The Witching Hour (12 page)

There came to him a memory of a Midnight Mass procession in which the little girls of the first grade had been dressed as angels as they came through the sanctuary and down the main aisle of the church. He could smell the Christmas greens, mingling with the sweetness of the flowers and the burning wax. The little girls had been singing of the Christ Child. He had seen Rita Mae Dwyer and Marie Louise Guidry and his cousin, Patricia Anne Becker, and all the other pesty little girls he knew, but how beautiful they had looked in their little white gowns with stiff cloth wings. Not just little monsters anymore but real angels. That was the magic of Christmas. And when he got home after, all his presents were under the lighted tree.

Processions. There were so many. But the ones to the Virgin Mary he never really loved. She was too confused in his mind with the mean nuns who hurt the boys so much, and he could not feel a great devotion to her, which had saddened him until he was old enough not to care.

But Christmas he never forgot. It was the one remnant of his religion which never left him, for he sensed behind it a great, shimmering history that went back and back through the millennia to dark forests where fires blazed and pagans danced. He loved to remember the crib with the smiling infant, and the
solemn moment at midnight when Christ was born into the world again.

In fact, ever after in California, Christmas Eve was the one day Michael held sacred. He always celebrated it as others celebrated New Year’s—for it was for him the symbol of a new beginning: of time redeeming you and all your failings so that you might start again. Even when he was alone he sat up with his glass of wine until midnight, the light of the little tree the only illumination in his room. And that last Christmas, there had been snow—of all things, snow—snow falling softly and soundlessly in the wind at the very moment perhaps when his father had gone through the burning warehouse roof on Tchoupitoulas Street.

Somehow or other, Michael never did go home.

He just never got around to it. He was always struggling to complete a job already over deadline. And what little vacation time he had he spent in Europe, or in New York roaming the great monuments and museums. His various lovers wanted it that way over the years. Who wanted to see Mardi Gras in New Orleans when they could go to Rio? Why go to the South of the United States when they could go to the South of France?

But often Michael reflected that he had acquired everything he had ever longed for on those old Garden District walks, and he ought to go back there to take stock, to see whether or not he was deceiving himself. Were there not moments when he felt empty? When he felt as if he were waiting for something, something of extreme importance, and he did not know what that was?

The one thing he had not found was a great and enduring love, but he knew this would come in time, and maybe then he would take his bride with him to visit his home, and he wouldn’t be alone as he walked the cemetery paths or the old sidewalks. Who knows? Maybe he could even stay for a while, wandering the old streets.

Michael did have several affairs over the years, and at least two of these were like marriages. Both women were Jewish, of Russian descent, passionate, spiritual, brilliant and independent. And Michael was always painfully proud of these polished and clever ladies. These affairs were born in talk as much as in sensuality. Talk the night long after making love, talk over pizza and beer, talk as the sun came up, that’s what Michael had always done with his lovers.

He learned much from these relationships. His egoless openness was highly seductive to these women, and he soaked up whatever they had to teach, rather effortlessly. They loved traveling
with him to New York or the Riviera or Greece and seeing his charming enthusiasm and deep feeling for what he beheld. They shared their favorite music with him, their favorite painters, their favorite foods, their ideas about furniture, clothes. Elizabeth instructed him in how to buy a proper Brooks Brothers suit and Paul Stewart shirts. Judith took him to Bullock and Jones for his first Burberry and to fancy salons for proper haircuts, and taught him how to order European wines and how to cook pasta and why baroque music was just as good as the classical music he loved.

He laughed at all this, but he learned it. Both women teased him about his freckles and his heavyweight build, and the way his hair hung in his big blue eyes, and how visiting parents loved him, and about his bad little boy charm, and how splendid he looked in black tie. Elizabeth called him her “tough guy with the heart of gold,” and Judith nicknamed him Sluggo. He took them to Golden Glove boxing matches and basketball games and to good bars for drinking beer, and taught them how to appreciate soccer and rugby games in Golden Gate Park on Sundays if they didn’t already know it, and even how to street-fight if they wanted to learn. But that was more of a joke than anything serious. He also took them to the opera and to the symphony, which he attended with religious fervor. And they introduced him to Dave Brubeck, Miles Davis, Bill Evans, and the Kronos Quartet.

