The Women (71 page)
Of course, it was an insult, and he was determined to see the design realized in its every last particular if he was going to draw another breath on this earth, but he could hardly be blamed for the delays at this point. He took another bite of the sandwich. Lifted the glass of ice water to his lips. It was hot. Damnably hot. He thought of Taliesin then, of the lake, and how he’d give anything to throw off his shirt, trousers and shoes and plunge into the cool opaque depths of it and maybe give the fish a run for the money. He was thinking of that, of the fish and how Billy Weston’s son had pulled a catfish as long as his arm out of there just a week ago—an amazing thing, really, with its big yellow mouth gaping wide as if to suck in all the air in the valley and the barbels twitching and the tiny dots of its blue-black eyes that hardly seemed sufficient to take in the incandescent world that had loomed up on it so precipitately—when the stenographer from the main office suddenly burst through the door, looking as if she’d had all the blood drained out of her in a scientific experiment. He was going to comment on that, make a joke of it, a quip about the heat and how it was a leading cause of anemia in women under thirty, but her face warned him off. “Mr. Wright,” she said, out of breath, running sweat, paler than the stack of paper she kept to hand beside her typewriter, “you’re wanted on the telephone. Long distance. From Spring Green.”
Once, when he was young, younger than John was now, he’d seen a building collapse. It was a massive brick structure still under construction, men aloft, hod carriers rushing to and fro, the workmen all separately focused on their tasks but communicating as if by some extrasensory intelligence, the whole thing—men, materials and machines alike—a kind of living organism. He’d stopped to watch as he often had over the course of the weeks past, fascinated by the frenzy of activity and the way the building rose in discernable increments—different each day and yet the same too—and he was there watching when all that changed in an instant. More than anything he remembered the sound of it, the explosive snap of the beams buckling and the cannonade of one floor tearing through another, a roar of the inanimate animated, withering, unforgiving. And the screams. The screams that rose up out of a clenched fist of silence and the harsh soughing of the dust. He’d stood there for hours, the dread rising in him with a bitter metallic taste that constricted his throat—one man had been crushed till he was little more than extruded pulp; another had to be sawed, living, from the wreckage, two raw stumps palpitating there in place of his legs—and he’d wanted only to put it all right again, to build it back up so it would never fall. But Taliesin had fallen, was falling now, and it was worse, far worse, because this was fire and fire not only crushed you, it consumed you too.
The roar was in his ears as John pushed him into the cab and the cab hurtled through the streets, and it was there still as they pulled up to the curb and John jerked open the door and led him out of the cramped automotive interior and into the marble vault of Union Station. He held to his son’s arm through the crush of people and across the floor to the ticket window, his throat dry, his legs stripped of muscle and bone alike so that he could barely stand upright. And here were the reporters, their faces rabid and their mouths working—“Mr. Wright! Mr. Wright!”—and John shouldering past them and through the door and onto the platform where the local would haul them over the rails for five agonizing hours before the station in Spring Green rose up like a gravestone beyond the windows. And couldn’t they hurry? Couldn’t they call it an emergency and cancel all the other stops? Rush on through, red flags flapping and whistle shrieking as if the president himself were on board?
He shut his eyes and heard the roar. And it was a merciful thing because the roar drowned out the shouts of the newsboys who were there now and who would change faces and jackets and hats and mob every station stop along the way to hawk the very latest up-to-date special edition:
Murder at Taliesin, read all about it!; Taliesin Burning to the Ground, Seven Slain, Seven Slain, Seven Slain!
It was John who kept them off and John who took the conductor aside and arranged for a private compartment, John who spotted poor Edwin Cheney standing there stricken in a circle of reporters and spirited him into the compartment before they could work their beaks in him and their talons too. Five hours. Five hours on that train staring at Ed Cheney’s shoes while Ed Cheney stared at his. Five hours. Seven slain.
Murder at Taliesin, read all about it!; Taliesin Burning to the Ground, Seven Slain, Seven Slain, Seven Slain!
It was John who kept them off and John who took the conductor aside and arranged for a private compartment, John who spotted poor Edwin Cheney standing there stricken in a circle of reporters and spirited him into the compartment before they could work their beaks in him and their talons too. Five hours. Five hours on that train staring at Ed Cheney’s shoes while Ed Cheney stared at his. Five hours. Seven slain.
