The View from Castle Rock (23 page)

BOOK: The View from Castle Rock
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“It’s just me. I come in the top way.”

“I heard somebody,” said Miriam disbelievingly.

“I know. It was me. I just come in to see Lou. How her leg was.”

“It was you?”

“Yeah. I told you.”

“You were up in the mow.”

“I come in by the top door.”

He sounded more in control now. He was able to ask a question of his own.

“How long you been in here?”

“I just came in now. I was in the house and suddenly it hit me, there’s something wrong at the barn.”

“What’d you fire off the gun for? You could’ve killed me.”

“If anybody was in here I wanted to give them a scare.”

“You could’ve waited. You could’ve yelled first. You could’ve killed me.”

“It never crossed my mind it was you.”

Then Miriam McAlpin cried out again, as if she’d just spotted a new intruder.

“I could’ve killed you. Oh, Russ. I never thought. I could’ve shot you.”

“Okay. Calm down,” Russell said. “You could’ve but you didn’t.”

“You could be shot now and I’d be the one that did it.”

“You didn’t.”

“What if I had, though? Jesus. Jesus. What if I had?”

She was weeping and saying something like this over and over, but in a muffled voice, as if something was stuffed into her mouth.

Or as if she was being held, pressed against something, somebody, that could comfort and quiet her.

Russell’s voice, swelling with mastery, soothing.

“Okay. Yeah. So okay, honey. Okay.”

That was the last thing I heard. What a strange word to speak to Miriam McAlpin.
Honey.
The word he’d used to me, during our bouts of kissing. Commonplace enough, but then it had seemed something I could suck up, a sweet mouthful like the stuff itself. Why would he say it now, when I wasn’t anywhere near him? And in just the same way. Just the same.

Into the hair, against the ear, of Miriam McAlpin.

I had been standing by the door. I had been afraid that the noise of opening it might be heard below in spite of the disturbance the horses were still making. Or else I had not really understood that my presence here was unwanted, my part was over. Now I had to get out. I didn’t care if they heard. But I don’t suppose they did. I pulled the door shut, then ran down the gangway and along the street. I would have gone on running, but I realized that somebody might see me and wonder what was the matter. I had to be content with walking very fast. It was hard to stop for a moment, even to cross the highway that was also the main street of town.

         

I didn’t see Russell again. He did become a soldier. He was not killed in the war, and I don’t think he continued in the Salvation Army. The summer after all this had happened I saw his wife—a girl I had known by sight in high school. She had been a couple of years ahead of me, and had dropped out to work in the creamery. She was with Mrs. Craik and she was heavily pregnant. They were looking through a bargain bin outside Stedman’s store, one afternoon. She looked disconsolate and plain—maybe that was the effect of her pregnancy, though I had thought her plain enough before. Or at least insignificant and shy. She still looked shy, though hardly insignificant. Her body seemed abject but amazing, grotesque. And a thrill of sexual envy, of longing, went through me, at the sight of her and the thought of how she had got that way. Such submission, such necessity.

At some time after he came home from the war Russell took up carpentry and through that work he became a contractor, building houses for the ever-growing subdivisions around Toronto. I know that much because he appeared at a high-school reunion, apparently quite prosperous, joking about how he didn’t have any right to be there, since he had never even gone to high school. Report of this came to me from Clara, who had kept in touch.

Clara said that his wife was blond now, rather fat, wearing a bare-backed sundress. A bun of blond hair stuck up above the hole in the crown of her sunhat. Clara had not talked to them and so she was not actually sure whether this was the same wife or a new one.

It was probably not the same wife, though it may have been. Clara and I talked about how reunions occasionally reveal how those who seemed most secure have been somewhat diminished or battered by life, and those who were at the fringes, who seemed to droop and ask pardon, have blossomed. So that might have happened with the girl I had seen in front of Stedman’s.

Miriam McAlpin stayed on at the horse barn until it burned down. I don’t know the reason, it could have been the usual one—damp hay, spontaneous combustion. All of the horses were saved, but Miriam was hurt, and after that she lived on a disability pension.

         

Everything was normal when I got home that evening. This was the summer when my brother and sister had learned to play solitaire, and played it at every opportunity. They were sitting now at either end of the dining-room table, nine and ten years old and grave as an old couple, the cards spread out in front of them. My mother had already gone to bed. She spent many hours in bed, but she never seemed to sleep as other people did, she just dozed for short periods of the day and night, maybe got up and drank tea or sorted out a drawer. Her life had stopped being securely connected at any point with the life of the family.

She called from bed to ask if I had had a nice supper at Clara’s, and what did I have for dessert?

