The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (35 page)

BOOK: The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics)
5.18Mb size Format: txt, pdf, ePub
 

"Like you, Valzain, I had grown tired of pleasure. And I sought the solitude of the necropolis, so remote from carnal things. You too came, seeking solitude and peace -- or some unearthly specter. I recognized you at once. And I had read your poems. Knowing Morthylla's legend, I sought to play a game with you. Playing it, I grew to love you... Valzain, you loved me as the lamia. Can you not now love me for myself?"

 

"It cannot be," averred the poet. "I fear to repeat the disappointment I have found in other women. Yet at least I am grateful for the hours you gave me. They were the best I have known — even though I have loved something that did not, and could not, exist. Farewell, Morthylla. Farewell, Beldith."

 

When he had gone, Beldith stretched herself face downward among the cushions of her couch. She wept a little; and the tears made a dampness that quickly dried. Later she arose briskly enough and went about her household business.

 

'After a time she returned to the loves and revelries of Psiom. Perhaps, in the end, she found such peace as may be given to those who have grown too old for pleasure.

 

But for Valzain there was no peace, no balm for this last and most bitter of disillusionments. Nor could he return to the carnalities of his former life. So it was that he finally slew himself, stabbing his throat to its deepest vein with a keen knife in the same spot which the false lamia's teeth had bitten, drawing a little blood.

 

After his death, he forgot that he had died; forgot the immediate past with all its happenings and circumstances.

 

Following his talk with Famurza, he had gone forth from Famurza's house and from the city of Umbri and had taken the road that passed the abandoned cemetery. Seized by an impulse to visit it, he had climbed the slope toward the marbles under a swelling moon that rose behind him.

 

Gaining the flat expansive ground of the summit, where dwarfish dying yews disputed with leafless briars the intervals of slabs blotched with lichen, he recalled the tale that Famurza had mentioned, anent the lamia who was said to haunt the necropolis. Famurza, he knew well, was no believer in such legendry, and had meant only to mock his funereal mood. Yet, as a poet will, he began to play with the fancy of some presence, immortal, lovely and evil, that dwelt amid the antique marbles and would respond to the evocation of one who, without positive belief, had longed vainly for visions from beyond mortality.

 

Through headstone aisles of moon-touched solitude, he came to a lofty mausoleum, still standing with few signs of ruin at the cemetery's center. Beneath it, he had been told, were extensive vaults housing the mummies of an extinct royal family that had ruled over the twin cities Umbri and Psiom in former centuries. The princess Morthylla had belonged to this family.

 

To his startlement a woman, or what appeared to be such, was sitting on a fallen shaft beside the mausoleum. He could not see her distinctly; the tomb's shadow still enveloped her from the shoulders downward. The face alone, glimmering wanly, was lifted to the rising moon Its profile was such as he had seen on antique coins.

 

"Who are you?" he asked, with a curiosity that over powered his courtesy.

 

"I am the lamia Morthylla," she replied.

 

MOTHER OF TOADS

 

"Why must you always hurry away, my little one?"

 

The voice of Mere Antoinette, the witch, was an amorous croaking. She ogled Pierre, the apothecary's young apprentice, with eyes full-orbed and unblinking as those of a toad. The folds beneath her chin swelled like the throat of some great batrachian. Her huge breasts, pale as frog-bellies, bulged from her torn gown as she leaned toward him.

 

He gave no answer; and she came closer, till he saw in the hollow of those breasts a moisture glistening like the dew of marshes... like the slime of some amphibian... a moisture that seemed always to linger there.

 

Her voice, raucously coaxing, persisted. "Stay awhile tonight, my pretty orphan. No one will miss you in the village. And your master will not mind." She pressed against him with shuddering folds of fat. With her short flat fingers, which gave almost the appearance of being webbed, she seized his hand and drew it to her bosom.

