Scepticism was all over him.
‘Really. It made me recognise things as they were. And that—I was supported by a sort of faith. I’m not sure in what. But I thought I saw bits of the true, if not of the good and the beautiful. That made most things bearable. That was my retreat. There was the external world—office, friends, amusements—And then there was
home—
so
real it seemed to have six dimensions,
fundamental as the floor of the world. Nothing at all from the outside could penetrate. The outside was a place of coloured tissue paper where people went about
not knowing about reality
.’
She added, ‘So you see—it was all—as they say—in a way—pure gain.’
‘Yes.’ Bernard blinked once or twice, and thought. ‘Yes, I see that.’ And he began to smile as people do in the instant of hearing very good news.
The train worked its way through the geometry of moving tracks, poles, overhead wires, cubes and squares of corrugated iron, black rotting terraces, narrow walls and fences leaning askew. Dismal relics of clothing blew damply on clotheslines. The outer suburbs marched up, crowded, formal and hard as nineteenth-century cemeteries.
More outer suburbs and more time: hills and valleys of roofs, grey-blue gravelled streets, blue-black tarred roads, square miles of brick, corrugated iron, gravel, concrete, hard dry substances, hard shapes, graveyard architecture and landscape. Still time and suburbs passed.
Abruptly the road by the train lines changed colour and character: it was a bush track—bright clay. And there were trees suddenly, swift-moving past—blossoming eucalyptus, pines. Alone in the compartment, Clare jerked the window up and leaned out into the day. The light was wonderful. Waves of air beat against
her face, and it smelled of grass, or clover, or honey.
Whatever it is, I remember it, she thought, breathing in. Her eyes paused here on a line of willows as they glided past, and the willows were familiar, too. She remembered it all.
Yet it was funny that she should think so; for it did occur to her that she had only just arrived.
For reading group notes visit
textclassics.com.au
The Commandant
Jessica Anderson
Introduced by Carmen Callil
Homesickness
Murray Bail
Introduced by Peter Conrad
Sydney Bridge Upside Down
David Ballantyne
Introduced by Kate De Goldi
A Difficult Young Man
Martin Boyd
Introduced by Sonya Hartnett
The Australian Ugliness
Robin Boyd
Introduced by Christos Tsiolkas
The Even More Complete
Book of Australian Verse
John Clarke
Introduced by John Clarke
Diary of a Bad Year
JM Coetzee
Introduced by Peter Goldsworthy
Wake in Fright
Kenneth Cook
Introduced by Peter Temple
The Dying Trade
Peter Corris
Introduced by Charles Waterstreet
They’re a Weird Mob
Nino Culotta
Introduced by Jacinta Tynan
Careful, He Might Hear You
Sumner Locke Elliott
Introduced by Robyn Nevin
Terra Australis
Matthew Flinders
Introduced by Tim Flannery
My Brilliant Career
Miles Franklin
Introduced by Jennifer Byrne
Cosmo Cosmolino
Helen Garner
Introduced by Ramona Koval
Dark Places
Kate Grenville
Introduced by Louise Adler
The Watch Tower
Elizabeth Harrower
Introduced by Joan London
The Mystery of
a Hansom Cab
Fergus Hume
Introduced by Simon Caterson
The Glass Canoe
David Ireland
Introduced by Nicolas Rothwell
The Jerilderie Letter
Ned Kelly
Introduced by Alex McDermott
Bring Larks and Heroes
Thomas Keneally
Introduced by Geordie Williamson
Strine
Afferbeck Lauder
Introduced by John Clarke
Stiff
Shane Maloney
Introduced by Lindsay Tanner
The Middle Parts of Fortune
Frederic Manning
Introduced by Simon Caterson
The Scarecrow
Ronald Hugh Morrieson
Introduced by Craig Sherborne
The Dig Tree
Sarah Murgatroyd
Introduced by Geoffrey Blainey
The Plains
Gerald Murnane
Introduced by Wayne Macauley
The Fortunes of
Richard Mahony
Henry Handel Richardson
Introduced by Peter Craven
The Women in Black
Madeleine St John
Introduced by Bruce Beresford
An Iron Rose
Peter Temple
Introduced by Les Carlyon
1788
Watkin Tench
Introduced by Tim Flannery