The Year of the Death Of Ricardo Reis (15 page)

Marcenda lost no time in coming down. She had tidied her hair, freshened her lipstick, some consider such things automatic, responses in the mirror, while others believe that a woman is conscious of her appearance in all circumstances, and of her moods and the least flirtatious gesture. Ricardo Reis rose to greet her and led her to the sofa which stood at a right angle to his own, reluctant to suggest that they should move to another, more spacious sofa where they might sit side by side. Marcenda sat down, resting her left hand on her lap, and smiled in a strange remote way, as if to say, Take a good look, my hand is quite helpless. Ricardo Reis was about to ask, Are you tired, when Salvador appeared and asked if he could bring them anything, some coffee or tea. They accepted, a coffee would be most welcome in this cold weather. But first Salvador checked the heater, which filled the room with a smell of paraffin that made one feel slightly giddy, while the flame, subdivided into a thousand tiny blue tongues, whispered incessantly. Marcenda asked Ricardo Reis if he enjoyed the play. He said he did, although he found the naturalism of the performance somewhat artificial. He tried to explain more clearly, In my opinion, a stage performance should never be natural, what is presented on stage is theater, not life, life cannot be reproduced, even the most faithful of reflections, that of a mirror, transforms right into left and left into right. But did you enjoy it or not, Marcenda insisted. Yes, he said, and after all one word sufficed. At this moment Lydia entered, put the coffee tray down on the table, asked if they wished anything else. Marcenda said, No, many thanks, but Lydia was looking at Ricardo Reis, who had not raised his eyes and who was carefully taking his cup and asking Marcenda, How many spoons. Two, she replied. Lydia's presence was clearly no longer required, so she withdrew, much too hastily to Salvador's mind, and he reprimanded her from his throne, Be careful with that door.

Putting her cup down on the tray, Marcenda placed her right hand over her left. Both were cold, yet between the two was the difference between the quick and the dead, between what can still be salvaged and what is forever lost. My father would not be pleased if he knew that I am about to take advantage of our acquaintance by asking your medical opinion. Do you want my opinion about your infirmity. Yes, about this arm which cannot move, this wretched hand of mine. I hope you will understand my reluctance to offer any advice, first because I am not a specialist, second because I know nothing of your clinical history, third because professional etiquette forbids my interfering in a case being handled by a colleague. I know all that, but no one can prevent an invalid from having a doctor as a friend and consulting him about her personal problems. Of course not. Then answer my question as a friend. I am happy to be your friend, to use your own words, after all we have known each other for a month. Then you will give me your opinion. I will try, but first must ask you one or two questions. Ask me anything you like, this is another of those phrases we could add to the long list of expressions that meant a great deal once, when words were still in their infancy, At your service, Happy to oblige, It will give me great pleasure, Whatever you wish. Lydia came back into the lounge and saw at a glance that Marcenda was blushing, saw the tears in her eyes, saw Ricardo Reis resting his left cheek on his clenched fist. Both were silent, as if they had come to the end of an important conversation or were preparing for one, what could it have been, what will it be. Lydia took the tray. We all know how coffee cups shake if not placed firmly on their respective saucers, something we must always check when we are not altogether certain that our hands are steady and if we do not want to hear Salvador warn, Careful with that crockery.