Michael’s receptiveness, and his passion, tended to seduce everybody.

But his meanness charmed his girlfriends too, almost always. He could, when angry, or even slightly threatened, revert to the grim-faced Irish Channel kid in a moment, and when he did this, he did it with great conviction and confidence and a certain unconscious sexuality. Women were impressed by his mechanical skills as well, his talent with the hammer and nails, and by his fearlessness.

Fear of humiliation, yes, that he secretly understood, and there were a few irrational childhood fears which still haunted him. But fear of anything real? As an adult, he did not know the meaning of it. When there was a cry in the night, Michael was the first one down the steps to investigate.

This was not so common among highly educated men. Neither was Michael’s characteristically direct and lusting and enthusiastic approach to physical sex. He liked it plain and simple, or fancier if that’s what they wanted; and he liked it in the morning when he first woke up as well as at night. This stole hearts for him.

The first breakup—with Elizabeth—was Michael’s fault, he felt, because he was just too young and had not remained faithful. Elizabeth got fed up with his other “adventures,” though he swore they “didn’t mean a thing,” and finally packed her bags and left him. He was heartbroken and contrite. He followed her to New York, but it was no good. He came back home to his empty flat and got drunk off and on for six months of mourning. He could not believe it when Elizabeth married a professor at Harvard, and he was jubilant when a year later she got divorced.

He flew to New York to console her, they had a fight in the Metropolitan Museum of Art, and he cried for hours on the flight back. In fact, he looked so sad that the stewardess took him home with her when they landed and took care of him for three whole days.

By the time Elizabeth came the next summer, Judith had already come into Michael’s life.

Judith and Michael lived together for almost seven years and no one ever thought they would break up. Then Judith accidentally conceived a child by Michael and, against his wishes, decided not to give birth to it.

It was the worst disappointment Michael had ever experienced, and it destroyed all love between the couple.

Michael didn’t contest Judith’s right to abort the child. He could not imagine a world in which women did not have such a right. And the historian in him knew that laws against abortion had never been enforceable, because no relationship existed quite like the relationship between a mother and her unborn child.

No, he never quarreled with her right, and would in fact have defended it. But he had never foreseen that a woman living with him in luxury and security, a woman whom he would marry in an instant if she permitted it, would want to abort their child.

Michael begged her not to do it. It was theirs, was it not, and its father wanted it desperately and could not bear the thought that it would miss its chance at life. It didn’t have to grow up with them if Judith didn’t want it. Michael would arrange everything for its care elsewhere. He had plenty of money. He would visit the child on his own so that Judith never had to know. He had visions of governesses, fine schools, all the things he’d never had. But more significant, it was a living thing, this unborn baby, and it had his blood in its little veins and he couldn’t see any good reason for it to die.

These remarks were horrifying to Judith. They cut her to the quick. She did not want to be a mother at this time; she didn’t feel that she could do it. She was almost finished with her Ph.D.
at U.C. Berkeley, but she had her dissertation still to write. And her body was not something to be used merely to deliver a child to another person. The great shock of giving birth to that child, of giving it up, was more than she could possibly bear. She would live with that guilt forever. That Michael did not understand her point of view was exquisitely painful to her. She had always counted upon her right to abort an unwanted child. It was her safety net, so to speak. Now her freedom, her dignity, and her sanity were threatened.

Some day they would have a child, she said, when the time was right for both of them, for parenthood was a matter of choice, and no child should be brought into the world who was not loved and wanted by both parents.