“Cottage pudding,” I said.

I thought that if I said any part of the truth, if I said “pie,” I would immediately betray myself. She did not care, she only wanted a bit of conversation, but I was not able to supply it. I tucked the quilt in around her feet, as she asked me to, and went downstairs and into the living room, where I sat on the low stool in front of the bookcase and took out a book. I sat there squinting at the print in the dim light that still came in the window beside me, until I had to rise and turn on the lamp. Even then I didn’t settle myself in a chair to be comfortable but continued to sit hunched on the stool, filling my mind with one sentence after another, slamming them into my head just so I would not have to think about what had happened.

I don’t know which book it was that I had picked up. I had read them all before, all the novels in that bookcase. There were not many.
The Sun Is My Undoing. Gone with the Wind. The Robe. Sleep in Peace. My Son, My Son. Wuthering Heights. The Last Days of Pompeii.
The selection did not reflect any particular taste, and in fact my parents often could not say how a certain book came to be there—whether it had been bought or borrowed or whether somebody had left it behind.

It must have meant something, though, that at this turn of my life I grabbed up a book. Because it was in books that I would find, for the next few years, my lovers. They were men, not boys. They were self-possessed and sardonic, with a ferocious streak in them, reserves of gloom. Not Edgar Linton, not Ashley Wilkes. Not one of them companionable or kind.

It was not as if I had given up on passion. Passion, indeed, wholehearted, even destructive passion, was what I was after. Demand and submission. I did not exclude a certain kind of brutality. But no confusion, no double-dealing, or sleazy sort of surprise or humiliation. I could wait, and all my due would come to me, I thought, when I was full-blown.

Hired Girl

Mrs. Montjoy was showing me how to put the pots and pans away. I had put some of them in the wrong places.

Above all things, she said, she hated a higgledy-piggledy cupboard.

“You waste more time,” she said. “You waste more time looking for something because it wasn’t where it was last time.”

“That’s the way it was with our hired girls at home,” I said. “The first few days they were there they were always putting things away where we couldn’t find them.

“We called our maids hired girls,” I added. “That was what we called them, at home.”

“Did you?” she said. A moment of silence passed. “And the colander on that hook there.”

Why did I have to say what I had said? Why was it necessary to mention that we had hired girls at home?

Anybody could see why. To put myself somewhere near her level. As if that was possible. As if anything I had to say about myself or the house I came from could interest or impress her.

         

It was true, though, about the hired girls. In my early life there was a procession of them. There was Olive, a soft drowsy girl who didn’t like me because I called her Olive Oyl. Even after I was made to apologize she didn’t like me. Maybe she didn’t like any of us much because she was a Bible Christian, which made her mistrustful and reserved. She used to sing as she washed the dishes and I dried.
There is a Balm in Gilead
…If I tried to sing with her she stopped.

Then came Jeanie, whom I liked, because she was pretty and she did my hair up in pin curls at night when she did her own. She kept a list of the boys she went out with and made peculiar signs after their names: x x x o o * *. She did not last long.

Neither did Dorothy, who hung the clothes on the line in an eccentric way—pinned up by the collar, or by one sleeve or one leg—and swept the dirt into a corner and propped the broom up to hide it.

And when I was around ten years old hired girls became a thing of the past. I don’t know if it was because we became poorer or because I was considered old enough to be a steady help. Both things were true.

Now I was seventeen and able to be hired out myself, though only as summer help because I had one more year to go at high school. My sister was twelve, so she could take over at home.

         

Mrs. Montjoy had picked me up at the railway station in Pointe au Baril, and transported me in an outboard-motor boat to the island. It was the woman in the Pointe au Baril store who had recommended me for the job. She was an old friend of my mother’s—they had taught school together. Mrs. Montjoy had asked her if she knew of a country girl, used to doing housework, who would be available for the summer, and the woman had thought that it would be the very thing for me. I thought so too—I was eager to see more of the world.

Mrs. Montjoy wore khaki shorts and a tucked-in shirt. Her short, sun-bleached hair was pushed behind her ears. She leapt aboard the boat like a boy and gave a fierce tug to the motor, and we were flung out on the choppy evening waters of Georgian Bay. For thirty or forty minutes we dodged around rocky and wooded islands with their lone cottages and boats bobbing beside the docks. Pine trees jutted out at odd angles, just as they do in the paintings.

I held on to the sides of the boat and shivered in my flimsy dress.

“Feeling a tad sick?” said Mrs. Montjoy, with the briefest possible smile. It was like the signal for a smile, when the occasion did not warrant the real thing. She had large white teeth in a long tanned face, and her natural expression seemed to be one of impatience barely held in check. She probably knew that what I was feeling was fear, not sickness, and she threw out this question so that I—and she—need not be embarrassed.