Ricardo Reis seemed to reflect. Then, leaning forward, he extended his hands to Marcenda and asked, May I. She also leaned forward slightly, and with her right hand put her left into his hands as if it were an injured bird, its wing broken, a lead pellet embedded in its breast. Slowly, gently but firmly applying pressure, he ran his fingers over the hand, up to the wrist, for the first time in his life knowing what is meant by total surrender, the absence of any reaction, be it voluntary or instinctive, of any resistance, worse, it seemed an alien body, not of this world. Marcenda stared fixedly at her hand, that paralyzed mechanism. Other doctors have probed those lifeless muscles, those useless nerves, those bones that protect nothing, now they are being touched by this man to whom she has entrusted them, if Doctor Sampaio were to walk in this moment, he would not believe his eyes. But no one came into the lounge, usually the scene of so much traffic. Today it is a place for quiet intimacy. Slowly withdrawing his hand, Ricardo Reis looked at his own fingers without knowing why, then asked, How long has it been like this. Four years last December, Did it come about gradually or all of a sudden, Would you call a month gradually or all of a sudden, Are you telling me that within a month you completely lost the power in your arm, I am. Was there any prior sign that something might be wrong, No, No injury, heavy fall or blow, None, What did the doctor say, That it is the consequence of my heart disease, You didn't tell me that you suffer from heart disease, I thought you were interested only in my arm, What else did the doctor say, In Coimbra they told me there is no cure, here, the same thing, but the latest specialist, who has been treating me for almost two years now, says that I can get better. What treatment is he giving you, Massage, sunlamp treatment, electric shock, With what results, None, Your arm does not respond to electric shock, It responds, it jumps, trembles, then is still again. Ricardo Reis fell silent, perceiving a sudden note of hostility and resentment, as if Marcenda were telling him to stop asking so many questions, or to ask her other, different ones, this question for example, Can you remember if something important happened at that time, or, more to the point, have you experienced some misfortune. Marcenda's face showed that she was close to tears. Apart from this problem with your hand, are you troubled by some unhappiness, Ricardo Reis asked her. She nodded, began to gesture but could not finish, convulsed by a deep sob as if her heart had been wrenched, and tears ran uncontrollably down her cheeks. Alarmed, Salvador appeared in the doorway, but Ricardo Reis dismissed him brusquely. Salvador withdrew, lingering just outside the door. Marcenda pulled herself together, only her tears continued to flow, but quietly, and when she spoke, the note of hostility, if that was what it had been, was gone from her voice. After my mother died I found I could no longer use my arm. But you told me only a moment ago that the doctors said the paralysis was the result of heart disease. That is what they said, And do you believe them, I do, Then why do you think that there is a connection between your mother's death and the paralysis in your arm, I am certain of it, but cannot explain it. She paused, summoned what remained of her animosity, and snapped, I am not looking for a healer of souls. Nor am I a healer of souls, just an ordinary doctor in general practice. It was now Ricardo Reís who was irritated. Marcenda raised her hand to her eyes and said, Forgive me, I am annoying you. You are not annoying me, I would gladly help you in whatever way I can. Probably no one can, I had to confide in someone, that was all. So you are truly convinced that this connection exists, As truly as we're sitting here together, And are you not able to move your arm just by knowing that the paralysis came about only because your mother died. Is that all it is, Yes, that's all, which is saying a great deal, because for you, given your deep conviction, there was no other cause, the time has come to ask yourself a straightforward question, is your arm immobile because you cannot move it or because you do not wish to. These words were uttered in a whisper, sensed rather than heard, and Marcenda would not have sensed them had she not been expecting them. Salvador strained to hear, but Pimenta's footsteps could be heard on the landing, he came to ask if there were any documents to be taken to the police. This question, too, was asked in a low voice, and for the same reason, so that the reply would not be heard. Sometimes a reply is not even spoken, trapped between one's teeth, one's lips, and if spoken, it remains inaudible, a tenuous yes or no that dissolves in the shadows of a hotel lounge like a drop of blood in a transparent sea, present but invisible. Marcenda did not say, Because I cannot, she did not say, Because I do not wish to, instead she looked at Ricardo Reis and asked, Have you any advice to offer, something that might lead to a cure, some treatment. I already told you that I'm not a specialist, but as far as I can judge, Marcenda, if you are suffering from heart disease, you are also suffering from yourself. That's the first time anyone ever told me that. We are all ill, with one malaise or another, a deep-rooted malaise that is inseparable from what we are and that somehow makes us what we are, you might even say that each one of us is his own illness, we are so little because of it, and yet we succeed in being so much because of it. But my arm doesn't move, my hand is completely useless. Perhaps it does not move because it does not choose to. This conversation, forgive me, has got us nowhere. You said you feel no improvement, I do not, Then why do you keep coming to Lisbon, It is not my doing, my father insists, and he has his own reasons, What reasons, I am twenty-three years of age, unmarried, brought up never to discuss certain things even though I might think them, for thinking is something one cannot avoid. Can't you be more explicit, Is that necessary.