He didn’t pray. He hadn’t prayed since he was a boy. But each minute of that journey was a slow crawl to Calvary and the moment when they’d stretch him on the Christ tree and drive the nails in, and all the while he imagined the worst and hoped for the best, and maybe this was prayer, maybe this was what prayer was after all. What he didn’t know was that Mamah was dead, her corpse so incinerated as to be unrecognizable. What he didn’t know was that John Cheney was dead too and that Martha, with her graceful limbs and her mother’s ready smile, was writhing under the wet towels they’d laid over her, her hair and eyebrows gone and her skin fried like sidemeat in a pan, or that she would die by the time he got there. He didn’t know that Brunker was dead, didn’t know that Lindblom would soon follow him or that Brodelle was already gone. And he didn’t know that Billy Weston, concussed, burned and bleeding from the scalp, had grappled with the Barbadian and chased him off before running to Reider for help and then come back to unfurl the garden hose and play it on the fire while the victims lay there stretched out on the paving stones of the courtyard like so many sacks of grain. Burned-up grain. Rotten grain. Grain fit only to turn into the earth. Or that Ernest, the very make and model of his father, lay there among them, unconscious and dying from his wounds while one of the neighbor women tended him and Billy struggled with the hose, numb to everything but the infernal scorching heat on his face.
Then it was night. The dead were laid out on the porch at Tan-y-deri, the stink of incineration riding the air till it overwhelmed everything, till there was no use for the organ of smell except to admit it. There were no mosquitoes. No fireflies. Even the lake seemed dead save for the faint traces of movement there where the firemen and the neighbors had formed a bucket brigade to quench the coals. He couldn’t look at Mamah—there was no use in that. It was shock enough to see the form of her, laid out in her twisted sheets, and the blood-color there like rust stains.
People thrust things at him, his sister fussing over him, black coffee, a plate of food, but he didn’t want any of it. He wanted to lash out, wanted revenge, wanted to meet violence with violence. If he could have laid hands on Carleton, he swore he’d tear him apart, just as if he were some beast in the jungle. They’d found the man at five-thirty that evening, hidden in the furnace where the fire wouldn’t touch him and he’d tried to kill himself by swallowing acid, the burns of it there like long pale fingers clawing at his lips and spots of it scorched through his shirt. By then, all of Taliesin was an armed camp, people beating the woods, searching the cornfield stalk by stalk, the sheriff loosing his hounds and shouts and alarums going up everywhere.
They were going to lynch him, that was what Andrew Porter had said, the noose already dangling from the limb of one of the oaks in the courtyard and all the farmers in high color and itching at the triggers of their .22s and shotguns and deer rifles, but the sheriff stood against them, and he and his deputy dragged the Negro out and handcuffed him and spirited him off to the Dodgeville jail, a mob of men chasing the car and cursing him all the way down the hill. He was there now, in a jail cell, unable to speak or to give any reason for what he’d done, for this hate and mayhem and devastation that had laid everything to ruin and grievously injured the souls of so many good people, because his vocal apparatus was destroyed and he wouldn’t take up a pen to write a word though the sheriff stood over him and the reporters clustered three deep on the courthouse steps. Frank never did get to see him, and that was just as well, because it would have been like staring into the face of the devil himself—that sooty abandoned face, that blackness without surface or limit—but at some point they ushered the wife into the room and he looked up from the chair he was sunk in and saw her standing there before him.
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There was a sheriff’s deputy in the hall. Boards creaked. Footsteps echoed on the stairs. The coroner was there, the undertaker, the house alive with comings and goings, doors creaking shut and open again, voices drifting from room to room. They were nervous—Jennie was nervous, Andrew, the servants, the whole community—and they would have a scapegoat, a black scapegoat, and here she was.
What he saw was a very young woman, a girl not much older than his own daughters. If he’d noticed her before, when he’d hired her or glanced up to see her flitting in and out of the kitchen or hurrying across the courtyard with a basketful of tomatoes and greens from the garden, it was only in passing. She worked for him. She was doing her job. Mamah praised her. And, of course, he had other things on his mind. She was an employee and you only noticed employees—really looked at them—when they were late to work or drunk or sleeping on the job. When they stole. When they murdered people.
