The Very Best of Ruskin Bond, the Writer on the Hill: Selected Fiction and Non-Fiction (44 page)

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Authors: Ruskin Bond

Tags: #Fiction, #Non-Fiction, #India, #Indian

BOOK: The Very Best of Ruskin Bond, the Writer on the Hill: Selected Fiction and Non-Fiction
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‘The morgue had no electricity, just a kerosene lamp, and after some time I noticed that the flame was very low. As I was about to turn it up, it suddenly went out. I lit the lamp again, after extending the wick. I returned to the bench, but I had not been sitting there for long when the lamp again went out, and something moved very softly and quietly past me.

‘I felt quite sick and faint, and could hear my heart pounding away. The strength had gone out of my legs, otherwise I would have fled from the room. I felt quite weak and helpless, unable even to call out.

‘Presently the footsteps came nearer and nearer. Something cold and icy touched one of my hands and felt its way up towards my neck and throat. It was behind me, then it was before me. Then it was
over
me. I was in the arms of the corpse!

‘I must have fainted, because when I woke up I was on the floor, and my friend was trying to revive me. The corpse was back on the table.’

‘It may have been a nightmare,’ I suggested. ‘Or you allowed your imagination to run riot.’

‘No,’ said Mr Jacobs. ‘There were wet, slimy marks on my clothes. And the feet of the corpse matched the wet footprints on the floor.’

After this experience, Mr Jacobs refused to do any more night duty at the morgue.

From Herbertpur near Paonta you can go up to Kalsi, and then up the hill road to Chakrata.

Chakrata is in a security zone, most of it off limits to tourists, which is one reason why it has remained unchanged in 150 years of its existence. This small town’s population of 1,500 is the same today as it was in 1947—probably the only town in India that hasn’t shown a population increase.

Courtesy a government official, I was fortunate enough to be able to stay in the forest rest house on the outskirts of the town. This is a new building, the old rest house—a little way downhill—having fallen into disuse. The chowkidar told me the old rest house was haunted, and that this was the real reason for its having been abandoned. I was a bit sceptical about this, and asked him what kind of haunting took place in it. He told me that he had himself gone through a frightening experience in the old house, when he had gone there to light a fire for some forest officers who were expected that night. After lighting the fire, he looked round and saw a large black animal, like a wild cat, sitting on the wooden floor and gazing into the fire. ‘I called out to it, thinking it was someone’s pet. The creature turned, and looked full at me with eyes that were human, and a face which was the face of an ugly woman. The creature snarled at me, and the snarl became an angry howl. Then it vanished!’

‘And what did you do?’ I asked.

‘I vanished too,’ said the chowkidar. I haven’t been down to that house again.’

I did not volunteer to sleep in the old house but made myself comfortable in the new one, where I hoped I would not be troubled by any phantom. However, a large rat kept me company, gnawing away at the woodwork of a chest of drawers. Whenever I switched on the light it would be silent, but as soon as the light was off, it would start gnawing away again.

This reminded me of a story old Miss Kellner (of my Dehra childhood) told me, of a young man who was desperately in love with a girl who did not care for him. One day, when he was following her in the street, she turned on him and, pointing to a rat which some boys had just killed, said, ‘I’d as soon marry that rat as marry you.’ He took her cruel words so much to heart that he pined away and died. After his death the girl was haunted at night by a rat and occasionally she would be bitten. When the family decided to emigrate, they travelled down to Bombay in order to embark on a ship sailing for London. The ship had just left the quay, when shouts and screams were heard from the pier. The crowd scattered, and a huge rat with fiery eyes ran down to the end of the quay. It sat there, screaming with rage, then jumped into the water and disappeared. After that (according to Miss Kellner), the girl was not haunted again.

Old dak bungalows and forest rest houses have a reputation for being haunted. And most hill stations have their resident ghosts—and ghost writers! But I will not extend this catalogue of ghostly hauntings and visitations, as I do not want to discourage tourists from visiting Landour and Mussoorie. In some countries, ghosts are an added attraction for tourists. Britain boasts of hundreds of haunted castles and stately homes, and visitors to Romania seek out Transylvania and Dracula’s castle. So do we promote Bhoot Aunty as a tourist attraction? Only if she reforms and stops sending vehicles off those hairpin bends that lead to Mussoorie.

Party Time in Mussoorie

I
T IS VERY
kind of people to invite me to their parties, especially as I do not throw parties myself, or invite anyone anywhere. At more than one party I have been known to throw things at people. In spite of this—or maybe because of it—I get invited to these affairs.

I can imagine a prospective hostess saying ‘Shall we invite Ruskin?’

‘Would it be safe?’ says her husband doubtfully. ‘He has been known to throw plates at people.’

‘Oh, then we
must
have him!’ she shouts in glee. ‘What fun it will be, watching him throw a plate at—. We’ll use the cheaper crockery, of course…’

Here I am tempted to add that living in Mussoorie these forty-odd years has been one long party. But if that were so, I would not be alive today. Rekha’s garlic chicken and Nandu’s shredded lamb would have done for me long ago. They have certainly done for my teeth. But they are only partly to blame. Hill goats are tough, stringy creatures. I remember Begum Para trying to make us roganjosh one evening. She sat over the degchi for three or four hours but even then the mutton wouldn’t become tender.

