The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) (41 page)

Then it seemed that Uldulla said to him: "Follow me," and he went forth with the necromancer into the light of the red, swollen moon that had soared from the Black River upon Naat. There, on the fell before the house, was a vast heap of ashes where coals glowed and glared like living eyes. Uldulla stood in contemplation before the heap; and Yadar stood beside him, knowing not that he gazed on the burnt-out pyre of Vacharn and Vokal, which the dead slaves had built and fired at Uldulla's direction.

Then, with shrill, eery wailings, a wind came suddenly from the sea, and lifting all the ashes and sparks in a great, swirling cloud, it swept them upon Yadar and the necromancer. The twain could hardly stand against that wind, and their hair and beards and garments were filled with the leavings of the pyre, and both were blinded thereby. Then the wind went up, sweeping the cloud of ashes over the mansion and into its doorways and windows; and through all its apartments. And for many days thereafter, little swirls of ash rose up under the feet of those who passed along the halls; and though there was a daily plying of besoms by the dead at Uldulla's injunction, it seemed that the place was never again wholly clean of those ashes...

Regarding Uldulla, there remains little enough to be told: for his lordship over the dead was a brief thing. Abiding always alone, except for those liches who attended him, he became possessed by a weird melancholy that turned quickly toward madness. No longer could he conceive the aims and objects of life; and the languor of death rose up around him like a black, stealthy sea, full of soft murmurs and shadow-like arms that were fain to draw him downward. Soon he came to envy the dead, and to deem their lot desirable above any other. So carrying that scimitar he had used at the slaying of Vacharn, he went into his father's chamber, which he had not entered since the raising up of Prince Yadar. There, beside the sun-bright mirror of divinations, he disembowled himself, and fell amid the dust and the cobwebs that had gathered heavily over all. And, since there was no other necromancer to bring him back even to a semblance of life, he lay rotting and undisturbed for ever after.

But in the gardens of Vacharn the dead people still labored, heedless of Uldulla's passing; and they still kept the goats and cattle, and dived for pearls in the dark, torrent And Yadar, being with Dalili in that state now common to them both, was drawn to her with a ghostly yearning; and he felt a ghostly comfort in her nearness. The quick despair that had racked him aforetime, and the long torments of desire and separation, were as things faced and forgot; and he shared with Dalili a shadowy love and a dim contentment.

NEMESIS OF THE UNFINISHED

The authentic talent of Francis La Porte, fiction-writer, was allied with an industry no less than prodigious. Unfortunately, he was self-critical to an excessive degree. Dissatisfaction, morbid and meticulous, kept him from finishing more than one manuscript out of a dozen. Though editors importuned him for stories and bought readily the few that he submitted, Francis could seldom outdistance the wolf by a full running jump.

He had left hundreds of stories in various stages of incompletion, clipped together with the double or triple carbons that he was always careful to make. Many ran to the size of novelettes or novels; some existed only as a few beginning paragraphs. Often he had written several variant versions, carried to more or less length. There were also countless synopses of tales attempted or unbegun.

They crammed the drawers of his desk to overflowing, they bulged and towered in insecure piles from the boxes that were stacked along the walls of his study. These voluminous abortions were the labor of a lifetime.

Most of them were eldritch tales of horror and death, of wizardry and diabolism. Their pages teemed with specters and cadavers, with ghouls and loups-garous and poltergeists.

Often they haunted La Porte like a bad conscience. Sometimes they seemed to talk to him and reproach him with ghostly whispers in the dark hours before dawn. He would fall asleep vowing to complete one or more of them without further procrastination.

In spite of such resolutions, the dust still thickened on the piled reams. A new day would always bring Francis an idea for a new plot. Occasionally he would complete one of his shorter and simpler tales, and would receive in due time a small check from Outlandish Stories or Eerie Narratives. Then he would indulge in one of his rare debauches of food and wine, and his brain would fume with wild inspirations that he was seldom able to recall afterwards.

Though he did not suspect, La Porte was in the position of a necromancer who has called up spirits from the deep without knowing how to control or dismiss them.

He had fallen asleep one night after absorbing nearly a half-gallon of cheap claret, bought from the proceeds of a recent sale. His slumber was heavy but brief. It seemed that a vague commotion, in which he distinguished articulate voices, had awakened him. Puzzled, and still confused by his potations, he listened intently for some moments but the noises had ceased. Then suddenly there was a sound like the light rustling of paper. Then a louder noise as if great masses of paper were sliding and shifting. Then conversation, as if a crowd of people were talking all at once. It was an unintelligible babel, and he could determine nothing except that the noises came from the direction of his workroom.

La Porte's spine began to tingle as he sat up in bed. The sounds were eerie and mysterious as anything that he had ever imagined in his tales of nocturnal terror. It seemed now that he was overhearing some bizarre and sinister dialogue, in which voices of unhuman timbre replied to others that were apparently human. Once or twice he caught his own name uttered in strange gibbering tones, somehow fraught with the sense of inimical conspiracy.

La Porte sprang out of bed. Lighting an oil-lamp and going into his study, he peered into every corner but saw only the stacks of overpiled manuscripts. Apparently the piles were undisturbed but he seemed to see them through a thick haze. At the same time he began to choke and cough. Going closer to inspect the manuscripts, he perceived that the accumulated dust of months and years had been shaken from their massed reams.

He searched the room repeatedly but found no further sign of invasion either human or supernatural. Perhaps some sudden gust had performed the mysterious office of dusting the paper piles. But the windows were all closed, and the night outside was windless. He returned to bed: but sleep refused to visit him again.

