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Authors: Susan Hill

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The Various Haunts of Men

BOOK: The Various Haunts of Men
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Contents

Cover

About the Book

About the Author

Also by Susan Hill

Dedication

Title Page

Epigraph

Part One: The Tape

Chapter One

Chapter Two

Part Two: The Tape

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Part Three: The Tape

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Part Four: The Tape

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Part Five: The Tape

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Part Six: The Tape

Chapter Thirty-Nine

Chapter Forty

Part Seven: The Tape

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Chapter Fifty-Three

Part Eight: The Tape

Chapter Fifty-Four

Copyright

About the Book

A woman vanishes in the fog up on ‘the Hill’, an area locally known for its tranquillity and peace. The police are not alarmed; people usually disappear for their own reasons. But when a young girl, an old man and even a dog disappear no one can deny that something untoward is happening in this quiet cathedral town. Young policewoman Freya Graffham is assigned to the case, she’s
new to the job, compassionate, inquisitive, dedicated and needs to know – perhaps too much.

She and the enigmatic detective Chief Inspector Simon Serrailler have the task of unravelling the mystery behind this gruesome sequence of events. From the passages revealing the killer’s mind to the final heart-stopping twist,
The Various Haunts of Men
is an astounding and masterly crime debut and is
the first in what promises to be magnificent series featuring Simon Serrailler.

THE VARIOUS HAUNTS OF MEN

Susan Hill’s novels and short stories have won the Whitbread, Somerset Maugham and John Llewellyn Rhys awards and been shortlisted for the Booker Prize. She is the author of over forty books, including the four previous Serrailler crime novels,
The Various Haunts of Men
,
The Pure in Heart
,
The Risk of Darkness
and
The Vows of Silence
. Her most recent novel is
A Kind Man
. The play adapted from her famous ghost story,
The Woman in Black
, has been running on the West End stage since 1989.

Susan Hill was born in Scarborough and educated at King’s College London. She is married to the Shakespeare scholar, Stanley Wells, and they have two daughters. She lives in Gloucestershire, where she runs her own small publishing company, Long Barn Books.

Susan Hill’s website
is
www.susan-hill.com

ALSO BY SUSAN HILL
Featuring Simon Serrailler
The Pure in Heart
The Risk of Darkness
The Vows of Silence
Fiction
Gentlemen and Ladies
A Change for the Better
I’m the King of the Castle
The Albatross and Other Stories
Strange Meeting
The Bird of Night
A Bit of Singing and Dancing
In the Springtime of the Year
The Woman in Black
Mrs de Winter
The Mist in the Mirror
Air and Angels
The Service of
Clouds
The Boy Who Taught the Beekeeper to Read
The Man in the Picture
The Beacon
The Small Hand
A Kind Man
Non-Fiction
The Magic Apple Tree
Family
Howards End is on the Landing
Children’s Books
The Battle for Gullywith
The Glass Angels
Can it be True?
For
My dearly loved Ghost
SUSAN HILL
The Various
Haunts of Men
A Simon Serrailler Crime Novel

The various haunts of men

Require the pencil, they defy the pen.

George Crabbe,
The Borough
The Tape

Last week I found a letter from you. I didn’t think I had kept any of them. I thought I had destroyed everything from you. But this one had somehow been overlooked. I found it among some tax returns which were more than seven years old and so could be thrown away. I wasn’t going to read it. As soon as I saw your handwriting, I felt revulsion. I threw it in the bin. But later I retrieved
it and read it. You complained several times that I never told you anything. ‘You haven’t told me anything at all since you were a little boy,’ you wrote.

If only you knew how little I had told you even then. You never knew one quarter of it.

Once I had read your letter, I began to think and to realise that now I can tell you things. I need to tell you. It will be good to make some confessions
at last. I have held on to some secrets for far too long.

After all, you cannot do anything about them now.

Since I found your letter, I have spent a good deal
of time sitting quietly, remembering, and making notes. It feels as if I am about to tell a story.

So let me begin.

The first thing I must tell you is that very early on I learned how to lie. There may have been other things I lied
about but the first I remember is that I lied about the pier. I went there, when I told you that I had not, and not just once. I went often. I saved money, or else I found it in the gutter. I was always looking in gutters, just in case. A few times, if there was no other way, I stole the money; a pocket, a purse, a handbag – they were generally lying about. I am still ashamed of having done that.
There are few things more despicable than stealing money.

But, you see, I had to keep going back to watch the Execution. I couldn’t keep away for long. When I had watched it, I was satisfied for a few days, but then the need to see it began again, like an itch.