Here was a difference, already, from the world I was used to. In that world, fear was commonplace, at least for females. You could be afraid of snakes, thunderstorms, deep water, heights, the dark, the bull, and the lonely road through the swamp, and nobody thought any the worse of you. In Mrs. Montjoy’s world, however, fear was shameful and always something to be conquered.

The island that was our destination had a name—Nausicaa. The name was written on a board at the end of the dock. I said it aloud, trying to show that I was at ease and quietly appreciative, and Mrs. Montjoy said with slight surprise, “Oh, yes. That was the name it already had when Daddy bought it. It’s for some character in Shakespeare.”

I opened up my mouth to say no, no, not Shakespeare, and to tell her that Nausicaa was the girl on the beach, playing ball with her friends, surprised by Ulysses when he woke up from his nap. I had learned by this time that most of the people I lived amongst did not welcome this kind of information, and I would probably have kept quiet even if the teacher had asked us in school, but I believed that people out in the world—the real world—would be different. Just in time I recognized the briskness of Mrs. Montjoy’s tone when she said “some character in Shakespeare”—the suggestion that Nausicaa, and Shakespeare, as well as any observations of mine, were things she could reasonably do without.

The dress I was wearing for my arrival was one I had made myself, out of pink and white striped cotton. The material had been cheap, the reason being that it was not really meant for a dress but for a blouse or a nightgown, and the style I had chosen—the full-skirted, tight-waisted style of those days—was a mistake. When I walked, the cloth bunched up between my legs, and I kept having to yank it loose. Today was the first day the dress had been worn, and I still thought that the trouble might be temporary—with a firm enough yank the material might be made to hang properly. But I found when I took off my belt that the day’s heat and my hot ride on the train had created a worse problem. The belt was wide and elasticized, and of a burgundy color, which had run. The waistline of the dress was circled with strawberry dye.

I made this discovery when I was getting undressed in the loft of the boathouse, which I was to share with Mrs. Montjoy’s ten-year-old daughter, Mary Anne.

“What happened to your dress?” Mary Anne said. “Do you sweat a lot? That’s too bad.”

I said that it was an old dress anyway and that I hadn’t wanted to wear anything good on the train.

Mary Anne was fair-haired and freckled, with a long face like her mother’s. But she didn’t have her mother’s look of quick judgments marshalled at the surface, ready to leap out at you. Her expression was benign and serious, and she wore heavy glasses even when sitting up in bed. She was to tell me soon that she had had an operation to get her eyes straightened, but even so her eyesight was poor.

“I’ve got Daddy’s eyes,” she said. “I’m intelligent like him too so it’s too bad I’m not a boy.”

Another difference. Where I came from, it was generally held to be more suspect for boys to be smart than for girls to be, though not particularly advantageous for one or the other. Girls could go on to be teachers, and that was all right—though quite often they became old maids—but for boys to continue with school usually meant they were sissies.

All night long you could hear the water slapping against the boards of the boathouse. Morning came early. I wondered whether I was far enough north of home for the sun to actually be rising sooner. I got up and looked out. Through the front window, I saw the silky water, dark underneath but flashing back from its surface the light of the sky. The rocky shores of this little cove, the moored sailboats, the open channel beyond, the mound of another island or two, shores and channels beyond that. I thought that I would never, on my own, be able to find my way back to the mainland.

I did not yet understand that maids didn’t have to find their way anywhere. They stayed put, where the work was. It was the people who made the work who could come and go.

The back window looked out on a gray rock that was like a slanting wall, with shelves and crevices on it where little pine and cedar trees and blueberry bushes had got a foothold. Down at the foot of this wall was a path—which I would take later on—through the woods, to Mrs. Montjoy’s house. Here everything was still damp and almost dark, though if you craned you could see bits of the sky whitening through the trees on top of the rock. Nearly all of the trees were strict-looking, fragrant evergreens, with heavy boughs that didn’t allow much growth underneath—no riot of grapevine and brambles and saplings such as I was used to in the hardwood forest. I had noticed that when I looked out from the train on the day before—how what we called the bush turned into the more authentic-looking
forest,
which had eliminated all lavishness and confusion and seasonal change. It seemed to me that this real forest belonged to rich people—it was their proper though sombre playground—and to Indians, who served the rich people as guides and exotic dependents, living out of sight and out of mind, somewhere that the train didn’t go.