Begum Para, did I say?

Not
the
Begum Para? The saucy heroine of the silver screen?

And why not? This remarkable lady had dropped in from Pakistan to play the part of my grandmother in Shubhadarshini’s serial
Ek Tha Rusty
, based on stories of my childhood. Not only was she a wonderful actress, she was also a wonderful person who loved cooking. But she was defeated by the Mussoorie goat, who resisted all her endeavours to turn it into an edible roganjosh.

The Mussoorie goat is good only for getting into your garden and eating up your dahlias. These creatures also strip the hillside of any young vegetation that attempts to come up in the spring or summer. I have watched them decimate a flower garden and cause havoc to a vegetable plot. For this reason alone I do not shed a tear when I see them being marched off to the butcher’s premises. I might cry over a slaughtered chicken, but not over a goat.

One of my neighbours on the hillside, Mrs K—, once kept a goat as a pet. She attempted to throw one or two parties, but no one would go to them. The goat was given the freedom of the drawing room and smelt to high heaven. Mrs K—was known to take it to bed with her. She too developed a strong odour. It is not surprising that her husband left the country and took a mistress in Panama. He couldn’t get much further, poor man.

Mrs K—’s goat disappeared one day, and that same night a feast was held in Kolti village, behind Landour. People say the mutton was more tender and succulent than than at most feasts—the result, no doubt, of its having shared Mrs K—’s meals and bed for a couple of years.

One of Mrs K—’s neighbours was Mrs Santra, a kind-hearted but rather tiresome widow in her sixties. She was childless but had a fixation that, like the mother of John the Baptist, she would conceive in her sixties and give birth to a new messenger of the Messiah. Every month she would visit the local gynaecologist for advice, and the doctor would be gentle with her and tell her anything was possible and that in the meantime she should sustain herself with nourishing soups and savouries.

Mrs Santra liked giving little tea parties and I went to a couple of them. The sandwiches, samosas, cakes and jam tarts were delicious, and I expressed my appreciation. But then she took to visiting me at odd times, and I found this rather trying, as she would turn up while I was writing or sleeping or otherwise engaged. On one occasion, when I pretended I was not at home, she even followed me into the bathroom (where I had concealed myself) and scolded me for trying to avoid her.

She was a good lady, but I found it impossible to reciprocate her affectionate and even at times ardent overtures, so I had to ask her to desist from visiting me. The next day she sent her servant down with a small present—a little pot with a pansy growing in it!

On that happy note, I leave Mrs Santra and turn to other friends.

Such as Aunty Bhakti, a tremendous consumer of viands and victuals who, after a more than usually heavy meal at my former lodgings, retired to my Indian-style lavatory to relieve herself. Ten minutes passed, then twenty, and still no sign of Aunty! My other luncheon guests, the Maharani Saheba of Jind, writer Bill Aitken and local pehelwan Maurice Alexander, grew increasingly concerned. Was Aunty having a heart attack or was she just badly constipated?

I went to the bathroom door and called out: ‘Are you all right, Aunty?’

A silence, and then, in a quavering voice, ‘I’m stuck!’

‘Can you open the door?’ I asked.

‘It’s open,’ she said, ‘but I can’t move.’

I pushed open the door and peered in. Aunty, a heavily built woman, had lost her balance and subsided backwards on the toilet, in the process jamming her bottom into the cavity!

‘Give me a hand, Aunty,’ I said, and taking her by the hand (the only time I’d ever been permitted to do so), tried my best to heave her out of her predicament. But she wouldn’t budge.

I went back to the drawing room for help. ‘Aunty’s stuck,’ I said, ‘and I can’t get her out.’ The Maharani went to take a look. After all, they were cousins. She came back looking concerned. ‘Bill’, she said, ‘get up and help Ruskin extricate Aunty before she has a heart attack!’

Bill Aitken and I bear some resemblance to Laurel and Hardy. I’m Hardy, naturally. We did our best but Aunty Bhakti couldn’t be extracted. So we called on the expertise of Maurice, our pehelwan, and forming a human chain or something of a tug of war team, we all pulled and tugged until Aunty Bhakti came out with a loud bang, wrecking my toilet in the process.

I must say she was not the sort to feel embarrassed. Returning to the drawing room, she proceeded to polish off half a brick of ice cream.

Another ice cream fiend is Nandu Jauhar who, at the time of writing, owns the Savoy in Mussoorie. At a marriage party, and in my presence, he polished off thirty-two cups of ice cream and this after a hefty dinner.

The next morning he was as green as his favorite pistachio ice cream.

When admonished, all he could say was ‘They were only small cups, you know.’

Nandu’s eating exploits go back to his schooldays when (circa 1950) he held the Doon School record for consuming the largest number of mangoes—a large bucketful, all of five kilos—in one extended sitting.

‘Could you do it again?’ we asked him the other day.

‘Only if they are Alfonsos,’ he said. ‘And you have to pay for them.’

Fortunately for our pockets, and for Nandu’s well-being, Alfonsos are not available in Mussoorie in December.

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