You remember that peep show, don’t you? The coin went into the slot and rolled down until it hit the hidden shutter that made the whole
thing start. First, the light went on. Then, the three little figures came jerking into the execution chamber: the parson with his surplice and book, the hangman and, between them, the condemned man. They stopped. The parson’s book jerked up and his head nodded up and down, and, after that, the noose dropped down and the executioner jerked forward; his arms went up and took the noose and put it
round the man’s neck. Then the trapdoor opened beneath his feet and he dropped and swung there for a few seconds, before the light snapped off and it was over.

I have no idea how many times I went to watch it, but if I did know, I would tell you, because I mean to tell you everything now.

It only stopped when they took the machine away. One day I went down to the pier and it just wasn’t there.
I want to explain how I felt. Angry – yes, I was certainly angry. But I also felt a sort of desperate frustration, which went on boiling inside me for a long time. I didn’t know how to get rid of it.

It has taken me all these years to find out.

Does it seem strange to you that I have never seen the point of money, since then, never had much use for it beyond what is merely necessary? I earn
quite a lot but I don’t care for it. I give much of it away. Perhaps you knew all along that I disobeyed and went down to the pier, because you once said, ‘I know everything.’ I hated that. I needed secrets, things that were mine only and never yours.

But now, I like talking to you. I want you to know things and if I still have secrets – and I do – I want to share them, just with you. And now,
I can choose to tell you and how much I tell you and when. Now, I am the one who decides.

One

A Thursday morning in December. Six thirty. Still dark. Foggy. It had been that sort of autumn, mild, damp, lowering to the spirit.

Angela Randall was not afraid of the dark, but driving home at this dreich hour and at the end of a difficult shift, she found the ectoplasmic fog unnerving. In the town centre people were already about but what lights there were seemed distant, small furred
islands of amber whose glow gave neither illumination nor comfort.

She drove slowly. It was the cyclists she feared most, appearing suddenly in front of her, out of the darkness and fog, usually without any reflective strips or clothing, quite often even without lights. She was a competent but not a confident driver. The dread, not of crashing into another car, but of running over a cyclist or
a pedestrian, was always with her. She had had to steel herself to learn to drive at all. Sometimes, she thought it was the bravest thing she would ever be called upon to do. She knew what horror and shock and grief death in a road accident brought to those still living. She could still hear the sound
of the knock on the front door, still see the outline of police helmets through the frosted pane
of glass.

She had been fifteen. Now, she was fifty-three. She found it hard to remember her mother alive, well and happy, because those images had been blotted out for ever by that other – of the so loved face, bruised and stitched, and the small, flat body beneath the sheet, in the cold blue-white mortuary light. There had been no one else to identify Elsa Randall. Angela was the next of kin.
They had been a close unit and everything to each other. Her father had died before she was a year old. She had no photographs of him. No memories.

At fifteen, she had been left entirely, devastatingly alone, but through the following forty years, she had come to make the best of it. No parents, siblings, aunts or cousins. The idea of an extended family was unimaginable to her.

Until the last
couple of years, she thought she had not only made a pretty good fist of living alone, but that she would never, now, want to do anything else. It was her natural state. She had a few friends, she enjoyed her job, she had taken one Open University degree and had just embarked on a second. Above all, she blessed the day, twelve years ago, that she had at last been able to move out of Bevham, having
saved enough to add to the sale of her flat there and buy the small house some twenty miles away in Lafferton.

Lafferton suited her perfectly. It was small, but not too small, had wide, leafy avenues and some pretty Victorian terraces and, in Cathedral Close, fine Georgian houses. The cathedral itself was magnificent – she attended services there from time to time – and there were quality shops,
pleasant cafés. Her mother would
also have said, with that funny, prim little smile, that Lafferton had ‘a nice class of resident’.

Angela Randall felt comfortable in Lafferton, settled, at home. Safe. When she had fallen in love earlier in the year, she had at first been bewildered, a stranger to this forceful, all-consuming emotion, but quickly come to believe that her move to Lafferton had
been part of a plan leading up to this culmination. Angela Randall loved with an absorption and a dedication that had taken over her life. Before long, she knew, it would also take over the life of the other. When he accepted her feelings for him, when she was ready to disclose them, when the moment was right.

Until meeting him, her life had begun to seem slightly hollow. Anxiety about future
illness, infirmity, old age, had crept up to the edges of her consciousness, grinned at her. It had shocked her when she had arrived at an age her mother had never been. She felt that she had no right to it. But since that meeting in April, the hollowness had been replaced by an intense and passionate certainty, a conviction of destiny. She no longer gave loneliness, old age and illness a thought.
She had been rescued. And after all, fifty-three was not sixty-three or seventy-three, it was the prime of life. At fifty, her mother had been on the edge of old age. Everyone was younger now.

BOOK: The Various Haunts of Men
4.86Mb size Format: txt, pdf, ePub
ads

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