Lisbon, despite being Lisbon and having ships at sea,
What's that, A line of verse, I don't remember who wrote it, Now it's my turn not to understand. Although Lisbon has so much, it doesn't have everything, yet there are some who think that here they will find their heart's desire. If in this roundabout way you are asking me whether my father has a mistress in Lisbon, the answer is yes. Surely your father doesn't need to justify his visits to Lisbon when he has a daughter in need of medical advice, besides he is still a young man, widowed, and therefore free. As I said before, I was brought up not to mention certain things, yet I go on mentioning them slyly, I am like my father, given the position he holds and the kind of education he received, I believe that the more secretive the better. A good thing I didn't have children. Why. There is no mercy in the eyes of one's children. I love my father. I believe you, but love is not enough. Obliged to remain behind the desk, Salvador has no idea what he is missing, revelations, confidences freely exchanged between two people who barely know each other, but to hear he would have to be seated here, on this third sofa, leaning forward, reading on their lips the words they scarcely utter. It would almost be easier to understand the murmuring of the paraffin heater than these subdued voices, they come as if from the confessional, may we be forgiven all our sins.

Marcenda placed her left hand in the palm of her right. Untrue, she did not, the sentence suggests that her left hand was capable of obeying such a command transmitted by the brain. One would need to be present to see how this was done. First the right hand slipped underneath the left, then held the wrist with the little finger and fourth finger, and now both came toward Ricardo Reis, each hand offering the other, or pleading for help, or simply resigned to the inevitable. Tell me, do you think I will ever be cured. I cannot say, you have been like this for four years without any improvement, your own doctor has all the details of your medical history, which I don't, besides, as I've already explained, I have no competence in this field. Should I stop coming to Lisbon, tell my father that I accept the situation, that he shouldn't waste any more money trying to find a cure. Your father has two reasons for coming to Lisbon, if you take away one of them he may or may not find the courage to continue coming on his own, but he will have lost the alibi your illness provided, at present he sees himself only as the father who wishes his daughter cured. What should I do then. We two scarcely know each other, I have no right to give you advice, Please, I am asking it, Don't give up, keep coming to Lisbon for your father's sake, even if you no longer believe there is a cure, I have almost stopped believing in a cure, Cling to whatever belief you have left, believing will be your alibi, Alibi for what, To hope, Hope in what, Hope, just hope, one reaches a point where there is nothing but hope, and that is when we discover that hope is everything. Marcenda leaned back on the sofa, slowly stroking her left hand, her back to the window, her face scarcely visible. Normally Salvador would appear now to turn on the chandelier, the pride and joy of the Hotel Brangança, but on this occasion he does not, as if to show his displeasure at being excluded from a conversation which he, after all, made possible. This is how they repay him, sitting there rapt in conversation, whispering almost in darkness. No sooner did he think this than the chandelier went on, Ricardo Reis had taken the initiative, because anyone walking into the lounge would have been suspicious to find a man and a woman together in the shadows, even if the man was a doctor and the woman a cripple. Much worse, this, than the backseat of a taxi. As was to be expected, Salvador appeared, I was coming this very moment to switch on the light, Doctor. He smiled, and they smiled too, gestures and postures according to the rules of civilized behavior, part hypocrisy, part necessity, to disguise our anguish. After Salvador withdrew, there was a long silence, it seemed less easy to speak with all this light, then Marcenda said, Without wishing to pry into your affairs, can I ask you why you have been living for a whole month in this hotel. I still haven't decided whether or not to look for a place, I may return to Rio de Janeiro. Salvador tells me that you lived there for sixteen years, what made you decide to come back. I felt homesick. You've got over it quickly, if already you're talking about leaving. It isn't exactly that, when I embarked for Lisbon, I felt I could put it off no longer, there were important matters to be dealt with here. And now. And now, he broke off, staring into the mirror ahead, now I am like an elephant that senses its approaching end and begins heading for the place where it must die. If you return to Brazil for good, then that will be the place where the elephant goes to die. When a man emigrates, he thinks of the country where he might die as the country where he will spend the rest of his life, and that is the difference. Perhaps, when I return to Lisbon next month, you will no longer be here. By then I might have found a place to live, opened a practice, settled into a routine. Or you might have returned to Rio de Janeiro. You will be informed, our friend Salvador will pass on all the news. I will come in order not to lose hope, And I will be here, if I have not lost hope.