The Watch Tower (31 page)

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Authors: Elizabeth Harrower

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BOOK: The Watch Tower
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Scepticism was all over him.

‘Really. It made me recognise things as they were. And that—I was supported by a sort of faith. I’m not sure in what. But I thought I saw bits of the true, if not of the good and the beautiful. That made most things bearable. That was my retreat. There was the external world—office, friends, amusements—And then there was
home—
so
real it seemed to have six dimensions,
fundamental as the floor of the world. Nothing at all from the outside could penetrate. The outside was a place of coloured tissue paper where people went about
not knowing about reality
.’
She added, ‘So you see—it was all—as they say—in a way—pure gain.’

‘Yes.’ Bernard blinked once or twice, and thought. ‘Yes, I see that.’ And he began to smile as people do in the instant of hearing very good news.

The train worked its way through the geometry of moving tracks, poles, overhead wires, cubes and squares of corrugated iron, black rotting terraces, narrow walls and fences leaning askew. Dismal relics of clothing blew damply on clotheslines. The outer suburbs marched up, crowded, formal and hard as nineteenth-century cemeteries.

More outer suburbs and more time: hills and valleys of roofs, grey-blue gravelled streets, blue-black tarred roads, square miles of brick, corrugated iron, gravel, concrete, hard dry substances, hard shapes, graveyard architecture and landscape. Still time and suburbs passed.

Abruptly the road by the train lines changed colour and character: it was a bush track—bright clay. And there were trees suddenly, swift-moving past—blossoming eucalyptus, pines. Alone in the compartment, Clare jerked the window up and leaned out into the day. The light was wonderful. Waves of air beat against
her face, and it smelled of grass, or clover, or honey.

Whatever it is, I remember it, she thought, breathing in. Her eyes paused here on a line of willows as they glided past, and the willows were familiar, too. She remembered it all.

Yet it was funny that she should think so; for it did occur to her that she had only just arrived.

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The Commandant

Jessica Anderson

Introduced by Carmen Callil

Homesickness

Murray Bail

Introduced by Peter Conrad

Sydney Bridge Upside Down

David Ballantyne

Introduced by Kate De Goldi

A Difficult Young Man

Martin Boyd

Introduced by Sonya Hartnett

The Australian Ugliness

Robin Boyd

Introduced by Christos Tsiolkas

The Even More Complete

Book of Australian Verse

John Clarke

Introduced by John Clarke

Diary of a Bad Year

JM Coetzee

Introduced by Peter Goldsworthy

Wake in Fright

Kenneth Cook

Introduced by Peter Temple

The Dying Trade

Peter Corris

Introduced by Charles Waterstreet

They’re a Weird Mob

Nino Culotta

Introduced by Jacinta Tynan

Careful, He Might Hear You

Sumner Locke Elliott

Introduced by Robyn Nevin

Terra Australis

Matthew Flinders

Introduced by Tim Flannery

My Brilliant Career

Miles Franklin

Introduced by Jennifer Byrne

Cosmo Cosmolino

Helen Garner

Introduced by Ramona Koval

Dark Places

Kate Grenville

Introduced by Louise Adler

The Watch Tower

Elizabeth Harrower

Introduced by Joan London

The Mystery of

a Hansom Cab

Fergus Hume

Introduced by Simon Caterson

The Glass Canoe

David Ireland

Introduced by Nicolas Rothwell

The Jerilderie Letter

Ned Kelly

Introduced by Alex McDermott

Bring Larks and Heroes

Thomas Keneally

Introduced by Geordie Williamson

Strine

Afferbeck Lauder

Introduced by John Clarke

Stiff

Shane Maloney

Introduced by Lindsay Tanner

The Middle Parts of Fortune

Frederic Manning

Introduced by Simon Caterson

The Scarecrow

Ronald Hugh Morrieson

Introduced by Craig Sherborne

The Dig Tree

Sarah Murgatroyd

Introduced by Geoffrey Blainey

The Plains

Gerald Murnane

Introduced by Wayne Macauley

The Fortunes of

Richard Mahony

Henry Handel Richardson

Introduced by Peter Craven

The Women in Black

Madeleine St John

Introduced by Bruce Beresford

An Iron Rose

Peter Temple

Introduced by Les Carlyon

1788

Watkin Tench

Introduced by Tim Flannery

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