heavings. He had not cared to use the high causey of corundum that spanned the fen, and had threaded his way with much peril from isle to sedgy isle that shuddered gelatinously beneath him. When he reached the solid shore and the shelter of the palm-tall rushes, he did not approach the porphyry stairs that wound skyward through giddy chasms and along glassy scarps to the house of Maal Dweb. The causey and the stairs were guarded by the silent, colossal automatons of Maal Dweb, whose arms ended in long crescent blades of tempered steel which were raised in implacable scything against any who came thither without their master's permission.

 

Tiglari's naked body was smeared with the juice of a plant repugnant to all the fauna of Xiccarph. By virtue of this he hoped to pass unharmed the ferocious ape-like creatures that roamed at will through the tyrant's cliff-hung gardens. He carried a coil of woven root-fibre, strong and light, and weighted with a brazen ball, for use in climbing the mesa. At his side, in a sheath of chimera-skin, he wore a needle-sharp knife that had been dipped in the poison of winged vipers.

 

Many, before Tiglari, with the same noble dream of tyrannicide, had attempted to cross the fen and scale the scarps. But none had returned; and the fate of such as had won to the palace of Maal Dweb was a much-disputed problem. But Tiglari, the skilled jungle hunter, was undeterred by the hideous dubieties before him.

 

That escalade would have been an improbable feat by the full light of the three suns of Xiccarph. With eyes keen as those of some night-flying pterodactyl, Tiglari hurled his weighted coil about narrow coigns and salients. He climbed with simian ease from footheld to foothold; and at length he gained a little buttress beneath the last cliff. From this vantage it was easy to fling his rope around a crooked tree that leaned gulfward with scimitar-like foliage from the gardens.

 

Evading the sharp, semi-metallic leaves that slashed downward as the tree bent limberly with his weight, he stood, stooping warily, on the fearsome and fabled mesa. Here, it was said, with no human aid, the half-demoniac sorcerer had carved a mountain's pinnacles into walls, domes and turrets, and had leveled the rest of the mountain to a flat space about them. This space he had covered with loamy soil, produced by magic; and therein he had planted. curious baneful trees from outlying worlds, together with flowers that might have been those of some exuberant hell.

 

Little enough was known of these gardens; but the flora that grew upon the northern, southern and western sides of the palace was believed to be less deadly than that which faced the dawning of the three suns. Much of this latter vegetation, accordiag to myth, had been trained and topiarized in the form of a labyrinth, balefully ingenious, that concealed atrocious traps and unknown dooms. Mindful of this labyrinth, Tiglari had approached the place on the side toward the sunset.

 

Breathless from his climb, he crouched in the garden shadows. About him heavy-hooded blossoms leaned in venomous languor, or fawned with open mouths that exhaled a narcotic perfume or diffused a pollen of madness. Anomalous, multiform, with silhouettes that curdled the blood or touched the mind with nightmare, the trees of Maal Dweb appeared to gather and conspire against him. Some arose with the sinuous towering of plumed pythons, of aigretted dragons. Others crouched with radiating limbs like the hairy members of giant spiders. They seemed to close in upon Tiglari. They waved their frightful darts of thorn, their scythe-like leaves. They blotted the four moons with webs of arabesque menace.

 

With endless caution the hunter made his way forward, seeking a rift in the monstrous hedge. His faculties, ever alert, wore quickened still more by fear and hatred. The fear was not for himself but for the girl Athlé, his beloved and the fairest of his tribe, who had gone up alone that evening by the causey of corundum and the porphyry stairs at the summons of Maal Dweb. His hatred was that of an outraged lover for the all-powerful, all-dreaded tyrant whom no man had ever seen, and from whose abode no woman ever came back; who spoke with an iron voice audible in far cities or outmost jungles; who punished the disobedient with a doom of falling fire swifter than the thunderstone.

