There's Something I Want You to Do (5 page)

Dolores, my mother, came to live with us in the spare room upstairs right before Corinne left. She said she’d help with Jeremy, and she did for a while. Mostly she stayed up there knitting and staring out the window, checking for strangers to our neighborhood, including door-to-door salesmen. On Thursdays she would go to her bridge club and on Friday nights to Bible study. Despite her name (
dolores
means “sad” according to the Latin), my mother is quite upbeat.
Take a chance on life
is her motto. She and Astrid bonded immediately. She has tried to keep it a secret from me, but I know my mother was and is interested in extraterre
strials (although she is a registered Republican) and believes that Jesus will be back any day now. She imagines that we are in the end-time and must meet the challenges of life with Christian dignity.

Astrid humors her, though they avoid this topic when I am in the room.

My mother’s help was not required after our daughter, Lucy, was born. But Lucy was never any trouble at all. She could have raised herself. She came out of the birth canal with an accusing look on her face directed at me.

Jeremy is seventeen and has a tattoo of a Japanese word on his left calf. I still don’t know what it means, and he won’t say. On his hip is another tiny tattoo, a grinning gremlin, hands on hips. It’s illegal for children and adolescents to get tattoos, but he evidently got them in a low place known only to his set. I read Jeremy the riot act that time he came home with the Japanese character but was treated with amused, affectionate scorn, as if I were a historical artifact. Get this: in deep winter he’s been known to wear a sweatshirt, jeans, and flip-flops outside. Summer clothes in a snowstorm—a pretense of immortality. He wants to be a young god as they all do and defy the seasons. In Minnesota that’s a brave stand, and many teenage boys take it. Therefore he’s wildly popular. He has several hundred friends and is constantly texting them. His face has some of the sweet beauty of his mother, Corinne. The three women in the household dote on him. They comb his hair and would tie his shoelaces for him if he’d let them. His little sister sketches his face when he is sitting down. Imagine the possible result: a spoiled brat. However, he’s not really spoiled, just blasé. Naturally he smiles all the time, having done nothing to earn all this love. He looks past me as if I were a footnote.

—

The point is, Corinne is back in town, and we have a situation on our hands. She has sent a postcard saying that she will be arriving by bus, and so I take a few hours off from work at the garage to go downtown to get her. Explanations for her arrival? None. Some idea of what the agenda might be? Not a clue. Her arrival has no more rationale than her departure did all those years ago.

Although I am not secretive by nature, I have told no one else in the house about Corinne’s reappearance. When I arrive at the Greyhound station on Hawthorne Avenue, I enter the doors and smell that rich bus-station smell of humus mixed with nitrates. You feel like editorializing on humanity when you enter a bus station. But you don’t, because Corinne is already sitting there, waiting on a bench. She has two brown paper bags with her. Soiled clothes are peeking out of the tops of the bags, sweaters and unmentiona
bles, and she’s staring at the wall clock.

And here I must try to describe my ex-wife in her current condition.

Imagine a beautiful woman of middle age who has somehow gone through a car wash. She has dried out, but the car wash has rumpled her up, left the hair going every which way, and on her face is a dazed expression and she has new parallel lines on her forehead and crow’s-feet around her eyes. Life has worried and picked at her. But that’s not the point. The point is that she’s still beautiful to me, which is strange. It’s counter to common sense.

She’s wearing a pink sweatshirt with the name of a TV show printed on it. It’s the TV show she was on and where she was mocked. The show’s name is the name of the small-minded and mean millionaire host with the thin mustache. Corinne looks up at me as I take her hand. She stands audibly. She kisses me on the cheek. For that instant her warm lips are familiar. I feel an antiquated tingle.

“Wes,” she says, “I knew you’d save me.”

“Haven’t saved you yet, Corinne,” I say, trying to laugh it off. She smells of french fries and hamburger and ketchup. A fast-food smell. The poor soul. What’s happened to her? “How are you?”

“How am I? As you can see.”

I don’t say anything in the face of the incomparable wreckage she presents.

“Well,” she says, “is the inspection over? Would you take one of these bags? I’ll take the other.” She picks up one of the aforementioned bags, and when I look down I see that her shoes are split at the seams. Through the hole in her left shoe, toes are visible.

My first wife has become a bag lady, and here she is.

—

This is what she says in the truck on the way back to the house.

“It’s the economy. There’s suffering. You were always a grease monkey, Wes, and you could always get a job fixing cars. So you wouldn’t know. But they’re making it really personal in my case and saying that I can’t keep track of things. Perhaps I
was
losing track, but only in the afternoons when I was off by myself, and the experts wouldn’t deny that, although they tried to. In a way, the multinational banks did this to me, because I couldn’t live on my income and I was eventually fired from the hospital, and even though sorrow isn’t necessarily contagious, I know I caught it directly from one of my patients. He was a man who groaned all day. The groans got into my head and took up residence there. I’m hearing them now. Can you hear them? No? Lucky you. God bless you for picking me up, Wes. I know I should have given you more of a warning, but I couldn’t. My goodness, it’s cold.” She wraps a scarf around her neck. But it’s not cold. The cold is all in her head. It’s a warm and humid early October day, seventy degrees. Indian summer. To stay warm and to give herself a greenhouse effect, she’s wrapped herself up like a mummy.

“That’s all right, Corinne,” I tell her. “Where are you staying, by the way?”

