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Authors: Isabel Wilkerson

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It was before the turn of the twentieth century, and instead of going north, where there would have been no place for a colored farmer like him, John Starling went south to the warm, rich land of the Florida interior. There, Big George and the rest of that generation were born, and the family acquired its surname. Originally, they were Stallings. But nobody could pronounce it right. When they first joined their little country church, the preacher welcomed the newcomers every Sunday with a different mispronunciation.

“And we’re glad to have the Stallions here with us today,” the preacher announced during service.

“Stallings! Stallings!” John protested.

He eventually settled on Starling, which was a close enough compromise to suit him and the people around them.

By the time little George was born, John was working for a planter by the name of Reshard. He was living a hard enough life as it was and had other grandchildren in his care for whom he had little patience. He liked to put cotton between their toes and light it to wake them up in the morning. But the grandfather and his second wife, Lena, took a liking to little George. He was the only child of John’s firstborn (George’s half brother, William, had a different father), and Lena used to grab him close.

“Come up here, boy, give your grandma some sugar.”

He could see a bulge in her cheeks from the snuff in her mouth and snuff juice dripping down her chin. George tightened his face and
twisted his head, but that didn’t stop her from planting a snuff-scented wet one right on the lips.

They were farming tobacco and cotton, among other things, and the grandfather liked to take little George out to the field with him and out to the boiler when he went to fire up the tobacco. He would let George sleep on top of the boiler shed when he got tired. He’d have George right by him and seemed to make a show of it, which only made life tougher for little George, propped up as he was distinct from his cousins.

“My cousins would be out there with their fists shaking at me,” he remembered.

There were aunts and uncles all around. One of the younger aunts, called Sing, was married to a short-tempered man named Sambo. Sing attracted the attention of men without trying, and Sambo could never get used to it. As it was, colored men had little say over their wives since the days when slave masters could take their women whenever they pleased and colored men could do nothing about it. Planters were known to take the same liberties the slave masters had, and the contradictions were not lost on colored men: white men could do to colored women what colored men could be burned alive for doing to white women. In this sexual testing of wills, Sambo was overcautious toward his wife. He told her if she kept it up with what he saw as flirting, he was going to kill her one day. She just laughed. He was always talking like that. Big George told his sister not to make light of her husband. But she didn’t pay it any mind.

One day, Sambo went to John’s house and told Big George he was going rabbit hunting and needed some shells. Big George went and got the shells for Sambo. A few minutes later, he heard a shot from the woods.

“I guess Sambo done got him a rabbit,” Big George said.

Sambo had just killed Big George’s little sister.

These became some of Lil George’s earliest memories. Each year, he saw his grandfather return from the planter’s house after another dispiriting settlement and recount to the family what had transpired.

At the end of every harvest, the planter would call John Starling up to the big house. John would knock on the back door, the only door colored people were permitted to enter, according to southern protocol. He and the planter met in the planter’s kitchen.

“Come on in, John,” the planter said. “Come here, boy. Come here. Have a seat. Sit down here.”

The planter pulled out his books. “Well, John,” the planter began. “Boy, we had a good year, John.”

“Yes, sir, Mr. Reshard. I’m sure glad to hear that.”

“We broke even. You don’t owe me nothing. And I don’t owe you nothing.”

The grandfather had nothing to show for a year’s hard toiling in the field.

“This is all he ends up, ‘We broke even,’ ” George would say years later. “He has no money, no nothing for his family. And now he’s ready to start a new year in the master’s debt. He’ll start all over again. Next year, they went through the same thing—‘We broke even.’ ”

The following year, the grandfather went to the big house and got the same news from Reshard.

“Well, by God, John, we did it again. We had another good year. We broke even. I don’t owe you nothin, and you don’t owe me nothin.”

George’s grandfather got up from the table. “Mr. Reshard, I’m sho’ glad to hear that. ’Cause now I can go and take that bale of cotton I hid behind the barn and take it into town and get some money to buy my kids some clothes and some shoes.”

The planter jumped up. “Ah, hell, John. Now you see what, now I got to go all over these books again.”

“And when he go over these books again,” George said long afterward, “he’ll find out where he owed that bale. He gonna take that bale of cotton away from him, too.”

John had no choice but to tell Reshard about that extra bale of cotton. In the sharecropping system, it was the planter who took the crops to market or the cotton to the gin. The sharecropper had to take the planter’s word that the planter was crediting the sharecropper with what he was due. By the time the planter subtracted the “furnish”—that is, the seed, the fertilizer, the clothes and food—from what the sharecropper had earned from his share of the harvest, there was usually nothing coming to the sharecropper at settlement. There would have been no way for George’s grandfather to sell that one extra bale without the planter knowing it in that constricted world of theirs. In some parts of the South, a black tenant farmer could be whipped or killed for trying to sell crops on his own without the planter’s permission.
50

Even though John wouldn’t be able to keep the extra bale, Reshard
was considered “a good share, a good boss, a good master,” in George’s words, “ ’cause he let us break even.”