 

Pierre wrenched the hand away and drew back discreetly. Repelled, rather than abashed, he averted his eyes. The witch was more than twice his age, and her charms were too uncouth and unsavory to tempt him for an instant. Also, her repute was such as to have nullified the attractions of a younger and fairer sorceress. Her witchcraft had made her feared among the peasantry of that remote province, where belief in spells and philters was still common. The people of Averoigne called her La Mere des Crapauds, Mother of Toads, a name given for more than one reason. Toads swarmed innumerably about her hut; they were said to be her familiars, and dark tales were told concerning their relationship to the sorceress, and the duties they performed at her bidding. Such tales were all the more readily believed because of those batrachian features that had always been remarked in her aspect.

 

The youth disliked her, even as he disliked the sluggish, abnormally large toads on which he had sometimes trodden in the dusk, upon the path between her hut and the village of Les Hiboux. He could hear some of these creatures croaking now; and it seemed, weirdly, that they uttered half-articulate echoes of the witch's words.

 

It would be dark soon, he reflected. The path along the marshes was not pleasant by night, and he felt doubly anxious to depart. Still without replying to Mere Antionette's invitation, he reached for the black triangular vial she had set before him on her greasy table. The vial contained a philter of curious potency which his master, Alain le Dindon, had sent him to procure. Le Dindon,the village apothecary, was wont to deal surreptitiously in certain dubious medicaments supplied by the witch; and Pierre had often gone on such errands to her osier-hidden hut.

 

The old apothecary, whose humor was rough and ribald, had sometimes rallied Pierre concerning Mere Antoinette's preference for him. "Some night, my lad, you will remain with her," he had said. "Be careful, or the big toad will crush you." Remembering this gibe, the boy flushed angrily as he turned to go.

 

"Stay," insisted Mere Antoinette. "The fog is cold on the marshes; and it thickens apace. I knew that you were coming, and I have mulled for you a goodly measure of the red wine of Ximes."

 

She removed the lid from an earthen pitcher and poured its steaming contents into a large cup. The purplish-red wine creamed delectably, and an odor of hot, delicious spices filled the hut, overpowering the less agreeable odors from the simmering cauldron, the half-dried newts, vipers, bat-wings and evil, nauseous herbs hanging on the walls, and the reek of the black candles of pitch and corpse-tallow that burned always, by noon or night, in that murky interior.

 

"I'll drink it," said Pierre, a little grudgingly. "That is, if it contains nothing of your own concoction."

 

"'Tis naught but sound wine, four seasons old, with spices of Arabia," the sorceress croaked ingratiatingly. "'Twill warm your stomach... and..." She added something inaudible as Pierre accepted the cup.

 

Before drinking, he inhaled the fumes of the beverage with some caution but was reassured by its pleasant smell. Surely it was innocent of any drug, any philter brewed by the witch: for, to his knowledge, her preparations were all evil-smelling.

 

Still, as if warned by some premonition, he hesitated. Then he remembered that the sunset air was indeed chill; that mists had gathered furtively behind him as he came to Mere Antoinette's dwelling. The wine would fortify him for the dismal return walk to Les Hiboux. He quaffed it quickly and. set down the cup. "Truly, it is good wine," he declared. "But I must go now."

 

Even as he spoke, he felt in his stomach and veins the spreading warmth of the alcohol, of the spices... of something more ardent than these. It seemed that his voice was unreal and strange, falling as if from a height above him. the warmth grew, mounting within him like a golden flame fed by magic oils. His blood, a seething torrent,poured tumultuously and more tumultuously through his members.

 

There was a deep soft thundering in his ears, a rosy dazzlement in his eyes. Somehow the hut appeared to expand, to change luminously about him. He hardly recognized its squalid furnishings, its litter of baleful oddments, on which a torrid splendor was shed by the black candles, tipped with ruddy fire, that towered and swelled gigantically into the softgloom His blood burned as with the throbbing flame of the candles.

 

It came to him, for an instant, that all this was a questionable enchantment, a glamor wrought by the witch's wine. Fear was upon him and he wished to flee. Then, close beside him, he saw Mere Antoinette.

 

Briefly he marvelled at the change that had befallen her. Then fear and wonder were alike forgotten, together with his old repulsion. He knew why the magic warmth mounted ever higher and hotter within him; why his flesh glowed like the ruddy tapers.

