If he doesn’t live here, where does he live? Where are the rest of his possessions? Perhaps he’s not here now, asleep upstairs. Did he drug me and then go back to his wife and children? Maybe this is a second home, one his family don’t know about.
One he bought to keep me locked up in for ever.
The recipe book that he used to make that disgusting meal with the grey sauce is still open on the kitchen counter, still with the bookmark laid across it. I look around for other cookery books but see none. The open pages are glossy, unstained by spillages.
He bought the book in order to cook for me. That was the first time he used it.
The kitchen window sill is pristine, uninterrupted white. I get down on my hands and knees and start to open the cupboards that run along the bottom of one wall. There’s nothing in them apart from three saucepans, two Tupperware containers and a colander. Inside the colander there’s a clear plastic syringe with measurements printed on it along one side.
My heart goes wild. I tear the lids off the saucepans, looking for a bottle of whatever he’s been using to knock me out.
Rohypnol.
Does it even come in a bottle? Surely he’d keep it close to the syringe. The measurements chill me more than anything: the idea that he leaves nothing to chance. He knows what he’s doing, knows exactly how long he wants me to be unconscious for, how much of the drug he needs to achieve it.
I hate him more than I thought it was possible to hate. I scramble to my feet, sweep the recipe book and bookmark off the counter on to the floor, panting with rage. The book slams shut as it lands. I read the title on the cover:
100 Recipes for a Healthy Pregnancy.
‘Which one do you fancy this evening?’ says a voice from the hall.
At gunpoint, he marches me back to the room with the stripy carpet. He is wearing dark green paisley pyjamas. ‘Lie down,’ he says, pushing me towards the massage table. ‘On your back.’ His voice is stern. He doesn’t look at me as he speaks.
‘What have you done to me?’ I whisper, afraid to raise my voice in case it makes him angry.
He wheels the table over to the wall. ‘How am I supposed to have a clear head for work if you wake me up at quarter past five in the morning?’ he says.
I hear myself apologise to him. I need to know, need to be told. However bad it is.
‘It’s okay,’ he says. ‘Shush. Stop crying, there’s no need to cry. Now, shuffle along and down—this way, that’s right—and put your legs up against the wall, so that your body makes a right angle. That’s good. Now, stay in that position. Get as comfortable as you can. I want you to stay like that for an hour or so.’
Tears pour down my cheeks, collect in my ears. I can’t speak.
He walks over to the window, tapping the gun against his open palm. ‘I suppose, since you’ve obviously worked it out, there’s no point in my being secretive any more. You saw the title of the recipe book.’
‘I’m not pregnant!’
‘You might be. You might be already, if we’re lucky.’
The vitamin pill: it was folic acid. That’s why the taste was so familiar. I took it throughout both my pregnancies.
‘Have you raped me? How many times?’
He makes a disgusted noise. ‘Thanks,’ he murmurs. ‘Thanks such a lot for that vote of confidence.’
‘I’m sorry . . .’
‘I’m not an animal. I used a syringe.’ He lets out a small laugh. ‘I didn’t have a turkey baster, not being much of a cook. You’re the only person I’ve ever cooked for, in fact.’
‘You drugged me and undressed me and injected me with . . . with . . .’
He picks up my hand and squeezes it. ‘Sally, I want us to be a proper family. I’ve got a right . . .’ His voice wavers. ‘
Everybody
has a right to have a proper happy family. I’ve never had that, Sally. I don’t think you have either.’
‘That’s not true, it’s not true!’
‘I know you need time to adjust. I wouldn’t dream of suggesting we sleep together, not yet. Never, if you really don’t want to. I’m not a brute.’
I dig my fingers into my legs. If I could, I’d rip out all my insides until there was nothing left of me.
‘I know I should have told you about the baby but . . . well, I was eager to get the ball rolling. I’m sorry.’
‘How many times have you . . . injected me?’ I manage to say.
‘Just twice. And I’ve got a good feeling about this last time.’ He crosses his fingers, holds them in front of my face.
I cry while he strokes and pats my hand and makes soothing noises. I have no idea how much time is passing, how much of my life I am losing in this room: half an hour, maybe longer, since he last spoke. When I run out of tears, I say, ‘Why did you give me a massage?’