 

Maal Dweb had taken ever the fairest from among the maidens of the planet Xiccarph; and no mansion of the walled towns, or outland cave, was exempt from his scrutiny. He had chosen no less than fifty girls during the period of his tyranny; and these, forsaking their lovers and kinsfolk voluntarily, lest the wrath of Maal Dweb should descend upon them, had gone one by one to the mountain citadel and were lost behind its cryptic walls. There, as the odalisques of the ageing sorcerer, they were supposed to dwell in halls that multiplied their beauty with a thousand mirrors; and were said to have for servants women of brass and men of iron.

 

Tiglari had poured before Athlé his uncouth adoration and the spoils of the chase, but having many rivals, was unsure of her favor. Cool as a river-lily, she had accepted inpartially his worship and that of the others, among whom the warrior Mocair was perhaps the most formidable. Returning from the hunt, Tiglari had found the tribe in lamentation; and learning that Athlé had departed to the harem of Maal Dweh, was swift to follow. He had not told his intention to anyone, since the ears of Maal Dweb were everywhere; and he did not know whether Mocair or any of the others had preceded him in his desperate errantry. But it was not unlikely that Mocair had already dared the obscure and hideous perils of the mountain.

 

The thought of this was enough to drive Tiglari forward with a rash disregard of the clutching foliations and reptile flowers. He came to a gap in the horrible grove, and saw the saffron lights from the sorcerer's windows. The lights were vigilant as dragon's eyes, and appeared to regard him with an evil awareness. But Tiglari leapt toward them, across the gap, and heard the clash of sabered leaves meeting behind him.

 

Before him was an open lawn, covered with a queer grass that squirmed like innumerable worms under his feet. He did not care to linger upon that lawn. There were no footmarks in the grass; but, nearing the palace portico, he saw a coil of thin rope that someone had flung aside, and surmised that Mocair had preceded him.

 

There were paths of mottled marble about the palace, and fountains that played from the throats of carven monsters. The open portals were unguarded, and the whole building was still as a mausoleum lit by windless lamps. Tiglari, however, mistrusted this appearance of quietude and slumber, and followed the bordering paths for some distance before daring to approach nearer to the palace.

 

Certain large and shadowy animals, which he took for the apish monsters of Maal Dweb, went by him in the gloom. Some of them ran in four-footed fashion, while others maintained the half-erect posture of anthropoids; but all were hairy and uncouth. They did not offer to molest Tiglari; but, whining dismally, they slunk away as if to avoid him. By this token he knew that they were actual beasts, and could not abide the odor with which he had smeared his limbs and torso.

 

At length he came to a lampless, column-crowded portico; and, gliding silently as a jungle snake, he entered the mysterious house of Maal Dweb. A door stood open behind the dark pillars; and beyond the door he discerned the dim reaches of an empty hall.

 

Tiglari went in with redoubled caution, and began to follow the arrased wall. The place was full of unknown perfumes, languorous and somnolent: a subtle reek as of censers in hidden alcoves of love. He did not like the perfumes; and the silence troubled him more and more. It seemed to him that the darkness was thick with unheard breathings, was alive with invisible movements.

 

Slowly, like the opening of great yellow eyes, yellow, flames arose in lamps of copper along the hall. Tiglari hid himself behind an arras; and peering forth presently, he saw that the hall was still deserted. Finally he dared to resume his progress. All around him the rich hangings, broidered with purple men and blue women on a field of blood, appeared to stir with uneasy life in a wind he could not feel. But there was no sign of the presence of Maal Dweb or his metal servitors and human odalisques.

 

The doors on either side of the hall, with cunningly mated valves of ebony and ivory, were all closed. At the far end Tiglari saw a thin rift of light in a somber double arras. Parting the arras very slowly, he peered through into a huge brilliantly lit chamber that seemed to be the harem of Maal Dweb, peopled with all the girls that the enchanter had summoned to his dwelling. It seemed, in fact, that there were hundreds, leaning or lying on ornate couches, or standing in attitudes of languor or terror. Tiglari discerned in the throng the women of Ommu-Zain, whose flesh is whiter than desert salt; the slim girls of Uthmai, who are molded from breathing, palpitating jet; the queenly topaz girls of equatorial Xala; and the small women of Ilap, who have the tones of newly greening bronze. But among them all he could not find the lotus-like beauty of Athlé.

