The Vineyard (46 page)

Carl smiled. “If that neighbor passes out on his front steps, are you just going to let him lie there?”

“That's carrying the example to the extreme,” Simon argued.

“No. It's just carrying it to the point where taking the risk is
preferable to playing it safe. If I'd protected my heart and never married, I wouldn't have had those good years with Ana, and I wouldn't have had you. So I lost Ana, and there was pain, and the temptation is to swear off anything that can cause it again.” His voice was gruff with feeling. “Only I am so, so lucky to have another chance. Do you see that? Do you?”

J
UST INSIDE THE SCREEN DOOR
, Susanne leaned against the wall in the dark. Forget fatigue. Dinner had been
stifling
. Her face ached from forcing a smile, her heart from pretending nothing was wrong.

She had thought to get a breath of fresh air, when she had come upon Simon and Carl, and her first instinct was to turn right around and go back to the kitchen. Then she heard Carl's voice and something about his tone kept her there.

She didn't want to listen, didn't want to hear what he said, but she found that she couldn't move. She listened to every last word, and when she did return to the kitchen, she was subdued, preoccupied as she cleaned up, unable to shake what he'd said.

No. Not what he'd said. How he'd said it. He hadn't been loud or defensive. He hadn't mentioned Alexander or the vineyard, only Simon, Ana, and Natalie. They were clearly what mattered to him. And the something she had heard in his voice wasn't new, she realized when she finished up and turned out the lights. It was there in her memory, a given of Asquonset life.

Carl Burke had never been overly talkative, but when he did speak, his words held a ring of truth.

Climbing the stairs, she let herself into the bedroom that had been hers since the upper floor was added to the Great House. A hand squeezed her heart at the sight of Mark's things there. Disagreements between them always upset her. He was a remarkable person—far more so than she. He was a kinder person, a more compassionate person, a
bigger
person, and she wasn't talking about physical size.

Disappointed in herself, she went to the dresser. Natalie's book was there, a thick wad of manuscript pages tucked into an envelope. Sandwiching it between two glossy issues of
Food and Wine,
she brought it downstairs. Mark was reading in the parlor. He glanced up when she passed on her way to the den, but neither of them spoke.

Settling into a corner of the long leather sofa that had fit her father so well, remembering Nancy Drew nights with him there and feeling cushioned by her very own view of the past, she set aside the magazines, pulled the manuscript from its envelope, and began to read.

M
UCH LATER
Greg slipped out of bed. If Jill was awake and aware, she didn't let on, and he couldn't tell. She was on the far side of the bed with her back to him.

Her breathing was steady. He had been lying awake, listening to it for hours, realizing that the only thing worse than not having Jill with him at night was having her with him but out of reach—and she was definitely that. From the nightgown that went from her throat to her toes, to the sheet pulled up to her neck, to the fact that she hadn't once turned or spoken the slightest word of encouragement—everything about her said
Do Not Touch
.

He was a glutton for punishment, staying in Asquonset. He didn't know why he didn't just turn around and go back home.

Yes, he did. If he went back home, he wanted Jill with him. Life without her in Washington was lonely and dry—and life on the road, without knowing she would be there at the end of the trip, was just as bad. It would be even worse now that he knew about the baby. He couldn't just leave her here.

But he couldn't sleep, either, and trying was only making it worse. Slipping on a robe, he pushed through his bag looking for something to read. All he came up with was reports, but he didn't want to read reports. He wouldn't be able to do them justice, given his frame of mind.

His eye moved through the darkness to the dresser, where the moon lit a large manila envelope. He knew what it was and didn't care to read that any more than the reports. But he picked it up anyway and found himself carrying it down to the kitchen.

Setting it aside, thinking that his own refrigerator was as barren as he was without Jill in the house, he fixed himself a snack from the leftovers of dinner. He had a bowl of ice cream and a handful of cookies. He warmed a glass of milk and drank it slowly, thinking that it might make him drowsy and spare him this chore.

But he remained wide awake.

Figuring that there was no one to see, and that he had absolutely nothing better to do, he pulled the pages from the envelope there on the kitchen table and started to read.

O
LIVIA WAS UP AT FIRST LIGHT
. She knelt by the window only until she saw Simon, then ran softly down the stairs and outside. He was already making his way through the vines by the time she reached him.

Catching her hand, he pulled her into a half run. They were well under the cover of the trees before he stopped and, grinning, scooped her up in his arms. He carried her deeper into the woods before laying her down on a pad of moss.

What with his presence in her dreams, and the sight, smell, sound of him now in the flesh, Olivia was fully aroused. She helped him out of his shorts and cried out when he entered her, not in pain but in awe. Same with the moment when he pushed aside her nightshirt and took her breast in his mouth. No matter how often they made love, he startled her with the wholeness she felt, and the amazing thing was that it kept getting better. She should have been used to him by now. She should have been used to the scent of dewy grape leaves one day and cool forest the next. She should have been starting to get bored, but there was always something new when they came together, always something different, deeper, more enlightening.

Today, it was words. They had a tacit understanding not to talk about the future—and he did stick to it, but only until they had both climaxed and were lying side by side, slowly cooling, reclaiming their breath.

Then, in a quiet voice, he said, “Stay longer.”

She turned her head on the moss. He was looking up at the sky, his profile strong, his expression uncharacteristically vulnerable. “Here?” she asked. “At Asquonset?”

“You have money in the bank. You don't need to rush off.”

“I do,” she said quickly, because staying would only make things worse. “Tess has to go to school. I have to get her set up somewhere.”

“Why not in Providence? She could commute with Sandy.”

“But I don't have a job in Providence. I have one in Pittsburgh.”

His head came around, eyes meeting hers. “You didn't tell me.”

She felt guilty, torn, and determined, in that order. “I haven't decided whether to take it.”