The lamps were low. A moth sailed lazily across the room. But for John—who’d never before laid eyes on Taliesin because his mother, in her jealousy and her rage, wouldn’t hear of it—they were alone. The girl stood just inside the door where the deputy had left her and soon she’d be in the jailhouse too, because she was the Negro’s wife, a Negro herself, and everybody in the county knew they’d plotted this horror together. Her dress was plain. She was thin. And her face, when she lifted her chin to show it to him, was gaunt, hollow-cheeked, smudged with traces of dirt where she’d wiped back the tears, and the socket of her right eye seemed to be bruised, as if someone had taken a poke at her, but for all that she was beautiful. Beautiful in her simplicity and her innocence. He saw that right away—she’d had nothing to do with this. It was the husband, the husband alone.
John had stood when she’d been led into the room. He was leaning against the near wall, his arms folded across his chest, shifting his weight from foot to foot in a spasm of nervous energy. He was his father’s protector now and the tug of that responsibility jerked at him and jerked again. “Well,” he said, “what have you got to say for yourself?”
She shook her head, a long slow meditative roll from one shoulder to the other, and she held out her palms, splayed her thin fingers and opened up her face—not to John, but to him. “A judgment,” she whispered. “It a judgment. Dat what it is.”
He could see John go rigid. His son was about to throw it back at her, bully her, but he cut him off. “Hush, John,” he said. “Enough.”
Gertrude—that was her name, wasn’t it?—was staring down at her feet, bare feet, the nails neatly trimmed and glowing against the shadow of her skin, canescent almost, and there were traces of wet ash on her ankles and the pale underside of her arches. What she’d said had shocked him and he was struggling to recover himself. A judgment? That was what the press was calling it, the sermonizers and tub-thumpers, and for one hard moment he saw how wrong he’d been, how cruel and selfish. He’d lusted after Mamah. Thrown everything over. Ruined Kitty, ruined Edwin, alienated a whole community and spat in their faces. And here was the result of it, seven slain and a scared young black woman going to jail and maybe worse, Taliesin in ashes, Billy’s son dead and gone. And Mamah. And both her children. He wanted to deny it, wanted to call it fate, bad luck, anything, but the words wouldn’t come.
John couldn’t restrain himself any longer.
“
How dare you say that? ” he demanded, his voice fracturing with the rush of his emotions, his father’s protector, the golden walls, the forbidden city. “It was your husband. A maniac. A black—”
“
How dare you say that? ” he demanded, his voice fracturing with the rush of his emotions, his father’s protector, the golden walls, the forbidden city. “It was your husband. A maniac. A black—”
“No,” she said, and she was shaking her head again, long-faced and slow and mournful. “On
me.
It a judgment on me.” She lifted her eyes to him as if John weren’t even there. “That I should marry wit’ such a man—”
me.
It a judgment on me.” She lifted her eyes to him as if John weren’t even there. “That I should marry wit’ such a man—”
There was the sound of voices raised out in the yard, the heavy tramp of feet on the floorboards of the porch. A dog began to bark. He felt himself closing up again, angry suddenly—he was the victim here and it was all these others who were in the wrong because they wouldn’t allow a man to live in peace the way he saw fit. He wasn’t going to let God or his ministers or this scrawny Negro woman or anybody else dole out guilt because the onus was on them—they were the murderers, not he.
Her voice had broken. Her eyes clawed at him. “He was a good mon, sir, so good to me. We—I jus’ seventeen in Bridgetown and he say he love me, all the time he say he love me, and I don’t know what dat is, I don’t know, I still don’t know . . .”
She was sobbing now, her chest heaving and both hands gone to her eyes. “A good mon,” she kept saying, “he was a good mon,” till John stepped forward to open the door on the deputy’s furious red face and the people crowding in behind him, strangers come to share in the outrage, and all he could think to say, the aggrieved victim, bereft and inconsolable, was “Take her away.”
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At some point, his sister was there with something in a cup for him to drink and then she took him upstairs to the bedroom and laid him down on the bed by the darkened window, and for some strange reason, as she turned off the lamp and stood silhouetted in the light of the door, murmuring the sorts of things only women can command in times of heartache and affliction, he called her Kitty. “I’ll be all right, Kitty,” he said, though he knew he wouldn’t be, and as he lay there sleepless, listening to the voices in the dark and the breathless haunted groans of the two survivors laid out in the parlor (Fritz, who would recover from his burns and a forearm shattered in his plunge through the window, and Lindblom, who would die by morning), she began to emerge from the shadows, Kitty, not Mamah, and wasn’t that the strangest thing? He saw her whirling away from him in the blue satin gown her mother had made her, Cosette to his Marius, and half the girls there were Cosette while the boys favored Valjean and Javert, Kitty, with the elastic limbs and the red-gold hair that piled up like waves on a beach . . .
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