There was no repetition of the rustlings and voices that had seemed to awaken him. He began to wonder if he had been the victim of some distempered dream inspired by the evening's wine. Finally he convinced himself that this was the only credible explanation.

The next morning, moved by an unwonted impulse, La Porte selected a manuscript at random from the heaps of unfinished material. It was entitled Incomplete Sorceries, and dealt with a man who had achieved partial power over demons and elementals, but was still seeking certain lost formulae that were requisite to full masterdom. La Porte had abandoned the tale through indecision regarding the alternate solutions of the sorcerer's problem suggested by his all too fertile fancy. He sat down at the typewriter, determined that he would finish the story to his satisfaction.

End of the common beginning; at this point the two stories diverge. The conclusion of Version I commences, followed by that of Version II.

For once, he did not hesitate over variant wordings or divergencies of plot-development. It all seemed miraculously clear to him, and he wrote steadily through the forenoon and afternoon and evening. At midnight he ended the last paragraph, in which, after many perils and tribulations, the sorcerer stood triumphant amid his infrangible circles, compelling the dread kings of the four infernal quarters to serve his least whim.

La Porte felt that he had seldom written so well. The story should bring him a substantial check, as well as the acclaim of his many faithful but impatient admirers. He would send it out in the morning mail after a few possible retouchings. A new title was manifestly required by the denouement: he would think of one easily after a night's sleep.

He had almost forgotten the queer dream that had followed his recent bacchanal. Again he slept deeply, but not too soundly. At intervals some portion of his brain, emerging numbly from oblivion, seemed to hear the recurrent clatter of his old Remington in the next room. Drugged with fatigue, he did not awaken fully to the strangeness of the sound under such circumstances but accepted it without question as one accepts the unexplained vagaries of dreamland.

After his meager breakfast La Porte began to reread Incomplete Sorceries, with his pencil poised for errors of typing or minor revisions. He found nothing to change in the first few pages, written months before, and hastened over their familiar incidents to the point at which he had begun his continuation of the sorcerer's vicissitudes. Here he paused in astonishment, for he could not remember writing a single sentence of the freshly typed paragraphs! The astonishment became stupefaction as he went on: the plot, the incidents, the whole trend of development, were alien to what he had conceived and set down.

It was as if some demon-guided hand had reversed and perverted the story. Pandemonium, and the lords of Pandemonium, prevailed throughout. The sorcerer, with all his formulae, was a mere pawn moved hither and thither at their will, in a monstrous game for supremacy over souls and planets and galaxies. The very style was foreign to La Porte's usual manner: it was studded with strange archaisms and neologisms; it burned with phrases like hellish gems; it blazed and vapored with images that were like censers of evil before Satanic altars.

More than once, La Porte wanted to drop the horribly transfigured tale. But a baleful fascination, mingling with his dumbfoundment and incredulity, held him to the end where the hapless necromancer was crushed into pulp beneath the ponderous grimoires he had collected in his lifelong search for mastery. It was only then that La Porte could lay down the manuscript. His fingers trembled as if they had touched the coils of some deadly serpent.

Tormenting his brain for some tenable explanation, he recalled the dreamlike clattering of the Remington that he had seemed to hear in slumber. Was it possible that he had risen from his bed and had rewritten the story in a somnambulistic state? Was it the work of some spectral or demoniac hand? Unmistakably the typing had been done on his own machine: several slightly blurred letters and punctuation-marks occurred throughout the entire manuscript.

The mystery disturbed him beyond measure. He had never found in himself the least tendency to sleepwalking or to trance states of any kind. Though the supernatural was, so to speak, his literary stock-in-trade, his reason refused to accept the ideas of an extrahuman agency.

Unable to resolve the problem, La Porte tried to busy himself with the beginning of a new tale. But concentration was impossible, since he could not dismiss the unanswered riddle from his thoughts for a moment.

Abandoning all further effort to work, he left the house with hurried steps, as if driven by the spurs of an incubus.

It was many hours later that La Porte wandered homeward rather unsteadily by the rays of a cloud-strangled moon. Forgetting his usual economy, he had consumed numberless brandies at a village bar. He did not care for the people who frequented such places; but somehow he had been reluctant to leave. Never before had he been loathe to face the solitude of his cabin, peopled only with books and manuscripts, with unwritten and half-written fantasies.

Still dimly troubled by the mystery that had driven him forth, he fell across the unmade bed without undressing or even lighting a lamp, and slid into drunken slumber.

Wild dreams came to visit him anon. Weird voices shrieked and muttered in his ears, indistinct but nightmarish figures milled around him like the dancers of some demonian Sabbat. Amid the voices that seemed to conspire against his peace and safety, he heard the incessant click and rattle of a typewriter. There was a clacking as of drawers opened and shut without cessation, a multitudinous rustling as of paper slithering from place to place in unaccountable sibilant movement.

La Porte awoke from endless repetitions of this dream—to find that the noises still continued. Again, as on a former occasion, he sprang from bed, lit his lamp, and entered the workroom from which the sounds and voices appeared to come.

Still dazed with sleep and inebriation, his eyes beheld a vast chamber whose roof and walls receded beyond the illumination of the lamp he carried in shaking fingers. Amid this chamber his manuscripts rose in massive piles, multiplied and magnified as if by the black sorcery of hashish. They seemed to loom above him with topless tiers, lost in the reaches of some Avernian vault.

On the desk of the room's center his Remington, operated as if by some unseen entity, ran and clattered with infernal speed. Black lines appeared momently on the sheet that emerged rapidly from the roller.