She looks at me.

“What I meant was, how long are you staying? Here? With us?”

Gazing out, she says, “American cities are so dirty.” She points to an abandoned, boarded-up drugstore. “I do remember an apothecary, and hereabouts a-dwells,” she says meaninglessly, as if she’s quoting from somewhere. She breathes in deeply and coughs twice. “Let me tell you a story. There was this woman. And she was just fine for a while, and her husband was just fine, too, and no one was to blame for anything. Let’s say this happened in the past. They lived in comfort and kindness with each other. But then something happened. Let’s say a volcano erupted. And she never knew what happened, I mean who caused the volcano, but she knew something did happen, because gradually she was never fine. The dust made her cough, and the water seemed to be poisoned, and the air smelled terrible, of lava, and there were voices, and she realized she had made a big mistake bringing a child into the world. Into this world, my God, how terrible it is, and no one has any idea.”

“Oh, Corinne,” is all I can say. Trouble is waiting for me patiently at home. Because I have not told Astrid, my wife, or Dolores, my mother, or Jeremy, my son, or Lucy, my daughter, that Corinne is in town, there will be tribulation. Why couldn’t I tell anyone that I was going to the bus station to pick her up? I know why. Give me some credit. After all these years, I wanted to see her, and therefore I would see her. I had forgiven her. I forgive her now. But would they? It was a bad bet. Still, I am the head of the household.

She pulls down the sun visor and moves the little slide to the left and looks at herself in the visor’s mirror, primping her hair. “They’ve done things to me. They don’t let up.”

“I know.”

“Wes,” she says, turning to face me, “I can’t help it. I need taking care of for a time.”

The neutrality on her face has vanished. There is another expression there now. It is one of supplication such as you see from homeless veterans on street corners.
Supplication.
Does anybody ever use that word in normal life? I doubt it.

“There’s something I want you to do,” she says, but then she won’t say what it is. “Is this your neighborhood?” she asks.

“We’re getting there,” I say.

Houses pass by, old houses with large front porches, and I note a screech from my F-150’s engine, a loose fan belt.

“Wes, did you ever think of me?”

It’s a trick question. They are always asking you for outright expressions of affection and love. But I have to be careful. My answer may be quoted back to me. For a moment I am spooked.

“Yes, I did think of you. Often.”

“Even after you were married to Astrid?”

“Yes.” I drive down a full city block before I say, “I worried about you.”

This is not the answer she has been fishing for. But she seems to relax and to settle back. On the floor of the truck, on the passenger side, there is an empty beer can I forgot to throw out. With a regal air, she puts her right foot on it to keep it from rolling around.

“I thought that maybe you did. Sometimes I had dreams about you. In the dreams you were a young man, and you were still being kind to me. You carried me once out of a burning apartment house. You did it for free. In the dream.”

—

We pull into the driveway. I can see from the blue Honda Civic parked in the garage that Astrid is already home. My mother—today is Wednesday—will certainly be upstairs in her room knitting a shawl or surfing the Internet for stories about true crime or the coming apocalypse. Jeremy may still be out tomcatting around town with his crazed friends before dinner, but Lucy will be in residence in the living room, reading one of her horse books.

Really, I should take Corinne to a motel until I can figure out what to do with her. But instead I pick up her two brown paper bags. We go in through the side door, stop for a moment in the mudroom, and then go up the three stairs into the kitchen past several pairs of soiled empty shoes. I’m behind her, and I notice how gray her hair has become and how it, too, gives off a fast-food odor.

In the kitchen, Astrid has been sprinkling seasoning onto some salmon when she glances up and sees Corinne, who looks worse than she did a few minutes ago because of the kitchen’s overhead light. First Astrid looks at Corinne. Then she looks at me, and then she looks at Corinne again. Expressions pass across her face so quickly that you might think you hadn’t seen the previous one before the next one appears. First she’s confused: her eyebrows rise up. Who’s that? Then she’s in full recognition mode: her mouth opens, slightly, though she says nothing. Her tongue licks her upper lip. Then it’s time for pity and compassion, and her eyes start to water. Then she’s shocked, and her hand with lemon juice on it rises to her face. “Uh,” she says, but nothing else comes out. A little spot of seasoning stays on her cheek. Then she’s angry, and that’s when she looks at me, as if I were the cause of all this. But the anger doesn’t stay posted up there on her face for long. It’s displaced by an expression we don’t have a word for. You see this expression when someone is hit by circumstances that are much bigger than expected, and the person is trying to restore things to normal, which can’t be done. Actors can’t duplicate this look. It only happens in real life.

My wife makes a move toward my ex-wife, to embrace her. I stand there waiting to see whether there will be an implausible hug. But Astrid stops herself in midstep.

Right about then, Lucy sails into the kitchen, heading toward the refrigerator for a diet soft drink. She turns and sees Corinne. “Who’re you?” she asks rudely.

No one remembers to say anything in response. Down the street, in the distance, a car alarm goes off, a faint
eee eee eee
sound.

Lucy looks at me, then at her mother, then at Corinne. “What’s going on?”

“This,” I say at last, pointing at Corinne, “is Jeremy’s mother, Corinne. She’s here for a visit.”

“How do you do?” Corinne says. “You must be Lucy. You look so clean. And bright. So do you, Astrid,” she says, smiling at my wife. “But then you always did. It must be from the hospital. It must be from the disinfecta
nts.”