None of this made sense to Michael. Death was better than abandonment? How could Judith feel guilt for giving it away, and no guilt at all for merely destroying it? Yes, both parents should want a child. But why should one parent have the right to say that it couldn’t come into the world? They weren’t poor, they weren’t diseased; this wasn’t a child of rape. Why, they were practically married and could certainly get married if Judith wanted! They had so much to give this baby. Even if it lived with others, think what they could do for it. Why the hell did the little thing have to perish, and stop saying it wasn’t a person, it was on track to be a person, or Judith wouldn’t want to be killing it. Was a newborn baby any more a person, for the love of God?

And so they went back and forth, their arguments sharpening, becoming ever more complex, vacillating between the personal and the philosophical with no hope of resolution.

Finally Michael made his last ditch stand. If Judith would only give birth to the child, he would take it away with him. Judith would never see either of them again. And he would do whatever Judith wanted in return. He would give her whatever he had that she might value. He cried as he pleaded with her.

Judith was crushed. Michael had chosen this child over her. He was trying to buy her body, her suffering, the thing growing inside her. She couldn’t bear to be in the same house with him. She cursed him for the things he’d said. She cursed his background, his ignorance, and above all his stunning unkindness to her. Did he think it was easy what she meant to do? But every instinct in her told her she must terminate this brutal physical process, she must extinguish this bit of life which was never meant, and which clung to her now, growing against her will, destroying Michael’s love for her and their life together.

Michael couldn’t look at her. If she wanted to go, she should
go. He wanted her to go. He didn’t want to know the exact day or hour that their child would be destroyed.

A dread came over him. Everything around him was gray. Nothing tasted good or looked good. It was as if a metallic gloom had gripped his world, and all colors and sensations had paled in it. He knew Judith was in pain, but he couldn’t help her. In fact, he couldn’t stop himself from hating her.

He thought about those nuns at school, smacking the boys with the flat of their hands; he remembered the grip of a nun’s fingers on his arm as she shoved him into the ranks; he remembered thoughtless power, petty brutality. Of course that had nothing to do with this, he told himself. Judith cared; Judith was a good person. She was doing what she thought she had to do. But Michael felt as helpless now as he’d felt back then, when the nuns patrolled the halls, monsters in their black veils, their mannish shoes thudding on the polished wood.

Judith moved out while Michael was at work. The bill for the abortion—Boston hospital and doctor—came a week later. Michael sent his check to the appropriate address. He never saw Judith again.

And after that, for a long time Michael was a loner. Erotic contact had never been something he enjoyed with strangers. But now he had a fear of it, and chose his partners only very occasionally and with great discretion. He was careful to an extreme degree. He wanted no other lost children.

Also, he found himself unable to forget the dead baby, or the dead fetus more properly speaking. It wasn’t that he meant to brood on the child—he had nicknamed it Little Chris, but nobody needed to know this—it was that he began to see images of fetuses in the movies he went to see, in the ads for movies which he saw in the papers.

As always movies loomed large in Michael’s life. As always they were a major, ongoing part of his education. He fell into a trance in a darkened theater. He felt some visceral connection between what was happening on the screen and his own dreams and subconscious, and with his ongoing efforts to figure out the world in which he lived.

And now he saw this curious thing which no one else around him mentioned: did not the cinematic monsters of this time bear a remarkable resemblance to the children being aborted every day in the nation’s clinics?

Take Ridley Scott’s
Alien
for instance, where the little monster is born right out of the chest of a man, a squealing fetus who then retains its curious shape, even as it grows large, gorging itself upon human victims.

And what about
Eraserhead
, where the ghastly fetal offspring born to the doomed couple cries continuously.

Why, at one point it seemed to him there were too many horror films with fetuses in them to make a count. There was
The Kindred
and
Ghoulies
and
Leviathan
and those writhing clones being born like fetuses out of the pods in
Invasion of the Body Snatchers.
He could hardly bear to watch that scene when he saw it again at the Castro. He got up and walked out of the theater.