“Is it a good job?”

“Yes. I'd be working in-house at a museum. There's a good school for Tess nearby. They can't take her now—the class is filled—but they say there may be a spot at midyear. They'd want to interview her and test her once we move. She could go to a public school in the meanwhile.”

“Pittsburgh.”

Olivia had said the name dozens of times, and it still sounded foreign. “Like I say, I haven't decided.”

“What are you waiting for?”

“A better offer,” she said and sat up. She buttoned her nightshirt. “Something closer would make moving easier. I want Tess to be able to start right in at the best school for her. I'll give it another week. If nothing comes up, Pittsburgh is it. I've actually never been to Pittsburgh, but I've heard good things.”

“L
IKE WHAT
?” Tess asked.

“Like nice places to live and pretty places to shop. Like restaurants on the water. Did you know that three rivers meet in the middle of Pittsburgh? So there's Three Rivers Stadium, and the Pittsburgh Pirates. There's the Steelers and the Penguins. There's an aircraft museum and the national aviary. There's all sorts of Carnegie stuff, and Frank Lloyd Wright, and the Tower of Learning. There's a
zoo.”

They were on Olivia's bed, where Olivia had found Tess on her return. Tess had been sketching in her book, but set it aside quickly and wanted to know where her mother had been. Out walking, Olivia said. Thinking, she added, and told Tess about the job offer.

“Is there a Gap in Pittsburgh?”

“More than one.”

“McDonald's?”

“Definitely.”

“Pindman's?”

“No. Pindman's is one of a kind.”

“They know us there already. It feels good.”

“That's the difference between small town and big city. It takes longer to get to know people in the city. But remember the Seven-Eleven in Cambridge? We got to know the manager. And the yogurt shop?”

“Why can't we stay here?” Tess said, and Olivia's heart ached.

“Because I don't have a job here.”

“You can get one.”

“Not the kind I want. No one here needs a photo restorer.”

“You're a writer.”

Barely. Winging it. Sweating it out. “Only for this summer.” And possibly never again. Olivia had no idea whether Natalie was pleased or not. She hadn't said a thing about the pages Olivia had written. Olivia wasn't sure she had even read them.

“I want to go to Braemont with Mrs. Adelson,” Tess said. “She's the best tutor I've ever had.”

“You'll always have the skills she's taught you. You'll take them wherever we go.”

Tess looked like she didn't believe it. When her brows knit and her chin went out, Olivia steeled herself for an argument.

In the next breath, the child softened. The eyes she raised to Olivia were soulful. “I do like it here, Mom. I wish we could stay.”

“So do I, sweetie,” Olivia began, but when she reached for her, Tess slipped off the bed. In seconds she was through the connecting bathroom and into her own room. “So do I,” Olivia repeated, whispering to herself as she put Tess's sketchbook aside and shook out the bedsheets with more force than was necessary. “But I can't pretend.” She yanked up the sheets. “This is not my family.” She hauled the comforter up in a single fierce billow. “My job is nearly done.” The pillows went on top, knocked this way and that. “I have to
leave.”

She took up the sketchbook and was about to return it when she found herself drawn to the window seat. She spent several minutes feeling sorry for herself for not being a Seebring, for not having a permanent job here, for not being so important to Simon Burke that he would rather die than let her move away.

Then she thought of her mother. She was getting used to the idea that Carol was dead—not liking it, but accepting of what couldn't be changed. She was even getting used to the idea that maybe, just maybe Simon was right. Maybe Carol had loved her in her way. The money would certainly come in handy for Tess for private school, then college, perhaps even an advanced degree in art. The child was that talented.

Smiling, feeling pleasure and pride, Olivia opened the sketchbook. It contained drawings of the vineyard and the Great House, and drawings of the cats, and of Buck with her kittens. It contained
Sketches of Olivia, alternately depicting her as an angel and a witch. It contained a sketch of Carl with his tennis racket and a regal sketch of Natalie. It contained a drawing of Simon on his haunches plucking leaves from a vine, Simon sitting high on the hedger, Simon wearing heavy work gloves as he repaired the trellis, Simon holding a kitten, Simon reading a book with his glasses halfway down his nose.

The sketches of Simon were greater in number near the back of the book, clearly more recent, and there were far too many of them for Olivia's peace of mind. She didn't need a college degree to realize that Tess was growing attached to him. And right there was the very best reason for them to move to Pittsburgh. Attachments could be nipped in the bud. Out of sight, out of mind.

They were better on their own, she and Tess. They were safer on their own. She could guarantee Tess love. No one else could do that.

S
IMON WALKED THROUGH
the rows of vines, looking for trouble, looking for
hints
of trouble, trying to distract himself with busywork in one block or another so that he wouldn't spend the entire day in his office waiting for updates on the storm. But the vines were all well. The canopies were trim, the soil aerated and comfortably moist, the cover crops adding nutrients, the grapes growing round and full. Sweetness would come. That was what the next few weeks would be about—assuming a hurricane didn't mess them up.

He had a bad feeling about Chloe, and it wasn't a mystical thing. She was real, she was growing, and she was headed their way. According to the bulletins he received by fax, she had been upgraded to a category-three hurricane, packing winds upward of 115 miles an hour. She was traveling north at a rate that would have her making landfall in less than forty-eight hours, and she was showing no signs of turning away or petering out.

While Carl and Natalie followed the storm's path on the television in the Great House, Simon pulled up satellite pictures on his computer. He studied radar maps forwarded from the National Hurricane Center. He got e-mail from friends wishing him luck. His contact at the NOAA had nothing to suggest but that they board up the house.

He would have boarded up the vines if it had been possible, but the vines—the very same that had survived a too-wet spring and were now thriving—would have to be on their own.

Twenty-seven