 

Much he marveled at the number of the women and the perfect stillness with which they maintained their various postures. They were like goddesses that slept in some enchanted hall of eternity. Tiglari, the intrepid hunter, was awed and frightened. These women — if indeed they were women and not mere statues — were surely the thralls of a death-like spell. Here, indeed, was proof of the sorcery of Maal Dweb.

 

However, if Tiglari were to continue his search, he must traverse that enchanted chamber. Feeling that a marble sleep might descend upon him at the crossing of the sill, he went in with held breath and furtive leopard-like paces. About him the women preserved their eternal stillness. Each, it seemed, had been overcome by the spell at the instant of same particular emotion, whether of fear, wonder, curiosity, vanity, weariness, anger or voluptuousness. Their number was fewer than he had supposed; and the room itself was smaller: but metal mirrors, paneling the walls, had created an illusion of multitude and immensity.

 

At the farther end he parted a second double arras, and peered into a twilight chamber illumined dimly by two censers that gave forth a parti-colored glow. The censers stood on tripods, facing each other. Between them, beneath a canopy of some dark and smoldering stuff with hinges braided like women's hair, was a couch of nightdeep purples bordered with silver birds that fought against golden snakes.

 

On the couch, in sober garments, a man reclined as if weary or asleep. The man's face was dim with ever-wavering shadows; but it did mot occur to Tiglari that this was any other than the redoubtable tyrant whom he had come to slay. He knew that this was Maal Dweb, whom no man had seen in the flesh but whose power was manifest to all: the occult, omniscent ruler of Xiccarph; the suzerain of the three suns and of all their planets and moons.

 

Like ghostly sentinels, the symbols of the grandeur of Maal Dweb, the images of his frightful empire. rose up to confront Tiglari. But the thought of Athlé was a red mist that blotted all. He forgot his eery terrors, his awe of that wizard palace. The rage of the bereaved lover, the bloodthirst of the cunning hunter awoke within him. He neared the unconscious sorcerer; and his hand tightened on the hilt of the needle-sharp knife that had been dipped in vipervenom.

 

The man before him lay with closed eyes and a cryptic weariness on his mouth and eyelids. He seemed to meditate rather than sleep, like one who wanders in a maze of distant memories or profound reveries. About him the walls were draped with funereal hangings, darkly figured. Above him the twin censers wrought a cloudly glow, and diffused throughout the room their drowsy myrrh, which made Tiglari's senses swim with a strange dimness.

 

Crouching tiger-wise, he made ready for the stroke. Then, mastering the subtle vertigo of the perfume, he rose up; and his arm, with the darting movement of some heavy but supple adder, struck fiercely at the tyrant's heart.

 

It was as if he tried to pierce a wall of stone. In midair, before and above the recumbent enchanter, the knife clashed on some unseen, impenetrable substance; and the point broke off and tinkled on the floor at Tiglari's feet. Uncomprehending, baffled; he peered at the being whom he had sought to slay. Maal Dweb had not stirred nor opened his eyes; but his look of enigmatic weariness was somehow touched with a faint and cruel amusement.

 

Tiglari put out his hand to verify a curious notion that had occurred to him. Even as he had suspected, there was no couch or canopy between the censers — only a vertical, unbroken, highly polished surface in which the couch and its occupant were apparently reflected. But, to his further mystification, he himself was not visible in the mirror.

Other books

Beginning Again by Mary Beacock Fryer
Curves and the Rancher by Jenn Roseton
The Blackmailed Bride by Mandy Goff
The Book of Disquiet by Fernando Pessoa
The Watson Brothers by Lori Foster
The Pinch by Steve Stern
Relentless by Aliyah Burke