‘To make you feel good. You love massages.’
‘I was unconscious!’
‘I thought it might relax you,
sub
consciously. Sometimes the body knows things the mind doesn’t. The more relaxed you are, the more likely you are to conceive.’
I feel a surge in my stomach, nearly choke on the bile that rises to fill my throat.
‘Do you think I want this to be horrible for you, Sally? I don’t. I truly don’t.’
‘I know.’
I’m going to get that gun off you and I’m going to kill you, you sick fuck.
‘You have to try to want what I want. Do you remember, at Seddon Hall, you told me you were sick of always being the one who had to arrange everything: Valentine’s Day dinners, even treats for your own birthday?’
‘You make it sound as if I hated my life!’ I blurt out, sobbing. I can’t bear to listen to him. ‘I love my life—I was just complaining!’
‘With good cause,’ he says, tapping the gun against the side of the massage table. ‘What about the Christmas when you chose and bought your own present from Nick because you didn’t trust him to get the right thing: Boudoir eau de parfum by Vivienne Westwood. You even wrapped it yourself and wrote “To Sally, love Nick” on it. Do you remember telling me that? Because you were sick of wondering if Nick would remember to wrap it in time for Christmas Day.’
Why did I tell him so much?
‘Can I . . . please could I have my phone, just for a few minutes? I need to speak to Zoe and Jake.’
I have said the wrong thing. He drops my hand. His eyes harden, his face as close to a portrait of pure evil as anything I’ve ever seen. ‘Zoe and Jake,’ he repeats in a wooden voice. ‘The trouble with you, Sally, is that you never know when the party’s over.’
Police Exhibit Ref: VN8723
Case Ref: VN87
OIC: Sergeant Samuel Kombothekra
GERALDINE BRETHERICK’S DIARY, EXTRACT 7 OF 9 (taken from hard disk of Toshiba laptop computer at Corn Mill House, Castle Park, Spilling, RY29 0LE)
17 May 2006, 5.10 a.m.
A brilliant thing happened tonight—I thought for a while that it might be the key to everything. Well, last night, I suppose you’d have to say, but I haven’t had any sleep. I’m going to end up like that man I saw on that ‘shock-doc’ documentary, who was so sleep-deprived for so long that he ended up with a permanent headache. When he went to the doctor, he was told that by not sleeping enough he’d done irreparable damage to the nerve endings in his brain. The doctor gave him a drug to stop the headache, but that made him shake as if he had Parkinson’s disease. The documentary said only that he was a contract lawyer in the city, not whether he had small children, but I’m certain he did. I think he had three children under five and a wife who also worked full-time.
I took Lucy to the theatre last night. Not to a matinee, not like the awful time we went to see
Mungo’s Magic Show
and we were surrounded by brats, and Lucy screamed because I wouldn’t let her eat two Cornettos. No, this time I took her in the evening, like an adult. I wondered if she might be more bearable if I treated her more like a grown-up. So I booked two tickets to
Oklahoma!
the musical at Spilling Little Theatre. Mark was away at yet another conference. I told Lucy that she and I would be going out together for a special treat evening, but only if she was very good. She was so excited, happier than I’ve ever seen her, and she really did try hard. I told her we would go out for dinner first, and she was even more excited about that. She’d never been to a restaurant in the evening before, and she knew it was something grown-ups did, so of course she wanted to do it.
We went to Orlando’s on Bowditch Street, and Lucy had spaghetti bolognese. For once she ate everything on her plate. Then we held hands and walked to the theatre, and she sat through the whole performance transfixed, as still as a statue, eyes as wide as plates. Afterwards she said, ‘That was great. Thank you for taking me to the theatre, Mummy.’ She said she loved me and I said I loved her and we held hands again all the way back to the car. I thought it was a turning point. I decided to do grown-up things with her whenever I could, try to treat her more like a twelve-year-old than a five-year-old.
I must have been stupid or desperate or both to think that would work. An hour ago, when I was tossing and turning in bed and wondering what Lucy and I might do together next—a manicure, the National Portrait Gallery, the cinema—I felt someone tugging on my hair. I thought it was an intruder and screamed, but it was Lucy. Normally when she wakes at night, she doesn’t get out of bed; she yells for me and expects me to come running. But there she was, and she wasn’t upset. She was smiling. ‘Mummy, can we go to the theatre again?’ she said.
