The Underground Railroad (29 page)

Thanks to Nicole Aragi, Bill Thomas, Rose Courteau, Michael Goldsmith, Duvall Osteen, and Alison Rich (still) for getting this book into your hands. At Hanser over the years: Anna Leube, Christina Knecht, and Piero Salabe. Also: Franklin D. Roosevelt for funding the Federal Writers’ Project, which collected the life stories of former slaves in the 1930s. Frederick Douglass and
Harriet Jacobs, obviously. The work of Nathan Huggins, Stephen Jay Gould, Edward E. Baptist, Eric Foner, Fergus Bordewich, and James H. Jones was very helpful. Josiah Nott’s theories of “amalgamation.”
The Diary of a Resurrectionist.
Runaway slave advertisements come from the digital collections of the University of North Carolina at Greensboro. The first one hundred pages were fueled by early
Misfits (“Where Eagles Dare [fast version],” “Horror Business,” “Hybrid Moments”) and Blanck Mass (“Dead Format”). David Bowie is in every book, and I always put on
Purple Rain
and
Daydream Nation
when I write the final pages; so thanks to him and Prince and Sonic Youth. And finally, Julie, Maddie, and Beckett for all the love and support.

Colson Whitehead is the
New York Times
bestselling author of
The Noble Hustle, Zone One, Sag Harbor, The Intuitionist, John Henry Days, Apex Hides the Hurt,
and one collection of essays,
The Colossus of New York.
A Pulitzer Prize finalist and a recipient of MacArthur and Guggenheim Fellowships, he lives in New York City.