Most other sharecroppers ended deeper in debt than before. “They could never leave as long as they owed the master,” George said. “That made the planter as much master as any master during slavery, because the sharecropper was bound to him, belonged to him, almost like a slave.”

The anthropologist Hortense Powdermaker, studying the sharecropping system back in the 1930s, estimated that only a quarter to a third of sharecroppers got an honest settlement, which did not in itself mean they got any money.
51
“The Negro farm hand,” a colored minister wrote in a letter to the
Montgomery Advertiser
in Alabama, “gets for his compensation hardly more than the mule he plows, that is, his board and shelter.
52
Some mules fare better than Negroes.”

There was nothing to keep a planter from cheating his sharecropper. “One reason for preferring Negro to white labor on plantations,” Powdermaker, a white northerner, observed, “is the inability of the Negro to make or enforce demands for a just statement or any statement at all.
53
He may hope for protection, justice, honesty from his landlord, but he cannot demand them. There is no force to back up a demand, neither the law, the vote nor public opinion.…  Even the most fair and most just of the Whites are prone to accept the dishonest landlord as part of the system.”

That did not keep some sharecroppers from trying to get what they were due after a hard year’s labor. During the lull before harvest time, one of George’s uncles, Budross, went to the little schoolhouse down in the field and learned to read and count. When it came time to settle up over the tobacco George’s grandmother Lena had raised, the uncle stood by while the planter went over the books with her. When they got through, George’s uncle spoke up.

“Ma, Mr. Reshard cheatin’ you. He ain’t addin’ them figures right.”

The planter jumped up. “Now you see there, Lena, I told you not to send that boy to school! Now he done learn how to count and now done jumped up and called my wife a lie, ’cause my wife figured up these books.”

The planter’s men came and pistol-whipped the uncle right then and there.

The family had to get him out that night. “To call a white woman a lie,” George said, “they came looking for him that night. They came, fifteen or twenty of them on horseback, wagon.”

George’s grandparents knew to expect it. “We got to get you away from here ’cause you done call Mr. Reshard a lie. And you know they ain’t gon’ like that.”

George was too young to understand what was happening but heard the grown people talk about it in whispers. It was the middle of the 1920s, and George never knew exactly where the uncle went. The particulars were never spoken.

“They hid him out” was all George would say. “He left from out of there.”

Lil George and his parents didn’t stay in Alachua much longer after that. They fled to St. Petersburg on the Gulf of Mexico, where they would no longer be under a field boss or overseer. They could work in the big high-rise hotels going up, and with all the tourists from up north and the building boom in the beach towns on the coast, they could be free of the farm and find plenty of work.

They were living in a row house off Fifth Avenue in the colored district. The father found work in construction, and things were good. But by the late 1920s, when the Great Depression descended on the country, things weren’t so good. Big George took to drinking and would lie in wait on the porch for Lil George’s mother to get back from church on Sunday. Once, instead of coming straight back, she stopped a few doors down to chat with a neighbor. Big George saw her dawdling, and that set him off.

“You making plans to meet some other man,” Big George said.

He jumped on her and started hitting her. Lil George and his half brother, William, were sitting on the porch and could see it.

It wasn’t the first time. Lil George cried over it. He was torn between the two of them. Sometimes William, who had a different father and was two years older than Lil George, would throw rocks at Big George to make him stop. Lil George hated it when William did that. He adored his parents. This time, Lil George got mad. The two boys went and got a brick from under a wash pot in the kitchen and hit Big George with it. Then they ran down the street to get away. Big George was hurt more by the pain he had caused his son than by the brick itself and went calling after his namesake.
Son, come back, here. I’m not gonna bother you
.

The marriage gave out after that, and the family split up. The mother kept William on the Gulf Coast with her. And Big George headed east to the town of Eustis, where he said he would send for Lil George after
he got established. For the time being, Lil George was sent to live with his mother’s mother in Ocala, a town in the scrublands midway between Alachua and Eustis.

The grandmother was a root doctor named Annie Taylor who was a big-boned woman as tall as a man. She lived on a corner lot and grew pole beans alongside the fence. She was already raising one daughter’s two boys, and here came another one from another daughter, Napolean, now that she had quit her husband.

BOOK: The Warmth of Other Suns
2.82Mb size Format: txt, pdf, ePub
ads

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