‘Yes, darling,’ I promised. ‘Very soon. But you’ve got to go back to sleep, Lucy, it’s not morning yet.’
Could I have handled it better? No doubt my mother would say so. If Lucy had asked her, she would probably have leaped out of bed, even at four in the morning, and searched on the Internet for suitable shows, bleary-eyed but insisting she was full of energy. I’ve asked her, often, how she managed not to feel permanently exhausted when I was little. She puts on a smug little smile, waves her hand dismissively and says, ‘Being tired has never killed anyone. You don’t know how lucky you are!’ Then she tells me an anecdote about someone she met in town whose daughter has triplets, no husband and seventeen low-paid manual jobs that she must do simultaneously in order to feed her family. And I envy this down-trodden labourer that my mother has almost definitely invented for the sole purpose of shaming me, because it sounds as if her life has probably always been appalling. Whereas I had a brilliant life before I became a parent: that is why I find it so hard to cope.
‘I want to go to the theatre again now,’ Lucy insisted. ‘I want to go out for dinner again, with just you.’ I repeated that it was night-time, that no theatres or restaurants were open. She began to scream and howl, hitting me with her fists. ‘I want to go NOW, I want to go NOW,’ she wailed. In the end the only way I could shut her up was by threatening her. I said that if she didn’t quiet down and go back to sleep that instant, I would never take her anywhere again. She stopped punching and yelling, but I couldn’t get her to stop crying, no matter how patiently I explained the situation. In the end I had to sit by her bed and stroke her hair while she cried herself to sleep, and I cried too because my stupid special treat had ended up causing her more pain than if I hadn’t bothered.
Still, at least now I know. Whether I’m kind or utterly selfish makes absolutely no difference. Even if I try my hardest, I cannot avoid the misery, inconvenience, frustration and futility that make up nine-tenths of the experience of having a young child.
It is simply not worth it
. Even from an investment point of view, for the sake of having grown-up children who visit you when you’re senile and lonely, it’s not worth spending the best years of your life entangled in put-your-coat-on-I-don’t-want-to-put-my-coat-on-but-it’s-cold-I-don’t-like-that-coat-I-want- another-coat-you-haven’t-got-another-coat-well-I-want-one-but-we-have-to-go-out-now-get-into-the-car-I-don’t- want-to-sit-in-the-back-seat-I-want-to-sit-in-the-driver’s-seat-well-you-can’t-sit-in-the-driver’s-seat . . . That, or a version of it, is the conversation I’ve been having ever since Lucy learned to talk. Why can’t she simply say, ‘Yes, Mummy,’ and do as I ask? She hates it when I’m angry, and I’ve told her over and over again that this is the way to make Mummy happy.
I have never hit her. Not because I disapprove of hitting children—I have pinched and flicked Oonagh O’Hara several times without Cordy noticing—but because sometimes I want to hit Lucy so much and I know I would have to stop almost as soon as I started, so what would be the point? It would be like opening a box of delicious chocolates and only being able to eat one.
In an ideal world, parents would be able to give their children a good, satisfying kicking—a really thorough, cathartic battering—then snap their fingers and have the effects of their violence disappear. Also, it would be good if children, while being beaten, didn’t feel pain; then there would be no need for guilt.
Instead they are delicate and vulnerable, which of course is their most effective weapon. They make us want to protect them even as they destroy us.
14
8/10/07
Sellers knocked on the back of the computer Gibbs was using. ‘Come on, we’re late.’
‘Don’t wait for me, or you’ll be even later.’
‘You don’t want to miss this one.’
‘Why? Something happened?’
‘I’ve just spoken to Tim Cook,’ said Sellers.
‘Is he still shagging that granny?’
‘I doubt it. They’ve been living together for nearly ten years.’ Silence. ‘You’re supposed to laugh at that. I suppose you haven’t been married long enough.’ No response. Sellers tried a new approach. ‘The dental records were a match. The two skeletons are Encarna and Amy Oliva. Were,’ he corrected himself.
Gibbs looked up. If Sellers was right, he might as well stop what he was doing. But since he’d got this far . . . ‘You go,’ he said. ‘I’ll catch you up.’