 

The soiled skirt she had worn lay at her feet, and she stood naked as Lilith, the first witch. The lumpish limbs and body had grown voluptuous; the pale, thick-lipped mouth enticed him with a promise of ampler kisses than other mouths couldyield. The pits of her short round arms, the concave of her ponderously drooping breasts, the heavy creases and swollen rondures of flanks and thighs, all were fraught with luxurious allurement.

 

"Do you like me now, my little one?" she questioned.

 

This time he did not draw away but met her with hot, questing hands when she pressed heavily against him. Her limbs were cool and moist; her breasts yielded like the turf-mounds above a bog. Her body was white and wholly hairless; but here and there he found curious roughnesses... like those on the skin of a toad... that somehow sharpened his desire instead of repelling it.

 

She was so huge that his fingers barely joined behind her, His two hands, together, were equal only to the cupping of a single breast. But the wine had filled his blood with a philterous ardor.

 

She led him to her couch beside the hearth where a great cauldron boiled mysteriously, sending up its fumes in strange-twining coils that suggested vague and obscene figures. The couch was rude and bare. But the flesh of the sorceress was like deep, luxurious cushions...

 

PIERRE AWOKE in the ashy dawn, when the tall black tapers had dwindled down and had melted limply in their sockets. Sick and confused, he sought vainly to remember where he was or what he had done. Then, turning a little, he saw beside him on the couch a thing that was like some impossible monster of ill dreams; a toadlike form, large as a fat woman. Its limbs were somehow like a woman's arms and legs. Its pale, warty body pressed and bulged against him, and he felt the rounded softness of something that resembled a breast.

 

Nausea rose within him as memory of that delirious night returned; Most foully he had been beguiled by the witch, and had succumbed to her evil enchantments.

 

It seemed that an incubus smothered him, weighing upon all his limbs and body. He shut his eyes, that he might no longer behold the loathsome thing that was Mere Antoinette in her true semblance. Slowly, with prodigious effort, he drew himself away from the crushing nightmare shape. It did not stir or appear to waken; and he slid quickly from the couch.

 

Again, compelled by a noisome fascination, he peered at the thing on the couch — and saw only the gross form of Mere Antoinette. Perhaps his impression of a great toad beside him had been but an illusion, a half-dream that lingered after slumber. He lost something of his nightmarish horror; but his gorge still rose in a sick disgust, remembering the lewdness to which he had yielded.

 

Fearing that the witch might awaken at any moment and seek to detain him, he stole noiselessly from the hut. It was broad daylight, but a cold, hueless mist lay everywhere, shrouding the reedy marshes, and hanging like a ghostly curtain on the path he must follow to Les Hiboux. Moving and seething always, the mist seemed to reach toward him with intercepting fingers as he started homeward. He shivered at its touch, he bowed his head and drew his cloak closer around him.

 

Thicker and thicker the mist swirled, coiling, writhing endlessly, as if to bar Pierre's progress. He could discern the twisting, narrow path for only a few paces in advance. It was hard to find the familiar landmarks, hard to recognize the osiers and willows that loomed suddenly before him like gray phantoms and faded again into the white nothingness as he went onward. Never had he seen such fog: it was like the blinding, stifling fumes of a thousand witch-stirred cauldrons.

 

Though he was not altogether sure of his surroundings, Pierre thought that he had covered half the distance to the village. Then, all at once, he began to meet the toads. They were hidden by the mist till he came close upon them. Misshapen, unnaturally big and bloated, they squatted in his way on the little footpath or hopped sluggishly before him from the pallid gloom on either hand.

Other books

Thoroughly Kissed by Kristine Grayson
The Mighty Quinns: Ronan by Kate Hoffmann
Etched in Sand by Regina Calcaterra
ReVamped by Lucienne Diver
Fatal Convictions by Randy Singer
Blown Away by Brenda Rothert
Bang The Drum Slowly by Mark Harris
Untitled by Unknown Author