Nevertheless, on this morning I was really looking out, eagerly, as if this was a place where I would live and everything would become familiar to me. And everything did become familiar, at least in the places where my work was and where I was supposed to go. But a barrier was up. Perhaps
barrier
is too strong a word—there was not a warning so much as something like a shimmer in the air, an indolent reminder.
Not for you.
It wasn’t a thing that had to be said. Or put on a sign.

Not for you.
And though I felt it, I would not quite admit to myself that such a barrier was there. I would not admit that I ever felt humbled or lonely, or that I was a real servant. But I stopped thinking about leaving the path, exploring among the trees. If anybody saw me I would have to explain what I was doing, and
they
—Mrs. Montjoy—would not like it.

And to tell the truth, this wasn’t so different from the way things were at home, where taking any impractical notice of the out-of-doors, or mooning around about Nature—even using that word,
Nature
—could get you laughed at.

         

Mary Anne liked to talk when we were lying on our cots at night. She told me that her favorite book was
Kon-Tiki
and that she did not believe in God or Heaven.

“My sister is dead,” she said. “And I don’t believe she is floating around somewhere in a white nightie. She is just dead, she is just nothing.

“My sister was pretty,” she said. “Compared to me she was, anyway. Mother wasn’t ever pretty and Daddy is really ugly. Aunt Margaret used to be pretty but now she’s fat, and Nana used to be pretty but now she’s old. My friend Helen is pretty but my friend Susan isn’t. You’re pretty, but it doesn’t count because you’re the maid. Does it hurt your feelings for me to say that?”

I said no.

“I’m only the maid when I’m here.”

It wasn’t that I was the only servant on the island. The other servants were a married couple, Henry and Corrie. They did not feel diminished by their jobs—they were grateful for them. They had come to Canada from Holland a few years before and had been hired by Mr. and Mrs. Foley, who were Mrs. Montjoy’s parents. It was Mr. and Mrs. Foley who owned the island, and lived in the large white bungalow, with its awnings and verandas, that crowned the highest point of land. Henry cut the grass and looked after the tennis court and repainted the lawn chairs and helped Mr. Foley with the boats and the clearing of paths and the repairs to the dock. Corrie did the housework and cooked the meals and looked after Mrs. Foley.

Mrs. Foley spent every sunny morning sitting outside on a deck chair, with her feet stretched out to get the sun and an awning attached to the chair protecting her head. Corrie came out and shifted her around as the sun moved, and took her to the bathroom, and brought her cups of tea and glasses of iced coffee. I was witness to this when I went up to the Foleys’ house from the Montjoys’ house on some errand, or to put something into or remove something from the freezer. Home freezers were still rather a novelty and a luxury at this time, and there wasn’t one in the Montjoys’ cottage.

“You are not going to suck the ice cubes,” I heard Corrie say to Mrs. Foley. Apparently Mrs. Foley paid no attention and proceeded to suck an ice cube, and Corrie said, “Bad. No. Spit out. Spit right out in Corrie’s hand. Bad. You didn’t do what Corrie say.”

Catching up to me on the way into the house, she said, “I tell them she could choke to death. But Mr. Foley always say, give her the ice cubes, she wants a drink like everybody else. So I tell her and tell her. Do not suck ice cubes. But she won’t do what I say.”

Sometimes I was sent up to help Corrie polish the furniture or buff the floors. She was very exacting. She never just wiped the kitchen counters—she scoured them. Every move she made had the energy and concentration of somebody rowing a boat against the current and every word she said was flung out as if into a high wind of opposition. When she wrung out a cleaning rag she might have been wringing the neck of a chicken. I thought it might be interesting if I could get her to talk about the war, but all she would say was that everybody was very hungry and they saved the potato skins to make soup.

“No good,” she said. “No good to talk about that.”

She preferred the future. She and Henry were saving their money to go into business. They meant to start up a nursing home. “Lots of people like her,” said Corrie, throwing her head back as she worked to indicate Mrs. Foley out on the lawn. “Soon more and more. Because they give them the medicine, that makes them not die so soon. Who will be taking care?”

One day Mrs. Foley called out to me as I crossed the lawn.

“Now, where are you off to in such a hurry?” she said. “Come and sit down by me and have a little rest.”

Her white hair was tucked up under a floppy straw hat, and when she leaned forward the sun came though the holes in the straw, sprinkling the pink and pale-brown patches of her face with pimples of light. Her eyes were a color so nearly extinct I couldn’t make it out and her shape was curious—a narrow flat chest and a swollen stomach under layers of loose, pale clothing. The skin of the legs she stuck out into the sunlight was shiny and discolored and covered with faint cracks.

BOOK: The View from Castle Rock
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